This is a course designed for students interested in law, government, and politics. It examines a wide range of contemporary issues subject to constitutional interpretation, introducing students to the constitution, the fundamental concepts of constitutional law, the role of the courts, and the legal limitations on governmental policy making.
Students discuss and analyze topics including separation of powers, federalism, freedom of speech, affirmative action, the death penalty, gun control, civil rights, and abortion. They are exposed to current constitutional challenges and are given the opportunity to explore the relationship between law and society.
Students develop skills that enable them to read and interpret Supreme Court decisions, which serve as the basis for class discussion. Debates and Moot Courts call on students to develop persuasive arguments in defense of their positions, thereby sharpening reasoning and analytical skills.
A two-course curricular option that provides a concentrated study of aesthetic concepts for students interested in the visual arts. Both courses emphasize critical thinking and analysis, skills that will be valuable to students in whatever fields they choose to pursue in college and beyond.
Architecture and Society: New York’s Built Environment
This course introduces students to the visual analysis of architecture. Instead of surveying the history of architecture, we look at specific New York landmarks so as to understand how great structures not only fulfill practical needs but also influence our relationship to the physical and social world around us. By studying some of the city's notable museums, parks, houses of worship, office buildings, and transportation centers, we see how these sites reflect and inform different kinds of social experiences. Students become familiar with basic architectural vocabulary (such as light, space, mass, and circulation) and come to appreciate how architects of different eras and sensibilities have engaged these same elements to different ends.
We examine historical and current images of key buildings and places, discuss their essential role in urban life, and identify significant events which have made them memorable. We also consider how their portrayal in popular culture has contributed to New York’s identity and image as an American city and a global destination.
Some of the sites we consider typically include Columbia University’s campus, the Cathedral of St. John the Divine, Central Park, Grand Central Terminal, Lever House, and the 9/11 Memorial.
The field of biology has expanded rapidly over the past 50 years. New discoveries are happening almost every day. In this course we will explore the basic elements of molecular biology, genetics and evolution and how these sciences affect modern medicine and agriculture. The course starts with a full description of the structure, function and synthesis of DNA, RNA and protein. The students are then asked to apply the knowledge of these topics to a wide range of biological topics including modern biological research techniques, data interpretation, genetic engineering, immunology, cancer and virology. The course will also include mini-talks that connect biology to other academic fields. A variety of online group activities and videos are also part of the experience.
The field of biology has expanded rapidly over the past 50 years. New discoveries are happening almost every day. In this course we will explore the basic elements of molecular biology, genetics and evolution and how these sciences affect modern medicine and agriculture. The course starts with a full description of the structure, function and synthesis of DNA, RNA and protein. The students are then asked to apply the knowledge of these topics to a wide range of biological topics including modern biological research techniques, data interpretation, genetic engineering, immunology, cancer and virology. The course will also include mini-talks that connect biology to other academic fields. A variety of online group activities and videos are also part of the experience.
The field of biology has expanded rapidly over the past 50 years. New discoveries are happening almost every day. In this course we will explore the basic elements of molecular biology, genetics and evolution and how these sciences affect modern medicine and agriculture. The course starts with a full description of the structure, function and synthesis of DNA, RNA and protein. The students are then asked to apply the knowledge of these topics to a wide range of biological topics including modern biological research techniques, data interpretation, genetic engineering, immunology, cancer and virology. The course will also include mini-talks that connect biology to other academic fields. A variety of online group activities and videos are also part of the experience.
The field of biology has expanded rapidly over the past 50 years. New discoveries are happening almost every day. In this course we will explore the basic elements of molecular biology, genetics and evolution and how these sciences affect modern medicine and agriculture. The course starts with a full description of the structure, function and synthesis of DNA, RNA and protein. The students are then asked to apply the knowledge of these topics to a wide range of biological topics including modern biological research techniques, data interpretation, genetic engineering, immunology, cancer and virology. The course will also include mini-talks that connect biology to other academic fields. A variety of online group activities and videos are also part of the experience.
In this course, participants use their personal cameras (iPhones, iPads, or DSLR’s) to create strong, visually-driven short films and video exercises with an emphasis on the foundations of narrative storytelling. They learn a wide range of elementary film production techniques and build a technical and aesthetic foundation structured around film grammar, story development, script writing, sound, and editing.
For the final film, students work sequentially through the stages of production: initial concept, synopsis, treatment, script, storyboards, and final shooting and editing. During pre-production they learn how to plan for and realize a short film from concept to shooting script. During production, they coordinate and shoot their script. In post-production, they edit and polish their projects collaboratively, sharing feedback on scripts and cuts. The instructor provides guidance throughout the process, emphasizing the students’ responsibility for carrying the project from inception to completion.
