NEW/OLD FORMS OF POL PROTEST

This course will introduce the students to the important topic of political protest. Each week we will address different aspects of the phenomenon: from the determinant to the actors and strategies of protest. We will discuss how the forms of protest have changed and the current role of the internet in general and social media in particular. Finally, we will discuss the role of the state and state repression, in particular censorship in the dynamics of protest. Since this is a comparative politics course, we will cover a range of different countries, including the United States, as well as both democratic and authoritarian regimes.

• Department: Political Science
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Chiara Superti
  CULPA: 3 Info
• 3 points

ADVANCED SENIOR STUDIO II

Advanced Senior Studio II is a critique class that serves as a forum for senior Visual Arts majors to develop and complete one-semester studio theses.  The priorities are producing a coherent body of studio work and understanding this work in terms of critical discourse.  The class will comprise group critiques and small group meetings with the instructor. Field trips and visiting artist lectures will augment our critiques. Please visit: 
https://arthistory.barnard.edu/senior-thesis-project-art-history-and-visual-arts-majors

• Department: Art History @Barnard
• T 2:10 p.m.-6 p.m.
• Instructor: John Miller
  CULPA: 2 Info
• 4 points

ROMARE BEARDEN:HOME IS HARLEM

Prerequisites: This course is limited to 20 students Romare Bearden: Home is Harlem, is an exploration into one of the greatest American artists finding home in Harlem. The noted painter, collagist, intellectual and advocate for the arts, spent his childhood and young adult life in Harlem. Known for chronicling the African-American experience, he found rich sources for artistic expression in the Manhattan neighborhoods above 110th Street.

• Department: Africana Studies (AFSB)
• W 10:10 a.m.-noon
• Instructor: Diedra Harris-Kelley
  Info
• 4 points

AUTOCRACY AND DEMOCRACY

With longstanding democracies in Europe and the US faltering, autocratic regimes in Russia and China consolidating, and hybrid regimes that mix elements of democracy and autocracy on the rise, scholars, policymakers, and citizens are re-evaluating the causes and consequences of different forms of government.  This course is designed to give students the tools to understand these trends in global politics. Among other topics, we will explore: How do democracies and autocracies differ in theory and in practice?  Why are some countries autocratic? Why are some democratic? What are the roots of democratic erosion?  How does economic inequality influence a country’s form of government? Is the current period of institutional foment different past periods of global instability?  This course will help students keep up with rapidly unfolding events, but is designed primarily to help them develop tools for interpreting and understanding the current condition of democracy and autocracy in the world.

• Department: Political Science
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Timothy M Frye
  CULPA: 8 Wikipedia h-index: 31 Info
• 3 points

COLL: CONSTRUCTING AND DECONSTRUCTING ST

COLL: CONST&DECONSTR STAT

The course examines the development of states and nations from both historical and comparative perspectives.  It asks why states replaced other forms of political organization (empires, feudalism, warlordism) and why national identities came to replace or dominate other types of identities (religious, ethnic, local) at some times and in some places, but not others.  It explicitly compares the processes of state and nation-building in the past and the contemporary period, drawing on cases from various parts of the world.  The course also considers factors that may be undermining states and nations today.

• Department: Political Science @Barnard
• M 2:10 p.m.-4 p.m.
• Instructor: Sheri Berman
  CULPA: 19 Wikipedia h-index: None Info
• 4 points

COLL:NON-STATE GOV CRIME/WAR

Prerequisites: (POLS UN1501) The conventional wisdom is that crime and civil war are linked to disorder. But these are far from disorderly and ungoverned spaces. Unpacking these settings reveals complex forms of non-state governance constructed by a range of actors, including rebel and guerillas, gangs, vigilantes, and protection rackets – sometimes facilitated by the state.

• Department: Political Science @Barnard
• W 2:10 p.m.-4 p.m.
• Instructor: Eduardo Moncada
  CULPA: 2 h-index: 12 Info
• 4 points

ADVANCED ORGANIC CHEMISTRY LAB

Prerequisites: CHEM UN2493 and CHEM UN2494 , or the equivalent. A project laboratory with emphasis on complex synthesis and advanced techniques including qualitative organic analysis and instrumentation.

• Department: Chemistry
• M 1:10 p.m.-6 p.m.
• T 1:10 p.m.-6 p.m.
• Instructor: Fay W Ng
  CULPA: 6 Info
• 3 points

JUNIOR SEMINAR IN URBAN STUDIES

CARCERAL GEOGRAPHIES

Prerequisites: Non-majors admitted by permission of instructor. Students must attend first class. Enrollment limited to 16 students per section. Evaluation of current political, economic, social, cultural and physical forces that are shaping urban areas.

