Research training course. Recommended in preparation for laboratory related research.
“In Italy, literary fiction has long been considered a man’s game.” So began a
2019 New York Times article discussing the growing international attention being
paid to Italian women writers, particuarly on the heels of Elena Ferrante’s
phenomenal global success. This course will center the female voice and
subjectivity in the Italian literary tradition, with a focus on celebrated prose writers
active from the early twentieth century to the present. Some, recently republished
and reconsidered for the Italian market, have also been re-translated and re-
introduced to a wider English readership. We will trace the reception of female
authors within the Italian critical establishment and abroad, and the role
translation might play in broadening and amplifying their reputation and reach.
We will focus on one author per week, paying special attention to themes of
resistance, rebellion, and self-fashioning. All readings will be in English.
This course investigates the role of the question as a central artistic, political, and epistemological device in Latin American art from the early twentieth century to the present. We will explore how artists have deployed questions not merely as rhetorical devices or titles, but as strategies that shape form, content, and spectatorship—provoking reflection, resistance, and transformation.
Through case studies ranging from Oswald de Andrade’s provocative “Tupy or not Tupy?” (1928) and Marta Minujín’s playful “What types of materials turn you on?” (1968) to Alfredo Jaar’s public survey ¿Es usted feliz? (1981) and Clemencia Lucena’s feminist intervention ¿Qué hacen ellas mientras ellos trabajan? (1970), students will examine the diverse functions of questioning in visual art, performance, literature, and other media. Class discussions will focus on the aesthetic, political, and epistemic implications of questions in art: How do these works shape audience engagement? In what ways do they resist resolution? How do they generate critique, knowledge, or political action? We will also consider transnational and diasporic contexts, exploring how Latin American artists navigate questions across cultural and geographic boundaries.
The course is structured around five modules—Questioning Identity, Questioning the Patriarchy, Questioning Dictatorship, Questioning Spectatorship, and Questioning the Real—that highlight key moments in modern and contemporary Latin American art to uncover how uncertainty and questioning have shaped aesthetic and political imagination.
This course may be repeated for credit, but no more than 6 points of this course may be counted toward the satisfaction of the B.S. degree requirements. Candidates for the B.S. degree may conduct an investigation in applied physics or carry out a special project under the supervision of the staff. Credit for the course is contingent upon the submission of an acceptable thesis or final report.
The Senior Thesis Seminar is a one-semester requirement for all Barnard College students majoring in Asian and Middle Eastern Cultures (AMEC). This is a working research seminar devoted to helping students produce a substantive piece of writing that will eventually be part of their senior thesis project, the culmination of their work in the major. Students will participate in the seminar as thesis writers and as peer editors. In addition to working with the instructor in the seminar, students will also consult with a faculty member who specializes in the student's area of interest within the AMEC department.
Candidates for the B.S. degree may conduct an investigation of some problem in chemical engineering or applied chemistry or carry out a special project under the supervision of the staff. Up to 6 points may be counted toward the technical elective content requirement. (Note that if more than 3 points of research are pursued, an undergraduate thesis is required.)
Candidates for the B.S. degree may conduct an investigation of some problem in chemical engineering or applied chemistry or carry out a special project under the supervision of the staff. Up to 6 points may be counted toward the technical elective content requirement. (Note that if more than 3 points of research are pursued, an undergraduate thesis is required.)
This course may be repeated for credit, but no more than 3 points of this course may be counted towards the satisfaction of the B. S. degree requirements. Candidates for the B.S. degree may conduct an investigation in Earth and Environmental Engineering, or carry out a special project under the supervision of EAEE faculty. Credit for the course is contingent on the submission of an acceptable thesis or final report. This course cannot substitute for the Undergraduate design project (EAEE E3999x or EAEE E3999y)
This course may be repeated for credit, but no more than 3 points of this course may be counted towards the satisfaction of the B. S. degree requirements. Candidates for the B.S. degree may conduct an investigation in Earth and Environmental Engineering, or carry out a special project under the supervision of EAEE faculty. Credit for the course is contingent on the submission of an acceptable thesis or final report. This course cannot substitute for the Undergraduate design project (EAEE E3999x or EAEE E3999y)
This course may be repeated for credit, but no more than 3 points of this course may be counted towards the satisfaction of the B. S. degree requirements. Candidates for the B.S. degree may conduct an investigation in Earth and Environmental Engineering, or carry out a special project under the supervision of EAEE faculty. Credit for the course is contingent on the submission of an acceptable thesis or final report. This course cannot substitute for the Undergraduate design project (EAEE E3999x or EAEE E3999y)
A seminar for senior film majors planning to write a research paper in film history/theory/culture. Course content changes yearly.
Independent work involving experiments, computer programming, analytical investigation, or engineering design.