Classes include both lectures and workshops, in which students thoughtfully critique and learn from each other’s work. Course instructors provide, in addition to guidance on film production, practical information regarding the film industry, film schools, and career paths.
The completed films can potentially be used for submission to short film festivals and as portfolio pieces for film or art school applications.
In this course, participants use their personal cameras (iPhones, iPads, or DSLR’s) to create strong, visually-driven short films and video exercises with an emphasis on the foundations of narrative storytelling. They learn a wide range of elementary film production techniques and build a technical and aesthetic foundation structured around film grammar, story development, script writing, sound, and editing.
For the final film, students work sequentially through the stages of production: initial concept, synopsis, treatment, script, storyboards, and final shooting and editing. During pre-production they learn how to plan for and realize a short film from concept to shooting script. During production, they coordinate and shoot their script. In post-production, they edit and polish their projects collaboratively, sharing feedback on scripts and cuts. The instructor provides guidance throughout the process, emphasizing the students’ responsibility for carrying the project from inception to completion.
Classes include both lectures and workshops, in which students thoughtfully critique and learn from each other’s work. Course instructors provide, in addition to guidance on film production, practical information regarding the film industry, film schools, and career paths.
The completed films can potentially be used for submission to short film festivals and as portfolio pieces for film or art school applications.
Chemistry, the central science, is the science of chemical bonds. Its focus is change from the cosmological to the subatomic scale, from events that happen on a geological time scale to those that occur instantaneously.
This course is designed for highly motivated students who want to strengthen their understanding of chemistry and current research methods. The daily program follows a seminar format, beginning with a morning online discussion about laboratory experiences, including animations and thematic videos, and culminating with afternoon online research presentations by faculty from Columbia University, sister academic institutions, industry, and National Laboratories.
Through individual and collaborative audio-visual assignments and class discussions, students learn to:
Integrate chemistry concepts across multidisciplinary fields
Search the chemical literature and properly cite scientific work
Perform effectively in a group setting by actively participating in discussions
Discover the ethical implications of chemistry in societal and global decision-making
Demonstrate problem-solving and critical thinking skills to review scientific claims
Students are expected to participate actively in class discussions and research seminars, complete a collaborative research project, and present their project in class.
An intensive course designed to develop logic and programming skills through immersion in the fundamentals of C. Programming projects involving mathematical problems and word games challenge students to develop their logical reasoning, systematic thinking, and problem-solving skills. Students learn the structure and features of a fundamental programming language as they implement solutions in C. In addition to teaching programming techniques, the course will cover an overview of fundamental computing concepts such as data structures, library design, and memory management.
An intensive course designed to develop logic and programming skills through immersion in the fundamentals of C. Programming projects involving mathematical problems and word games challenge students to develop their logical reasoning, systematic thinking, and problem-solving skills. Students learn the structure and features of a fundamental programming language as they implement solutions in C. In addition to teaching programming techniques, the course will cover an overview of fundamental computing concepts such as data structures, library design, and memory management.
Studio arts courses are offered in conjunction with Columbia University's School of the Arts.
In this course aimed at introducing students to basic acrylic painting techniques, each day the instructor introduces a new assignment through a live tutorial. Each assignment is complemented by a short art history lecture, which aids the students in thinking about content alongside studio progress. Students receive guidance from the instructor as they work from home on their paintings.
At the end of each day, students present their results to the class; the online platform serves as a virtual group crit. The works are reviewed by the instructor prior to the next session. Each student receives individualized, specific comments as to how to proceed with their work.
Participants also learn how to prepare a final portfolio for college applications.
Studio arts courses are offered in conjunction with Columbia University's School of the Arts.
In this course aimed at introducing students to basic acrylic painting techniques, each day the instructor introduces a new assignment through a live tutorial. Each assignment is complemented by a short art history lecture, which aids the students in thinking about content alongside studio progress. Students receive guidance from the instructor as they work from home on their paintings.
At the end of each day, students present their results to the class; the online platform serves as a virtual group crit. The works are reviewed by the instructor prior to the next session. Each student receives individualized, specific comments as to how to proceed with their work.
Participants also learn how to prepare a final portfolio for college applications.
This workshop is geared toward students who have considerable experience in creative writing or who demonstrate unusual talent. Students read and write free verse poetry, short prose, drama, fiction, and creative nonfiction with the goal of developing a final portfolio of revised work.
Daily workshops and seminars expose students to many aspects of the writing process, including generating ideas, writing and revising drafts, and editing. Participants practice their literary craft with an attentive group of their peers, under the guidance of an experienced instructor. They write extensively, read and respond to excerpts from outstanding works of literature, and participate in candid, helpful critiques of their own work and that of their peers. Students are expected to come to the workshops with an openness to various approaches toward literature and writing. Classes are supplemented by weekly one-on-one conferences with instructors as well as optional electives.
