HISPANIC CULTURES I (SP)

Prerequisites: L course: enrollment limited to 15 students. Completion of language requirement, third-year language sequence (W3300). Provides students with an overview of the cultural history of the Hispanic world, from eighth-century Islamic and Christian Spain and the pre-Hispanic Americas through the late Middle Ages and Early Modern period until about 1700, covering texts and cultural artifacts from both Spain and the Americas.

• Department: Spanish and Latin American Culture
• MW 2:40 p.m.-3:55 p.m.
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Alex Pereira
  Info
• Instructor: Simone Pinet
  Info
• 3 points

IN OTHER WORDS: WORLD POETRY & COSMOPOLI

WORLD POETRY & COSMOPOLIT

What is “world poetry”? This course will try to give an answer to this vexing question. You are being introduced to a number of influential poets who have entered a dialogue about what it means to write, read, translate and appreciate poetry in a global context. The impact of globalization is most visible in a number of anthologies which made considerable efforts to move beyond the existing range of national representatives and to make an English-speaking audience familiar with the names and works of poets who are bilingual or who write in their native language. Throughout the semester, we will read English translations of these poems (but feel free to read the original if you know the language). Secondly, the global context is of great importance for understanding each poet’s vision of the world since poets are involved in processes of “world-making” as well as reacting to the world’s past and present. s the semester progresses you will see that the poets are part of a larger conversation; some themes, forms and issues we discovered at the beginning will return in the middle or toward the end of the term. The selection of poets is based on considerations of gender, race, age and religious affiliation; many of the poets whose works we are going to discuss are iconic figures; in studying other cases, you will be exposed to new voices (for example, young South African poets) whose significance will emerge in a critical discussion of the anthologists’ rationale and criteria for selecting poets and marginalizing others.

• Department: Comparative Literature and Society @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Erk Grimm
  CULPA: 10 Info
• 3 points

HISPANIC CULTURES II (SP)

This course surveys cultural production of Spain and Spanish America from the eighteenth to the twenty-first centuries. Students will acquire the knowledge needed for the study of the cultural manifestations of the Hispanic world in the context of modernity. Among the issues and events studied will be the Enlightenment as ideology and practice, the Napoleonic invasion of Spain, the wars of Spanish American independence, the fin-de-siecle and the cultural avant-gardes, the wars and revolutions of the twentieth century (Spanish Civil War, the Mexican and Cuban revolutions), neoliberalism, globalization, and the Hispanic presence in the United States. The goal of the course is to study some key moments of this trajectory through the analysis of representative texts, documents, and works of art. Class discussions will seek to situate the works studied within the political and cultural currents and debates of the time. All primary materials, class discussion, and assignments are in Spanish. This course is required for the major and the concentration in Hispanic Studies.

• Department: Spanish and Latin American Culture
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Ronald D Briggs
  CULPA: 4 Info
• 3 points

HISPANIC CULTURES II (SP)

ENLIGHTENMENT THROUGH PRESENT

This course surveys cultural production of Spain and Spanish America from the eighteenth to the twenty-first centuries. Students will acquire the knowledge needed for the study of the cultural manifestations of the Hispanic world in the context of modernity. Among the issues and events studied will be the Enlightenment as ideology and practice, the Napoleonic invasion of Spain, the wars of Spanish American independence, the fin-de-siecle and the cultural avant-gardes, the wars and revolutions of the twentieth century (Spanish Civil War, the Mexican and Cuban revolutions), neoliberalism, globalization, and the Hispanic presence in the United States. The goal of the course is to study some key moments of this trajectory through the analysis of representative texts, documents, and works of art. Class discussions will seek to situate the works studied within the political and cultural currents and debates of the time. All primary materials, class discussion, and assignments are in Spanish. This course is required for the major and the concentration in Hispanic Studies.

