AI in Society - DISC

This is a mandatory discussion section for course UN2210 AI in Society. Please register for one AI in Society discussion section to take the course.

• Department: Sociology
• R 3:10 p.m.-4 p.m.
• M 9:10 a.m.-10 a.m.
• Instructor: Emily R Mazo
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• Instructor: Claire M Corsten
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• 0 points

TRADITIONS IN NONFICTION

Prerequisites: No prerequisites. Department approval NOT required. The seminar provides exposure to the varieties of nonfiction with readings in its principal genres: reportage, criticism and commentary, biography and history, and memoir and the personal essay. A highly plastic medium, nonfiction allows authors to portray real events and experiences through narrative, analysis, polemic or any combination thereof. Free to invent everything but the facts, great practitioners of nonfiction are faithful to reality while writing with a voice and a vision distinctively their own. To show how nonfiction is conceived and constructed, class discussions will emphasize the relationship of content to form and style, techniques for creating plot and character under the factual constraints imposed by nonfiction, the defining characteristics of each authors voice, the authors subjectivity and presence, the role of imagination and emotion, the uses of humor, and the importance of speculation and attitude. Written assignments will be opportunities to experiment in several nonfiction genres and styles.

• Department: Writing
• R 6:10 p.m.-8 p.m.
• Instructor: Zoe K Hardwick
  Info
• 3 points

MODERN RUSSIAN HISTORY

An introductory survey of the history of Russia, the Russian Empire, and the Soviet Union over the last two centuries. Russia’s role on the European continent, intellectual movements, unfree labor and emancipation, economic growth and social change, and finally the great revolutions of 1905 and 1917 define the “long nineteenth century.” The second half of the course turns to the tumultuous twentieth century: cultural experiments of the 1920s, Stalinism, World War II, and the new society of the Khrushchev and Brezhnev years. Finally, a look at very recent history since the East European revolutions of 1989-91. This is primarily a course on the domestic history of Russia and the USSR, but with some attention to foreign policy and Russia’s role in the world.

• Department: History
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Yana Skorobogatov
  Info
• 4 points

MODERN RUSSIAN HISTORY-DISCUSSION

• Department: History
• T noon-12:50 p.m.
• T 5 p.m.-5:50 p.m.
• W 11 a.m.-11:50 a.m.
• W noon-12:50 p.m.
• W 4 p.m.-4:50 p.m.
• R 5 p.m.-5:50 p.m.
• Instructor: Aisha Garaeva
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• Instructor: Aleksandr Orlov
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• Instructor: Brandon T Waldau
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• 0 points

SECOND YEAR CHINESE W II

Second-Year Chinese W (I & II) : This course is designed for heritage learners with conversational abilities and foundational literacy skills in Mandarin Chinese. Through a combination of interactive lessons, focused linguistic exercises, cultural exploration, and real-world applications, students will deepen their understanding of their cultural heritage while expanding their vocabulary and enhancing their language skills. By the end of the course, students will be better equipped to engage confidently with family members and other Chinese-speaking communities.

• Department: East Asian Languages and Cultures
• MTR 12:10 p.m.-1:25 p.m.
• Instructor: Yaxi Zheng
  Info
• 5 points

NATURE & POWER: ENV HIST NORTH AMERICA

Environmental history seeks to expand the customary framework of historical inquiry, challenging students to construct narratives of the past that incorporate not only human beings but also the natural world with which human life is intimately intertwined. As a result, environmental history places at center stage a wide range of previously overlooked historical actors such as plants, animals, and diseases. Moreover, by locating nature within human history, environmental history encourages its practitioners to rethink some of the fundamental categories through which our understanding of the natural world is expressed: wilderness and civilization, wild and tame, natural and artificial. For those interested in the study of ethnicity, environmental history casts into particularly sharp relief the ways in which the natural world can serve both to undermine and to reinforce the divisions within human societies. Although all human beings share profound biological similarities, they have nonetheless enjoyed unequal access to natural resources and to healthy environments—differences that have all-too-frequently been justified by depicting such conditions as “natural.”

• Department: History
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Karl Jacoby
  CULPA: 2 h-index: 8 Info
• 4 points

NATURE & POWER: ENV HIST NORTH AMERICA

Environmental history seeks to expand the customary framework of historical inquiry, challenging students to construct narratives of the past that incorporate not only human beings but also the natural world with which human life is intimately intertwined. As a result, environmental history places at center stage a wide range of previously overlooked historical actors such as plants, animals, and diseases. Moreover, by locating nature within human history, environmental history encourages its practitioners to rethink some of the fundamental categories through which our understanding of the natural world is expressed: wilderness and civilization, wild and tame, natural and artificial. For those interested in the study of ethnicity, environmental history casts into particularly sharp relief the ways in which the natural world can serve both to undermine and to reinforce the divisions within human societies. Although all human beings share profound biological similarities, they have nonetheless enjoyed unequal access to natural resources and to healthy environments—differences that have all-too-frequently been justified by depicting such conditions as “natural.”

• Department: Auditing
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Karl Jacoby
  CULPA: 2 h-index: 8 Info
• 0 points

Accelerated Korean for Heritage Speakers

Accelerated Korean II

Accelerated Korean II is specifically designed for heritage students of Korean, who already have previous knowledge of basic grammar and culture. This course completes the college's two-year foreign language requirement.

