MONEY AND BANKING

Prerequisites: ECON UN3211 and ECON UN3213 or the equivalent. Introduction to the principles of money and banking. The intermediary institutions of the American economy and their historical developments, current issues in monetary and financial reform.

• 3 points

WALT WHITMAN AND NEW YORK

Walt Whitman was not the first to write about New York. But he was the first of many to let New York write him. By age 43, Whitman had composed most of his best poetry, published three editions of Leaves of Grass, and left New York only twice. How did the second son of an unsuccessful farmer, a grammar school dropout and hack writer become America’s greatest poet? This course offers a response to this perennial mystery of literary scholarship by proposing that “Walt Whitman, a kosmos, of Manhattan the son” was indeed a product of his environment. Coming of age as a writer at the same time the city was emerging as a great metropolis, he received his education and inspiration from New York itself. Course time is equally divided between discussions of Whitman’s antebellum poetry, journalism, and prose (including the newly recovered Life and Adventures of Jack Engle) in their cultural and geographical contexts, and on-site explorations that retread Whitman’s footsteps through Brooklyn and his beloved Mannahatta. Experiential learning is further encouraged through assignments based in archives, museums, and at historic sites throughout the city.

• Instructor: Karen Karbiener
  CULPA: 7 Info
• 3 points

VOTING AND AMERICAN POLITICS

This course explores causes and effects of political behavior in the United States. “Political behavior” is a broad concept, and can include many areas of engagement with civic life. As we consider “behavior,” we must also take on its foundations: Public opinion, ideology, and partisanship. We will focus primarily on mass politics—beliefs, attitudes, and behaviors of ordinary citizens rather than of activists or elites—in the United States. However, we will also explore some effects of elite behavior on mass behavior. We will also focus on the interconnections between social structure, culture, and politics. In short, this course will focus on developing an understanding of the mechanisms that drive voting and other political behaviors in the United States.

• Instructor: Michael Miller
  CULPA: 18 h-index: 14 Info
• 3 points

Third-Year Chinese I

This course is for students with at least two years of college-level Chinese, aiming to enhance their oral and written proficiency. It covers key issues China faces, such as balancing historic preservation with local needs, integrating traditional and foreign cultures, and improving education in underdeveloped areas. Additionally, the course includes popular topics related to Chinese college students and their lifestyles.

• MTWRF 10 a.m.-12:10 p.m.
• Instructor: Zhong Qi Shi
  Info
• 5 points

CLASSICAL MYTHOLOGY

Introduction to and analysis of major myths in classical literature. Topics include the changing attitudes and applications of myth from Greek epic to tragedy, as well as modern approaches to myth. Readings include Homer, Hesiod, Aeschylus, Sophocles, and Euripides. All readings in English.

• 3 points

MUSIC IN EAST ASIA

A topical approach to the concepts and practices of music in relation to other arts in the development of Asian civilizations.

• TR 9 a.m.-12:10 p.m.
• None None-None
• Instructor: Kevin Fellezs
  CULPA: 4 Info
• 3 points

MUSICS OF INDIA & WEST ASIA

This course is a topical (not comprehensive) survey of some of the musical traditions of South and West Asia, and of their diasporas. Each tradition will be described locally, connecting it to critical themes that the course aims to explore. The purpose of the course is to introduce you to a range of indigenous and diasporic “Asian” musical styles, ideas, traditions, and artists through an interdisciplinary approach to the study of music as culture. No previous background in music is required.

• TR 9 a.m.-12:10 p.m.
• Instructor: Alessandra M Ciucci
  CULPA: 1 Info
• 3 points

MUSICS OF INDIA & WEST ASIA

This course is a topical (not comprehensive) survey of some of the musical traditions of South and West Asia, and of their diasporas. Each tradition will be described locally, connecting it to critical themes that the course aims to explore. The purpose of the course is to introduce you to a range of indigenous and diasporic “Asian” musical styles, ideas, traditions, and artists through an interdisciplinary approach to the study of music as culture. No previous background in music is required.

• TR 9 a.m.-12:10 p.m.
• Instructor: Alessandra M Ciucci
  CULPA: 1 Info
• 3 points

INTRO TO SYMBOLIC LOGIC

Advanced introduction to classical sentential and predicate logic. No previous acquaintance with logic is required; nonetheless a willingness to master technicalities and to work at a certain level of abstraction is desirable.

• TR 9 a.m.-12:10 p.m.
• Instructor: Saikeerthi Rachavelpula
  Info
• 3 points

PRINTMAKING I

Introduction to the fundamentals of silkscreen techniques. Students gain familiarity with the technical processes of silkscreen and are encouraged to use the processes to develop their visual language. Students are involved in a great deal of drawing for assigned projects. Portfolio required at end.

• TR 6:15 p.m.-9:25 p.m.
• MW 6:15 p.m.-9:25 p.m.
• 3 points

INTRO TO ECONOMETRICS

Prerequisites: STAT UN1201 Intro to Stats w/Calculus, MATH UN1201 Calculus III, and either intermediate micro or macro (UN3211 or UN3213). Equivalent to ECON UN3412. Modern econometric methods, the general linear statistical model and its extensions, simultaneous equations and the identification problem, time series problems, forecasting methods, extensive practice with the analysis of different types of data.

• 4 points

JACKSON POLLOCK & THE NY SCHOOL

Coming on the heels of the MoMA's blockbuster exhibit, this seminar will trace the rise and fall of Abstract Expressionism, from its pre-World War II precipitates in Europe (Surrealism) and in America (Regionalism), to the crucial moment when, as scholar Serge Guilbaut has argued, New York 'stole' the idea of modern art, and finally, through the decade when Pop Art rendered Abstract Expressionism obsolete. Although special emphasis will be given to Jackson Pollock, whose persona and work reside at the literal and figurative center of the movement, we will also look closely at works by Mark Rothko, Clyfford Still, Willem DeKooning, Lee Krasner, Louise Bourgeois, Helen Frankenthaler, Eva Hesse, Robert Rauschenberg, Jasper Johns and Cy Twombly. Class lectures and presentations will be supplemented with trips to New York's world-renowned museums.

• TR 1 p.m.-4:10 p.m.
• Instructor: Kent M Minturn
  CULPA: 2 Info
• 3 points

JACKSON POLLOCK & THE NY SCHOOL

Coming on the heels of the MoMA's blockbuster exhibit, this seminar will trace the rise and fall of Abstract Expressionism, from its pre-World War II precipitates in Europe (Surrealism) and in America (Regionalism), to the crucial moment when, as scholar Serge Guilbaut has argued, New York 'stole' the idea of modern art, and finally, through the decade when Pop Art rendered Abstract Expressionism obsolete. Although special emphasis will be given to Jackson Pollock, whose persona and work reside at the literal and figurative center of the movement, we will also look closely at works by Mark Rothko, Clyfford Still, Willem DeKooning, Lee Krasner, Louise Bourgeois, Helen Frankenthaler, Eva Hesse, Robert Rauschenberg, Jasper Johns and Cy Twombly. Class lectures and presentations will be supplemented with trips to New York's world-renowned museums.

• TR 1 p.m.-4:10 p.m.
• Instructor: Kent M Minturn
  CULPA: 2 Info
• 3 points

Making Medieval New York

This course will focus on the reception and influence of medieval European architecture in New York City through the buildings and monuments that revive, replicate, and preserve it. We will examine the architectural as well as the social, historical, and political environment of nineteenth and twentieth century New York City, in which medieval architecture came to symbolize not only religion but also erudition, exoticism, heritage, education, civic pride, and even hygiene. Alongside Gothic Revival churches, skyscrapers, campuses, and parks, this course will consider other forms of medieval architectural revivalism (including Moorish Revival synagogues and Romanesque Revival rowhouses) as well as projects that physically relocated medieval buildings to New York City both for private collections and public display. We will combine regular field trips to sites around the city with readings and discussions and will make use of the archives of several prominent revivalist architects in Avery Library’s collections.

• TR 9 a.m.-12:10 p.m.
• Instructor: Danny Smith
  Info
• 3 points

US PRESIDENCY WASHINGTON TO TRUMP

This lecture examines how the American presidency evolved into the most important job on earth. It examines how major events in US and world history shaped the presidency. How changes in technology and media augmented the power of the president and how the individuals who served in the office left their marks on the presidency. Each class will make connections between past presidents and the current events involving today's Commander-in-Chief. Some topics to be discussed: Presidency in the Age of Jackson; Teddy Roosevelt and Presidential Image Making; Presidency in the Roaring ‘20s; FDR and the New Deal; Kennedy and the Television Age; The Great Society and the Rise of the New Right; 1968: Apocalyptic Election; The Strange Career of Richard Nixon; Reagan's Post Modern Presidency; From Monica to The War on Terror.