Designed for students with a background in biology, this program investigates some of the exciting recent developments in conservation biology. Topics include: what is biodiversity, why is it threatened, and why is it important; habitat alteration and species loss; captive breeding as a conservation tool; conservation genetics; designing protected areas; the effects of exotic species in local ecosystems; conservation medicine; and the impact of global warming on ecosystems and wildlife. The course uses real case studies from current research to take an in-depth look at the challenges in conserving life on earth, and the unique ways scientists and ordinary citizens can make a difference.
Class discussions are supplemented with digital simulations of conservation biology and biodiversity concepts. Students learn how to contribute citizen science data to help us understand biodiversity changes in real time, and make observations of their own ecosystem. The course culminates with a stakeholder analysis and proposal for the creation of a new marine reserve.
Please note: Though this course is intended primarily for older students, it is also open to highly qualified rising freshmen and sophomores.
This workshop is geared toward students who have considerable experience in creative writing or who demonstrate unusual talent. Students read and write free verse poetry, short prose, drama, fiction, and creative nonfiction with the goal of developing a final portfolio of revised work.
Daily workshops and seminars expose students to many aspects of the writing process, including generating ideas, writing and revising drafts, and editing. Participants practice their literary craft with an attentive group of their peers, under the guidance of an experienced instructor. They write extensively, read and respond to excerpts from outstanding works of literature, and participate in candid, helpful critiques of their own work and that of their peers. Students are expected to come to the workshops with an openness to various approaches toward literature and writing. Classes are supplemented by weekly one-on-one conferences with instructors as well as optional electives.
In this course designed for students considering careers in law, participants acquire a realistic understanding of the legal profession and of the steps and skills necessary for success within it. In the process, they gain insight into whether a career in law would be fulfilling to them.
At the heart of the course is exposure to the real world of legal practice. Through substantive instruction related to first-year law school courses, LSAT test prep information, and information about licensing requirements, students develop an appreciation of what is required to ‘get in, get through and get out’ of an American law school.
Presentations by attorneys representing a range of practice areas impart a “real world” perspective about law as it is practiced in the corporate, government, and non-profit sectors.
Participants engage in fundamental legal research and writing assignments. They participate in debates and mock trial and moot court related tasks, enhancing public speaking skills. These various exercises are intended to provide each student with a collection of transferrable skills, helping to make them more “marketable” as they move toward college and career.
A culminating collaborative practicum project is an opportunity for students to employ their knowledge so as to develop and present a law-based solution to a specific social issue of interest to them.
This workshop is geared toward students who have considerable experience in creative writing or who demonstrate unusual talent. Students read and write free verse poetry, short prose, drama, fiction, and creative nonfiction with the goal of developing a final portfolio of revised work.
Daily workshops and seminars expose students to many aspects of the writing process, including generating ideas, writing and revising drafts, and editing. Participants practice their literary craft with an attentive group of their peers, under the guidance of an experienced instructor. They write extensively, read and respond to excerpts from outstanding works of literature, and participate in candid, helpful critiques of their own work and that of their peers. Students are expected to come to the workshops with an openness to various approaches toward literature and writing. Classes are supplemented by weekly one-on-one conferences with instructors as well as optional electives.
This course focuses on reading case law and interpreting the underlying laws, the research and reasoning that underlie solid legal arguments, and legal writing, while also giving students an inside look at the practice of law today. The course is structured like a traditional introductory first-year law school class.
Students learn first to use the methods and tools of legal reasoning and research, which they marshal to create effective, persuasive, and sophisticated written legal arguments. Once they have a foundation in legal research, reasoning, and writing, they are given an in-depth look at various types of law through interactive sessions with practicing lawyers, via guest speakers and field trips to law firms. They learn about the trial process and the inner workings of the court system by taking a tour of a New York City court and viewing a criminal trial. They learn how to problem solve using the lawyer’s toolbox and how to analyze legal sources and develop legal arguments based on and supported by the law and cases we research.
In-class drafting and public speaking exercises strengthen participants’ reasoning, argumentation, and writing skills while introducing them to various types of legal work, including written memoranda and arguments for oral delivery. Students work in class on preparing legal memoranda of law on specified topics. After the final draft, they pair up to argue against each other in a formal court oral argument setting.
