EARTH RESOURCES & SUSTAIN DEV

Prerequisites: none; high school chemistry recommended. Survey of the origin and extent of mineral resources, fossil fuels, and industrial materials, that are non renewable, finite resources, and the environmental consequences of their extraction and use, using the textbook Earth Resources and the Environment, by James Craig, David Vaughan and Brian Skinner. This course will provide an overview, but will include focus on topics of current societal relevance, including estimated reserves and extraction costs for fossil fuels, geological storage of CO2, sources and disposal methods for nuclear energy fuels, sources and future for luxury goods such as gold and diamonds, and special, rare materials used in consumer electronics (e.g. ;Coltan; mostly from Congo) and in newly emerging technologies such as superconducting magnets and rechargeable batteries (e.g. heavy rare earth elements, mostly from China). Guest lectures from economists, commodity traders and resource geologists will provide ;real world; input. Discussion Session Required.

• Department: Earth and Environmental Sciences
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Peter Kelemen
  CULPA: 8 h-index: 84 Info
• 3 points

FIRST YEAR MOD COLLOQ TIBET I

This is an introductory course and no previous knowledge is required. It focuses on developing basic abilities to speak as well as to read and write in modern Tibetan, Lhasa dialect. Students are also introduced to modern Tibetan studies through selected readings and guest lectures.

• Department: East Asian Languages and Cultures
• MTWR 12:10 p.m.-1 p.m.
• Instructor: Sonam Tsering
  Info
• 5 points

REACTING TO THE PAST

In these seminars, students play complex historical role-playing games informed by classic texts. After an initial set-up phase, class sessions are run by students. These seminars are speaking- and writing-intensive, as students pursue their assigned roles objectives by convincing classmates of their views. Examples of games played in First-Year Seminar Reacting class include: 1) The Threshold of Democracy: Athens in 403 B.C. explores a pivotal moment following the defeat of Athens in the Peloponnesian War, when democrats sought to restore democracy while critics, including the supporters of Socrates, proposed alternatives. The key text is Plato's Republic. 2)
Confucianism and the Succession Crisis of the Wanli Emperor
examines a dispute between Confucian purists and pragmatists within the Hanlin Academy, the highest echelon of the Ming bureaucracy, taking
Analects
of Confucius as the central text. 3)
The Trial of Anne Hutchinson
revisits a conflict that pitted Puritan dissenter Anne Hutchinson and her supporters against Massachusetts Governor John Winthrop and the orthodox ministers of New England. Students work with testimony from Hutchinsons trial as well as the Bible and other texts. 4)
Greenwich Village, 1913: Suffrage, Labor and the New Woman
investigates the struggle between radical labor activists and woman suffragists for the hearts and minds of Bohemians, drawing on foundational works by Marx, Freud, Mary Wollstonecraft, and others.

• Department: First-Year Seminar Program @Barnard
• MW 2:40 p.m.-3:55 p.m.
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Mark C Carnes
  CULPA: 50 Info
• Instructor: Ellen Morris
  CULPA: 10 Info
• 3 points

ELEMENTARY HINDI-URDU I

This Fall semester introductory Hindi course is the first part of a year-long sequence (Fall and
Spring semesters) designed for true beginners with no prior proficiency in the language. It offers
a comprehensive foundation, starting with the introduction to the Hindi script. The course focuses
on developing proficiency in all key language skills—reading, writing, speaking, and listening—
while cultivating an appreciation for cultural awareness. Through engaging lessons and activities,
students will acquire practical vocabulary and basic sentence structures, enabling meaningful
communication in everyday personal and social contexts. The course also incorporates audiovisual
materials, such as short films and songs, to deepen cultural understanding and enhance
student engagement.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 4:10 p.m.-5:15 p.m.
• Instructor: Aftab Ahmad
  CULPA: 12 Info
• 5 points

Performance Seminar MasterClass

Performance Sem MasterCla

Performance Seminar Masterclass is open to classical musicians of any instrument(s) with the highest commitment to performance. Students are admitted via live audition during the first week of classes in the Fall. Each week, two students perform repertoire of their choice for the class and receive feedback from everyone present. The discussions, moderated by the director of the Music Performance Program, Dr. Magdalena Stern-Baczewska, are designed to provide constructive criticism to the performers and to pose questions related to performance from the perspectives of musical interpretation, career management, professional collaboration, and pedagogy.

• Department: Music
• W 4:10 p.m.-5:25 p.m.
• Instructor: Magdalena Baczewska
  CULPA: 4 Info
• 1 points

PHYSICS I:MECHANICS/RELATIVITY

Prerequisites: Corequisite: MATH UN1102 Calculus II or equivalent. Fundamental laws of mechanics, kinematics and dynamics, work and energy, rotational dynamics, oscillations, gravitation, fluids, introduction to special relativity and relativistic kinematics. The course is preparatory for advanced work in physics and related fields.

• Department: Physics
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Jeremy R Dodd
  CULPA: 25 Info
• 3.5 points

INTERNATIONAL POLITICS

This introductory course surveys key topics in the study of international politics, including the causes of war and peace; the efficacy of international law and human rights; the origins of international development and underdevelopment; the politics of global environmental protection; and the future of US-China relations. Throughout the course, we will focus on the
interests
of the many actors of world politics, including states, politicians, firms, bureaucracies, international organizations, and nongovernmental organizations; the
interactions
between them; and the
institutions
in which they operate. By the end of the semester, students will be better equipped to systematically study international relations and make informed contributions to critical policy debates.