• Department: Urban Studies @Barnard
• R 12:10 p.m.-2 p.m.
• Instructor: Christian Siener
  CULPA: 1 Info
• 4 points

JUNIOR SEMINAR IN URBAN STUDIES

JR SEMINAR IN URBAN STUDI

Prerequisites: Non-majors admitted by permission of instructor. Students must attend first class. Enrollment limited to 16 students per section. Evaluation of current political, economic, social, cultural and physical forces that are shaping urban areas.

• Department: Urban Studies @Barnard
• M 6:10 p.m.-8 p.m.
• Instructor: Noah Allison
  Info
• 4 points

BLACK WOMEN STYLE&PERFRMNCE

• Department: Africana Studies (AFSB)
• F 10:10 a.m.-noon
• Instructor: Shirley Taylor
  Info
• 4 points

The Arabic Novel

The novel in Arabic literature has often been the place where every attempt to look within ends up involving the need to contend with or measure the self against the European, the dominant culture. This took various forms. From early moments of easy-going and confident cosmopolitan travellers, such as Ahmad Faris al-Shidyaq, to later author, such as Tayeb Salih, mapping the existential fault lines between west and east. For this reason, and as well as being a modern phenomenon, the Arabic novel has also been a tool for translation, for bridging gaps and exposing what al-Shidyaq—the man credited with being the father of the modern Arabic novel, and himself a great translator—called ‘disjunction’. We will begin with his satirical, deeply inventive and erudite novel, published in 1855, Leg Over Leg. It is a book with an insatiable appetite for definitions and comparisons, with Words that had been lost or fell out of use (the author had an abiding interest in dictionaries that anticipates Jorge Louis Borges) and with locating and often subverting moments of connection and disconnection. We will then follow along a trajectory to the present, where we will read, in English translation, novels written in Arabic, from Egypt, Syria, Sudan, Morocco and Palestine. We will read them chronologically, starting with Leg Over Leg (1855) and finishing with Minor Detail, a novel that was only published last year.  Obviously, this does not claim to be a comprehensive survey; for that we would need several years and even then, we would fall short. Instead, the hope is that it will be a thrilling journey through some of the most facinating fiction ever written. Obviously, this does not claim to be a comprehensive survey; for that we would need several years and even then, we would fall short. Instead, the hope is that it will be a thrilling journey through some of the most fascinating fiction ever written.

• Department: Comparative Literature and Society @Barnard
• M 4:10 p.m.-6 p.m.
• Instructor: Hisham Matar
  CULPA: 2 Wikipedia Info
• 4 points

Art & Culture in Harlem

Harlem is a community with a long and storied legacy of arts and entertainment that dates back to the late 1800s. Its legacy extends through the many cultural movements that have helped to define the community such as the Harlem Renaissance in the early 1900s, the Black Arts Movement in the 1960s, and Hip Hop in the 1970s and 1980s, to the current renaissance of venues that anchor Harlem as a neighborhood vibrant with varied opportunities for cultural engagement. Harlem is home to several historic and iconic venues devoted to the arts and entertainment such as the Apollo Theater, Dance Theatre of Harlem, the Studio Museum in Harlem, and the National Black Theatre. These and many other venues along with many others throughout the neighborhood have helped to anchor Harlem as a beacon for Black creative expression that has been instrumental in shaping American culture. The Schomburg Center for Research in Black Culture, part of the New York Public Library, stands as a repository for much of this history and as an emblem of Harlem’s extensive cultural history. In recent years, Harlem has also seen a burgeoning of new galleries, performance spaces, and cultural events that have reignited and brought new audiences to the community. In this course, we will explore Harlem’s early history and how it evolved from a place known primarily for its entertainment venues to one with a mix of standard and more cutting edge artistic and cultural ventures. Community, politics, and economics will also be considered as we look at various cultural and artistic movements. As part of our exploration, we will examine whether shifts in demographics and the ideas, notions, and sometimes, myths about the neighborhood have influenced arts and entertainment in the community. We will seek to define what distinguishes arts and entertainment in Harlem from other New York City neighborhoods and how Harlem has contributed over the years to Black arts and entertainment in NYC and beyond. This course will include visits to venues and visits from guest speakers, all relative to in-class discussions and deeper exploration of the space arts and entertainment have continued to hold for the community and for the people of Harlem. Along with guided walking tours, visits to selected venues will help to delineate Harlem’s cultural past and its continuing evolution through the work of artists, curators, administrators, scholars, culture bearers, and others. Students are encouraged to attend events at some of the institutions and venu