This immersive course designed for students interested in New York City’s urban environment, culture, literature, history, and public policy comprises six interconnected modules:
New York City: A History of People, Politics, and Place
What is New York City’s relationship to the American Dream? How does the City grow from its origins as a peripheral colonial outpost into a world capital? This overview explores New York's complicated historical origins, dynamic economy, tumultuous politics, multiethnic and multiracial populace, and innovative architecture as a basis for the rest of the course. We also examine how human biological and neuroscientific development play a crucial role in the development of the city. Students are exposed to methods of field study, visual analysis, and critical interpretation.
Writing the City
How is our understanding of New York – its projected image and self-image – shaped by literature about the city? How does the culture of the city exist outside of its boundaries? How has the city’s history shaped popular culture? Using short stories, poems, popular songs, journalism, and essays, students investigate the connection between the city and the manner in which it has been exported as a cultural icon.
NYC Systems and Community
The city exists as a series of overlapping systems; transportation, businesses, living areas, even cell phone towers and sewers all exist in close proximity, and often in tension with each other. It is a vibrant ecosystem: people, pets, rodents, pigeons, bacteria, and viruses competing for resources in close quarters. It has also been a place in which humans have encountered and conquered a significant number of biological challenges. Using systems thinking, students examine the community of New York as an ecosystem with a rich and ancient evolutionary past.
How do we exist in concert or tension with so many competing interests? The answer here defines our community - what we value and what we don’t. How do we evaluate what, or who, is valued in our community? How do our brains frame the way we interact with our community? This overview takes into account an evolutionary lens when diving into historical and contemporary examples of how the communities in New York have worked together or experienced tension.
Urban Place Design
What places make for an inclusive, successful, lively, and resilient city? We study various answers to this question – public/private part
Designed for students with a strong interest in law, oral argument, and mock trial, this course immerses participants in the adversarial world of the trial court.
Following an introduction to the United States legal system, students acquire a solid understanding of the trial process, including jury selection, opening statements, direct and cross examination of witnesses and experts, introduction of exhibits, closing arguments, and theory building. Students have the opportunity to observe court proceedings; meet with judges, local law enforcement, and defense counsel; and hear from experts in the field.
Participants learn to validate and analyze evidence while working in teams of prosecutors and defense attorneys to develop a trial strategy, argue to preclude evidence, and prepare witnesses for trial testimony.
The course pays particular attention to the Federal Rules of Evidence (with distinctions made for New York state-specific rules) that govern the introduction of evidence at trial. The rules of conduct that govern the U.S. trial system are explored, as are the various strategies of trial practice.
Students attend lectures and demonstrations and are afforded the opportunity to practice the skills learned through daily classroom exercises. Participants should be prepared to orally argue their positions and will be called upon to make presentations frequently. At the heart of the program are daily exercises, designed to hone students' trial skills, that are rooted in a hypothetical legal case.
The course culminates with participants, divided into teams of prosecutors and defense attorneys, presenting their final cases before a jury.
This course will use New York City as a resource to convey the physical and intellectual excitement of architecture. Through presentations, virtual field trips and design problems students will be introduced to the making and meaning of architecture. The course will be based on the studio method in which students are challenged to develop skills through fundamental design projects. The projects will involve instruction in architectural drawing and model making. We will study the history, appearance and function of several sites. Through sketching and in-studio discussions the class will make connections between the activity of design and the actual built environment which will culminate in a site specific architectural intervention.
This course focuses on the firm’s financial and economic behavior. The firm needs cash to undertake worthy investments, and the firm needs to identify investments worth undertaking. What models does the firm use to identify such investments? What sources of cash can the firm use? How do the financial markets in which this money is raised function? How does the market value the firm, its securities, and its investments? What financial instruments are available to the firm? What are the microeconomic models that best describe a firm’s behavior in such markets?
In answering these questions, the participants discuss stocks, bonds, stock markets, as well as valuation models of investments, firms, and securities. They also work with concepts like optimal investment strategies, what is revealed and what is hidden in published accounting statements, and what are some of the sources of risk. Students also acquire familiarity with the mechanics and history of the financial markets.
The course includes case studies and some sustained independent work by the participants.
This course meets for half the day as a large lecture and for the other half as recitation sections of approximately twenty students each.
Studio arts courses are offered in conjunction with Columbia University's School of the Arts.
In this course students gain a hands-on understanding of the basic principles of digital photography, approaching it within the context of the fine arts.
Using their own DSLR cameras, participants work on assignments and self-directed projects which touch on a diverse range of approaches to photography, with the goal of creating a final portfolio for web presentation at the course's conclusion. The course takes the form of both a seminar and a lab, and participants work on both individual and collaborative projects.
We focus on the critical context of photography and its broad conceptual applications. Critical issues in art are addressed in the form of short seminars designed to generate meaningful debates as a context for studio work.
Upon conclusion of the course, students will have completed a web-based portfolio to showcase their new bodies of work.