• Department: Political Science @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Gideon Rose
  Wikipedia Info
• 4 points

PHYSICS I:MECHANICS/RELATIVITY-REC

• Department: Physics
• T 4:10 p.m.-5:25 p.m.
• T 5:40 p.m.-6:55 p.m.
• W 4:10 p.m.-5:25 p.m.
• W 5:40 p.m.-6:55 p.m.
• R 4:10 p.m.-5:25 p.m.
• Instructor: Jeremy R Dodd
  CULPA: 25 Info
• 0 points

2ND TERM GEN CHEM (INTENSIVE)

Prerequisites: Acceptable performance on the Department placement exam during orientation week AND either a grade of "B" or better in CHEM UN1403 or AP chemistry or the equivalent. Please contact Vesna Gasperov (
vg2231@columbia.edu
) or your academic advisor at CSA for further information.
Corequisites: MATH UN1102

Topics include chemical kinetics, thermodynamics and chemical bonding.  Students must register simultaneously for a corresponding recitation section. Please check Courseworks or contact the instructor or departmental adviser for additional details.

When registering, be sure to add your name to the wait list for the recitation corresponding to the lecture section (CHEM UN1606).  Information about registration for the required recitation will be sent out before classes begin. Please expect to also be available for review sessions on Fridays from 8:10am-9:55am.

• Department: Chemistry
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Wei Min
  CULPA: 7 h-index: 42 Info
• 4 points

2ND TERM GEN CHEM(INTENS)-REC

• Department: Chemistry
• T 2:10 p.m.-3 p.m.
• T 3:10 p.m.-4 p.m.
• W 2:10 p.m.-3 p.m.
• W 1:10 p.m.-2 p.m.
• R 10:10 a.m.-11 a.m.
• R 3:10 p.m.-4 p.m.
• Instructor: Wei Min
  CULPA: 7 h-index: 42 Info
• 0 points

HINDI FOR HERITAGE SPEAKERS I

This is an accelerated course for students of South Asian origin who already possess a knowledge of basic vocabulary and limited speaking and listening skills in Hindi. They may not have sufficient skills in reading and writing but are able to converse on familiar topics such as: self, family, likes, dislikes and immediate surroundings. This course will focus on developing knowledge of the basic grammar of Hindi and vocabulary enrichment by exposing students to a variety of cultural and social topics related to aspects of daily life; and formal and informal registers. Students will be able to read and discuss simple texts and write about a variety of everyday topics by the end of the semester. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 2:40 p.m.-3:45 p.m.
• Instructor: Rakesh Ranjan
  CULPA: 6 Info
• 5 points

STATISTCS-BEHAVIORL SCIENTISTS

Prerequisites: PSYC UN1001 or PSYC UN1010 Recommended preparation: one course in behavioral science and knowledge of high school algebra. Corequisites: PSYC UN1611 Introduction to statistics that concentrates on problems from the behavioral sciences.

• Department: Psychology
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Katherine T Fox-Glassman
  CULPA: 6 h-index: 4 Info
• 4 points

INTERNATIONAL POLITICS-DISC

This is the required discussion section for POLS UN1601.

• Department: Political Science @Barnard
• W 6:10 p.m.-7 p.m.
• W noon-12:50 p.m.
• M 1:10 p.m.-2 p.m.
• R 9:10 a.m.-10 a.m.
• T 6:10 p.m.-7 p.m.
• F noon-12:50 p.m.
• M 10:10 a.m.-11 a.m.
• M 9:10 a.m.-10:10 a.m.
• M 12:10 p.m.-1 p.m.
• Instructor: Tenzin Dorjee
  Info
• Instructor: Beenish Riaz
  Info
• Instructor: Pierre de Dreuzy
  Info
• 0 points

STATISTCS-BEHAV SCIENTISTS-LAB

Corequisites: PSYC UN1610 Required lab section for PSYC UN1610.

• Department: Psychology
• R 4:10 p.m.-6 p.m.
• Instructor: Katherine T Fox-Glassman
  CULPA: 6 h-index: 4 Info
• 0 points

STATISTCS-BEHAV SCIENTISTS-LAB

Corequisites: PSYC UN1610 Required lab section for PSYC UN1610.

• Department: Psychology
• R 6:10 p.m.-8 p.m.
• Instructor: Katherine T Fox-Glassman
  CULPA: 6 h-index: 4 Info
• 0 points

STATISTCS-BEHAV SCIENTISTS-LAB

Corequisites: PSYC UN1610 Required lab section for PSYC UN1610.

• Department: Psychology
• F 12:10 p.m.-2 p.m.
• Instructor: Katherine T Fox-Glassman
  CULPA: 6 h-index: 4 Info
• 0 points

URDU FOR HERITAGE SPEAKERS I

Prerequisites: a knowledge of basic vocabulary and limited speaking and listening skills in Urdu. This is an accelerated course for students of South Asian origin who already possess a knowledge of basic vocabulary and limited speaking and listening skills in Urdu. They are not expected to know how to read and write in Urdu but are able to converse on familiar topics such as self, family, likes, dislikes and immediate surroundings. This course will focus on developing knowledge of the basic grammar of Urdu and vocabulary enrichment by exposing students to a variety of cultural and social topics related to aspects of daily life; and formal and informal registers. Students will be able to read and discuss simple Urdu texts and write about a variety of everyday topics by the end of the semester. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 2:40 p.m.-3:45 p.m.
• Instructor: Aftab Ahmad
  CULPA: 12 Info
• 5 points

TAI CHI

This series of classes will provice the practice of Tai Chi Chuan as a moving meditation and health maintenance exercise. This process involves both physical and nonphysical work and introduces Tai Chi as an exercise of consciousness. There will also be recommended reading selections in the history and philosophical underpinnings of Tai Chi. No pre-requisite for this course. Each class will consist of physical practice of the Tai Chi sequence of movements/postures, also discussion including history of and principles of Tai Chi.