• Department: Africana Studies (AFSB)
• F 12:10 p.m.-2 p.m.
• Instructor: Shirley Taylor
  Info
• 4 points

DRUGS & POLITICS IN AMERICAS

A major challenge for governments across the Western Hemisphere is the complex relationship between illicit drugs, violence, and politics. We can see this relationship operating at multiple levels, from everyday politics in gang-controlled neighborhoods to the global arenas where governments debate and craft international drug policy. These links also reach back in history to global wars of empire and colonial rule, race relations during and following the collapse of the institution of slavery, and contemporary drug wars being waged across the Western Hemisphere and other parts of the world. Today, the dynamics and consequences of the politics of illicit drugs touch all our lives in different ways, including individual and family struggles with substance abuse, everyday encounters with militarized police, and the strains on democracy and citizenship, among many others. This course will examine some of these dynamics and consequences with a theoretical and empirical focus mainly on Latin America and the United States. Throughout our time together we will connect these pressing issues to broader theories, concepts and empirical findings in political science. The course is divided into several individual modules (denoted below with the headings A – G) under three overarching themes for this semester:

 

1. Politics of Drugs in a Historical Perspective:
The first theme is a broad historical overview of the political origins of illicit drugs and the global drug regime. Some of the main questions we will tackle are: When and why did states label drugs as illicit?  How did domestic and global politics come together to shape the global drug regime and the “war on drugs?” What role did race and gender play in the early social construction of illicit drugs?

 

2. Illicit Drugs, Politics and Governance:
The second theme focuses on contemporary linkages between illicit drugs, violence, and politics. Here we will examine the conditions under which illicit drug markets are either violent or (relatively) peaceful. We will tackle questions like: Do states always seek to dismantle drug markets? What is the relationship between illicit drugs and electoral politics? What role do illicit drugs play in governance by armed non-state actors?  Are states and criminal actors involved in the drug trade always at “war” with each other? 


3. Democracy, Citizenship, and the War on Drugs:
The th

• Department: Political Science @Barnard
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Eduardo Moncada
  CULPA: 2 h-index: 12 Info
• 4 points

COMPOSITION:SITE/EXPERIMENTAL

• Department: Dance @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Caroline Fermin
  Info
• 3 points

DRUGS & POLITICS IN THE AMERICAS - DISC

DRUGS & POLITICS - DISC

Discussion Section for POLS-UN3565 Drugs and Politics in the Americas

• Department: Political Science @Barnard
• 0 points

DRUGS & POLITICS IN THE AMERICAS - DISC

DRUGS & POLITICS - DISC

Discussion Section for POLS-UN3565 Drugs and Politics in the Americas

• Department: Political Science @Barnard
• 0 points

DRUGS & POLITICS IN THE AMERICAS - DISC

DRUGS & POLITICS - DISC

Discussion Section for POLS-UN3565 Drugs and Politics in the Americas

• Department: Political Science @Barnard
• 0 points

DRUGS & POLITICS IN THE AMERICAS - DISC

DRUGS & POLITICS - DISC

Discussion Section for POLS-UN3565 Drugs and Politics in the Americas

• Department: Political Science @Barnard
• 0 points

Left and Right in American History

Left and Right in US Hist

This course examines 20th-century American political movements of the Left and Right. We will cover Socialism and the Ku Klux Klan in the early twentieth century; the Communist Party and right-wing populists of the 1930s; the civil rights movement, black power, and white resistance, 1950s-1960s; the rise of the New Left and the New Right in the 1960s; the Women's liberation movement and the Christian right of the 1970s; and finally, free-market conservatism, neoliberalism, white nationalism and the Trump era. We will explore the organizational, ideological and social history of these political mobilizations. The class explores grass-roots social movements and their relationship to “mainstream” and electoral politics. We will pay special attention to the ways that ideas and mobilizations that are sometimes deemed extreme have in fact helped to shape the broader political spectrum. Throughout the semester, we will reflect on the present political dilemmas of our country in light of the history that we study.

• Department: History
• R 2:10 p.m.-4 p.m.
• Instructor: Kimberly K Phillips-Fein
  Info
• 4 points

French Algeria, 1830-1962

This course provides an introduction to the colonial history of Algeria and France in the 19th and 20th centuries, at the high point of European imperial expansion. It covers the violent conquest of the Regency of Algiers starting in 1830, followed by population removal and settlement by the French; successive political regimes, forms of legal discrimination, and attempts at turning this North African territory into an integral part of the French Republic; and finally the emergence of Algerian nationalism, leading up to the war of liberation and independence in 1962. Algeria was the jewel of the French Empire, its only real settler colony; its independence became a beacon of post-colonial struggles, inaugurating an era of entangled memories and forgetting that continues today.