Participants are expected to have their own DSLR cameras and access to Adobe Photoshop and Bridge (free trials are generally available).
The progress of civilization is inscribed in the history of humans and their materials—the Stone Age, the Iron Age, and today’s Age of Plastics. Materials determine the technologies that provide protection, communication, information, construction, mechanization, agriculture, and health. Knowing why glass shatters, wood splinters, steel is tough, rubber stretches and recovers, nylon can be drawn, and tin flattens, makes possible the selection of materials for enormously different applications.
This challenging course is designed for students who want to deepen their understanding of the relationship between the nano- and microstructure of a material and its bulk physical and chemical properties.
The daily program follows a seminar format, beginning with a morning online discussion about specific materials, including animations and thematic videos, and culminating with afternoon online research presentations by faculty from Columbia University, sister academic institutions, industry, and National Laboratories.
Through individual and collaborative audio-visual assignments and class discussions, students learn to:
Differentiate between metals, ceramics, polymers, and composite materials
Search academic and professional journals and properly cite scientific work
Perform effectively in a group setting by actively participating in discussions
Discover the ethical implications of materials science in societal and global decision-making
Demonstrate problem-solving and critical thinking skills to evaluate the applications of a given material based on its nano- and microstructure properties
Students are expected to participate actively in class discussions and research seminars, complete a collaborative research project, and present their project in class.
With an increasing complexity, financial markets exert a powerful presence in our lives and are central to the functioning of our economy. What role does the stock market play and how does it function? What factors govern stock market behavior and lead to market booms and busts? How is the price of a company’s stock determined and how does it affect individual investors? This challenging course introduces the basic financial principles necessary to understand the role of the stock market in our economy and in our personal lives.
Class time is divided between lecture and lab. Participants assume the role of money managers in order to gain an understanding of financial markets as they manage their own portfolio of stocks in a session-long stock market simulation game. Stock options and future contracts are added to the portfolio as the managers gain market expertise. Financial theories presented in class lectures, news of current and world events, and analysis of company reports are incorporated as the new money managers develop strategies to test their understanding of the market for stocks.
A two-course curricular option that provides a concentrated study of aesthetic concepts for students interested in the visual arts. Both courses emphasize critical thinking and analysis, skills that will be valuable to students in whatever fields they choose to pursue in college and beyond.Problems in the History of Art
This course covers a range of artworks from various periods in Western art, beginning with Renaissance painting and concluding with contemporary art. Students learn about the materials and techniques that artists use as well as the historical contexts in which they operate. While we look closely at specific artworks using the tools of formal analysis, we also discuss the different methodologies art historians use to interpret the social and cultural meanings these artworks contain.The goal of this class is to examine artworks while encouraging students to think about the choices that artists make as well as how these objects reflect and embody their specific cultures and time periods. While the course proceeds chronologically, it is not a historical survey; instead, each unit is a case study of a particular moment in the history of Western art and visual culture.
In this course, we will examine New York as an epicenter for feminist art and history. We will learn about the impact of NYC feminist cultural institutions such as the Elizabeth Sackler Center for Feminist Art at the Brooklyn Museum and the Lesbian Herstory Archive. Our goal is to sharpen our understanding of feminist art and space from an intersectional framework of race, class, sex, gender--essentially, our everyday lives. Students will write a short research paper examining three pieces of feminist art. As a class, we will collaborate on a zine (or make individual zines) focused on significant elements of intersectional feminism and visual art.
Have you ever wondered how companies make commercials, how many thousands of ads you see in a single day, why Procter & Gamble sells 12 brands of detergent, or why you buy what you buy?
This course answers these questions and many more as students explore the various strategies used by companies to communicate with the consumer. Through selected readings including marketing texts, case studies, and current news articles, students acquire a general background in marketing, advertising, and public relations.
Participants gather in the morning sessions for lecture and discussion while devoting the afternoon sessions to hands-on and group work. Students are required to create a new product and marketing plan to present to the class as their final projects.
Have you ever wondered how companies make commercials, how many thousands of ads you see in a single day, why Procter & Gamble sells 12 brands of detergent, or why you buy what you buy?
This course answers these questions and many more as students explore the various strategies used by companies to communicate with the consumer. Through selected readings including marketing texts, case studies, and current news articles, students acquire a general background in marketing, advertising, and public relations.
Participants gather in the morning sessions for lecture and discussion while devoting the afternoon sessions to hands-on and group work. Students are required to create a new product and marketing plan to present to the class as their final projects.