• Department: Physical Education @Barnard
• MW 12:10 p.m.-1 p.m.
• MW 1:10 p.m.-2 p.m.
• Instructor: Stephen Shulman
  Info
• 1 points

BEGINNING YOGA

An introduction to Hatha Yoga focusing on the development of the physical body to increase flexibility and strength. Breathing practices and meditation techniques that relax and revitalize the mind and body are included.

• Department: Physical Education @Barnard
• MW 9 a.m.-9:50 a.m.
• MW 1:10 p.m.-2 p.m.
• MW 4:10 p.m.-5 p.m.
• TR 9 a.m.-9:50 a.m.
• TR 1:10 p.m.-2 p.m.
• Instructor: Cynthia Lanzas
  Info
• 1 points

YOGA/MEDITATION

This course includes an introduction to Hatha Yoga, which focuses on the development of the physical body through asanas, or poses, and classic meditation and relaxation techniques.  Regular meditation practice at home is required.

• Department: Physical Education @Barnard
• TR 11 a.m.-11:50 a.m.
• Instructor: Lisa K Northrop
  CULPA: 8 Info
• 1 points

ELEMENTARY PERSIAN I

An introduction to the spoken and written language of contemporary Iran. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 3:10 p.m.-4 p.m.
• Instructor: Saeed Honarmand
  Info
• 4 points

INTRO DARKROOM PHOTOGRAPHY

Intro Darkroom Photograph

Introductory course to analog photographic tools, techniques, and photo criticism. This class explores black & white, analog camera photography and darkroom processing and printing.  Areascovered include camera operations, black and white darkroom work, 8x10 print production, and critique. With an emphasis on the student’s own creative practice, this course will explore the basics of photography and its history through regular shooting assignments, demonstrations, critique, lectures, and readings. No prior photography experience is required.

• Department: Visual Arts
• MW 9:30 a.m.-noon
• TR 9:30 a.m.-noon
• Instructor: Matthew E Buckingham
  Wikipedia Info
• Instructor: Dana N Buhl
  Info
• 3 points

INTRO DIGITAL PHOTOGRAPHY

Since Walter Benjamin’s concept of “work of art in the age of mechanical reproduction” (1935), photography has been continuously changed by mechanical, and then digital, means of image capture and processing. This class explores the history of the image, as a global phenomenon that accompanied industrialization, conflict, racial reckonings, and decolonization. Students will study case studies, read critical essays, and get hands-on training in capture, workflow, editing, output, and display formats using digital equipment (e.g., DSLR camera) and software (e.g., Lightroom, Photoshop, Scanning Software). Students will complete weekly assignments, a midterm project, and a final project based on research and shooting assignments. No Prerequisites and no equipment needed. All enrolled students will be able to check out Canon EOS 5D DSLR Camera; receive an Adobe Creative Cloud license; and get access to Large Format Print service.

• Department: Visual Arts
• TR 1 p.m.-3:30 p.m.
• Instructor: Joao Pina
  Info
• 3 points

AI & PHOTOGRAPHY

As far back as Walter Benjamin’s “work of art in the age of mechanical reproduction” (1935), photography has always been challenged by
mechanical means
of image processing. Photographers and Institutions have first resisted and then (mostly) embraced each of these changes. This class explores Artificial Intelligence Photography as the latest in a series of earthquakes in the history of the photographic image, accompanying the desires of business, globalization, and science. This class seeks an ethically guided, globally representative model for photography and artificial intelligence. Debates around authorship and creativity (e.g., Supreme Court case with Andy Warhol) now face a radically new context of an “authorless” photograph. As crowdsourced imagemaking begins, the bias of massive datasets have taken techno-utopians by surprise, underlining that the task of building an equitable image-bank of the world cannot be left to algorithms and entrepreneurs. This class will explore the ethics and aesthetics of Artificial Intelligence and Imagery. There will be equal emphasis on reading and writing papers, as there will be on learning new software and tools.

• Department: Visual Arts
• MW 1:30 p.m.-4 p.m.
• Instructor: Naeem Mohaiemen
  Wikipedia h-index: 8 Info
• 3 points

Drama, Theatre, and Art

DRAMA, THEATRE, AND ART

Drama, Theatre, and Art will consider the ways in which the performing arts and the visual arts help change the ways we see art and life. Beginning with reimagined classics and Shakespeare’s plays, we will move to the 18th-21st centuries and note how views of individual agency, social justice, and collective responsibility have changed over time. We will also ask what the performing arts and visual arts of the past have to say about issues confronted in the arts of the present. This will help us to understand how evolving aesthetic movements such as realism, impressionism, and modernism promote and critique our cultural perspectives and our social values. Plays include Sarah Ruhl’s
Eurydice
, Shakespeare’s
Romeo and Juliet
, Timberlake Wertenbaker’s
Our Country’s Good,
Lynn Riggs’
Sump’n Like Wings
,

Alice Childress’
Trouble in Mind
, Anton Chekhov’s
The Seagull,
Thornton Wilder’s
Our Town
, Lorraine Hansberry’s
A Raisin in the Sun,
Yasmina Reza’s
Art
; novels include Virginia Woolf’s
To the Lighthouse
; musicals include Stephen Sondheim’s
Sunday in the Park with George
. We will attend NYC productions, both on and off-Broadway. Art from the Metropolitan Museum, The Museum of Modern Art, and other sites will promote student engagement, visual and verbal interactions, and cross disciplinary conversations.