• Department: French
• T 6:10 p.m.-8 p.m.
• Instructor: Thomas Dodman
  CULPA: 2 Info
• 3 points

DEVISING IMMERSIVE PERFORMANCE

This course is designed as a workshop in both immersive devising and performance skills, revolving around the creation and execution of an immersive experience. Through a collaborative devising process, students will explore possibilities of environmental, site-specific, experiential, and ambulatory design. Students will develop compositional structures and strategies for creating content, create and develop embodied characters, as well as design and physically navigate the particular architecture of a performance environment. Students will also hone skills specific to interactive performance such as maneuvering audience, gaze, breath work, and choice making and improvisation within the parameters of storytelling.

• Department: Dance @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Elisa R Davis
  Info
• 3 points

Ten Books to Understand Capitalism

Ten Books Undrstand Capit

In this seminar, we will read a selection of masterpieces in economics to explore how economic thought on capitalism has changed over time. Through weekly discussions, we will examine a number of must-read volumes that shape the field of economics and more broadly, the social sciences today. We will also develop a general understanding of the different epochs of economic thinking about the evolving capitalist system. We will analyze classics such as Adam Smith’s Wealth of Nations, Karl Marx’s Capital, and John M. Keynes’ General Theory, as well as more recent classics that have deeply influenced social science thinking in the second half of the XX century. This seminar is intended both for students in history, the humanities and the social sciences who have an interest in understanding the evolution of the economics discipline in historical perspective, and for economics students who want to develop an historical understanding of their discipline.

• Department: History @Barnard
• T 9 a.m.-10:50 a.m.
• Instructor: Michele Alacevich
  Info
• 4 points

The Scholar and Feminist Conference: Fem

Feminist Knowledge and Ac

For fifty years, the Barnard Center for Research on Women’s Scholar and Feminist conference has provided a vital forum for leading feminist thinkers to test ideas and ignite debates on the most pressing issues of their time. This course offers a special opportunity for students to engage with the Scholar and Feminist at a historic moment: in February 2026, BCRW will host the 50th conference. We will use the history of the Scholar and Feminist conference as a guide to trace the making of feminist knowledge over the past fifty years. In addition to reading about the scholarly context of the conference, students will do archival work in preparation for attending and analyzing the anniversary gathering. Students will engage with key feminist debates that have been part of the conference’s history. They will consider how conferences function as spaces of research production and movement-building, exploring how the lessons of past controversies and solidarities can inform feminist scholarship and action in the present. Readings will draw from BCRW’s
Scholar & Feminist Online
and the Barnard archives, alongside key theoretical feminist texts, to consider how movements, controversies, and institutional struggles have shaped the field. Together, we will ask: how has the conference created new possibilities for scholarship and activism, and why are these questions urgent in a moment when feminist knowledge and institutions are under attack?

• Department: Women's, Gender, Sexuality Studies @Barnard
• F 12:10 p.m.-2 p.m.
• Instructor: Margot L Kotler
  Info
• 4 points

SR SEM IN BIOLOGY

Required for all majors who do not select the year-long Senior Thesis Research & Seminar (BIOL BC3593 & BC3594) to fulfill their senior capstone requirement. These seminars allow students to explore the primary literature in the Biological Sciences in greater depth than can be achieved in a lecture course. Attention will be focused on both theoretical and empirical work. Seminar periods are devoted to oral reports and discussion of assigned readings and student reports. Students will write one extensive literature review of a topic related to the central theme of the seminar section. 
Topics vary per semester and include, but are not limited to:
 Plant Development
, 
Animal Development & Evolution,
 Molecular Evolution, Microbiology & Global Change, Genomics, Comparative & Reproductive Endocrinology, and Data Intensive Approaches in Biology.