• MW 9 a.m.-12:10 p.m.
• Instructor: David Eisenbach
  CULPA: 24 Wikipedia Info
• 3 points

NYC AND THE HISTORY OF MUSEUM

This course will introduce students to the history of museums and display practices through New York collections. The birth of the museum as a constitutive element of modernity coincides with the establishment of European nation states. Throughout the course of the nineteenth century, museums were founded in major European and American cities to classify objects, natural and manmade, from plants and fossils to sculpture and clothing. This course presents the alternate art history that can be charted through an examination of the foundation and development of museums from cabinets of curiosity to the collection-less new museums currently being built in the Middle East and beyond. We will consider broad thematic issues such as nationalism, colonialism, canon formation, the overlapping methods of anthropology and art history, and the notion of 'framing' from the architectural superstructure to exhibition design. We will visit a wide variety of museums from the American Museum of Natural History to the Metropolitan Museum of Art to the National September 11 Memorial and Museum as in-depth case studies of more general concepts. Students will have the opportunity to meet museum educators, conservators and curators through on site teaching in a variety of institutions.

• TR 1 p.m.-4:10 p.m.
• Instructor: Risham Majeed
  CULPA: 3 Info
• 4 points

NYC AND THE HISTORY OF MUSEUM

This course will introduce students to the history of museums and display practices through New York collections. The birth of the museum as a constitutive element of modernity coincides with the establishment of European nation states. Throughout the course of the nineteenth century, museums were founded in major European and American cities to classify objects, natural and manmade, from plants and fossils to sculpture and clothing. This course presents the alternate art history that can be charted through an examination of the foundation and development of museums from cabinets of curiosity to the collection-less new museums currently being built in the Middle East and beyond. We will consider broad thematic issues such as nationalism, colonialism, canon formation, the overlapping methods of anthropology and art history, and the notion of 'framing' from the architectural superstructure to exhibition design. We will visit a wide variety of museums from the American Museum of Natural History to the Metropolitan Museum of Art to the National September 11 Memorial and Museum as in-depth case studies of more general concepts. Students will have the opportunity to meet museum educators, conservators and curators through on site teaching in a variety of institutions.

• TR 1 p.m.-4:10 p.m.
• Instructor: Risham Majeed
  CULPA: 3 Info
• 4 points

American Art in a Global Context: 1750

American Art, 1750 1914

Through an examination of painting, sculpture, decorative arts, photography. fashion and visual culture of the United States from 1750 to 1914, the course will explore how American artists responded to and operated within the wider world, while grappling with issues of identity at home. Addressing themes shared in common across national boundaries, the class will consider how American art participated in the revolutions and reforms of the "long" nineteenth century, and how events of the period continue to impact our country today. The period witnessed the emergence of new technologies for creating, using and circulating images and objects, the expansion and transformation of exhibition and viewing practices, and the rise of new artistic institutions, as well as the metamorphosis of the United States from its colonial origins to that of a world power, including the radical changes that occurred during the Civil War.  With many sessions taking place at the Metropolitan Museum of Art, the class will investigate how American art engaged with international movements while constructing national identity during a period of radical transformation both at home and abroad.

• TR 9 a.m.-12:10 p.m.
• Instructor: Page S Knox
  CULPA: 14 Info
• 4 points

GLOBAL HIST OF THE US MILITARY

This course charts the expansion of U.S. military power from a band of colonists to a globe-girdling colossus with over 2.1 million personnel, some 750 bases around the world, and an annual budget of approximately $754 billion — almost half of federal discretionary spending, and more than the next nine nations combined. It introduces students to the history of American military power; the economic, political, and technological rise of the military-industrial complex and national security state; the role of the armed services in international humanitarian work; and the changing role of the military in domestic and international politics. A three-point semester-long course, compressed into six weeks; visit
bobneer.com
for a complete syllabus.

• TR 1 p.m.-4:10 p.m.
• Instructor: Robert M Jr Neer
  Info
• 3 points

Psychedelic Neuroscience: From Molecules

Psychedellic Neuroscience

Psychedelics are receiving growing attention in the fields of psychology, psychiatry, and neuroscience for their therapeutic potential. Psychedelic compounds like psilocybin, LSD, and DMT produce a wide range of changes to perception, ranging from visual perception to alterations in one’s sense of self. When combined with psychological support or psychotherapy, psychedelics have been shown to lead to rapid and long-lasting therapeutic benefits for a wide range of mental health disorders, including major depression and alcohol use disorder. The acute alterations in perception and long-lasting clinical effects offer exciting insight into the relationship between the mind and the brain. This course will focus on the current state of research on the psychological and neurobiological effects of psychedelics. We will begin with a crash-course into the basics of neuroscience and research methodology. Next, the course will delve into how psychedelics alter brain functioning, both acutely during the drug effects as well as long after they have worn off. Studies covered will span molecular, cellular, and systems level analysis. A core element of the course will include reviewing methodological approaches and neuroscientific evidence for psychedelics interventions in the treatment of clinical/psychiatric disorders. We will also review the clinical data and link neurobiological findings to their practical application to move the field of psychedelic science forward. Throughout the course, there will be a specific focus on critical appraisal of research, identifying strengths and limitations surrounding current research, and important avenues for future research. Students should leave the class with an enhanced ability to evaluate research findings and a broad understanding of the mechanisms of action of psychedelics.

The format of the course will include lectures, class discussions and presentations, and guest speakers.

Prerequisites:
PSYC 1001 and any PSYC 2400-level neuroscience course or permission of the instructor.

• TR 9 a.m.-12:10 p.m.
• 3 points

HIST OF THE CITY OF NEW YORK

The social, cultural, economic, political, and demographic development of America's metropolis from colonial days to present. Slides and walking tours supplement the readings.

• MW 9 a.m.-12:10 p.m.
• Instructor: Stephen J Sullivan
  CULPA: 2 Info
• 3 points

PHILOSOPHY OF SCIENCE

Philosophical problems within science and about the nature of scientific knowledge in the 17th-20th centuries. Sample problems: causation and scientific explanation; induction and real kinds; verification and falsification; models, analogies and simulations; the historical origins of the modern sciences; scientific revolutions; reductionism and supervenience; differences between physics, biology and the social sciences; the nature of life; cultural evolution; human nature; philosophical issues in cosmology.

• TR 1 p.m.-4:10 p.m.
• Instructor: Ye Eun Jeong
  Info
• 3 points

THE EIGHTEENTH-CENTURY NOVEL: GENRE AND

In the late seventeenth century, a new genre appears across Europe: the novel.  It told the stories – not of the princes and princesses – but of ordinary people on extraordinary voyages, from villages to the Metropolis, from England to Africa and the Americas. In their travels, they encountered not the dragons or giants of romance, but the people and things that made up everyday life in the eighteenth century – country houses and whorehouses, aristocrats and the merchants, pirates and slaves, and a vast array of enticing goods (shoes and coats, silks and ribbons, coffee and opium) produced in early capitalism.

Why does the novel appear?  What role does it play, in personal psychology as well as society?  Can we account for its increasing popularity as well as its transformations across the eighteenth century?  To puzzle these questions, we will place the development of the novel within the history of art, philosophy and science, as well as psychology and literary theory.  Writers include Mme. de La Fayette, Aphra Behn, Daniel Defoe, Eliza Heywood, Henry Fielding, John Cleland, William Godwin, and Jane Austen. Critical readings include selections from Benjamin, Adorno,
Foucault, Elias, Moretti, and others.  Note: we will read primarily novellas (short novels) or selections from longer novels in this course.

• Instructor: Ross T Hamilton
  CULPA: 25 Info
• 3 points

HIST OF LATINOS/AS IN THE U.S.