• Department: First-Year Seminar Program @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Patricia D Denison
  CULPA: 10 Info
• 3 points

Artful Adaptations

ARTFUL ADAPTATIONS

Can the violent fantasies of a fairytale shape romantic comedy? Can dance tell the same story as classical tragedy? What does Bollywood have to do with Renaissance England? Can ancient mythology animate American slave narrative? As biologists ask why does life appear in such a dazzling array of forms, this class asks why do certain stories get told and retold in such a dazzling array of varieties? Using as possible textual anchors Snow White, Medea, and Romeo and Juliet, this course will explore poems, short stories, plays, novels, paintings, films, musicals, dance, illustration, advertisement, song, memes, and other cultural objects to consider the accretion of meaning that results when stories cross, historical, cultural, and generic borders.

• Department: First-Year Seminar Program @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Monica F Cohen
  CULPA: 8 Info
• 3 points

Approaching Trauma

APPROACHING TRAUMA

Trauma today is evoked in a variety of contexts. But what precisely are we referring to when we use this term? Drawing on psychoanalytic and anthropological approaches, our seminar will interrogate the politics of diagnosing, treating and healing from disturbing past events. We will watch films and read case histories of hysteria, studies of infants, and attempts to integrate mind, brain and body. The course will also examine the rise of PTSD, attend to questions of intergenerational transmission, and learn about responses to national and racial trauma. Featured authors include Sigmund Freud, Beatrice Beebe, Allan Young, Marilyn Ivy and Resmaa Menakem.

• Department: First-Year Seminar Program @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Nicholas A Bartlett
  CULPA: 5 Info
• 3 points

Here/There: Migrant Narratives

HERE/THERE: MIGRANT NARRA

This first-year seminar brings together texts, films and contemporary art that focus on migrant, immigrant, refugee, expat and exile experiences. We will explore how migrant subjects negotiate dominant discourses of nationality and citizenship, and how their identities as migrants intersect with their other positionalities, with a particular emphasis on race, gender and queerness. Some questions we will consider: How are immigrant, migrant and refugees marginalized, racialized and queered by dominant discourses? How do immigrants, migrants and refugees negotiate belonging when they cross cultural, national, linguistic and religious borders? How do these authors, filmmakers and artists resist erasure and complicate our understanding of home, belonging and identity? Texts are subject to change but will likely include authors such as Gloria Anzaldúa, James Baldwin, Kazim Ali, Fatimah Asghar, Ocean Vuong, Karla Cornejo Villavicencio, Masha Gessen, Viet Thanh Nguyen, as well as selected films, documentaries, visual art and other media.

• Department: First-Year Seminar Program @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Duygu Ula
  CULPA: 6 Info
• 3 points

Creativity and Inspiration

CREATIVITY AND INSPIRATIO

Where do creative ideas come from? The Muses, according to Plato. The unconscious, according to some later thinkers. One thing both answers share is the thought that creative ideas come from something “other than” or “not controlled by” the creator – or, as we’ll put it, that creativity requires inspiration. In this class, we will explore this and related ideas in Western thinking about creativity. In doing so, we’ll examine how creative people themselves, from painters to mathematicians, have described their own creative process and experiences. We’ll examine approaches to creativity from the Taoist tradition, comparing them with the Western approaches that will be our main focus. At the end of the class, we’ll think about whether computer programs can be creative, and what it might mean for claims about inspiration if they can be. Readings will include selections from Simone de Beauvoir, Margaret Boden, Chung-yuan Chang, bell hooks, Sigmund Freud, Immanuel Kant, Iris Murdoch, Martha Nussbaum, and others.

• Department: First-Year Seminar Program @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Christopher P Prodoehl
  Info
• 3 points

Reading Dance

READING DANCE

Dance as action takes place in a variety of places and by organisms, and is represented in literature, film, the proscenium stage in just as many ways as there are forms of dance. Reading Dance will explore how authors employ movement to enrich narrative, reflect the human condition, view class and gender, experience how choreographers use text to support a silent form of communication and consider choreography itself text. Primary sources will include Shakespeare, Jane Austen, Ntozake Shange, T.S. Eliot, Zadie Smith, Martha Graham, Michael Jackson, and Brian Friel.

• Department: First-Year Seminar Program @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Kate A Glasner
  CULPA: 31 Info
• 3 points

Storytelling

STORYTELLING

Why do we tell stories? Why do we feel a need to relate the things that happen to us? Why do writers and artists make things up? In this section of First-Year Seminar, we will explore these questions as well as others connected to the fundamental practice of storytelling. We will read and discuss short stories, novels, and memoirs that reflect on or call into question the narrator’s reasons for telling the story. We will also consider essays by literary critics, psychologists, and scientists on the human impulse to narrate. Literary texts may include works by Henry James, Franz Kafka, Jorge Luis Borges, Shirley Jackson, Haruki Murakami, and Carmen Maria Machado. Critical and theoretical texts may include works by Sigmund Freud, James Baldwin, and Joan Didion.

• Department: First-Year Seminar Program @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Michael Shelichach
  Info
• 3 points

Poetry, Identity, Word Sorcery

POETRY, IDENTITY, WORD SO

Poetry is a very complicated series of words found in perpetually dust-covered books written by white men who died a half of century before you were born. Or is it? Poetry is archaic. Poetry is academic. Poetry is hard. Or in the words of Ntosake Shange, it’s “razzamatazz hocus pocus zippity-do-dah.” The magic of poetry is not in its mystery, but in its ability to connect with people, and to connect people with people, even across space and time. In this class we will explore how poetry speaks to identity, speaks to history, and speaks intersections of race, gender, sexuality, tragedy, triumph, and trauma. We will read poetry – mostly contemporary poets, mostly female-identified poets, mostly poets of color, and mostly poets from the margins – read theories on poetry, and maybe try our hand at a little poetry writing. Readings will include such authors as Tina Chang, Yolanda Wisher, Jillian Weise, Vanessa Angélica Villarreal, Tracie Morris, Audre Lorde, Laylia Long Soldier, and the word sorceress herself Sonia Sanchez.