• Department: Latin American and Iberian Cultures
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Graciela Montaldo
  Info
• 3 points

The Family in Film and Memoir

This course will examine films and a few memoirs that center on family narratives, family cultures, cultural legacies and customs inherited through generations, generational dynamics, childhood memory, and ideas of
home
as a utopian/dystopian and oneiric space.   Explorations of memory, imagination and childhood make-believe will interface with readings in psychoanalysis, attachment theory, phenomenology and in the social history of this polymorphous institution.
 
Authors will include Gaston Bachelard, Alison Bechdel, Jessica Benjamin, Mark Doty, Vivian Gornick, Lorraine Hansberry, Maggie Nelson and D.W. Winnicott; and films by Sean Baker, Alfonso Cuaron, Greta Gerwig, Lance Hammer, Barry Jenkins, Jennifer Kent, Hirokazu Kore-eda, Dan Kwan and Daniel Scheinart, Lucretia Martel, Mike Mills, Sarah Polley, Charlotte Wells, Andrei Zvyagintsev and others.

Seminar application instructions: Email Professor Spiegel (mls37@columbia.edu) with the subject heading "Family in Film & Memoir Seminar." In your message, include your name, school, major, year of study, and relevant courses taken. All students are automatically placed on a waitlist, from which the instructor will in due course admit students as spaces become available.

• Department: English and Comparative Literature
• R 2:10 p.m.-4 p.m.
• Instructor: Maura L Spiegel
  CULPA: 40 Info
• 4 points

DEVELOPMENT

Introduction to animal developmental biology and its applications. This course will examine the basic mechanisms through which animal bodies organize themselves, from an integrative perspective at the levels of genes and gene networks, cell properties and behaviors, coordinated interactions of cells in developing tissues, organs and organ systems, and the role of developmental processes in morphological evolution. Topics include: fertilization, cleavage and gastrulation, establishment of body axes, neural development, organ formation, tissue and organ regeneration, stem cells and medical applications, evolution of developmental programs, and teratogenesis.

• Department: Biological Sciences @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Rishita Shah
  Info
• 3 points

BIOCHEMISTRY LAB TECHNIQUES

BIOCHEMISTRY LAB TECHNIQUES -

Prerequisites: Organic II lab (CHEM BC3333, BC3335, or equivalent); Quantitative analysis lab (BC3338, BC3340, or equivalent); Biochemistry (CHEM BC3282y, CHEM C3501, or equivalent).

Theory and application of fundamental techniques for the isolation, synthesis and characterization of biological macromolecules including proteins, lipids, nucleotides and carbohydrates. Techniques include spectroscopic analysis, gel electrophoresis, chromatography, enzyme kinetics, immunoblotting, PCR, molecular cloning and cell culture, as well as modern laboratory instrumentation, such as UV-Vis, GC-MS and HPLC.

• Department: Chemistry @Barnard
• MF noon-5 p.m.
• 5 points

Reproductive Biology

Seminar - Reproductive Bi

This course will explore developing topics in mammalian reproductive biology. Using textbooks and primary literature sources we will explore the molecular and physiological nature of reproduction, including fertilization, assisted reproductive technologies, and physiological changes to the reproductive system during and after birth. These topics will be further discussed in the context of medicine and society, with a particular focus on healthcare disparities in local communities.

• Department: Biological Sciences @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Rishita Shah
  Info
• 3 points

Adv Chemical Synthesis & Reactivity Lab

ADV CHEM SYNTHESIS LAB

Prerequisites: CHEM BC3333, CHEM BC3271, and CHEM BC3338 Corequisites: CHEM BC3253 Multistep and multi-day experiments in organic and inorganic synthesis via advanced synthetic methods. Experiments include solution phase, solid state, and photochemical syntheses. Products will be analyzed and characterized by a variety of methods, including: IR, NMR, and UV-Vis spectroscopy, and also by polarimetry, chiral GC, and GC/MS.