As a population, Latino, Latina, Latine, and Latinx peoples have been prominent in the public sphere in popular culture, the media, and especially around discussions of immigration. Though individuals with a tapestry of Spanish-Indian-African ancestry (who may be described as “Latinas/os” “Hispanics” or “Latinxs” today) explored the lands of present-day Florida and New Mexico long before English colonizers reached Plymouth Rock, Latina/o/x communities are continually seen as foreigners, immigrants, and “newcomers” to American society. This course aims to place Latina/o populations in the United States within historical context. We begin by asking:  Who are Latinas/os in the U.S. and how did they become part of the American nation-state?  Why are they identified as a distinct group? How have they participated in American society and how have they been perceived over time?  The course will familiarize students with the broad themes, periods, and questions raised in the field of Latinx History.  Topics include conquest and colonization, immigration, labor recruitment, education, politics, popular culture, and social movements.  The course emphasizes a comparative approach to Latinx history aiming to engage histories from the Southwest, Midwest, and Eastern United States and across national origin groups—Mexican Americans, Puerto Ricans, Cubans, Dominicans, Central Americans, and South Americans. This class is taught in mostly the modern period (after 1750) within United States history so it can count toward the history major or concentration. Where the course points may be applied depends on a student’s field of specialization within their major or concentration. The course can also count toward the 
Global Core
 requirement, which is reflected on the Columbia online registry.  The class can, moreover, serve as three elective points toward degree progress or as non-technical elective credits. Finally, the course is regularly 
cross-listed 
with both the Center for the Study of Ethnicity and the Institute for the Study of Human Rights as well as with American Studies.

• TR 1 p.m.-4:10 p.m.
• Instructor: Darius V Echeverria
  CULPA: 1 Info
• 3 points

METAPHYSICS

This course will survey topics in contemporary metaphysics. We will focus on material objects, time, modality, causation, properties, and natural kinds. We will begin by considering what objects there are in general (ontology) and what to say about certain puzzling entities (such as holes). Then we will turn to debates about material objects and puzzles about composite objects and the notion of parthood. Next is the issue of how material objects persist over time and survive change in their parts. We shall consider two important views on persistence. We then turn to two issues related to persistence: personal identity over time, and puzzles about time travel. This will lead us into the next part of the course on modality and causation, which concerns the notions of possibility, necessity, laws of nature, and causation. We will consider different views about 'possible worlds'. We will then consider the nature of laws and causation and then turn to the problem of free will. We will look at debates in the metaphysics of properties between realists and nominalists about properties. Then we'll consider causal powers, dispositions, and natural kinds. The section will conclude with problems about the metaphysics of socially constructed kinds such as race or gender.

• MW 1 p.m.-4:10 p.m.
• Instructor: Noah Betz-Richman
  Info
• 3 points

Topics in Clinical Psychology - Summer

A seminar for advanced undergraduate students exploring different areas of clinical psychology. The specific focus within clinical psychology may differ each time the course is offered, so it is possible for the course to be retaken for additional credit.

• TR 1 p.m.-4:10 p.m.
• Instructor: Usha Barahmand
  Info
• 3 points

CLINICAL NEUROPSYCHOLOGY SEM

Prerequisites: the instructor's permission required; contact emccaski@barnard.edu. An introductory course in neuroscience like PSYC 1001 or PSYC 2450. Analysis of the assessment of physical and psychiatric diseases impacting the central nervous system, with emphasis on the relationship between neuropathology and cognitive and behavioral deficits.

• TR 5:30 p.m.-8:40 p.m.
• Instructor: E'Mett McCaskill
  CULPA: 38 Info
• 3 points

RECORDED SOUND

Prerequisites: the instructor's permission. Main objective is to gain a familiarity with and understanding of recording, editing, mixing, and mastering of recorded music and sounds using Pro Tools software. Discusses the history of recorded production, microphone technique, and the idea of using the studio as an instrument for the production and manipulation of sound.

• MW 1 p.m.-4:10 p.m.
• Instructor: Camila Agosto
  Info
• 3 points

Contemporary American Short Story Collec

Contemp. American Short S

In 2013, Alice Munro was honored with the Nobel Prize in literature. Munro’s award was seen as a literary landmark: the first time that the prize was awarded to a writer whose exclusive form was the short story. The award was seen as fitting recognition, not only for this writer in particular, but also more broadly as moment of recognition for the short story’s importance as a genre, especially in a publishing industry that has long been dominated by the novel.

In this course, we will focus on the contemporary North American short story authors featured on our syllabus: Chimamanda Adichie, George Saunders, Lydia Davis, Carmen Machado, Leanne Simpson, Anthony Veasna So. Some of the writers on this list are veterans of the short story form. Others are authors who recently published debut collections. As we work through our reading list, we will attempt to analyze not only individual short stories, but also what marks these books as collections. What might hold these texts together? What disrupts the unifying principles of a collection? And most importantly, what do short stories offer—in terms of representations of American life and culture and itscomplexity—that other forms do not?

• Instructor: Denise Cruz
  CULPA: 8 h-index: 6 Info
• 3 points

MOD JEWISH INTELLECTUAL HIST

This course analyzes Jewish intellectual history from Spinoza to the present. It tracks the radical transformation that modernity yielded in Jewish thought, both in the development of new, self-consciously modern, iterations of Judaism and Jewishness and in the more elusive but equally foundational changes in "traditional" Judaisms. Questions to be addressed include:  the development of the modern concept of "religion" and its effect on the Jews; the origin of the notion of "Judaism" parallel to Christianity, Islam, etc.; the rise of Jewish secularism and of secular Jewish ideologies, especially the Jewish Enlightenment movement (Haskalah), modern Jewish nationalism, and Zionism; the rise of Reform, Modern Orthodox, and Conservative Judaisms; Jewish neo-Romanticism and neo-Kantianism, and American Jewish religious thought.

• TR 1 p.m.-4:10 p.m.
• Instructor: Michael F Stanislawski
  CULPA: 66 Wikipedia Info
• 3 points

SOCIOLOGY OF WORK & OCCUPATION

• MW 1 p.m.-4:10 p.m.
• Instructor: Katy Habr
  Info
• 3 points

MEDIA, CULTURE AND SOCIETY

MEDIA CULTURE AND SOCIETY

• TR 9 a.m.-12:10 p.m.
• MW 9 a.m.-12:10 p.m.
• Instructor: Kiran S Samuel
  Info
• Instructor: Zheng Fu
  Info
• 3 points

SALLY ROONEY- AUTHORSHIP IN THE 21ST CEN

In this seminar, we will study “Sally Rooney.” In so doing, we will talk about the real author of that name: a thirty-year old Irishwoman whose three novels, each set in Ireland and concerning the social and erotic lives of attractive young people of European descent, have achieved remarkable commercial and critical success. We will talk about the pleasures of those texts, as well as their formal and generic features, their language and their relation to literary history.  But we will also discuss the idea and institution named “Sally Rooney,” considering it as what Michel Foucault called an “author function,” or what Pierre Bourdieu dubbed a “space of possibilities” within the literary field.

Our inquiry into “Sally Rooney” will, therefore, also be an inquiry into the meaning of literary authorship in the twenty-first century. Through secondary readings in criticism and theory, we will engage longstanding arguments about the relation between critical interpretation and authorial intention, as well as between social and historical “context” and authorial and aesthetic autonomy. We will examine how patterns of social exclusion — in this case, race — define the digitally-mediated literary field of the present. And we will ask how the rise of social media and online retail have altered ideas and institutions of authorship, audience, and literariness.

• Instructor: Matthew Hart
  CULPA: 6 Info
• 3 points

Yaddo: Shaping the American Century

Yaddo: Shaping the Amer C

Yaddo is an artists community located in Saratoga Springs, New York.  In the words of John Cheever, “the forty or so acres on which the studios and principal buildings of Yaddo stand have seen more distinguished activity in the arts that any other piece of ground in the English speaking community.”  Cheever, however, also described Yaddo’s menagerie of creatives as a group of, “lushes down on their luck, men and women at the top of their powers, nervous breakdowns, thieves, geniuses, cranky noblemen, and poets who ate their peas with a knife.”  In total this makes for spectacular drama.  

Historically speaking Yaddo is an idealized synergy of Gilded Age gender roles and is best understood as ½ Thomas Edison’s Menlo Park (“the Menlo Park factory was a loud, rowdy, and raucous place full of nightly sing-alongs around a large organ, gaming, practical jokes, and midnight feasts”) and one half Settlement House (a space where American women, “expropriated the previously male world of literature and the arts as their own, feeling they possessed a special humanistic sensitivity which provided an alternative to the acquisitive and the competitive goals of men in an industrializing America.”).   

Yaddo’s guest list is a “whose who” of American Art and letters.  We will, however,  study Yaddo as a compelling introduction to the shifts, evolutions, and challenges to American art across the 20th century; including: the study of politically radical art during the 1930s and a remarkable study of Cold War era political threats to American creativity with a special focus on the Lavender Scare. 