• Department: East Asian Languages and Cultures
• MTWR 2:40 p.m.-3:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• Instructor: Ji-Young Jung
  Info
• 5 points

MELLON MAYS UNDERGRADUATE FELLOWSHIP SEN

MMUF SENIOR YEAR COLLOQUI

This is a course designed for the students enrolled in the Mellon Mays Undergraduate Research Fellowship Program.  It should be taken fall and spring semesters of a student's third and fourth years at the college (for a total of 6 course credits total over the two years). The goal of this course is to become familiar with academic research and writing, as well as the  culture of colleges/ universities in order to prepare students to apply to graduate school and earn the PhD.. The program hones academic writing skills (research papers, project and grant proposals, academic reflections designed to facilitate intentional goal setting and planning), teaches skills related to scholarly presentations (oral and written), as well as familiarizes students with academic culture in particular diversity, equity and inclusion issues and concerns in the academy. Students are expected to attend all the events and meetings associated with the program.

• Department: Barnard College
• F noon-2 p.m.
• Instructor: Lisa Jahn
  Info
• 1.5 points

SODB: THIRD & FOURTH YR SEM

Prerequisites: SODBX1111 Must be enrolled on Scholars of Distinction Program This is the course associated with the Barbara Silver Horowitz Scholars of Distinction program. It is for students in that program. Note at the end of their second year, the students will have developed a project for the summer between their second and third years at Barnard. During their third year, they will develop a robust research project connected to or deriving from that summer’s work.

• Department: Scholars of Distinction @Barnard
• M 4:10 p.m.-6 p.m.
• 1.5 points

NATURE & POWER: ENV HIST NORTH AMER-DIS

• Department: History
• 0 points

Staging Early Modern London

This lecture course examines the performances through which early modern London (c. 1558-1642) “staged” itself: at the public and private theaters, on the street in civic and royal rituals, and in popular entertainments.   In so doing, we will examine how the capital city’s sense of itself came to be shaped by its various performances – its relationship with the crown, with the country, with strangers and foreigners – and how key sites (the “liberties,” the Royal Exchange, the Guildhall, the Thames, Covent Garden, Hyde Park) came to hold meaning for London audiences. 

We will be reading texts by dramatists including Thomas Dekker, Ben Jonson, Francis Beaumont, Thomas Middleton, and James Shirley, as well as less studied texts.

• Department: English and Comparative Literature
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Alan Stewart
  CULPA: 14 h-index: 13 Info
• 3 points

Staging Early Modern London

This lecture course examines the performances through which early modern London (c. 1558-1642) “staged” itself: at the public and private theaters, on the street in civic and royal rituals, and in popular entertainments.   In so doing, we will examine how the capital city’s sense of itself came to be shaped by its various performances – its relationship with the crown, with the country, with strangers and foreigners – and how key sites (the “liberties,” the Royal Exchange, the Guildhall, the Thames, Covent Garden, Hyde Park) came to hold meaning for London audiences. 

We will be reading texts by dramatists including Thomas Dekker, Ben Jonson, Francis Beaumont, Thomas Middleton, and James Shirley, as well as less studied texts.

• Department: Auditing
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Alan Stewart
  CULPA: 14 h-index: 13 Info
• 0 points

Chinese Contemporary Culture & Society T

Chinese Contemporary Film

This course will use films to introduce Chinese contemporary history, culture, and values. As the first part of this course, it focuses primarily on films produced in mainland China. Students will explore a selection of films from the early 1930s to the present, spanning various genres and themes, including internationally renowned Chinese films, independent productions, and mainstream popular works, while also reflecting diverse customs and dialects. Through this exploration, students will develop a foundational understanding of China’s contemporary history, society, and its rich and diverse cultural traditions and values. Each film will be analyzed within its historical context, considering both its aesthetic form and social content. Class meetings incorporate lectures, film screenings, discussions, and student presentations.

• Department: Asian and Middle East @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Danwei Li
  Info
• 3 points

Gender, Sexuality, and Health: Social Sc

Gender and sexuality are fundamental to how we understand ourselves as individuals – but have you thought about them as kinds of social inequality, similar to race, class, or disability? In this course, students will learn about gender and sexuality as elements of social context which are fundamental to our social worlds, as aspects of social organization, as key forms of inequality (heterosexuality/homosexuality, cis/trans or nonbinary, men/women), and as forces that shape health. Developing skills to analyze how gender and sexuality shape health includes mastering some key concepts at the intersection of social science, gender and sexuality studies, and health sciences as well as learning some content about social aspects of a range of health problems.

This course, which has no prerequisites, may be of particular interest to students majoring in sociology, anthropology, or gender and sexuality studies, as well as to students interested in health science careers (note, our engagement with questions about inequality and social structure speak to topics on the MCAT).  A key element of course design is that all graded writing is done *during* class time (of course with appropriate disability accommodations), both with the goal of structuring AI-free writing and helping students manage their workload.

• Department: Sociology
• TR 8:40 a.m.-9:55 a.m.
• Instructor: Jennifer S Hirsch
  Wikipedia Info
• 4 points

THINKING AND DECISION MAKING

Prerequisites: an introductory course in psychology. Models of judgment and decision making in both certain and uncertain or risky situations, illustrating the interplay of top-down (theory-driven) and bottom-up (data-driven) processes in creating knowledge. Focuses on how individuals do and should make decisions, with some extensions to group decision making and social dilemmas.