• Department: First-Year Seminar Program @Barnard
• TR 4:10 p.m.-5:25 p.m.
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Quincy Jones
  Info
• 3 points

Writing and the Environment

WRITING AND THE ENVIRONME

Beginning with the Popol Vuh, the Mayan myth of creation, which records the first moment of contact with the Spanish conquistadors about 1555, we will explore American nature writing up to the present. Description and interpretation of nature has shaped artistic representation from the very beginning of human history. We will look at indigenous narratives, at activist texts, and at writing and images from the Americas in relation to selected European works, moving from Crevecoeur’s “Letters from an American Farmer” (1765) to excerpts from Wordsworth’s “Prelude” in England (1798), which in turn influenced Emerson’s essay “Nature” (1836) and Thoreau’s writing in Walden and “Civil Disobedience” (1851). Twentieth century works include selections from John Steinbeck’s
The Grapes of Wrath
(1939); Rachel Carson’s “Silent Spring” (1962); and John McPhee’s “Encounters with the Archdruid” (1971). Painting, photography and films will be included, with images from the Hudson River School, photographs of National Parks, and contemporary environmental films. An essential element is the study of activist organizations alongside  international collaborations (COP27), the UN Sustainable Development Goals, and issues of environmental justice. Finally, we will both write and analyze contemporary environmental journalism, including Bill McKibben’s “The End of Nature” and Liz Kolbert’s
The Sixth Extinction
.

• Department: First-Year Seminar Program @Barnard
• MW 5:40 p.m.-6:55 p.m.
• Instructor: Linn C Mehta
  CULPA: 18 Info
• 3 points

On Friendships Between Women

ON FRIENDSHIPS BETWEEN WO

How do we reflect on the intimacies of friendship, and what might be particular to such intimacies between women? What makes a friendship good or bad? What tensions or correspondences might we trace between friendship and adjacent categories of relationality—’frenemies,’ sisterhood, lovers? In this course, we will apply close analytical examinations of literary and cultural texts in order to theorize the various shapes friendship may take. Throughout the semester, we will question how the friendships we encounter are situated within and/or against a variety of cultural and socioeconomic contexts. In doing so, we will explore friendship’s conceptual role in narratives of emotional development, education and intellectual life, work, community, and domesticity. Literary and theoretical texts may include works by Jane Austen, Toni Morrison, Kamila Shamsie, Kali Fajardo-Anstine, Jean Chen Ho, bell hooks, Virginia Woolf, Anahit Behrooz, Roxane Gay, Audre Lorde, and Adrienne Rich. Selections from film and television may include the tv dramatization of Elena Ferrante’s
My Brilliant Friend
and Keira Knightley’s portrayal of Georgiana Cavendish in
The Duchess
, among others. In discussions and writing assignments both formal and creative, we will consider how the (un)friendly relationships represented in these texts shift, break, and thrive given the conditions under which they are conducted.

• Department: First-Year Seminar Program @Barnard
• MW 2:40 p.m.-3:55 p.m.
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Elizabeth Weybright
  Info
• 3 points

Gender Outlaws

GENDER OUTLAWS

This course explores literary and historical figures who challenge gender norms and contravene laws about gender and sexuality. We will encounter trans rogues, desiring women, ballroom queens, and feminist killjoys as we think through how these rules are enforced and resisted—both in the past and in our current moment. Cultural objects we may consider include literary works by Toni Morrison, Jordy Rosenberg, and Virginia Woolf; the documentary
Paris is

Burning
; and art from
Against Our Vanishing
. We will bolster our understanding with historical and critical works by Judith Butler, Saidiya Hartman, Sara Ahmed, and more.

• Department: First-Year Seminar Program @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Sarah Schwartz
  Info
• 3 points

Transnational Feminism

TRANSNATIONAL FEMINISM

What does it mean to be a feminist in a global context? In this course, we will examine the link between feminist activism and social policies from the eighteenth-century to the postMeToo era in several countries such as the UK, Iceland, Argentina, and France. How does activism influence law making and how do social policies influence feminism? How does activism differ from one country to another? What do these differences reveal about our own culture? We will focus on issues such as the history of women’s suffrage, the fight for political representation, access to child care and education, reproductive rights, bodily autonomy, parental leave policies, and gender-based violence. We will examine these matters through novels, scholarly works, newspaper articles, political pamphlets as well as comics and street art.

• Department: First-Year Seminar Program @Barnard
• MW 5:40 p.m.-6:55 p.m.
• Instructor: Elsa Stephan
  CULPA: 3 Info
• 3 points

Impostors and Impersonators

IMPOSTORS AND IMPERSONATO

In this class, we will look at the fascination and the fear we have about impostors who construct false identities and impersonators who take on the identity of someone else—from folk and fairy tales to popular shows like
Inventing Anna
and the
Tinder Swindler
to conversations about identity deception in deep fakes and ChatGPT. We will examine the stories of con artists, doppelgängers, catfishers, identity theft fraudsters and those with impostor syndrome to understand: How do we construct what is real and what is fake? How do we determine what is deceptive and what is authentic? We will also look at current advances in artificial intelligence and machine learning and interrogate legal rulings on identity deception to understand how we authenticate and determine the originality of the self. Texts may include
Fantomina
by Eliza Haywood,
Doppelganger
by Naomi Klein,
Passing
by Nella Larsen, and
The Fraud
by Zadie Smith. Visual media may include
Parasite
,
The Talented Mr. Ripley
, and
Kagemusha
.