Because The Yaddo Records (Yaddo’s archive) are at NYPL, and because I served as project archivist for these records we will also spend a day at NYPL that will include introduction to Yaddo’s archive specifically but also to archives more generally.  Finally, we will be visited (either in person or online) from a variety of Yaddo alum who will share their experiences and impressions and answer student questions etc.

• Instructor: Ben Alexander
  Info
• 3 points

ETHICS

Prerequisites: One philosophy course This course is mainly an introduction to three influential approaches to normative ethics: utilitarianism, deontological views, and virtue ethics. We also consider the ethics of care, and selected topics in meta-ethics.

• TR 1 p.m.-4:10 p.m.
• Instructor: Tahlia Pajaczkowska-Russell
  Info
• 3 points

LIT & FILM OF THE BOROUGHS

Greater New York—the municipality that consolidated the five boroughs of Manhattan, Brooklyn, Queens, the Bronx, and Staten Island—was officially established on New Year’s day in 1898.  While the change had been supported by a large majority of the boroughs’ residents in an 1894 referendum, there remained considerable controversy about the enterprise, even by its sponsors.  The city has managed to stave off succession movements since then; however, the boroughs remain resistant to economic, legislative, and cultural consolidation. In this course we will study depictions New York life, from the middle of the 20th century--a time of significant social and political turmoil in many boroughs, particularly around issues of race and religion--and into the 21st.  How do New York’s boroughs themselves become tropes in the fiction and film and television about them?  What characterizes the nostalgia and anxiety about city life in these representations?  Finally, what can an examination of these questions tell us about the ways New York has changed as a locus for imaginative work in the 21st century?

Projects for this course will include short critical responses to course materials, a guided walking tour of a micro-neighborhood in NY (5 blocks or less), and a research essay on a film, play, or TV show made and set New York.

PLEASE NOTE: All digital materials will be available through Courseworks.

• Instructor: Nicole Wallack
  CULPA: 7 Info
• 3 points

RESEARCH DESIGN: SCOPE AND METHODS

RESEARCH DESIGN: SCOPE&ME

This class aims to introduce students to the logic of social scientific inquiry and research design. Although it is a course in political science, our emphasis will be on the science part rather than the political part — we’ll be reading about interesting substantive topics, but only insofar as they can teach us something about ways we can do systematic research. This class will introduce students to a medley of different methods to conduct social scientific research.

• Instructor: Abdullah Aydogan
  h-index: 4 Info
• 4 points

THE ANTHROPOLOGY OF VIOLENCE

This course will explore contemporary anthropological approaches to the issue of violence with an exploration of three particular themes. Our main focus will be on the idea of representation, ethnographically and theoretically, of the concept of violence. First, we will look at how violence has been situated as an object of study within anthropology, as a theoretical concept as well as in practice. We will then look at the issue of terrorism and how anthropology as a discipline contributes to understanding this particular form of violence. Finally, we will consider gender-based violence with close attention to the colonial/post-colonial settings where Islam is a salient factor. Gender based violence is one of the main forces producing and reproducing gender inequality. We will pay particular attention to the concept of the 'Muslim woman' in both the colonial and colonized imagination.

• MW 1 p.m.-4:10 p.m.
• Instructor: Rishav Kumar Thakur
  Info
• 3 points

SCOPE AND METHODS - DISC

This is the required discussion section for
POLS UN3720.

• 0 points

Personhood

This seminar seeks to engage with materials that question personhood. Drawing on both fictional and non-fictional accounts, we will be involved with textual and visual documents as well institutional contexts in order to revisit such notion under contemporary capitalism. We will cover topics like rites of passage and life cycle, the role of the nation state and local communities in defining a person, the relation between self and non-self, between the living and the dead. We will likewise address vicarious forms of personhood through the prosthetic, the avatar or the heteronomous. But we will also look into forms of dissipation and/or enhancement of personhood through bodybuilding, guinea-piging and pharmo-toxicities. As a whole, the course will bring to light how the question of personhood cross-culturally relates to language, performativity, religion, technology, law, gender, race, class, care, life and death.

• TR 1 p.m.-4:10 p.m.
• Instructor: Maria Jose de Abreu
  Info
• 4 points

POLITICAL PHILOSOPHY

Six major concepts of political philosophy including authority, rights, equality, justice, liberty and democracy are examined in three different ways. First the conceptual issues are analyzed through contemporary essays on these topics by authors like Peters, Hart, Williams, Berlin, Rawls and Schumpeter. Second the classical sources on these topics are discussed through readings from Hobbes, Locke, Hume, Marx, Plato, Mill and Rousseau. Third some attention is paid to relevant contexts of application of these concepts in political society, including such political movements as anarchism, international human rights, conservative, liberal, and Marxist economic policies as well as competing models of democracy.

• MW 1 p.m.-4:10 p.m.
• Instructor: Joseph Hamilton
  Info
• 3 points

Indigenous Religious and Political Thoug

Indigenous Thought c.1400

What is the source of truth and authority? What is the origin of the world and how does that determine the social order? Who ought to rule, why, and how? What are the standards for measuring justice and injustice? What is our relationship to the environment around us and how should its resources be distributed among people? How do we relate to those who are different from us, and what does it mean to be a community in the first place? Historically, the answers to these questions that have been described as “religious” and “political” have been the restricted to a specific tradition of Western European Christianity and its secularafterlives. However, these are questions that every society asks, in order to be a society in the first place. This course analyzes how indigenous peoples in the Americas asked and answered these questions through the first three centuries of Western European imperial rule. At the same time, this course pushes students to question what gets categorized as uniquely “indigenous” thought, how, and why.

• TR 1 p.m.-4:10 p.m.
• Instructor: Timothy Vasko
  CULPA: 3 Info
• 4 points

AFRICA AND FRANCE

This course endeavors to understand the development of the peculiar and historically conflictual relationship that exists between France, the nation-states that are its former African colonies, and other contemporary African states. It covers the period from the 19th century colonial expansion through the current ‘memory wars’ in French politics and debates over migration and colonial history in Africa. Historical episodes include French participation in and eventual withdrawal from the Atlantic Slave Trade, emancipation in the French possessions, colonial conquest, African participation in the world wars, the wars of decolonization, and French-African relations in the contexts of immigration and the construction of the European Union. Readings will be drawn extensively from primary accounts by African and French intellectuals, dissidents, and colonial administrators. However, the course offers neither a collective biography of the compelling intellectuals who have emerged from this relationship nor a survey of French-African literary or cultural production nor a course in international relations. Indeed, the course avoids the common emphasis in francophone studies on literary production and the experiences of elites and the common focus of international relations on states and bureaucrats. The focus throughout the course is on the historical development of fields of political possibility and the emphasis is on sub-Saharan Africa. Group(s): B, C Field(s): AFR, MEU

• MW 5:30 p.m.-8:40 p.m.
• Instructor: Gregory Mann
  CULPA: 15 h-index: 13 Info
• 4 points

WHEN AMERICAN TELEVISION BECAME AMERICAN

In a 2015 interview with David Simon (creator of
The Wire
) President Barak Obama offered that
The Wire
is, "one of the greatest -- not just television shows, but pieces of American art in the last couple of decades."  
The Wire
combines hyperrealism (from a-quasi anthropological capture of syntax and dialect that recalls the language of Langston Hughes and Zora Neal Hurston to a preference for actors who lived “the game” in Baltimore’s inner city) with the reinvention of fundamental American themes (from picaresque individualisms, to coming to terms with the illusory “American dream”, to a fundamental loss of faith in American institutions), and engages in a scathing expose of the shared dysfunction among the bureaucracies (police, courts, public schools etc.) that manage a troubled American inner city.  On a more macro level
The Wire
humanizes (and therefore vastly problematizes) assumptions about the individual Americans’ who inhabit America’s most dangerous urban environments from gang members to police officers to teachers and even ordinary citizens.

The Wire
, of course, did not single-handedly reshape American television. Scholars like Martin Shuster refer to this period of television history as “new television.” That is, the product of new imaginations that felt television had exhausted its normative points of reference, subject matter and narrative technique. Many of the shows from this period sought to reinvent television for interaction with an evolving zeitgeist shaped by shared dissolution with 21st century American life: “I’d been thinking: it’s good to be in a thing from the ground floor, I came too late for that, I know.  But lately I’m getting the feeling I might be in at the end.  That the best is over,” Tony Soprano confides to Dr. Malfi in S1.E1 of the Sopranos.  Series that fall within this rubric include (in chronological order):
The Sopranos
;
The Wire
;
Deadwood
;
Madmen
; and
Breaking Bad.