• Department: Biological Sciences @Barnard
• F 9:10 a.m.-11 a.m.
• Instructor: Rishita Shah
  Info
• 4 points

GUIDED RESEARCH & SEMINAR

This year-long course is open to junior and senior Biology majors and minors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give a poster presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills two upper-level laboratory requirements for the Biology major or minor. This course must be taken in sequence, beginning with BIOL BC3591 in the Fall and continuing with BIOL BC3592 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3593-BIOL BC3594.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-4 p.m.
• 4 points

GUIDED RESEARCH & SEMINAR

This year-long course is open to junior and senior Biology majors and minors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give a poster presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills two upper-level laboratory requirements for the Biology major or minor. This course must be taken in sequence, beginning with BIOL BC3591 in the Fall and continuing with BIOL BC3592 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3593-BIOL BC3594.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

NEUROSCIENCE GUIDED RESEARCH

Neuroscience research commonly generates datasets that are increasingly complex and large. Open science and data sharing platforms have emerged across a wide range of neuroscience disciplines, laying the foundation for a transformation in the way scientists share, analyze, and reuse immense amounts of data collected in laboratories around the world. This class is designed to introduce students to several open source databases that span multiple investigative levels of neuroscience research. Students will utilize the datasets to conduct individual research projects.

• Department: Neuroscience & Behavior @Barnard
• M 1:10 p.m.-5 p.m.
• Instructor: Luca Iemi
  Info
• 4 points

SR PROJECT:REPERTORY FOR DANCE

Independent study for preparing and performing repertory works in production to be presented in concert.

• Department: Dance @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Colleen Thomas
  CULPA: 6 Info
• Instructor: Marjorie Folkman
  CULPA: 2 Info
• 3 points

SENIOR THESIS RESEARCH & SEMINAR

SR THESIS RESEARCH & SEMI

This year-long course is open to senior Biology majors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give an oral presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills the senior capstone requirement for the Biology major. This course must be taken in sequence, beginning with BIOL BC3593 in the Fall and continuing with BIOL BC3594 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3591-BIOL BC3592.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

SENIOR THESIS RESEARCH & SEMINAR

SR THESIS RESEARCH & SEMI

This year-long course is open to senior Biology majors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give an oral presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills the senior capstone requirement for the Biology major. This course must be taken in sequence, beginning with BIOL BC3593 in the Fall and continuing with BIOL BC3594 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3591-BIOL BC3592.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

RSRCH/SEM-NEUROSCNC&BEHAVIOR

Prerequisites: Open to senior Neuroscience and Behavior majors. Permission of the instructor. This is a year-long course. By the end of the spring semester program planning period during junior year, majors should identify the lab they will be working in during their senior year. Discussion and conferences on a research project culminate in a written and oral senior thesis. Each project must be supervised by a scientist working at Barnard or at another local institution. Successful completion of the seminar substitutes for the major examination.

• Department: Neuroscience & Behavior @Barnard
• R 4:10 p.m.-5:55 p.m.
• Instructor: Peter D Balsam
  CULPA: 25 Info
• Instructor: Alex White
  h-index: 13 Info
• Instructor: Russell D Romeo
  CULPA: 9 Info
• Instructor: Kevin G Bath
  Info
• 4 points

GUIDED RESEARCH

Similar to BIOL BC3591-BIOL BC3592, this is a one-semester course that provides students with degree credit for unpaid research 
without 
a seminar component. You may enroll in BIOL BC3597 for between 1-4 credits per semester. As a rule of thumb, you should be spending approximately 3 hours per week per credit on your research project.

A 
Project Approval Form
 must be submitted to the department each semester that you enroll in this course. Your Barnard research mentor (if your lab is at Barnard) or internal adviser in the Biology Department (if your lab is elsewhere) must approve your planned research 
before
 you enroll in BIOL BC3597. You should sign up for your mentor's section. 

This course does not fulfill any Biology major requirements.  It is open to students beginning in their first year.

• Department: Biological Sciences @Barnard
• Instructor: Elizabeth P Bauer
  CULPA: 3 h-index: 21 Info
• Instructor: Hilary Callahan
  CULPA: 4 h-index: 17 Info
• Instructor: John Glendinning
  CULPA: 23 h-index: 39 Info
• Instructor: Jordan Balaban
  Info
• Instructor: Jj L Miranda
  CULPA: 3 Info
• Instructor: Alison Pischedda
  CULPA: 3 h-index: 11 Info
• Instructor: Jonathan Snow
  CULPA: 7 h-index: 18 Info
• Instructor: Brian Morton
  CULPA: 21 Info
• Instructor: Jennifer H Mansfield
  CULPA: 2 h-index: 15 Info
• Instructor: Gabrielle Corradino
  Info
• Instructor: Jessica Goldstein
  CULPA: 14 Info
• Instructor: Emlyn J Resetarits
  Info
• 1-4 points

PROBLEMS IN CHEMISTRY

Prerequisites: CHEM BC3328 and permission of instructor. Individual research projects at Barnard or Columbia, culminating in a comprehensive written report.