• Department: Psychology
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Katherine T Fox-Glassman
  CULPA: 6 h-index: 4 Info
• 3 points

JAZZ DANCE II

In This JAZZ ll Level Course,
You will develop a solid understanding within your body that demonstrates advanced  fundamentals, rhythm, technique, connectivity and phrasing necessary to communicate each movement. You will  learn new phrases and dynamic material while continuously applying technical information. We will delve deeper into technique preparing your body to perform more efficiently and effectively at a higher rate while reducing the risk of  injury.

Prerequisites: DNCE BC1247, BC1248 or permission of instructor.

• Department: Dance @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Ehizoje J Azeke
  Info
• 2 points

AFRICAN DANCE I

In West Africa, dance is part of daily life. It is used to mark occasions such a birth, death, harvest, and  marriage. It is also used to unite the community in times of crisis. West African dance is not as much a strict  technique as it is a movement coming from the spirit and the rhythm of the drum and the energy of the  people. While there are certain steps that go with specific rhythms, it leaves space for the individual  interpretation and improvisations which is an important element. Dancing is more about the communication  between dancer and drummer. The movement of West African dance tends to be energetic and big. It is very  expressive, and the energy is outward. 

Some African dance steps are taken directly from daily activities such as planting or hunting. Most, however,  are an expression of joy or release of the spirit. Dancing is done by communicating with a drummer to create  positive energy. It is a way to enjoy oneself and each other. In African dance, the name of the dance is the  same as the name of the rhythm played by the drummer. The individual steps that make up the dance do not  have names. In this course, we are going to be learning various West African dances such as Sikko, Socco,  Kuku, Mandiany, Farakorroba, Sunu, Soli, Lamba, Mandjo, Diambadong, Doundounba, Kaolask,  Thieboudjeune, Niarry---gorong, Ekongkong, Wolossodong, Zaouly, Ngorong, Niakka, Maraka, Djansa and  Lengeng/Kutiro.

• Department: Dance @Barnard
• TR 10 a.m.-10:50 a.m.
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Maguette Camara
  CULPA: 7 Info
• 2 points

AFRICAN DANCE II

Prerequisites: DNCE BC2252 or permission of instructor.

In West Africa, dance is part of daily life. It is used to mark occasions such a birth,  death, harvest, and marriage. It is also used to unite the community in times of  crisis. West African dance is not as much a strict technique as it is a movement  coming from the spirit and the rhythm of the drum and the energy of the people.  While there are certain steps that go with specific rhythms, it leaves space for the  individual interpretation and improvisations which is an important element. Dancing  is more about the communication between dancer and drummer. The movement of  West African dance tends to be energetic and big. It is very expressive, and the  energy is outward. 

Some African dance steps are taken directly from daily activities such as planting or  hunting. Most, however, are an expression of joy or release of the spirit. Dancing is  done by communicating with a drummer to create positive energy. It is a way to  enjoy oneself and each other. 

In African dance, the name of the dance is the same as the name of the rhythm  played by the drummer. The individual steps that make up the dance do not have  names. 

In this course, we are going to be learning various West African dances such as  Sikko, Socco, Kuku, Mandiany, Farakorroba, Sunu, Soli, Lamba, Mandjo,  Diambadong, Doundounba, Kaolask, Thieboudjeune, Niarry-gorong, Ekongkong,  Wolossodong, Zaouly, Ngorong, Niakka, Maraka, Djansa and Lengeng/Kutiro.

• Department: Dance @Barnard
• TR 9 a.m.-9:50 a.m.
• Instructor: Maguette Camara
  CULPA: 7 Info
• 2 points

AFRO-CUBAN DANCE

This course introduces students to the African-based dances of Cuba, including dances for the Orisha, Rumba, and the immensely joyful “Rueda de Casino” style of Salsa. In addition to learning rhythms, songs, and dances, we will have an ongoing, informal discussion about the historical and contemporary significance of Afro-Cuban dance performance, making connections to personal experience through practice and ongoing reflection. We engage Afro-Cuban music and dance as a living and evolving tradition, where culture, artistry, and history are intimately bound.

• Department: Dance @Barnard
• F 3 p.m.-5 p.m.
• Instructor: Rebecca Bliss
  Info
• 2 points

Machine Intelligence

This course will survey historical and modern developments in machine intelligence from fields such as psychology, neuroscience, and computer science, and from approaches such as cybernetics, artificial intelligence, machine learning, robotics, connectionism, neural networks, and deep learning. Emphasis will be placed on the conceptual understanding of topics. The course does not include, nor require a background in, computer programming and statistics. The overall goal is for students to become informed consumers of artificial intelligence applications.

• Department: Psychology
• F 1:10 p.m.-3:40 p.m.
• Instructor: Trenton Jerde
  h-index: 11 Info
• 3 points

Advanced Explorations in AfroCuban Dance

Advanced AfroCuban Dance

An upper-level exploration of Afro-Cuban Dance focused on performance. Building on the foundation of Afro-Cuban Dance: Orisha, Rumba, Salsa, this course is a deeper dive into aesthetic principles, cultural themes, and improvisation as performance in the African dance context. Students explore multiple distinct dances and learn to engage the storytelling and cultural significance of each dance through improvisation with the drums. The course culminates with final, in-class presentations. Open to experienced movers and students who have completed Afro-Cuban Dance: Orisha, Rumba, Salsa. Permission of instructor required.

• Department: Dance @Barnard
• F 1 p.m.-3 p.m.
• Instructor: Rebecca Bliss
  Info
• 2 points

THE GLOBAL ECONOMY

Prerequisites: ECON UN1105 Covers five areas within the general field of international economics: (i) microeconomic issues of why countries trade, how the gains from trade are distributed, and protectionism; (ii) macroeconomic issues such as exchange rates, balance of payments and open economy macroeconomic adjustment, (iii) the role of international institutions (World Bank, IMF, etc); (iv) economic development and (v) economies in transition.