• Instructor: Ben Alexander
  Info
• 3 points

British Women Writers: the Woman Questio

This course will examine British women writers including Jane Austen, Charlotte Brontë, George Eliot, and Virginia Woolf in the context of the (long-) nineteenth-century "Woman Question". Our inquiry will engage the controversy over a woman’s status in terms of the social and political debates of early feminism as well as the enigma of “woman’s nature” in light of the rise of psychology and psychoanalysis in the period. We will consider how women writers negotiate these current social and psychological discourses in the stories they tell about themselves and others: how do they portray a woman’s life, especially as it manifests the tension George Eliot articulates between “inward impulse and outward fact”? We will pay attention to representations of gender, subjectivity, interiority, desire, domestic affections, friendship, education, economic and professional experience, faith, and creativity as reflecting the struggle, rising influence, and emergent identity of woman. In addition to novels, poetry, and drama, we will read excerpts of critical essays from among our primary authors and other prominent thinkers of the period, such as Wollstonecraft, Martineau, Taylor Mill, and Freud, who, by the early twentieth century, still famously puzzles: “What does a woman want?”

• Instructor: Aileen G Forbes
  CULPA: 16 Info
• 3 points

The Novel and Economic Justice

Global capitalism inspired novelists to explore the ways in which money, or the lack of it, forms or deforms our characters.    It also inspired the writings of Karl Marx, the great theorist of economic justice.  In this seminar we will read three early novels – Behn’s 
Orinooko
, Godwin’s  
Caleb Williams
, Austen’s 
Persuasion
 alongside Marxist theory, and then examine a cluster of twentieth century global novels in English.   We will pay special attention to Marxist notions of materialism; alienation and human flourishing; capital and labor; classes; and ideology.  Special emphasis will also be given to the Marxist approach in the study of culture, the role of intellectuals (such as ourselves) and the relationship between capitalism and culture – through theorists like Gramsci, the Frankfurt School, and Raymond Williams.     

The course tracks how key Marxist concepts such as capital and class consciousness, reification, commodification, totality, and alienation have been developed across these traditions and considers how these concepts have been used to rethink literary and mass cultural forms and their ongoing transformation in a changing world system. Writers discussed may include Karl Marx, Friedrich Engels, Georg Lukács, Mikhail Bakhtin, Theodor Adorno, Max Horkheimer, Walter Benjamin, C.L.R. James, Frantz Fanon, Amílcar Cabral, Edward Said, Antonio Gramsci, Raymond Williams, Giovanni Arrighi, Pascale Casanova, David Harvey, and Melinda Cooper.

• Instructor: Ross T Hamilton
  CULPA: 25 Info
• 3 points

Developing The Low Budget Film

This class focuses on the role of a creative producer during development of low budget film. Students will learn the framework for identifying good stories and developing them into a 3-5 minute short screenplay. We will explore the fundamental aspects of script development and the collaborative relationship between a producer and writer during the development phase. Students will learn critical elements such as writing an effective logline, treatment, and screenplay, and how to provide constructive notes and script analysis thereafter. Through lectures, screenings, writing assignments, and discussions, students will complete the course having written a first draft of a  short screenplay, revision and set of written notes as a producer.

• 3 points

PRODUCING THE LOW BUDGET FILM

This practical lab focuses on the fundamental aspects of development, planning and preparation for low budget films. While using a short film script as their own case study – students will learn pitching, development, script breakdown, scheduling, budgeting and fundraising. Discussion of legal issues, location scouting, deliverables, marketing, distribution and film festival strategy will allow students to move forward with their own projects after completing the class. Using weekly assignments, in-class presentations and textbook readings to reinforce each class discussion topic, students will complete the class having created a final prep/production binder for their project, which includes the script breakdown, production schedule, line item budget, financing/fundraising plan and film festival strategy for their chosen script.

• 3 points

Doctrine of Discovery

How did European-Christians justify the colonization of the Americas? Did these justifications vary between different European empires, and between the Protestant and Catholic faiths, and if so, how? Do these justifications remain in effect in modern jurisprudence and ministries? This class explores these questions by introducing students to the Doctrine of Discovery. The Doctrine of Discovery is the defining legal rationale for European Colonization in the Western Hemisphere. The Doctrine has its origins in a body of ecclesiastic, legal, and philosophical texts dating to the late- fifteenth century, and was summarized by Chief Justice John Marshall of the United States SupremeCourt, in the final, unanimous decision the judiciary issued on the 1823 case
Johnson v. M’Intosh.
 Students will be introduced to the major, primary texts that make up the Doctrine, as well as contemporary critical studies of these texts and the Doctrine in general.

• TR 1 p.m.-4:10 p.m.
• Instructor: Timothy Vasko
  CULPA: 3 Info
• 4 points

Seminar in Political Theory

With the rise of extreme weather events as a consequence of climate change, the demand for “climate justice” has become a popular backdrop for environmental and climate movements to demand more specific political action to address the climate crisis. This course will cover the origins and development of the concept of environmental justice and its relationship to issues of race and power, as well as the transition from environmental justice to climate justice and its political implications today. Establishing the connection of environmental and climate justice principles to existing political institutions, the course will also include a field trip to visit South Bronx Unite and do a walking tour of heavily polluted waterways in the Bronx. Additionally, students will choose an institution or movement of their choice and create a report which analyses what concepts of justice these institutions refer to, what their goals and demands are, and how their strategies relate to these demands and where they might be falling short.

• Instructor: Rebecca S Marwege
  Info
• 3 points

SUPERVISED INDIVIDUAL RESEARCH

1-4 points. May be repeated for credit. Prerequisites: the instructors permission. Except by special permission of the director of undergraduate studies, no more than 4 points of individual research may be taken in any one term. This includes both PSYC UN3950 and PSYC UN3920. No more than 8 points ofPSYC UN3950 may be applied toward the psychology major, and no more than 4 points toward the concentration. Readings, special laboratory projects, reports, and special seminars on contemporary issues in psychological research and theory.

• 1-4 points

SUPERVISED INDIVIDUAL RESEARCH

1-4 points. May be repeated for credit. Prerequisites: the instructors permission. Except by special permission of the director of undergraduate studies, no more than 4 points of individual research may be taken in any one term. This includes both PSYC UN3950 and PSYC UN3920. No more than 8 points ofPSYC UN3950 may be applied toward the psychology major, and no more than 4 points toward the concentration. Readings, special laboratory projects, reports, and special seminars on contemporary issues in psychological research and theory.

• 1-4 points

INTRODUCTION TO PROBABILITY AND STATISTI

INTRO TO PROBABILITY & ST

Prerequisites: A good working knowledge of calculus, including derivatives, single and double, limits, sums and series. Life is a gamble and with some knowledge of probability / statistics is easier evaluate the risks and rewards involved. Probability theory allows us take a known underlying model and estimate how likely will we be able to see future events. Statistical Inference allows us to take data we have seen and estimate the missing parts of an unknown model. The first part of the course focus on the former and the second part the latter.

• MTWR 4:30 p.m.-6:05 p.m.
• Instructor: Gabriel Young
  CULPA: 7 Info
• 3 points

Jewish Worlds in Eastern Europe: A Journ

Pushing back against this trope of homelessness, this course illuminates the robust, vibrant, and multifacetted
qualities of a home in the Diaspora, lasting for over a millennium, that both Ashkenazi and Sephardi
Jews managed to create for themselves in lands, predominantly populated by Slavs. They did so despite the
many constraints of legal and religious discrimination, threats of physical violence, displacement, and countless
forms of exclusion from dominant society. Moving across centuries, countries, and languages, we will revisit the
contributions of the Jews to their so called “host cultures” by way of diverse media—literary and non-fictional
works, memoirs, artistic works, songs, feature and documentary films, journalistic pieces, and more. By the end
of this journey, we will have gained a deeper understanding of the ways in which the Jews and Slavs have been
intimately imbricated and intertwined since times immemorial.

All course materials are available in English. No reading knowledge of Russian or other Slavic languages
is required. Course participants with the reading knowledge of any region-specific language are encouraged to
consult the respective originals, provided by the instructor upon request. This course will be of interest to those
majoring in Slavic and/or Jewish Studies, as well as anyone interested in Comparative Literature, History, Art
History, and Film and Visual Studies.