What is the impact of the resurgence of populism, nativism, and geopolitical competition on foreign relations and economic growth? Is China’s push to turn the renminbi into a global currency a threat or an opportunity? What are the implications of an unsustainable levels of public debt (U.S., Europe, Latin America, and Asia) on the future of international monetary and financial architecture? Given questions such as these, this course examines the interplay between globalizing pressures and national interests.
Working from a multilateral perspective, students use case studies to examine the nature of relations between nation-states in a period of increased economic and political integration. Topics include theories of international political economy in relation to foreign aid and sovereign debt, international trade and capital flows, security and non-state actors, rights-based approaches to development and humanitarian emergencies, energy sustainability, and the role of international organizations and financial institutions.
For counterpoint, students also examine the political, ideological, and social determinants of domestic political economies, including that of the United States. The political mechanisms of economic policy-making and the relationship between domestic policy and foreign policy are explored using theoretical, historical, and topical cases; examples include the political economy of income distribution and social welfare, national defense and hegemony, the national debt, and globalization.
Students examine these and other topics through lecture, research, academic and policy dialogue, group projects and presentations, peer critiques, and guest speakers.
In this curricular option, which is intended for students who enjoy math and logical reasoning, participants develop a deeper appreciation for the richness of mathematics while further developing their thinking and problem-solving skills. The combination of subjects and methods enables participants to experience math in a way high schools are often unable to present it, approaching problems as open-ended opportunities for creativity, independent thinking, and intellectual excitement.
The course is divided into three units:
Logic: An exploration of logic builds the groundwork for further mathematical reasoning. What is mathematical logic? How does one structure a proof? How can this framework be applied to philosophical thought? One topic covered is game theory (how mathematicians study decision-making), which has applications in fields such as economics, biology, and psychology.
Counting and Probability: Abstract counting, in the form of combinatorics, serves as an introduction to set theory, which in turn sets the stage for probability theory. As an application, the class delves into cryptography, looking at how math can be used to create and read secret messages.
Advanced Topics: In the final week, building on what we have done already and depending one students’ interests, we look at a few advanced topics. Potential topics include planetary orbits, symmetry, topology, common statistical fallacies, and Markov chains.
After exploring these various applications of mathematics, participants select and complete a group project based upon their own interests within the field. The course concludes with group presentations on those projects. As collaboration and communication are essential in modern science, the presentations offer a valuable opportunity to practice and receive feedback.
Transferring electrons. Making and breaking chemical bonds. These are among the atomic- and molecular-scale happenings that we will explore in this course, combining discussions of chemical principles with hands-on laboratory experiments. \ This is an auspicious year for chemistry: 2019 has been designated by the United Nations General Assembly and UNESCO as the International Year of the Periodic Table of Chemical Elements, in honor of the 150th anniversary of Dmitri Mendeleev’s publication of his periodic table. Along these lines, we will investigate some elemental properties through laboratory experiments on oxidation-reduction reactions and acid-base chemistry. We will also use hand-held models and computer software to visualize three-dimensional molecular structures and to calculate the distribution of electrons within molecules. Finally, we will consider connections of chemistry to philosophical, artistic, and literary questions, such as levels of “truth” in scientific theories. Curiosity and interest in chemistry are pre-requisites, but no special chemistry knowledge or background is required. Appropriate for Grade Levels: 9, 10, 11
From the Sans-Culottes to Pantsuit Nation, fashion has moved from being an expression of class status to a declaration of self. Fashion has also been weaponized and used as a call-to-arms for political, social, gender, and economic reform. This course examines the role of fashion (Victorian to Modern) as a barometer of cultural consciousness, especially in times of oppression and social unrest. Students will create digital mood boards and learn how fashion designers use them, analyze descriptions of fashion in literature, and read about the evolution of fashion from seminal critics including Roland Barthes, Margaret Atwood, and Valerie Steele. We will view virtual museum exhibitions devoted to fashion, create a framework to analyze the role of fashion in modern life, examine fashion magazines, blogs, and Instagram posts through a critical lens, and learn about the design studios of New York fashion designers. Fashion has been dismissed as frivolous by critics, however women including Virginia Woolf and Anna Wintour have refuted that statement. By the end of the course, students will come to their own conclusions, exploring the reasons people might dismiss the role of fashion in culture.