• Department: Economics
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Waseem Noor
  CULPA: 7 Info
• 3 points

HIP HOP DANCE & CULTURE III (ADVANCED)

HIP HOP DANCE & CULTURE 3

Advanced technique and repertory in hip hop. Classes are geared to condition the body for the rigors of hip-hop technique by developing strength, coordination, flexibility, stamina, and rhythmic awareness, while developing an appreciation of choreographic movement and structures. Compositional elements of hip-hop will be introduced and students may compose brief movement sequences. The course meets twice weekly and is held in the dance studio.

• Department: Dance @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Bo Park Park
  Info
• 2 points

Social Cognition

This course provides an overview of social cognition, which blends cognitive and social
psychology to understand how people make sense of the social world. Topics may include social
perception, inference, memory, motivation, affect, understanding the self, stereotypes, and
cultural cognition.

• Department: Psychology
• WF 2:40 p.m.-3:55 p.m.
• Instructor: Chujun Lin
  Info
• 3 points

ACCOUNTING & FINANCE FOR ECONOMICS

The purpose of this course is to provide a basic introduction to accounting, including the
foundations of accounting concepts, the underlying mechanics, and the overall perspective required
to become intelligent users of accounting information. The course will focus on the main
financial statements, the nature of accrual measurement, and the information perspective. In addition,
we will explore some accounting methods in detail, such as revenue recognition, assets,
liabilities, and equity.
The overarching perspective is that accounting reports provide information that is useful for
a variety of purposes. In the course, I will also provide insights into how the financial markets
use accounting information to evaluate executives, predict future stock returns, assess firms’
riskiness, and allocate society’s resources to their most productive uses.

• Department: Economics @Barnard
• MW 6:10 p.m.-7:25 p.m.
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Jose Cao-Alvira
  CULPA: 2 Info
• Instructor: Waldo Ojeda
  Info
• 3 points

INTRO-ACCOUNTING & FIN - DISC

• Department: Economics @Barnard
• R 11 a.m.-11:50 a.m.
• F 11 a.m.-11:50 a.m.
• Instructor: Faculty
  h-index: 37 Info
• 0 points

ANIMAL BEHAVIOR

Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, BIOL BC1503 or equivalent. This introduction to animal behavior takes an integrative approach to understand the physiological and genetic basis of behavior, the ecological context of behavior, and the evolutionary consequences of behavior. This course focuses on the process of scientific research, including current research approaches in animal behavior and practical applications of these findings.

• Department: Biological Sciences @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Alison Pischedda
  CULPA: 3 h-index: 11 Info
• 3 points

EARTH'S ENVIRO SYST: LIFE SYST

Prerequisites: high school algebra. Recommended preparation: high school chemistry and physics.

 Role of life in biogeochemical cycles, relationship of biodiversity and evolution to the physical Earth, vulnerability of ecosystems to environmental change; causes and effects of extinctions through geologic time (dinosaurs and mammoths) and today. Exploration of topics through laboratories, data analysis, and modeling. REQUIRED LAB: EESC UN2310. Students will be expected to choose a lab section during the first week of class from the options listed in the Directory of Classes. Co-meets with EEEB 2002

• Department: Earth and Environmental Sciences
• MW 11:40 a.m.-12:55 p.m.
• 4.5 points

CHALLENGES OF SUSTAINABLE DEV

This course provides an introduction to the field of sustainable development, drawing primarily from social science and policy studies. It offers a critical examination of the concept of sustainable development, showing how factors like economics, population, culture, politics and inequality complicate its goals. Students will learn how different social science disciplines (political science, demography, economics, geography, history, law, and sociology) approach challenges of sustainable development across a variety of topics (fisheries, climate change, air pollution, consumption, energy, conservation, and water management). The course provides students with some of the fundamental concepts, vocabulary, and analytical tools to pursue and think critically about sustainable development. Offered in the Spring.

• Department: Earth Institute
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Lisa Dale
  CULPA: 6 Info
• 3 points

SCULPTURE I

(Formerly R3330) The fundamentals of sculpture are investigated through a series of conceptual and technical projects. Three material processes are introduced, including wood, metal, and paster casting. Issues pertinent to contemporary sculpture are introduced through lectures, group critiques, discussions, and field trips that accompany class assignments. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• F 10 a.m.-4 p.m.
• Instructor: Jon Kessler
  CULPA: 5 Wikipedia Info
• 3 points

Dreaming Empire: Britain & Russia in 19C

Dreaming Empire: Brit&Rus

The course falls neatly into two halves, addressing the British and Russian empires as they were in the 19th century. The purpose of the course is to become familiar with imperial thinking, the thought (pro-empire, anti-empire, and simply permeated by empire, to put it in terms familiar to a contemporary audience) implicit in various literary works of the time. For the most part, the readings assigned are primary texts. These will be heavily supplemented during course meetings: the instructor will bring in various materials that would be obscure if assigned to students outside of class, but with live explanations in-class, will enrich their understanding of the primary readings.

Most readings are literary texts, though students will also read and receive guidance in secondary academic literature about those works. A few philosophical and historical texts from the time under examination will also be assigned.