• Department: Chemistry @Barnard
• Instructor: Christian Rojas
  CULPA: 24 Info
• Instructor: Marisa C Buzzeo
  CULPA: 2 Info
• Instructor: Dina C Merrer
  CULPA: 24 Info
• Instructor: Andrew C Crowther
  CULPA: 1 Info
• Instructor: Michael Campbell
  Info
• Instructor: Rachel Austin
  CULPA: 18 Wikipedia h-index: 28 Info
• Instructor: Christina Vizcarra
  CULPA: 1 Info
• Instructor: Rebecca Donegan
  Info
• 2 points

PROBLEMS IN CHEMISTRY

Prerequisites: CHEM BC3328 and permission of instructor. Individual research projects at Barnard or Columbia, culminating in a comprehensive written report.

• Department: Chemistry @Barnard
• 2 points

PROBLEMS IN CHEMISTRY

Prerequisites: CHEM BC3328 and permission of instructor. Individual research projects at Barnard or Columbia, culminating in a comprehensive written report.

• Department: Chemistry @Barnard
• Instructor: Christian Rojas
  CULPA: 24 Info
• Instructor: Marisa C Buzzeo
  CULPA: 2 Info
• Instructor: Dina C Merrer
  CULPA: 24 Info
• Instructor: Andrew C Crowther
  CULPA: 1 Info
• Instructor: Michael Campbell
  Info
• Instructor: Rachel Austin
  CULPA: 18 Wikipedia h-index: 28 Info
• Instructor: Christina Vizcarra
  CULPA: 1 Info
• Instructor: Rebecca Donegan
  Info
• 4 points

PROBLEMS IN CHEMISTRY

Prerequisites: CHEM BC3328 and permission of instructor. Individual research projects at Barnard or Columbia, culminating in a comprehensive written report.

• Department: Chemistry @Barnard
• 4 points

Approaches to Global Thought

Challenges confronting the world today require multiple perspectives, approaches, and methods to grasp their complexity and devise responses and solutions. Whether addressing the climate crisis, public health threats, global and local inequities, social problems, geopolitical tensions, or any number of other problems, all demand the expertise developed in disciplinary training as well as flexible thinking and the ability to collaborate and solve problems across disciplinary boundaries. This course places students with different majors into conversation with each other to consider the approaches of their own disciplines, learn about the methodological “tool kits” of other fields, investigate examples of transdisciplinary research, and work with their classmates to design their own problem-centered collaborative projects.

• Department: Committee on Global Thought
• R 12:10 p.m.-2 p.m.
• Instructor: Laura L Neitzel
  CULPA: 1 Info
• 4 points

INTL LAW & U.N. IN PRACTICE

Prerequisites: POLS UN1601 or HRTS UN3001 An equivalent course to POLS UN1601 or HRTS UN3001 may be used as a pre-requisite, with departmental permission. Examines the development of international law and the United Nations, their evolution in the Twentieth Century, and their role in world affairs today. Concepts and principles are illustrated through their application to contemporary human rights and humanitarian challenges, and with respect to other threats to international peace and security. The course consists primarily of presentation and discussion, drawing heavily on the practical application of theory to actual experiences and situations. For the Barnard Political Science major, this seminar counts as elective credit only. (Cross-listed by the Human Rights Program.)

• Department: Human Rights (HRTB)
• T 12:10 p.m.-2 p.m.
• Instructor: Martin S Flaherty
  CULPA: 1 Wikipedia Info
• 4 points

As If: Anthropologies of the Future

This seminar engages--through science fiction and speculative fiction, film, and companion readings in anthropology and beyond—a range of approaches to the notion of the “future” and to the imagination of multiple futures to come.  We will work through virtual and fictive constructions of future worlds, ecologies, and social orders “as If” they present alternative possibilites for pragmatic yet utopian thinking and dreaming in the present (and as we’ll also consider dystopian and “heterotopian” possibilities as well).

• Department: Anthropology
• T 4:10 p.m.-6 p.m.
• Instructor: Marilyn Ivy
  CULPA: 11 Wikipedia Info
• 4 points

REHEARSAL&PERFRMNCE IN DANCE

Prerequisites: Audition. Do not register for this course until you have been selected at the audition. Subject to cap on studio credit. Can be taken more than once for credit up to a maximum of 3 credits a semester. Students are graded and take part in the full production of a dance as performers, choreographers, designers, or stage technicians.