• Department: Chemistry @Barnard
• TR 8:10 a.m.-noon
• 5 points

Global Kafka: The Writer's dialogue with

GLOBAL KAFKA

Emines the writer’s view of foreign cultures and animals, his response to empires and states, reflections on bureaucracy or personal relationships, with an emphasis on Kafka’s international legacy and influence. Discussions of his followers in American or world literature. Major novels such as The Trial, The Castle and Amerika as well as short stories are covered and rediscovered in this course.

• Department: Comparative Literature and Society @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Erk Grimm
  CULPA: 10 Info
• 3 points

DISASTERS AND DEVELOPMENT

Prerequisites: EESC 2330; SDEV W2300. Human welfare status is very unevenly distributed throughout the globe - some of us live very comfortable lives, others remain in desperate poverty showing little progress away from their condition. Between are countries that are rapidly developing and converging toward the welfare of the richest. At all levels of economic development human activities place significant pressure on the environment and threatens all of Earth’s vital functions and support systems for human life. This challenge requires timely responses based on solid understanding of the human/environment interface, technological and economic approaches to mitigate adverse effects on the environment, and routes to understanding the complex dynamics of the coupled human/natural systems that can chart a pathway to improvement in the lives of the poorest and continued well-being for those who have achieved prosperity without forcing natural systems into decline or massive fluctuation. This course offers undergraduate students, for the first time, a comprehensive course on the link between natural disaster events and human development at all levels of welfare. It explores the role that natural disasters might have and have had in modulating development prospects. Any student seriously interested in sustainable development, especially in light of climate change, must study the nature of extreme events - their causes, global distribution and likelihood of future change. This course will cover not only the nature of extreme events, including earthquakes, hurricanes, floods and droughts but also their transformation into disaster through social processes. It will ultimately help students to understand the link between such extreme events, the economic/social shock they represent and development outcomes. The course will combine careful analysis of the natural and social systems dynamics that give rise to disasters and examine through group learning case studies from the many disasters that have occurred in the first decade of the 21st century. Offered in the Spring (odd years only).

• Department: Earth Institute
• MW 6:10 p.m.-7:25 p.m.
• 3 points

Death and Dignity: Forensic Science and

Forensic scientific investigations of mass political violence have proliferated in recent decades. As a form of “science in the service of human rights,” forensic methods are used to locate and identify the remains of people killed in mass political violence and, more broadly, to corroborate witness testimonies of rights abuses and contribute evidence for potential use in war crimes trials. Yet forensic investigations of mass violence are not only scientific endeavors, but also highly social and political ones. Families of the dead and disappeared have long been at the forefront of demanding state action to locate, exhume, and return the remains of their loved ones. What drives states, on the one hand, and families of the dead and disappeared, on the other, to turn to forensic exhumations of the dead? What social and political work does forensic science—and the dead bodies it unveils—do to mediate restorative transformation in the wake of mass political violence?

This course explores how the forensic sciences—in particular, forensic anthropology, archaeology, and genetics—are mobilized after atrocity to make rights claims to postmortem dignity, postwar memory, and transformative justice. It approaches forensic science from a holistic (or, in anthropological terms, “four-field”) perspective, in which the scientific cannot be separated from the social or political, given the profound social transformations brought about by war. Practices in biological and forensic science cannot be separated from the social and political contexts of the political violence and human rights violations they investigate. What would it look like to conceive of forensic science from a multi-focal, interdisciplinary perspective? 