• 3 points

ECON OF UNCERTAINTY & INFORMTN

Uncertainty is ubiquitous and information about that uncertainty plays a key role in economic
decision-making and exchange. In this course, we will first consider how individuals and society
can manage uncertainty. We will then focus on how economic relationships may suffer from
some parties not having all the information that is relevant to their decision-making. We will see
how these kinds of information asymmetries invite lying and cheating. We will also study how
parties can structure their agreements to address the problems that such information asymmetries
create.

• 3 points

INTRODUCTION TO HUMAN RIGHTS

This course will provide a wide-ranging survey of conceptual foundations and issues in contemporary human rights. The class will examine the philosophical origins of human rights, contemporary debates, the evolution of human rights, key human rights documents, and the questions of human rights enforcement. This course will examine specific civil, political, economic, social and cultural rights and various thematic topics in human rights.

• 3 points

TV WRITING

Each student develops an original series concept and an accompanying pilot script. The class includes the basics of how to build a series for network, cable and streaming. There is a focus on the pilot as both a successful episode and a blueprint for an ongoing series that has a strong enough premise to sustain dynamic stories for multiple seasons. 

In a step-by-step process, students move from series concept to pilot stories, to outline and lastly to script. Both half-hour and one-hour series are covered.

• 3 points

TV WRITING

Each student develops an original series concept and an accompanying pilot script. The class includes the basics of how to build a series for network, cable and streaming. There is a focus on the pilot as both a successful episode and a blueprint for an ongoing series that has a strong enough premise to sustain dynamic stories for multiple seasons. 

In a step-by-step process, students move from series concept to pilot stories, to outline and lastly to script. Both half-hour and one-hour series are covered.

• 3 points

SCREENWRITING I: INTRO

Modern feature-length screenplays demand a specific architecture. In this class students will enter with an idea for a film, and during the first eight sessions build a coherent treatment; that is, a summary of the events and major emotional arcs of the film's three acts. In the final four sessions students will begin and complete the first act of their feature-length screenplay.

• 3 points

INTRO MODERN ALGEBRA I

Prerequisites: MATH UN1102 and MATH UN1202 and MATH UN2010 or the equivalent. The second term of this course may not be taken without the first. Groups, homomorphisms, normal subgroups, the isomorphism theorems, symmetric groups, group actions, the Sylow theorems, finitely generated abelian groups.

• 3 points

Post Production with Resolve

Tech Arts: Post Production delivers a practical introduction to the post production process, a vital part of filmmaking. The course will look at the process of moving efficiently from production to post production, the techniques of non-linear editing and ultimately the process of professionally finishing a film for modern distribution. Students will learn foundational post terminology, how to create the best workflow for your film, how to manage data/footage in the edit room, and offline and online editing. Additionally, the class will cover other key steps in the post production process including audio syncing, transcoding, exporting and mastering. The hands-on lessons and exercises will be conducted using the industry-standard Non-Linear Editing System, Davinci Resolve, and will serve as a primer for other professional systems, including Adobe Premiere and Davinci Resolve. Each lecture will consist of hands-on demonstrations and self-paced practice using content created by the students and/ or content provided by the program.

• 1.5 points

Gun Violence & Human Rights: Children Un

The course adopts the perspective of gun violence as a pressing human rights concern, emphasizing the state's responsibility to maximize the protection of human rights and establish the safest possible environment, particularly for young people who are most vulnerable to such violence. Students will gain an understanding of the international and national human rights laws that protect the rights to life, development, survival, and protection, with a specific focus on young individuals. The course will delve into the root causes, prevalence, and potential remedies for gun violence in all communities but we recognize that the risk of firearm violence and racial disparities persist across all age groups. Lastly, the course will examine the crucial role of young people in developing solutions, including their activism and advocacy work.

• 3 points

INTRO TO MODERN ANALYSIS I

Prerequisites: MATH S1202, MATH S2010, or the equivalent. Students must have a current and solid background in the prerequisites for the course: multivariable calculus and linear algebra. Elements of set theory and general topology. Metric spaces. Euclidian space. Continuous and differentiable functions. Riemann integral. Uniform convergence.

• 3 points

ADV PAINTING INTENSIVE: NYC

Prerequisites: Must have a BA, BFA or equivalent. Apply directly to the School of the Arts. Access the application here: 
https://arts.columbia.edu/summer/advanced-painting-intensive
. 

The Advanced Painting Intensive offers personalized mentorship to up to twelve students through individual and group critique, technical tutorials, workshops, and insights into the New York gallery and museum scenes. Participants will also benefit from lectures and critiques by nationally recognized visiting artists. 

 

The six-week, six-credit workshop is structured similarly to Columbia’s MFA degree program and is designed for individuals seeking to challenge and advance their artistic skills in an immersive and supportive environment. The workshop aims to help participants develop a strong visual portfolio and a comprehensive written package suitable for MFA programs applications.

• MTWRF 10 a.m.-6 p.m.
• 6 points

The European Enlightenment

This course aims to introduce students to classic and more recent literature on the intellectual and cultural history of the Enlightenment. The field has expanded far beyond the cohort of free-thinking
philosophes
around which it was initially conceived to encompass broader cultural, economic, and religious preoccupations. Given these tendencies, how has the significance of the Enlightenment shifted as a historical period and interpretive framework? In what ways do scholars explicate its origins, outcomes, and legacies? The readings trace the development of Enlightenment thought and practices from their early manifestations in Britain and the United Provinces before shifting attention to France, the geographical focal point of the movement by mid-century. Topics to be addressed include the relationship of traditional political authorities to an emerging public sphere, the invention of society as a means of mediating human relationships, the entrepreneurial and epistemological innovations made possible by new media, the struggles of the
philosophe
movement for legitimacy, debates surrounding luxury consumption and commercial society, the rise of political economy as field of knowledge and practical platform, and arguments between Christian apologists and radical atheists over the status of religious truth.

• TR 1 p.m.-4:10 p.m.
• Instructor: Charly J Coleman
  CULPA: 7 Info
• 4 points

HUM RIGHTS/GLOBAL ECON JUSTICE

The world economy is a patchwork of competing and complementary interests among and between governments, corporations, and civil society. These stakeholders at times cooperate and also conflict over issues of global poverty, inequality, and sustainability. What role do human rights play in coordinating the different interests that drive global economic governance? This seminar will introduce students to different structures of global governance for development, trade, labor, finance, the environment, migration, and intellectual property and investigate their relationship with human rights. Students will learn about public, private, and mixed forms of governance, analyze the ethical and strategic perspectives of the various stakeholders and relate them to existing human rights norms. The course will examine the work of multilateral organizations such as the United Nations and the International Financial Institutions, as well as international corporate and non-governmental initiatives.

• 3 points

Religion and the Afro-Native Experience

Religion & Afro-Native Ex

Black and Native American peoples have a shared history of oppression in the Americas. The prevailing lenses scholars use to understand settler colonialism and race however, tend to focus on the dynamics between Europeans and these respective groups. How might our understanding of these subjects shift when viewed from a different point of departure? Specifically, how does religion structure and inform the overlapping experiences of Afro-Native peoples? From enslavement in the Cotton Belt and California to political movements in Minneapolis and New York, this class will explore how diverse communities of Africans, Native Americans, and their descendants adapted to shifting contexts of race and religion in the vast territories that are today the United States. The course will proceed thematically by examining experiences of identity, dislocation, survival, and diaspora.

• MW 9 a.m.-1 p.m.
• Instructor: Tiffany Hale
  CULPA: 4 Info
• 4 points

PROBABILITY THEORY

Prerequisites: MATH V1101 Calculus I and MATH V1102 Calculus II, or the equivalent, and STAT W1111 or STAT W1211 (Introduction to Statistics). Corequisites: MATH V1201 Calculus III, or the equivalent, or the instructor's permission. This course can be taken as a single course for students requiring knowledge of probability or as a foundation for more advanced courses. It is open to both undergraduate and master students. This course satisfies the prerequisite for STAT W3107 and W4107. Topics covered include combinatorics, conditional probability, random variables and common distributions, expectation, independence, Bayes' rule, joint distributions, conditional expectations, moment generating functions, central limit theorem, laws of large numbers, characteristic functions.