• Department: First-Year Seminar Program @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Vrinda Condillac
  CULPA: 28 Info
• 3 points

Adultery: Realism and Desire

ADULTERY: REALISM AND DES

"Rising from the most basic human needs, marriage is essential to our most profound hopes and aspirations." So writes the United States Supreme Court in Obergefell v. Hodges (2015), finding in marriage the "keystone of our social order" -- the means by which individual desire is stably fixed within the family unit and, thereby, linked to civility and law. This course studies a rich counter-tradition of film and literature interested in adultery. These works suggest ways in which human desire and identity exceed social bounds; they also examine ways in which private desire is not only limited but formed by social forces.

• Department: First-Year Seminar Program @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Andrew L Lynn
  CULPA: 17 Info
• 3 points

The Family

THE FAMILY

No matter our particular family histories or relationships, the family plays a central role in shaping each of our individual lives, and as an ideal the family form promises each of us a sphere of care and love. But how well does the family live up to this ideal in practice? And how might the family contribute to propping up social hierarchies along the lines of gender, race, and class? Might we imagine—and even desire—futures beyond the family? This course will consider critical engagements with the family form, spanning from Plato’s early skepticism, to 19th-century socialist utopian visions of the commune, to the rich variety of analyses offered by feminists of the 20th and 21st century. At the end of the class, we’ll consider what science/speculative fiction has to offer in its imagining of alternative possibilities for organizing care. Readings will include political writings, novels, and academic texts drawn from philosophy, sociology, critical race theory, and critical indigenous studies.

• Department: First-Year Seminar Program @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Caroline D Bowman
  Info
• 3 points

Hidden in Plain Sight: Ideology and Self

HIDDEN IN PLAIN SIGHT

How does culture create and codify beliefs and norms so that they appear natural and difficult to identify without close analysis? In this course, we will explore aspects of our society that are hidden in plain sight through the forces of ideology. We will study works that challenge us to look closely at the things we
think we already know
. We will probe the aspects of society which seem to be true, natural, and common sense, and learn to unpack them. In doing so, we will dive into pop cultural moments (such as brat summer and the like) and probe their power relations and identity formations which otherwise remain hidden. We will analyze music videos, songs, poems, short stories, as well as popular phrases.

We will learn about structures of power through theories on race, gender, sexuality, identity, and culture itself. We will ask how we were given our genders, races, and other aspects of ourselves, and think critically about how that process works at both the granular and societal level. This course includes a field trip to Van Cortlandt Park wherein we will learn about how racial ideology is expressed through architecture and landscaping.

• Department: First-Year Seminar Program @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Samuel Davis
  Info
• 3 points

History of the City in Latin America

HIST CITY LATIN AMERICA

This course covers the historical development of cities in Latin America. Readings, lectures, and discussion sections will examine the concentration of people in commercial and political centers from the beginnings of European colonization in the fifteenth century to the present day and will introduce contrasting approaches to the study of urban culture, politics, society, and the built environment. Central themes include the reciprocal relationships between growing urban areas and the countryside; changing power dynamics in modern Latin America, especially as they impacted the lives of cities’ nonelite majority populations; the legalities and politics of urban space; planned versus unplanned cities and the rise of informal economies; the way changing legal and political rights regimes have affected urban life; and the constant tension between tradition and progress through which urban society was formed. There are no prerequisites for this course. Attendance at weekly Discussion Sections required.

• Department: History
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Amy E Chazkel
  CULPA: 1 Info
• 4 points

History of the City in Latin America

HIST CITY LATIN AMERICA

This course covers the historical development of cities in Latin America. Readings, lectures, and discussion sections will examine the concentration of people in commercial and political centers from the beginnings of European colonization in the fifteenth century to the present day and will introduce contrasting approaches to the study of urban culture, politics, society, and the built environment. Central themes include the reciprocal relationships between growing urban areas and the countryside; changing power dynamics in modern Latin America, especially as they impacted the lives of cities’ nonelite majority populations; the legalities and politics of urban space; planned versus unplanned cities and the rise of informal economies; the way changing legal and political rights regimes have affected urban life; and the constant tension between tradition and progress through which urban society was formed. There are no prerequisites for this course. Attendance at weekly Discussion Sections required.

• Department: Auditing
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Amy E Chazkel
  CULPA: 1 Info
• 0 points

DISC - History of the City in Latin Amer

DISC-HIST CITY LAT AMERIC

REQUIRED DISCUSSION SECTION for HIST UN 1786 History of the City in Latin America. Students must first register for HIST UN 1786.

• Department: History
• W 3:10 p.m.-4 p.m.
• W 5:10 p.m.-6 p.m.
• M 5:10 p.m.-6 p.m.
• M 6:10 p.m.-7 p.m.
• Instructor: Amy E Chazkel
  CULPA: 1 Info
• 0 points

Aspects of the Novel

The novel is the dominant literary form of the last three centuries; its variations are numberless, its spread global. What can be said then about what a novel is, or how a novel works? What are some of the ways the form of the novel has been understood? This course is an introduction to the study of the novel as a formal and cultural phenomenon, taking in examples from the eighteenth century to the twenty-first, while attending to major landmarks in the “theory of the novel.”