This discussion-based seminar explores the complex social and scientific worlds that come into being over the course of postwar forensic exhumations, bringing the living and the dead into new forms of relation. We situate forensic investigations within broader struggles over historical and collective memory, narratives of past violence, and accountability for state violence. Drawing primarily on ethnographic and sociocultural anthropological perspectives from Latin America and other global regions, the course engages debates on international humanitarianism, necropolitics, and human rights in death. We critically assess the promises and limits of forensic science as a tool for human rights intervention, while remaining attentive to its af

• Department: Human Rights (HRTB)
• W 2:10 p.m.-4 p.m.
• Instructor: Jennifer Trowbridge
  Info
• 4 points

CELLULAR & MOLECULAR NEUROSCIENCE

This upper-level lecture course provides an in-depth analysis of neuroscience at the molecular and cellular levels. Topics include: the structure and function of neuronal membranes, the ionic basis of the membrane potential and action potential, synaptic transmission, synaptic plasticity, and sensory transduction.

• Department: Neuroscience & Behavior @Barnard
• TR 10:10 a.m.-11:25 a.m.
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Alexis S Hill
  Info
• Instructor: Elizabeth P Bauer
  CULPA: 3 h-index: 21 Info
• 3 points

ANXIETY, OBSESSIVE-COMPULSIVE, AND RELAT

ANXIETY AND OCD

Prerequisites: (PSYCH BC2141) and (PSYCH BC1001) This course presents an in depth investigation of anxiety disorders, obsessive-compulsive disorder (OCD), and OCD-related disorders, from a primarily psychological perspective. The course will focus on the phenomenology, correlates, and contributing factors of these conditions. Students will also learn about the current psychological treatments for these disorders. Emphasis will be placed on recent empirical research findings.

• Department: Psychology @Barnard
• R 10:10 a.m.-noon
• Instructor: Michael Wheaton
  h-index: 31 Info
• 4 points

ENERGY LAW

This course concerns the regulation of energy, energy resources, and energy facilities. Among the topics will be the regulation of rates and services; the roles of the Federal Energy Regulatory Commission and the state public utility commissions; and the interaction with environmental law. Attention will be devoted to energy resources (such as oil, natural gas and coal) and to generating, transmission and distribution facilities. The current and future roles of renewable energy, energy efficiency, and nuclear energy will receive special attention, as will the regulation and deregulation of electricity.

• Department: Earth Institute
• T 4:10 p.m.-6:10 p.m.
• Instructor: Michael Gerrard
  CULPA: 2 Wikipedia Info
• 3 points

Colloquium: Transnational Kleptocracy

COLL: TRANSNTNL KLEPTOCRA

The term “kleptocracy” literally means “rule by thieves” and refers to the extensive grand corruption that elite rulers, allies and their family members engage in to privately enrich themselves at the expense of their populations. Traditionally, kleptocracy has been viewed as a scourge on developing countries, associated with greedy authoritarian rulers in conflict-prone, resource rich and/or aid dependent states. However, in recent years scholars and policymakers have increasingly become aware of the critical role played by international actors, institutions, legal structures and professional service providers that facilitate kleptocracy at a global level. Unlike other transnational illicit sectors such as narcotics trafficking or terrorism, many aspects of kleptocracy networks are publicly visible and perfectly legal. Overall, these networks function to enable the domestic plundering of these elites, the whitewashing of their reputations, and the exacerbation of vast inequality, both within the countries that kleptocrats systemically plunder and between the Global South and the West which receives and benefits from many of the proceeds of these corrupt activities. 

The first part of the course (Weeks 2-5) examines the transnational actors, service professionals and institutions that facilitate money laundering by kleptocrats. The second part (Weeks 6-7) concentrates on how kleptocrats launder their reputations, by presenting themselves as global philanthropists or business professionals and by acquiring residency in other jurisdictions through the growing market for citizenship.  The final part of the course (Weeks 8-10) examines recent developments in international policy efforts to counter kleptocracy, including incorporating such efforts into national security strategies, enacting extraterritorial legislation to punish corporate bribery, sanctioning individual kleptocrats and oligarchs, and amending libel laws in countries like the UK that are routinely used by kleptocrats to intimidate journalists and deter investigations into their dealings.  