• Department: Slavic Languages @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: John C Wright
  CULPA: 1 Info
• 3 points

HIST PHIL III:KANT-NIETZSCHE

Prerequisites: None. Exposition and analysis of major texts and figures in European philosophy since Kant. Authors include Kant, Hegel, Schopenhauer, Kierkegaard, and Nietzsche. Required discussion section (PHIL UN2311). Attendance in the first week of classes is mandatory.

• Department: Philosophy @Barnard
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Taylor Carman
  CULPA: 40 Wikipedia h-index: 19 Info
• 4 points

INTERMEDIATE ARMENIAN II

Prerequisites: MDES W1310-W1311 or the equivalent. A continuation of the study of reading, writing and speaking of Armenian. In Intermediate Armenian II, students learn to communicate about a wide range of topics. Such topics include biographical narration, cooking and recipes, health and well-being, holidays and celebrations, travel and geography, etc. At this level, students continue to develop their skills in reading, writing, speaking, and listening while perfecting the grammatical concepts to which they were introduced in the first year. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MW 10:10 a.m.-noon
• Instructor: Charry Karamanoukian
  Info
• 4 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• R 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• R 4:10 p.m.-7 p.m.
• 0 points

THE DOCUMENTARY TRADITION

This class offers an introduction to the history of documentary cinema and to the theoretical and philosophical questions opened up by the use of moving images to bear witness, persuade, archive the past, or inspire us to change the future. How are documentaries different than fiction films? What is the role of aesthetics in relation to facts and evidence in different documentary traditions? How do documentaries negotiate appeals to emotions with rational argument? From the origins of cinema to our current “post-truth” digital age, we will look at the history of how cinema has attempted to shape our understanding of reality. FILM W2311

• Department: Film
• R 2 p.m.-5:45 p.m.
• Instructor: Nico Baumbach
  Info
• 3 points

THE DOCUMENTARY TRADITION

This class offers an introduction to the history of documentary cinema and to the theoretical and philosophical questions opened up by the use of moving images to bear witness, persuade, archive the past, or inspire us to change the future. How are documentaries different than fiction films? What is the role of aesthetics in relation to facts and evidence in different documentary traditions? How do documentaries negotiate appeals to emotions with rational argument? From the origins of cinema to our current “post-truth” digital age, we will look at the history of how cinema has attempted to shape our understanding of reality. FILM W2311

• Department: Auditing
• R 2 p.m.-5:45 p.m.
• Instructor: Nico Baumbach
  Info
• 0 points

THE DOCUMENTARY TRADITION-DISC

• Department: Film
• F 9:10 a.m.-10 a.m.
• F 2:10 p.m.-3 p.m.
• Instructor: Daisy E Gadsby
  Info
• Instructor: Zacha del Rosario
  Info
• 0 points

HISTORY OF PHILOSPHY III REC

HISTORY OF PHIL III - REC

• Department: Philosophy @Barnard
• T 9:10 a.m.-10 a.m.
• T 11:10 a.m.-noon
• Instructor: Taylor Carman
  CULPA: 40 Wikipedia h-index: 19 Info
• Instructor: Jared W Jones
  Info
• 0 points

TRADITIONS IN POETRY

Prerequisites: No prerequisites. Department approval NOT required. 

“For those, in dark, who find their own way by the light of others’ eyes.” —Lucie Brock-Broido

The avenues of poetic tradition open to today’s poets are more numerous, more invigorating, and perhaps even more baffling than ever before. The routes we chose for our writing lead to destinations of our own making, and we take them at our own risk—necessarily so, as the pursuit of poetry asks each of us to light a pilgrim’s candle and follow it into the moors and lowlands, through wastes and prairies, crossing waters as we go. Go after the marshlights, the will-o-wisps who call to you in a voice you’ve longed for your whole life. These routes have been forged by those who came before you, but for that reason, none of them can hope to keep you on it entirely. You must take your steps away, brick by brick, heading confidently into the hinterland of your own distinct achievement.

 

For the purpose of this class, we will walk these roads together, examining the works of classic and contemporary exemplars of the craft. By companioning poets from a large spread of time, we will be able to more diversely immerse ourselves in what a poetic “tradition” truly means. We will read works by Edmund Spencer, Dante, and Goethe, the Romantics—especially Keats—Dickinson, who is mother to us all, Modernists, and the great sweep of contemporary poetry that is too vast to individuate.

 

While it is the imperative of this class to equip you with the knowledge necessary to advance in the field of poetry, this task shall be done in a Columbian manner. Consider this class an initiation, of sorts, into the vocabulary which distinguishes the writers who work under our flag, each of us bound by this language that must be passed on, and therefore changed, to you who inherit it. As I have learned the words, I have changed them, and I give them now to you so that you may pave your own way into your own ways, inspired with the first breath that brought you here, which may excite and—hopefully—frighten you. You must be troubled. This is essential

• Department: Writing
• T 10:10 a.m.-noon
• Instructor: Ofi Davis
  Info
• 3 points

Northern Renaissance Art

This course will explore extraordinary artworks made by Northern European painters, sculptors, weavers, and printmakers from about 1400 to 1590. Sessions will examine outstanding productions by such figures as Jan van Eyck, Rogier van der Weyden, Hieronymus Bosch, Albrecht Dürer, Hans Baldung Grien, Pieter Bruegel the Elder, Hans Holbein, and Bernard Palissy. The themes we will discuss include the redefinition of the aims and nature of art and the artist, Protestantism and iconophobia, the ascent of the printing press, the dissemination of humanism, familial relations, courtly politics, art and knowledge, technology, the persecution of witches, as well as exploration and the broad-based shift from a European to a global mindset. The course will focus on the patterns of visual culture and how those patterns develop over time. The course is suitable for students from all disciplines and all years.