• Department: Dance @Barnard
• MW 6:10 p.m.-9 p.m.
• Instructor: Ehizoje J Azeke
  Info
• Instructor: Dormeshia Sunbry-Edwards
  Info
• 0-3 points

REHEARSAL&PERFRMNCE IN DANCE

Prerequisites: Audition. Do not register for this course until you have been selected at the audition. Subject to cap on studio credit. Can be taken more than once for credit up to a maximum of 3 credits a semester. Students are graded and take part in the full production of a dance as performers, choreographers, designers, or stage technicians.

• Department: Dance @Barnard
• TR 6:10 p.m.-9 p.m.
• Instructor: Annie Rigney
  Info
• 0-3 points

INDEPENDENT STUDY

This course can be worth 1 to 4 credits (each credit is equivalent to approximately three hours of work per week), and requires a Barnard faculty as a mentor. The course will be taken for a letter grade, regardless of whether the student chooses 1, 2, 3, or 4 credits. The expectations for each of these options are as follows: 1 credit, 3h/week commitment, 5-10 page "Research Report" at the end of the term; 2 credits, 6h/week commitment, 5-10 page "Research Report" at the end of the term; 3 credits, 9h/week commitment, 15-20 page "Research Report" at the end of the term; 4 credits, 12h/week commitment, 15-20 page "Research Report" at the end of the term. "Research Report" is a document submitted to the person grading the student, the instructor of record for the section in which the student has enrolled. If a student is working off-site, then input from the off-site research mentor will inform the grading. The "Research Report" can take a variety of forms: progress reports on data collected, training received, papers read, skills learned, etc.; or organized notes for lab notebooks, lab meetings, etc.; or manuscript-like papers with Intro, Methods, Results, Discussion; or some combination thereof, depending on the maturity of the project.  Ultimately, this will take different forms for different students/labs.

• Department: Psychology @Barnard
• Instructor: Robert Brotherton
  CULPA: 1 Info
• Instructor: Armita Ghobadi
  Info
• Instructor: Colin Leach
  CULPA: 4 h-index: 41 Info
• Instructor: Ken Light
  CULPA: 17 h-index: 15 Info
• Instructor: Koleen McCrink
  CULPA: 6 h-index: 17 Info
• Instructor: Michelle Greene
  Info
• Instructor: Robert E Remez
  CULPA: 26 Wikipedia h-index: 23 Info
• Instructor: Anna Shusterman
  Info
• Instructor: Ann Senghas
  CULPA: 17 Info
• Instructor: Katherine Thorson
  CULPA: 4 h-index: 7 Info
• Instructor: Lisa K Son
  CULPA: 25 Info
• Instructor: Mariel Roberts
  h-index: None Info
• Instructor: Erica Musser
  Info
• Instructor: Kathleen M Taylor
  CULPA: 78 Info
• Instructor: Tara Well
  CULPA: 4 Info
• Instructor: Michael Wheaton
  h-index: 31 Info
• Instructor: E'Mett McCaskill
  CULPA: 38 Info
• Instructor: Kate M Turetsky
  Info
• Instructor: Alexandra C Horowitz
  CULPA: 23 Wikipedia Info
• 1-4 points

THE HISTORY OF AMERICAN JOURNALISM OF CO

US JOURNALISM OF CONSCIEN

From Frederick Douglass’s The North Star, which insisted that journalism could be a tool for liberation and collective conscience, to today’s digital-first platforms, American journalism has always been a site of struggle over truth, power, and representation. This course explores the power of journalism to shape public conscience — from the days when print was the Twitter of its time to the rise of radio, television, and digital media. At its core, this seminar centers the voices of journalists of conscience — those who speak truth to power, challenge dominant narratives, and reflect the full spectrum of human experience. We will approach journalism through a lens that foregrounds the perspectives of people of color, recognizing how mainstream media has historically erased, distorted, or marginalized their voices while also highlighting the powerful traditions of resistance and self-representation in journalism.

To foster meaningful connection and collaboration, students will be split into groups for the semester. These groups will meet in breakout rooms during each class session to workshop ideas, respond to prompts, and sometimes collaborate on short journalistic pieces. The goal is to make a large seminar feel intimate and to encourage peer-to-peer dialogue throughout the course.

Through weekly readings, in-class discussions, site visits, guest speakers, and multimedia projects, students will examine how journalism has both reflected and resisted dominant narratives across history. Students will also create original work that embodies conscience-based journalism.

• Department: English @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Maria D Hinojosa
  Info
• 3 points

ADVANCED OPTIMIZATION

For undergraduates only. Required for all undergraduate students majoring in IE, OR:EMS, OR:FE, and OR. This is a follow-up to IEOR E3608 and will cover advanced topics in optimization, including integer optimization, convex optimization, and optimization under uncertainty, with a strong focus on modeling, formulations, and applications.