• Department: English and Comparative Literature
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Nicholas Dames
  CULPA: 35 Info
• 3 points

STARS AND ATOMS

Prerequisites: recommended preparation: a working knowledge of high school algebra. What is the origin of the chemical elements? This course addresses this question, starting from understanding atoms, and then going on to look at how how atoms make stars and how stars make atoms. The grand finale is a history of the evolution of the chemical elements throughout time, starting from the Big Bang and ending with YOU. You cannot enroll in ASTR W1836 in addition to ASTR BC1754 or ASTR W1404 and receive credit for both.

• Department: Astronomy
• TR 8:40 a.m.-9:55 a.m.
• Instructor: Kathryn V Johnston
  CULPA: 4 h-index: 54 Info
• 3 points

SEM-CONTEMP PHYSICS/ASTRONOMY

Prerequisites: any 1000-level course in the Physics or Astronomy Department. May be taken before or concurrently with this course. Lectures on current areas of research with discussions of motivation, techniques, and results, as well as difficulties and unsolved problems. Requirements include weekly problem sets and attendance of lectures.

• Department: Physics
• T 4:10 p.m.-5:25 p.m.
• Instructor: Ana Asenjo Garcia
  Wikipedia h-index: 19 Info
• 1 points

PILATES PRACTICE

This is a beginning level Pilates mat course consiting of one group class and one individual at-home practice required each week.  A combination of online resources in Panopto/Canvas and in-person meetings will be used to track student practice and progress.  Regular home practice will teach students to confidence and make exercise a part of their regular routine despite time constraints.

• Department: Physical Education @Barnard
• T 3:10 p.m.-4 p.m.
• R 3:10 p.m.-4 p.m.
• Instructor: Lisa K Northrop
  CULPA: 8 Info
• 1 points

INTRO TO SUSTAINABLE DEVPT SEM

The course is designed to be a free flowing discussion of the principals of sustainable development and the scope of this emerging discipline. This course will also serve to introduce the students to the requirements of the undergraduate program in sustainable development and the content of the required courses in both the special concentration and the major. The focus will be on the breadth of subject matter, the multidisciplinary nature of the scholarship and familiarity with the other key courses in the program. Offered in the Fall and Spring.

• Department: Earth Institute
• T 11:40 a.m.-12:55 p.m.
• Instructor: Jason Smerdon
  CULPA: 4 h-index: 47 Info
• 1 points

INTRODUCTION TO COMICS & GRAPHIC NOVELS

INTRO TO COMICS/GRAPHIC N

This course provides students with an introduction to the scholarly study of comics and graphic novels. It is designed to teach students how to analyze these texts by paying special attention to narrative forms and page design. As part of this focus, attention will be given to the way that comics and graphic novels are created and the importance of publication format. In addition to studying comics and graphic novels themselves, we will look at the way that scholars have approached this emergent field of academic interest.

• Department: English @Barnard
• TR 8:40 a.m.-9:55 a.m.
• Instructor: Benjamin M Breyer
  CULPA: 13 Info
• 3 points

ELEMENTARY MODERN TURKISH I

An introduction to the written and spoken language of Turkey. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MW 2:10 p.m.-4 p.m.
• Instructor: Zuleyha Colak
  CULPA: 2 h-index: 0 Info
• 4 points

ASTRONOMY LAB I

Laboratory for ASTR UN1403. Projects include observations with the departments telescopes, computer simulation, laboratory experiments in spectroscopy, and the analysis of astronomical data. Lab 1 ASTR UN1903 - goes with ASTR BC1753, ASTR UN1403 or ASTR UN1453.

• Department: Astronomy
• M 6 p.m.-9 p.m.
• T 7 p.m.-10 p.m.
• 1 points

Arts of North America-Disc

Required discussion section for AHIS BC2904

• Department: Art History @Barnard
• M 4:10 p.m.-6 p.m.
• T 6:10 p.m.-7 p.m.
• W 6:10 p.m.-7 p.m.
• 0 points

ASTRONOMY LAB II

Laboratory for ASTR UN1404. Projects include use of telescopes, laboratory experiments in the nature of light, spectroscopy, and the analysis of astronomical data. Lab 2 ASTR UN1904 - goes with ASTR BC1754 or ASTR UN1404 (or ASTR UN1836 or ASTR UN1420).

• Department: Astronomy
• W 6 p.m.-9 p.m.
• 1 points

First Year Seminar in Biology

FIRST YEAR SEM IN BIOLOGY

If you are interested in biology, come hear Columbia University professors discuss their biology-related research. Find out how the body works, the latest therapies for disease and maybe even find a lab to do research in. 
http://www.columbia.edu/cu/biology/courses/UN1908/index.
htm

• Department: Biological Sciences
• R 3 p.m.-3:55 p.m.
• Instructor: Alice Heicklen
  CULPA: 15 Info
• 1 points

AMERICAN FICTION

An introduction to race, gender, indigeneity, colonialism and class in American fiction from the 18th to the mid-20th century.  Writers include Rowson, Hawthorne, Melville, Stowe, Dunbar, James, Zitkala-Sa, Wharton, Faulkner, and Brooks.

• Department: English @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Jennie Kassanoff
  CULPA: 20 Info
• 3 points

MULTV. CALC. FOR ENGI & APP SCI

Differential and integral calculus of multiple variables. Topics include partial differentiation; optimization of functions of several variables; line, area, volume, and surface integrals; vector functions and vector calculus; theorems of Green, Gauss, and Stokes; applications to selected problems in engineering and applied science.