Each class will start off with an interesting anecdote about chemistry in the fields of Forensics, Personal care chemistry, Environmental chemistry, Art conservation, and Food chemistry. Then we will explore the chemistry behind these fabulous stories. Appropriate for Grade Levels: 9, 10, 11
Psychology can be defined as the scientific study of mental processes and behavior. While psychology is most often associated with clinical issues (i.e. abnormal, personality), this makes up only a small portion of the field. This is a broad survey course covering topics such as physiological, social, organizational, and developmental psychology. The course will develop one’s understanding of seeing psychology as a science of human thought and behavior. Topics covered will be a helpful tool for most university introductory psychology courses. Appropriate for Grade Levels: 9, 10, 11
In Data Collection and Analysis in the Urban Environment: River, Forest, Campus, students will explore NYC's Nature as found in the Hudson River, the wildflower meadows planted on top of Barnard College buildings and the High Line, old-growth forest at the New York Botanical Garden, wetland flora and fauna at Jamaica Bay and museum studies at the American Museum of Natural History. In addition to studying the water quality of the Hudson, students will measure carbon storage in campus trees, survey birds in relationship to habitat in Riverside Park and Jamaica Bay, simulate a paleoecological investigation of Manhattan using the Virtual Forest and quantify biodiversity on NYC rooftops. It is an investigation of the city's wildlife, from plankton to peregrines, and will be hands-on, inquiry-based, include field experiences and involve data collection, analysis and presentations. Each meeting will begin with a discussion of the day's topic and then we will head outside to collect data, for example, water samples, tree measurements, plant and bird surveys, etc. Back in the lab, the data will be visualized, analyzed and discussed in the form of team presentations. Appropriate for Grade Levels: 9, 10, 11
This course is an examination of the interaction between the discipline of psychology and the criminal justice system. It examines the aspects of human behavior directly related to the legal process such as eyewitness memory, testimony, jury decision making, and criminal behavior in addition, the course focuses on the ethical and moral tensions that inform the law. Appropriate for Grade Levels: 9, 10, 11
Through lectures, assigned readings, class discussions, and group projects, students acquire an overview of the United States legal system and the federal and state court systems, ultimately gaining an understanding of the fundamentals of modern trial advocacy.
Distinctions are made between criminal law and civil law with a focus on the different burdens of proof in the two areas. Special attention is paid to the three key components of trial law: the attorney as advocate, the judge as the gatekeeper of the evidence, and the role of the jury as the ultimate fact finder.
Students prepare a case, complete with witnesses and exhibits, through final trial before a jury. Through daily classroom exercises, they learn how to present and cross-examine witnesses, introduce exhibits into evidence, and develop trial strategy to effectively argue their positions to a jury.
The course culminates with participants, divided into teams of prosecutors and defense attorneys, presenting their final cases before a jury.
This class will incorporate elements of two classes that I teach at the undergraduate level in the Barnard Psychology Department: Abnormal Psychology and Introduction to Clinical Psychology. Students will receive an introduction to the field of psychopathology, the scientific study of mental disorders. The course will survey a variety of forms of abnormal behavior in psychology, including anxiety disorders, mood disorders, eating disorders, substance use disorders, schizophrenia, and personality disorders. Description, theory, research, and treatment will be discussed in relation to abnormal behavior. Finally students will be provided with an introduction to the roles and responsibilities of clinical psychologists, including conducting various forms of assessments and psychotherapy. This class will be of interest to students who intend to pursue careers in the “helping professions” of clinical psychology, psychiatry, counseling and social work Appropriate for Grade Levels: 9, 10, 11
Prerequisites: Apply directly to the School of the Arts. Access the application here:
https://arts.columbia.edu/summer/film/course/television-writing-intensive
. International students and domestic students seeking credit should register for FILM S3040D. This is the same course, but it does not provide academic credit. The TV Writing Intensive is a six-week, concentrated and encompassing introduction into the field of television writing designed to prepare students to join the professional worlds of half-hour comedies and one-hour dramas across network, cable and digital platforms. In an interconnected program consisting of two intensive writing workshops and a lecture series with guest writers and producers, students gain the knowledge and authority to explore, examine and create the kind of groundbreaking work that is taking over television here and around the world. Participants in The Television Writing Intensive learn about half-hour comedy and one-hour drama by writing and developing spec scripts and original pilots. A spec script is a teleplay for an existing show where the writer brings original stories to existing characters. A pilot is a script written for an original series that the writer creates. This intensive course meets 15 hours per week. On Mondays and Wednesdays students will attend the writing courses outlined above. Thursday evenings students will attend seminars with professors and other industry professionals.