• Department: Art History and Archaeology
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Susanna C Berger
  Info
• 3 points

Renaissance Architecture

RENAISSANCE ARCHITECTURE

This course examines the history of architecture between roughly 1400 and 1600 from a European perspective outward. Employing a variety of analytical approaches, it addresses issues related to the Renaissance built environment thematically and through a series of specific case studies. Travelling across a geographically diverse array of locales, we will interrogate the cultural, material, urban, social, and political dimensions of architecture (civic, commercial, industrial, domestic, ecclesiastical and otherwise). Additional topics to be discussed include: antiquity and its reinterpretation; local identity, style, and ornament; development of building typologies; patronage and politics; technology and building practice; religious change and advancements in warfare; the creation and migration of architectural knowledge; role of capitalism and colonialism; class and decorum in domestic design; health and the city; the mobility of people and materials; architectural theory, books, and the culture of print; the media of architectural practice; the growth of cities and towns; the creation of urban space and landscape; architectural responses to ecological and environmental factors; and the changing status of the architect.

Students must registere for a required discussion section.

• Department: Art History and Archaeology
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Michael J Waters
  CULPA: 5 h-index: 3 Info
• 4 points

Renaissance Architecture - Discussion Se

Discussion section for AHIS UN2317.

• Department: Art History and Archaeology
• W 12:10 p.m.-1 p.m.
• W 1:10 p.m.-2 p.m.
• R 12:10 p.m.-1 p.m.
• R 1:10 p.m.-2 p.m.
• W 2:10 p.m.-3 p.m.
• W 3:10 p.m.-4 p.m.
• Instructor: Matthew S Lopez
  Info
• 0 points

MUSIC THEORY I

Elementary analysis and composition in a variety of modal and tonal idioms.

• Department: Music
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Peter M Susser
  CULPA: 20 Info
• 3 points

Breadbasket, Borderland, Battleground: E

Ukraine: Economy, Space,

Adopting a long-term perspective that centers on the dynamic interplay of economy, space, and political power, this course investigates how Ukraine's geography – its richness in natural resources and trade routes; its centrality as a crossroads between sea, settlement, and steppe, and between rival religious, imperial, and national projects; its vastness, which fostered divergent developmental trajectories and deep regional diversity; and its openness, which offered few natural barriers to contact and conquest – have shaped the country’s history from antiquity to the present.

• Department: History
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Andrey A Shlyakhter
  Info
• 4 points

MUSIC THEORY II

Elementary analysis and composition in a variety of tonal idioms.

• Department: Music
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Galen P Degraf
  CULPA: 1 Info
• 3 points

Breadbasket, Borderland, Battleground: E

Ukraine: Econ,Space,Power

Required zero-point/ungraded discussion section for “Breadbasket, Borderland, Battleground: Economy, Space, & Power in Ukraine, ca. 750 BCE – 2026 AD” lecture (HIST 2319)

• Department: History
• 0 points

Introduction to Music Cognition

Intro to Music Cognition

The aim of music cognition is to understand the musical mind. This course is an introduction to a variety of key topics in this field, including human development, evolution, neural processing, embodied knowledge, memory and anticipation, cross-cultural perspectives, and emotions. The course explores recent research on these topics, as well as ways in which this research can be applied to music scholarship. Readings are drawn from fields as diverse as music theory, psychology, biology, anthropology, and neuroscience, and include general works in cognitive science, theoretical work focused on specific musical issues, and reports of empirical research.

• Department: Music
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Mariusz Kozak
  CULPA: 4 h-index: 5 Info
• 3 points

Nineteenth Century Britain: Politics, S

This course covers all aspects of British history – political, imperial, economic, social and cultural – during the century of Britain’s greatest global power.  Particular attention will be paid to the emergence of liberalism as a political and economic system and as a means of governing personal and social life.  Students will read materials from the time, as well as scholarly articles, and will learn to work with some of the rich primary materials available on this period.

• Department: History
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Susan Pedersen
  CULPA: 15 Wikipedia Info
• 4 points

Nineteenth Century Britain: Politics, S

This course covers all aspects of British history – political, imperial, economic, social and cultural – during the century of Britain’s greatest global power.  Particular attention will be paid to the emergence of liberalism as a political and economic system and as a means of governing personal and social life.  Students will read materials from the time, as well as scholarly articles, and will learn to work with some of the rich primary materials available on this period.

• Department: Auditing
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Susan Pedersen
  CULPA: 15 Wikipedia Info
• 0 points

NINETEENTH CENTURY BRITAIN-DIS

• Department: History
• Instructor: Susan Pedersen
  CULPA: 15 Wikipedia Info
• 0 points

MODERN III

Modern III continues training in contemporary/modern technique for the beginning-intermediate  level dancer, emphasizing alignment and musicality while expanding on the dancer’s physical and  intellectual understanding of articulation, phrasing, dynamics, performance and focus. Our class  will incorporate relevant principals from classical modern techniques along with contemporary  aesthetics, improvisation and reflection. Our class aims to create a space that is in support of your  artistic development, aesthetic fluency, and creative explorations as a dancer.