• MTWR 4:30 p.m.-6:05 p.m.
• Instructor: Young S Kim
  CULPA: 5 Info
• 3 points

STATISTICAL INFERENCE

Prerequisites: STAT W3105 Intro. to Probability or STAT W4105 Probability, or the equivalent. Calculus-based introduction to the theory of statistics. Useful distributions, law of large numbers and central limit theorem, point estimation, hypothesis testing, confidence intervals, maximum likelihood, likelihood ratio tests, nonparametric procedures, theory of least squares and analysis of variance.

• MTWR 6:15 p.m.-7:50 p.m.
• Instructor: Ashley Datta
  Info
• 3 points

Linear Regression Models

Prerequisites: STAT GU4204 or the equivalent, and a course in linear algebra. Theory and practice of regression analysis. Simple and multiple regression, testing, estimation, prediction, and confidence procedures, modeling, regression diagnostics and plots, polynomial regression, colinearity and confounding, model selection, geometry of least squares. Extensive use of the computer to analyse data.

• MTWR 6:15 p.m.-7:50 p.m.
• 3 points

STAT COMP & INTRO DATA SCIENCE

Prerequisites: STAT GU4204 and GU4205 or the equivalent. Introduction to programming in the R statistical package: functions, objects, data structures, flow control, input and output, debugging, logical design, and abstraction. Writing code for numerical and graphical statistical analyses. Writing maintainable code and testing, stochastic simulations, paralleizing data analyses, and working with large data sets. Examples from data science will be used for demonstration.

• MTWR 4:30 p.m.-6:05 p.m.
• 3 points

THIRD YEAR ARABIC I

Prerequisites: MDES UN1214-UN1215, or the equivalent $15.00= Language Resource Fee, $10.00 = Materials Fee Improvement of writing and speaking skills through compositions, class discussions, and presentations in Arabic on topics such as areas and cultures of the Middle East; classical and modern Arabic literature; and current, authentic materials available from Middle Eastern sources. Review of grammatical and syntactic rules as needed.

• MTWRF 9 a.m.-1 p.m.
• Instructor: Youssef Nouhi
  CULPA: 7 Info
• 5 points

THIRD YEAR ARABIC II

Prerequisites: MDES UN1214-UN1215, or the equivalent. $15.00= Language Resource Fee, $10.00 = Materials Fee The continuation of S4210, above.

• MTWRF 9 a.m.-1 p.m.
• Instructor: Rym Bettaieb
  CULPA: 7 Info
• 5 points

Hollywood in China

The seminar zero in on the relationship between Hollywood and the Chinese film industry as a case study to tease out a cluster of issues concerning the politics, economy, and culture of transnational entertainment and media practices. The course aims to introduce students to foundational texts as well as the most updated research topics and approaches concerning Chinese cinema and media. Seminar participants are encouraged to utilize the research tools learned in the class to explore their own research topics and facilitate their own research projects.

• 3 points

CONTEMPORARY GLOBAL DOCUMENTAR

Documentaries are increasingly proliferating across small and large screens around the world. They circulate as market commodities, forms of entertainment, and vehicles for social change. In this seminar we will compare different national and regional contexts of contemporary documentary production, including projects created within the media industries of Mexico, Peru, India, China, Cambodia, and Israel. We will also examine how documentaries resonate locally, but can still transcend geographic borders and engage viewers across the globe. Crucial to our course will be the close analysis of how documentaries actively address civil rights struggles, oppressive government regimes, cultural trends, environmental crises, and progressive social movements to create more inclusive, equitable communities. So, too, will we examine emerging technologies (such as VR/AR), strategies of international co-production, star-studded film festivals, as well as the global reach and impact of mega studios such as Netflix and Wanda. This course fulfills the Global Core requirement.

• 3 points

THE NEW YORK THEATRE EVENT

This course examines the rich legacy of theater in New York, from Broadway to Off- Broadway, encompassing the writers, directors, actors, institutions, and artists who laid the foundations of American theater and continue to shape the contemporary theatrical landscape. We will commence with an exploration of the roots of theater in NYC and how the city's growth is mirrored in the historic innovations of the art form. Each week will delve into theatrical forms and disciplines, examples of seminal texts, and current productions throughout the city. These investigations offer insights into the ways theater evolves into a quintessential New York event, guided by a producer who has shepherded award-winning shows from initial idea to Broadway for over three decades. Performances will include productions both on and off Broadway. Previous classes have attended shows at Lincoln Center Theater, Ensemble Studio Theater, Second Stage Theater, Playwrights Horizons, Manhattan Theater Club, the Roundabout Theater, St. Ann’s Warehouse, among others, featuring popular titles such as Sleep No More, Chicago, The Pillowman, What the Constitution Means to Me, etc. Shows for summer 2024 will be selected at the beginning of the course based on enrollment. 

SHOWS UNDER CONSIDERATION (subject to change, based on availability)--
BROADWAY: The Outsiders, Water for Elephants; OFF BROADWAY: Dark Noon (St Ann’s Warehouse), Odd Man Out (Here Arts Center). During the Summer Session the class typically attends: one show on Broadway; 2-3 shows Off Broadway; and1-2 special NY events. Course fee covers tickets for up to 6 performances during the session.

• Instructor: Christopher G Burney
  CULPA: 2 Info
• 3 points

INTERNATIONAL HUMAN RIGHTS LAW

This course introduces the fundamental concepts and problems of international human rights law. What are the origins of modern human rights law? What is the substance of this law, who is obligated by it, and how is it enforced? The course will cover the major international human rights treaties and mechanisms and consider some of today's most significant human rights issues and controversies. While the topics are necessarily law-related, the course will assume no prior exposure to legal studies.

• 3 points

Time Series Analysis

Prerequisites: STAT GU4205 or the equivalent. Prerequisites: STAT GU4205 or the equivalent. Least squares smoothing and prediction, linear systems, Fourier analysis, and spectral estimation. Impulse response and transfer function. Fourier series, the fast Fourier transform, autocorrelation function, and spectral density. Univariate Box-Jenkins modeling and forecasting. Emphasis on applications. Examples from the physical sciences, social sciences, and business. Computing is an integral part of the course.

• MTWR 6:15 p.m.-7:50 p.m.
• 3 points

BAYESIAN STATISTICS

This course introduces the Bayesian paradigm for statistical inference.  Topics covered include prior and posterior distributions: conjugate priors, informative and non-informative priors; one- and two-sample problems; models for normal data, models for binary data, Bayesian linear models; Bayesian computation: MCMC algorithms, the Gibbs sampler; hierarchical models; hypothesis testing, Bayes factors, model selection; use of statistical software.

Prerequisites: A course in the theory of statistical inference, such as STAT GU4204 a course in statistical modeling and data analysis, such as STAT GU4205.

• MTWR 6:15 p.m.-7:50 p.m.
• 3 points

Machine Intelligence

This seminar will survey historical and modern developments in machine intelligence from fields
such as psychology, neuroscience, and computer science, and from approaches such as
cybernetics, artificial intelligence, machine learning, robotics, connectionism, neural networks,
and deep learning. The emphasis is on the conceptual understanding of topics. The course does
not include, nor require a background in, computer programming and statistics. The overall goal
is for students to become informed consumers of applications of artificial intelligence.

• MW 5:30 p.m.-8:40 p.m.
• Instructor: Trenton Jerde
  h-index: 11 Info
• 3 points

STATISTICAL MACHINE LEARNING

Prerequisites: STAT GU4206 The course will provide an introduction to Machine Learning and its core models and algorithms. The aim of the course is to provide students of statistics with detailed knowledge of how Machine Learning methods work and how statistical models can be brought to bear in computer systems - not only to analyze large data sets, but to let computers perform tasks that traditional methods of computer science are unable to address. Examples range from speech recognition and text analysis through bioinformatics and medical diagnosis. This course provides a first introduction to the statistical methods and mathematical concepts which make such technologies possible.

• MTWR 6:15 p.m.-7:50 p.m.
• 3 points

Human Rights and Populism

Human Rights & Populism

This seminar course explores the intersection of human rights and populism, examining how the rise of populist movements, leaders, and ideologies impact democratic institutions, global politics, and the protection of fundamental human rights. Through a multidisciplinary approach, the course evaluates the sociological, economic, and cultural factors driving populist surges, as well as their consequences for civic culture, governance, and international relations. Students will analyze the implications of populism for human rights in the context of migration, authoritarianism, freedom of speech, minorities, and challenges to international and regional courts and institutions. The course will investigate both left-wing and right-wing populist movements, considering the threat they pose to human rights, their pursuit of socio-economic rights through the redistribution of wealth, and how the human rights project could and is being rethought in light of these challenges and opportunities.