• Department: Applied Physics and Applied Mathematics
• TR 8:40 a.m.-9:55 a.m.
• TR 1:10 p.m.-2:25 p.m.
• TR 5:40 p.m.-6:55 p.m.
• Instructor: Shanyin Tong
  Info
• Instructor: Drew C Youngren
  CULPA: 10 Info
• 4 points

Approaches to Literary Study

Prerequisites: Students who register for ENGL UN2000 must also register for one of the sections of ENGL UN2001. This course is intended to introduce students to the advanced study of literature, through a weekly pairing of a faculty lecture (ENGL 2000) and small seminar led by an advanced doctoral candidate (ENGL 2001).  Students in the course will read works from across literary history, learning the different interpretive techniques appropriate to each of the major genres (poetry, drama, and prose fiction).  Students will also encounter the wide variety of critical approaches taken by our faculty and by the discipline at large, and will be encouraged to adapt and combine these approaches as they develop as thinkers, readers, and writers.  ENGL 2000/2001 is a requirement for both the English Major and English Minor.  While it is not a general prerequisite for other lectures and seminars, it should be taken as early as possible in a student's academic program.

• Department: English and Comparative Literature
• F 10:10 a.m.-11:25 a.m.
• Instructor: Erik Gray
  CULPA: 35 Info
• 4 points

Approaches to Literary Study

Prerequisites: Students who register for ENGL UN2000 must also register for one of the sections of ENGL UN2001. This course is intended to introduce students to the advanced study of literature, through a weekly pairing of a faculty lecture (ENGL 2000) and small seminar led by an advanced doctoral candidate (ENGL 2001).  Students in the course will read works from across literary history, learning the different interpretive techniques appropriate to each of the major genres (poetry, drama, and prose fiction).  Students will also encounter the wide variety of critical approaches taken by our faculty and by the discipline at large, and will be encouraged to adapt and combine these approaches as they develop as thinkers, readers, and writers.  ENGL 2000/2001 is a requirement for both the English Major and English Minor.  While it is not a general prerequisite for other lectures and seminars, it should be taken as early as possible in a student's academic program.

• Department: Auditing
• F 10:10 a.m.-11:25 a.m.
• Instructor: Erik Gray
  CULPA: 35 Info
• 0 points

Core as Praxis/Fieldwork

"The Core as Praxis/Fieldwork” provides students with the opportunity to explore the connections among texts from the Core Curriculum, their work in their major field of study, and their work in a professional environment outside of Columbia’s campus. Students will be guided through a process of reflection on the ideas and approaches that they develop in Core classes and in the courses in their major, to think about how they can apply theory to practice in the context of an internship or other experiential learning environment. Students will reread and revisit a text that they have studied previously in Literature Humanities or in Contemporary Civilization as the basis for their reading and writing assignments over the semester. 
To be eligible, students must (1) be engaged during the semester in an internship or other experiential learning opportunity, (2) have completed the sophomore year, and (3) have declared their major (or concentration)
. HUMAUN2000 may not be taken with the Pass/D/Fail option. All students will receive a letter grade for the course. Students can take HUMAUN2000 twice.

• Department: Core (A&S)
• Instructor: Jenny Rhodes
  Info
• 1 points

Core as Praxis/Fieldwork

"The Core as Praxis/Fieldwork” provides students with the opportunity to explore the connections among texts from the Core Curriculum, their work in their major field of study, and their work in a professional environment outside of Columbia’s campus. Students will be guided through a process of reflection on the ideas and approaches that they develop in Core classes and in the courses in their major, to think about how they can apply theory to practice in the context of an internship or other experiential learning environment. Students will reread and revisit a text that they have studied previously in Literature Humanities or in Contemporary Civilization as the basis for their reading and writing assignments over the semester. 
To be eligible, students must (1) be engaged during the semester in an internship or other experiential learning opportunity, (2) have completed the sophomore year, and (3) have declared their major (or concentration)
. HUMAUN2000 may not be taken with the Pass/D/Fail option. All students will receive a letter grade for the course. Students can take HUMAUN2000 twice.

• Department: Core (A&S)
• Instructor: Jenny Rhodes
  Info
• 1 points

INTRO TO HIGHER MATHEMATICS

Introduction to understanding and writing mathematical proofs. Emphasis on precise thinking and the presentation of mathematical results, both in oral and in written form. Intended for students who are considering majoring in mathematics but wish additional training. CC/GS: Partial Fulfillment of Science Requirement. BC: Fulfillment of General Education Requirement: Quantitative and Deductive Reasoning (QUA).

• Department: Mathematics @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Dusa McDuff
  CULPA: 10 Info
• 3 points

DRAWING STUDIO

This course delves into drawing as an expansive, exploratory practice that underpins all forms of visual art. Designed primarily as a hands-on workshop, the class is enriched with slide lectures, video presentations, and field trips. Throughout the semester, students will engage in individual and group critiques, fostering dialogue about their work. Beginning with still life and progressing to drawings of artworks, artifacts, and figure studies, the course investigates drawing as a dynamic practice connected to a wide array of visual cultures.

• Department: Art History @Barnard
• R 2:10 p.m.-6 p.m.
• Instructor: Jozefina Chetko
  Info
• 3 points

MULTV. CALC. FOR ENGI & APP SCI

Required recitation session for students enrolled in APMA E2000.

• Department: Applied Physics and Applied Mathematics
• R 2:40 p.m.-3:30 p.m.
• R 4:10 p.m.-5 p.m.
• F 10:10 a.m.-11 a.m.
• Instructor: Yinxi Pan
  Info
• Instructor: Yin Zhou
  Info
• Instructor: Ling Lan
  h-index: 1 Info
• 0 points