Prerequisites: 
  Intermediate experience in ballet and/or contemporary modern

• Department: Dance @Barnard
• MW 10:10 a.m.-11:25 a.m.
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Caroline Fermin
  Info
• Instructor: Tamisha Guy
  Info
• 2 points

MODERN IV

Modern IV is a contemporary technique class for the intermediate to advanced-intermediate level  dancer, emphasizing alignment and musicality while expanding on the dancer’s physical and  intellectual understanding of articulation, phrasing, dynamics, performance, and focus. Our class  will incorporate relevant principles from classical modern techniques with contemporary  aesthetics, improvisation, and reflection.

• Department: Dance @Barnard
• MW 1:10 p.m.-2:25 p.m.
• F 1 p.m.-2:50 p.m.
• Instructor: Francesca Dominguez
  Info
• Instructor: Jodi Melnick
  CULPA: 3 Info
• 2 points

EVERYDAY COMMUNISM

This lecture course comparatively and transnationally investigates the twentieth-century communism as a modern civilization with global outreach. It looks at the world spread of communism as an ideology, everyday experience, and form of statehood in the Soviet Union, Europe, Asia (Mao’s China), and post-colonial Africa. With the exception of North America and Australia, communist regimes were established on all continents of the world. The course will study this historical process from the October Revolution (1917) to the Chernobyl nuclear disaster (1986), which marked the demise of communist state. The stress is not just on state-building processes or Cold War politics, but primarily on social, gender, cultural and economic policies that shaped lived experiences of communism. We will closely investigate what was particular about communism as civilization: sexuality, materiality, faith, selfhood, cultural identity, collective, or class and property politics. We will explore the ways in which “ordinary people” experienced communism through violence (anti-imperial and anti-fascist warfare; forced industrialization) and as subjects of social policies (gender equality, family programs, employment, urban planning). By close investigation of visual, material and political representations of life under communism, the course demonstrates the variety of human experience outside the “West” and capitalist modernity in an era of  anti-imperial politics, Cold War, and decolonization, as well as current environmental crisis.

• Department: History
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Malgorzata Mazurek
  CULPA: 2 Info
• 4 points

DISC - Everyday Communism

DISCUSSION SECTION for HIST UN 2336 Everyday Communism

• Department: History
• T 10:10 a.m.-11 a.m.
• M 11:10 a.m.-noon
• T 3:10 p.m.-4 p.m.
• F 11:10 a.m.-noon
• R 3:10 p.m.-4 p.m.
• R 4:10 p.m.-5 p.m.
• W 12:10 p.m.-1 p.m.
• 0 points

Introduction to Korean Society: Explorin

This introductory lecture course introduces students with little or no prior knowledge of Korea or the
Korean language to Korean society by exploring cultural codes—shared symbols, values, and practices
that shape everyday life—through the lens of media and literature. By engaging with short stories, films,
TV shows, music, and other cultural texts, students will examine how these cultural codes influence
Korean social norms, identities, and global representations.
The course focuses on six key cultural codes—food, language, family structure, religion, economic
development, and the two Koreas—as reflected in Korean literature, film, drama, and YouTube content.
Through these themes, students will gain a foundational yet comprehensive understanding of Korean
society. At the same time, they will strengthen their critical and analytical skills in interpreting culture,
cultivating a deeper awareness of how meaning is constructed and communicated across different media.

• Department: Asian and Middle East @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Hwanhee Kim
  Info
• 3 points

Musicianship: Rhythm

In this course, students at all levels of experience and musical interest will participate in solo and group activities and projects with a focus on musical beat, meter, and rhythm patterns, developing a sense of steady and changing tempo, and an understanding how rhythm contributes to style in music. Rhythmic articulation, nuance, and interpretation will be developed through the impact of agogic, metric, tonal, and dynamic accent. This course combines the standards of conservatory musicianship with standards of critical thinking, here represented as critical listening. The repertoire for Musicianship: Rhythm covers vocal and instrumental music, and is open to classical, pop, jazz, folk, music theatre, computer, and international music styles and genres.

• Department: Music
• MW 12:05 p.m.-12:55 p.m.
• TR 9:05 a.m.-9:55 a.m.
• Instructor: Mary Asti
  Info
• Instructor: Peter M Susser
  CULPA: 20 Info
• 1 points

Musicianship: Melody

In this course, students at all levels of experience and musical interest will participate in solo and group activities and projects with a focus on scales, intervals, melodic contour and phrasing, and how they contribute to style in music. The repertoire for Musicianship: Melody covers vocal and instrumental music, and is open to classical, pop, jazz, folk, music theatre, computer, and international music styles and genres.

• Department: Music
• TR 12:05 p.m.-12:55 p.m.
• Instructor: Peter M Susser
  CULPA: 20 Info
• 1 points

Musicianship: Harmony

In this course, students at all levels of experience and musical interest will examine the phenomenon of simultaneous sound with chords and chord progressions, and experience harmony’s impact on musical structure and style. Harmonic articulation, nuance, and interpretation will be developed through the exploration of agogic, metric, tonal, and dynamic accent. The repertoire for Musicianship: Harmony covers vocal and instrumental music, and is open to classical, pop, jazz, folk, music theatre, computer, and international music styles and genres.

• Department: Music
• MW 3:05 p.m.-3:55 p.m.
• TR 12:05 p.m.-12:55 p.m.
• Instructor: Michael J Rose
  Info
• Instructor: Michael Joviala
  Info
• 1 points

Fascism in European History

FASCISM IN EURO HISTORY

What was Fascism? What kind of appeal did authoritarianism and dictatorship have in interwar Europe? How did the Fascist “New Order” challenge liberal democracies and why did it fail in World War II? What was the common denominator of Fascist movements across Europe, and in particular in Mussolini’s Italy, Salazar’s Portugal, Franco’s Spain, culminating in Nazi Germany?