• 3 points

STATISTICAL METHODS FOR FINANCE

Prerequisites: STAT GU4204 and STAT GU4205 A fast-paced introduction to statistical methods used in quantitative finance. Financial applications and statistical methodologies are intertwined in all lectures. Topics include regression analysis and applications to the Capital Asset Pricing Model and multifactor pricing models, principal components and multivariate analysis, smoothing techniques and estimation of yield curves statistical methods for financial time series, value at risk, term structure models and fixed income research, and estimation and modeling of volatilities. Hands-on experience with financial data.

• TR 9 a.m.-12:10 p.m.
• Instructor: Hammou El Barmi
  CULPA: 8 Info
• 3 points

WRITING CHILDREN'S BOOKS

There are many misconceptions as to what makes an appealing story for children and how to get a story published. Many novice writers are simply relating an incident as opposed to creating a story. This course will show beginner and experienced writers how to mine their lives and imaginations for ideas and how to develop those ideas into children's stories-a step by step process from inspiration to finished manuscript for picture books, early readers, emerging readers and chapter books. Students will also learn the importance of reading their writing out loud-a process that helps both reader and listener develop a better ear for the story's pace, cadence and structure. Writing for children has become incredibly popular in the past fifteen years and publishing houses have been inundated with manuscripts. Many houses have ceased accepting unsolicited manuscripts all together. This course will disclose other avenues to getting your manuscript into the hands of agents and editors.

• TR 10 a.m.-1:10 p.m.
• Instructor: Peter Catalanotto
  Wikipedia Info
• 3 points

TRAVEL WRITING

How does the traveler become the travel writer? What makes good travel writing? Why does it matter today? This course examines and breaks down the very specific craft of travel writing. Simply because we like to travel, does it qualify us to write about it? Everywhere has been written about, so how do we find something fresh to say about… Paris, or even Patagonia? In this course, we both dispel, and prove, some of the myths of travel writing. Students learn to find an angle in order to uncover destinations anew and make them personal— it’s in the personal that the universal is revealed. From crafting a compelling lede and understanding the need for a strong “nut graph,” to knowing the value of dialogue in propelling the story forward, and then finding the ideal kicker to send the reader away satisfied, students dissect published stories and are sent out into “the field” (of New York City) to craft their own. Travel writing is more than, “I went here, I did this, I ate that.” From front-of-book and service pieces, to destination features, we discuss magazine and newspaper travel writing in depth, as well as touch on longer form travel writing. Finally, through exercises and assignments, students learn to craft a compelling pitch in order to approach editors.

• MW 5:30 p.m.-8:40 p.m.
• Instructor: Porter T Fox
  Info
• 3 points

WRITING THE YOUNG ADULT NOVEL

The Young Adult (YA) publishing boom has changed the way we read—and write—coming-of-age stories. This course will introduce students to the elements that shape YA novels, and explore the fiction writing techniques needed for long projects, including narrative arcs, character construction, worldbuilding, and scene work. We’ll study work from a wide range of YA genres and authors, including Angie Thomas, Elana K. Arnold, Leigh Bardugo, Jason Reynolds, A.S. King, Elizabeth Acevedo, and more.

Students will begin to write and outline their own YA novel, and a variety of in-class writing exercises will support the development of each project. All students will workshop their own writing and respond to the work of others. By the end of class, students will have a portfolio of materials to draw from, and a richer understanding of the YA landscape and its possibilities.

• TR 10 a.m.-1:10 p.m.
• Instructor: Emily K Austin
  Info
• 3 points

MISFITS AND MISANTHROPES

People like to be liked. And writers obsess about likability in fiction. But is it that important? What about visionaries, iconoclasts, stragglers, strangers, weirdos, and cringe-inducers? What happens when there is friction between a person and their surroundings? Between people? What if a character throws aside motivations to be liked and impulses to comply?

At its heart, this is a class focused on analyzing and crafting characters. We’ll look at loners and lonely hearts, articulate big mouths, and introverted self-imploders. We’ll observe their circumstances and question how their desires encourage them to think and act. Students will regularly respond to prompts and workshop their own writing.

Our discussions will consider what choices writers make to render, shape, define, and refine characters. We’ll take on craft-oriented concerns such as: How is dialogue used to differentiate characters? How does a writer demonstrate a character’s compassion, even if their attitude stinks? How do the story's events affect the reader’s understanding of character? What elements in the narrative change—or don’t—over time to signal to the reader that a character is developing?

Throughout, students will investigate how emerging writers move from maintaining characters’ status quo and progress to allowing characters to do the unexpected. With every question, we will advance our comprehension of building dynamic representations of people in the world, how they act out, and what it takes to fit in.

Readings may include:

Nights at the Circus
by Angela Carter,
Geek Love
by Katherine Dunn, “Speech Sounds” by Octavia Butler,
McGlue
by Ottessa Moshfegh,
True Grit
by Charles Portis,
Distant Star
by Roberto Bolaño,
Homeland
by Sam Lipsyte,
CivilWarLand in Bad Decline
by George Saunders, “Friday Black” by Nana Kwame Adje Brenya, “Emergency” by Denis Johnson, “Tall Tales from the Mekong Delta” by Kate Braverman, “Me and Miss Mandible” by Donald Barthelme,
Mezzanine
by Nicholson Baker,
Wittgenstein's Mistress
by David Markson,
No Longer Human
by Osamu Dazai

• TR 10 a.m.-1:10 p.m.
• Instructor: Franklin Winslow
  Info
• 3 points

CONSUMER CULTURE IN MOD EUROPE

The development of the modern culture of consumption, with particular attention to the formation of the woman consumer. Topics include commerce and the urban landscape, changing attitudes toward shopping and spending, feminine fashion and conspicuous consumption, and the birth of advertising. Examination of novels, fashion magazines, and advertising images.

• TR 9 a.m.-1 p.m.
• Instructor: Lisa Tiersten
  CULPA: 45 Info
• 4 points

ADVANCED RUSSIAN I

Prerequisites: RUSS UN2101 and RUSS UN2102 or placement test $15.00= Language Resource Fee, $15.00 = Materials Fee , Curriculum evolves according to needs and interests of the students. Emphasis on conversation and composition, reading and discussion of selected texts and videotapes; oral reports required. Conducted entirely in Russian.

• MTWR 9 a.m.-1 p.m.
• Instructor: Marina Tsylina
  Info
• 4 points

ADVANCED RUSSIAN II

Prerequisites: RUSS GU4333 or placement test $15.00= Language Resource Fee, $15.00 = Materials Fee , Continuation of RUSS S4333H.

• MTWR 9 a.m.-1 p.m.
• 4 points

LABOR ECONOMICS

Prerequisites: ECON UN3211 and ECON UN3213. This course examines labor markets through the lens of economics. In broad terms, labor economics is the study of the exchange of labor services for wages—a category that takes in a wide range of topics. Our objective in this course is to lay the foundations for explaining labor market phenomena within an economic framework and subsequently apply this knowledge-structure to a select set of questions. Throughout this process we will discuss empirical research, which will highlight the power (as well as the limitations) of employing economic models to real-world problems. By the end of this course we will have the tools/intuition to adequately formulate and critically contest arguments concerning labor markets.

• 3 points

GAME THEORY

Prerequisites: ECON UN3211 and ECON UN3213. Equivalent to ECON UN4415. Introduction to the systematic treatment of game theory and its applications in economic analysis.

• 3 points

GAME THEORY

Prerequisites: ECON UN3211 and ECON UN3213. Equivalent to ECON UN4415. Introduction to the systematic treatment of game theory and its applications in economic analysis.

• 3 points

INTERNATIONAL TRADE

Prerequisites: ECON UN3211 and ECON UN3213. Equivalent to ECON UN4500. The theory of international trade, comparative advantage and the factor endowments explanation of trade, analysis of the theory and practice of commercial policy, economic integration. International mobility of capital and labor, the North-South debate.

• 3 points

SUPERVISED RES IN BIOTECHNOLGY

• Instructor: Lili Yamasaki
  CULPA: 5 Info
• 3 points

SUPERVISED RES IN BIOTECHNOLGY

• Instructor: Lili Yamasaki
  CULPA: 5 Info
• 3 points

SUPERVISED RES IN BIOTECHNOLGY

• Instructor: Lili Yamasaki
  CULPA: 5 Info
• 3-6 points