In the past few years, access to motion capture data, 3D base models, and software to “make an animation of yourself” has skyrocketed. From MakeHuman to Mixamo to CMU’s motion capture database, the ability to make and finish polished projects has become easier for many. While these resources are extremely helpful to create a range of projects, they lack tools to create diverse characters and movements unexplored by systems that center assumptions of neutrality. This workshop will introduce you to the DIY 3D community. We will go over questions including “Who’s making in this space? How are they making?” and “Who is left out of the community due to a lack of resources?” Attendees will learn and create using current “accessible” motion capture and modeling technology, and will brainstorm ways to make the technology serve diverse communities/bodies in their needs and differences Appropriate for Grade Levels: 9, 10, 11
This class introduces students to the concepts, methods, and tools used in User Experience design (UXD). UXD focuses on the early design stages of a product’s lifecycle, and aims to ensure the product will meet user needs; some example tools and methods to be covered include personas, scenarios, storyboards, wireframing, and Balsamiq. Appropriate for Grade Levels: 10, 11
This class explores the influence of hormones, which are chemical messengers, on development and behavior. Students will examine the roles of hormones on sexual differentiation, reproductive behavior, appetite regulation, biological rhythms, social interactions, and stress. The topic of hormone-mimicking chemicals in the environment will also be investigated. Appropriate for Grade Levels: 10, 11
Imagine: “The Essay” is a body of water--far-flung and teeming into the distance. And you, the writer, is alone on shore. Will you enter the water? And if so, how will you swim? Or will you stand on shore as the water splashes against your ankles? This writing workshop will introduce students to the differing forms and narrative complexity of The Essay. The goal of this class is to expand a traditional understanding of The Essay, as a unique opportunity to engage with style and form our individual voice. Writers include: Jamaica Kincaid, Adrian Piper, Zora Neale Hurston, Virginia Woolf, Zadie Smith, Rachel Kaadzi Ghansah, Gloria Anzaldua, Claudia Rankine, Maggie Nelson, Aisha Sabatini Sloane, Durga Chew Bose, Lucy Lippard, Tisa Bryant, Rebecca Solnit, and many others. Appropriate for Grade Levels: 9, 10, 11
As psychic lives of women and marginalized individuals are yet to be rendered in their full complexities, "No Name Mind" offers a space to name our experiences with mental health and and map the vast contours of our minds. In this two week creative writing workshop focused on mental health, we will explore what it means to convert private despair and silence into language and action. Lead by writer and performer Nina Sharma, the workshop’s interdisciplinary approach combines literary, socio-historical and psychological material that encourages participants to interpret and critique representation in media, art and culture and craft counter-narratives of their own. Open to all female-identifying and non-binary individuals, those who are, like Maxine Hong Kingston writes in “No Name Woman,” “…always trying to get things straight, always trying to name the unspeakable.” Appropriate for Grade Levels: 9, 10, 11
Broadway show superfans, buskers, comedy improvisers, Greenwich Village chess aficionados, NBC pages, sneakerheads, handball players—these are just a few of the unique subcultures and micro communities that bring vibrancy and culture to New York City. Why and in what way is New York able to breed and feed them? What is complex, intriguing and surprising about these New Yorkers, especially in their connections to each other and this city? By borrowing techniques of characterization and storytelling from fiction and learning some interviewing and research skills from journalism, students in this creative non-fiction writing class will craft portraits of these subjects without exploiting or romanticizing them. Students will write one profile, and build on that into a longer draft of a paper, which will be expanded on in revisions and workshopped in the class with feedback from the instructor and other students. We will read examples of literary journalism from Susan Orlean, Jeff Chang and others, and view some classic New York documentaries. Appropriate for Grade Levels: 9, 10, 11
"For sale: baby shoes, never worn." In six words, the unidentified writer (sometimes attributed as Ernest Hemingway) prompts the reader to imagine a whole story. Who are the parents? What happened to the baby? Where are the parents selling the shoes? Who will buy them? A work of flash fiction (the very short story) gives us just enough information to suggest narrative and character, while leaving us to fill in the gaps with our imagination. In this workshop, we'll practice the art of the very short story, assessing what makes them evocative and memorable. We'll read very short stories by Jamaica Kincaid, John Edgar Wideman, Lydia Davis, George Saunders, and others, with attention to how these writers create meaning through very few words, while gesturing towards context off the page. We'll practice writing flash fiction with prompts given in class. Writers will come away with not only a toolbox for crafting this short form, but also with strategies for creating vivid scenes in fiction more broadly. Appropriate for Grade Levels: 9, 10, 11
What is this course about? Well, it’s about witches…but what are witches about? Witches are about gender, sexuality, morality, fear, and authority, among other things. For millennia, females spirituality and female sexuality have been paired in ways that reveal deep-seated anxieties about the female body and its power. From ancient goddess worship to the frenzied witch hunts of early modern Europe to the child-devouring crones of folk tales from cultures around the world, we’ll delve into what the witch and those who name and pursue her reveal about deeply-held cultural beliefs and anxieties. We’ll work together to analyze the archetype of the witch across time and space and develop our own ideas about why she is so constantly compelling. We’ll also look at our own sociocultural moment and connect what we learn about witches to the world around us. Appropriate for Grade Levels: 9, 10, 11