This class examines the history of Fascism as an ideology, constellation of political movements, and authoritarian regimes that aimed at controlling the modernization of European societies in the interwar period. Thus, the course focuses in particular on the relationship between politics, science and society to investigate how Fascism envisioned the modernity of new technologies, new social norms, and new political norms. The class will also explore Fascism’s imperialist goals, such as the calls for national renewal, the engineering of a new race, and the creation of a new world order.

• Department: History @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Angelo Caglioti
  h-index: 2 Info
• 3 points

POLITICS OF TERROR:FRENCH REV

This course examines the political culture of eighteenth-century France, from the final decades of the Bourbon monarchy to the rise of Napoleon Bonaparte. Among our primary aims will be to explore the origins of the Terror and its relationship to the Revolution as a whole. Other topics we will address include the erosion of the kings authority in the years leading up to 1789, the fall of the Bastille, the Constitutions of 1791 and 1793, civil war in the Vendee, the militarization of the Revolution, the dechristianization movement, attempts to establish a new Revolutionary calendar and civil religion, and the sweeping plans for moral regeneration led by Robespierre and his colleagues in 1793-1794.

• Department: History
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Charly J Coleman
  CULPA: 7 Info
• 4 points

POLITICS OF TERROR:FRENCH REV

This course examines the political culture of eighteenth-century France, from the final decades of the Bourbon monarchy to the rise of Napoleon Bonaparte. Among our primary aims will be to explore the origins of the Terror and its relationship to the Revolution as a whole. Other topics we will address include the erosion of the kings authority in the years leading up to 1789, the fall of the Bastille, the Constitutions of 1791 and 1793, civil war in the Vendee, the militarization of the Revolution, the dechristianization movement, attempts to establish a new Revolutionary calendar and civil religion, and the sweeping plans for moral regeneration led by Robespierre and his colleagues in 1793-1794.

• Department: Auditing
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Charly J Coleman
  CULPA: 7 Info
• 0 points

POLITICS OF TERROR:FRENCH REV-DISC

MANDATORY Discussion Section for HIST UN 2398 The Politics of Terror: The French Revolution. Students must also be registered for HIST 2398.

• Department: History
• T 6:10 p.m.-7 p.m.
• R 6:10 p.m.-7 p.m.
• M 4:10 p.m.-5 p.m.
• W 9:10 a.m.-10 a.m.
• Instructor: Ahmed Tabbakh
  Info
• 0 points

ANCIENT NEAR EASTERN LITERATURE

This colloquium is a course on many influential texts of literature from Ancient Near Eastern cultures, including Sumerian, Egyptian, Babylonian, Assyrian, Hittite, Canaanite, and others. The emphasis is on investigating the literary traditions of each culture – the subject matter, form, methods, and symbolism– that distinguish them from one another and from later traditions of the Middle East. The course is not
a “civilization” course, nor is it a history class, although elements of culture and history will be mentioned as necessary. The course is intended to provide a facility with, and an awareness of, the content and context of ancient works of literature in translation from the Ancient Middle East.

Students in this course will gain a familiarity with the major cultures of the Ancient Middle East, the best known and most remarked upon stories, and the legacy of those works on some later traditions. The course is organized thematically in order to facilitate comparison to the materials in similar courses at Barnard and Columbia. The approach will be immediately familiar to students who have previously taken Asian Humanities (AMEC) or Literature-Humanities (Core), but the course does not require any previous experience with literature or the Ancient Near East and is open to everyone.

All assigned readings for the course will be in English. The course meets once a week and sessions are two hours long.

• Department: Asian and Middle East @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Nathanael P Shelley
  CULPA: 6 Info
• 4 points

Nineteenth-Century Art in Europe

19th-Century Art in Europ

How do you represent a revolution? What does it mean to picture the world as it “really” is? Who may be figured as a subject or citizen, and who not? Should art improve society, or critique it? Can it do both? These are some of the many questions that the artists of nineteenth-century Europe grappled with, and that we will explore together in this course. This was an era of rapid and dramatic political, economic, and cultural change, marked by wars at home and colonial expansion abroad; the rise of industrialization and urbanization; and the invention of myriad new technologies, from photography to the railway. The arts played an integral and complex role in all of these developments: they both shaped and were shaped by them. Lectures will address a variety media, from painting and sculpture to the graphic and decorative arts, across a range of geographic contexts, from Paris, London, Berlin, and Madrid to St. Petersburg, Cairo, Haiti, and New Zealand. Artists discussed will include Jacques-Louis David, Francisco Goya, Théodore Géricault, J.M.W. Turner, Adolph Menzel, Ilya Repin, Edouard Manet, Claude Monet, Mary Cassatt, James McNeill Whistler, C. F. Goldie, Victor Horta, and Paul Cézanne.

• Department: Art History and Archaeology
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Meredith Gamer
  CULPA: 1 Info
• 3 points

CONTMP BIO II:CELL BIO,DEV,PHYS

Prerequisites: a course in college chemistry and BIOL UN2005 or BIOL UN2401, or the written permission of either the instructor or the premedical adviser. Cellular biology and development; physiology of cells and organisms. Same lectures as BIOL UN2006, but recitation is optional. For a detailed description of the differences between the two courses, see the course web site or http://www.columbia.edu/cu/biology/ug/advice/faqs/gs.html. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar. http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• TR 10:10 a.m.-11:25 a.m.
• 3 points