• Department: Industrial Engineering and Operations Research
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Bento Natura
  Info
• 3 points

POLITICAL PSYCHOLOGY AND INTERNATIONAL R

POLITICAL PSYCHOLOGY & IR

This course introduces students to psychological theories of international politics. We pose a series of questions about the role of individuals in international relations and consider different theories of political decision making (including rational choice, cognitive, motivational, and organizational theories), personality and leadership, and the role of images, values, and identity in shaping international behavior. We’ll put these theories in the context of other ways of explaining state behavior, evaluate their usefulness, and you’ll make use of these theories to explain an international relations course of your choosing.

• Department: Political Science @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Marjorie Castle
  Info
• 3 points

Our Magnetic Universe: An Introduction t

This course explores how magnetic fields shape the cosmos — from the Earth’s magnetosphere and the Sun’s corona to galaxies, clusters, and the cosmic web itself. The course introduces the fundamental physics of plasmas and magnetohydrodynamics (MHD), providing a quantitative framework for understanding how magnetic fields interact with charged matter across vastly different environments. Through lectures, problem sets, and student-led presentations, students learn analytical, numerical, and observational approaches used in modern astrophysics to study magnetic phenomena. By the end of the semester, participants gain the tools to critically read and communicate research on astrophysical magnetism, bridging core physical principles with their diverse cosmic applications.

• Department: Astronomy
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Ryan E Golant
  Info
• 3 points

MATERIALS/PROCESSES IN MANUFAC

Introduction to microstructures and properties of metals, polymers, ceramics and composites; typical manufacturing processes: material removal, shaping, joining, and property alteration; behavior of engineering materials in the manufacturing processes.

• Department: Mechanical Engineering
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Sinisa Vukelic
  CULPA: 2 h-index: 11 Info
• 3 points

THIRD YEAR MODERN TIBETAN II

For those whose knowledge is equivalent to a student whos completed the Second Year course. The course develops students reading comprehension skills through reading selected modern Tibetan literature. Tibetan is used as the medium of instruction and interaction to develop oral fluency and proficiency.

• Department: East Asian Languages and Cultures
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Sonam Tsering
  Info
• 4 points

Imperial Art and Architecture of Beijing

Imperial Art & Arch. Beij

Imperial art and architecture in Beijing—the capital of the Yuan, Ming, and Qing dynasties (1271-1911)—have inspired awe and admiration in the Western world since the late 19th century. Despite massive destruction caused by foreign invasions before 1911 and rapid urban development after 1949, a significant portion of historic Beijing has survived, including imperial temples and gardens, princely courtyard residences, alleyway neighborhoods, and, most importantly, the Forbidden City—the magnificent seat of imperial power. Moreover, artifacts and artworks from the palaces of Beijing are now housed in museums across the Western world.

This seminar introduces students to the imperial art and architecture of Beijing through the lens of the reign of two Qing-dynasty rulers: the Qianlong Emperor (r. 1736-1796) and Empress Dowager Cixi (1835-1908). Their artistic legacies have profoundly shaped modern understanding of the city’s imperial past. Over the spring break, students will travel with the instructor to Beijing to visit sites that were inhabited, commissioned, or even designed by these two rulers.

Through lectures in New York City and a field study in Beijing, the course encourages students to consider questions such as: How did art and architecture serve to reinforce and glorify Qianlong’s rule over the multiethnic Qing empire for much of the 18th century—a reign often celebrated as inclusive, efficient, and prosperous, yet also criticized as despotic, corrupt, and repressive? To what extent did Empress Dowager Cixi’s artistic patronage inherit or challenge conventional imperial traditions? And how does historic Beijing continue to shape the social and political life of its inhabitants—and influence broader national identity—in contemporary China?

The course features a study trip to Beijing, where we will explore imperial palaces, gardens, and temples to engage directly with the monuments discussed in class. Each student will prepare a presentation in advance, taking the lead as a guide during our site visits. These presentations will serve as the foundation for the final research papers.

• Department: Art History and Archaeology
• R 4:10 p.m.-6 p.m.
• Instructor: Jin Xu
  Info
• 4 points

SENIOR RESEARCH THESIS

Discussions of the student's Independent Research project during the fall and spring terms that culminate in a written and oral senior thesis. Each project must be supervised by a scientist working at Barnard or at another local institution.

• Department: Psychology @Barnard
• M 12:10 p.m.-2 p.m.
• Instructor: Lisa K Son
  CULPA: 25 Info
• 1 points