Finally, throughout the course we will grapple with the methodological challenges posed by trying to study and detect illegal and secretive patterns of behavior. What are the tools, resources and research techniques available to researchers and policy makers interested in making more evidence-based assessments about kleptocracy and grand corruption?

• Department: Political Science @Barnard
• T 10:10 a.m.-noon
• Instructor: Alexander A Cooley
  CULPA: 22 h-index: 33 Info
• 4 points

LANGUAGE DEVELOPMENT

Prerequisites: PSYC BC1001 and one of the following: PSYC W2240, PSYC BC1129, or LING UN1101. Enrollment limited to 15 students. Examines the acquisition of a first language by children, from babbling and first words to complex sentence structure and wider communicative competence. Signed and spoken languages, cross-linguistic variation and universalities, language genesis and change, and acquisition by atypical populations will be discussed.

• Department: Psychology @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Tyler Knowlton
  Info
• 4 points

Comparative Vertebrate Anatomy

Vertebrates have been around for millions of years. In that time, they have evolved morphological attributes to live in the sea, on land, and in the air; hunt or scavenge food; escape from predation; and more. Yet despite the vast differences that have evolved, vertebrates (including humans) share many common traits. In this course, we will explore the evolution of the vertebrate body plan, focusing specifically on the evolution of form and function in many body systems. We will examine the evolution of homologous structures and identify how vertebrates have evolved a wide array of adaptations within the constraints of evolution. Though anatomy courses necessitate memorization of some key structures, we will focus more on the function of those structure, the broad principles of evolution, and the research techniques used in the related field of functional morphology rather than memorizing large lists of terms.

• Department: Biological Sciences @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Jordan Balaban
  Info
• 3 points

Neuroscience Frontiers

This course introduces students to a bold, high-risk, high-reward framework for thinking about neuroscience, tracing the field's most transformative discoveries from the action potential through the present day. Each week, students will examine landmark breakthroughs drawn from the last century of neuroscience through the lens of unconventional thinking that prioritizes ambitious questions over incremental research. Students will engage in guided discussions analyzing how risk-tolerant scientific culture has historically driven paradigm shifts, and how those lessons can be applied to today’s unanswered questions. Additionally, scientific discussions will be had about unconventional ideas of memory, consciousness, bioelectricity, brain organoids, and neural regeneration. By the end of the course, students are expected to not only understand the history of modern neuroscience and exciting discoveries in the field today, but to articulate and defend their own vision for what a high-risk, high-reward research agenda in the field might look like. Students are expected to contribute actively to the discussion.

• Department: Neuroscience & Behavior @Barnard
• T 9 a.m.-10:50 a.m.
• Instructor: Emily R Sherman
  Info
• 4 points

Visual Neuroscience: From the Eyeball to

VISUAL NEUROSCIENCE

By absorbing electromagnetic radiation through their eyes, people are able to catch frisbees, recognize faces, and judge the beauty of art. For most of us, seeing feels effortless. That feeling is misleading. Seeing requires not only precise optics to focus images on the retina, but also the concerted action of millions of nerve cells in the brain. This intricate circuitry infers the likely causes of incoming patterns of light and transforms that information into feelings, thoughts, and actions. In this course we will study how light evokes electrical activity in a hierarchy of specialized neural networks that accomplish many unique aspects of seeing. Students will have the opportunity to focus their study on particular aspects, such as color, motion, object recognition, learning, attention, awareness, and how sight can be lost and recovered.  Throughout the course we will discuss principles of neural information coding (e.g., receptive field tuning, adaptation, normalization, etc.) that are relevant to other areas of neuroscience, as well as medicine, engineering, art and design.

• Department: Neuroscience & Behavior @Barnard
• W 6:10 p.m.-8 p.m.
• Instructor: Alex White
  h-index: 13 Info
• 4 points

ADOLESCENT PSYCHOLOGY

Prerequisites: BC1001 and BC1129 Developmental Psychology or permission of the instructor. Enrollment limited to 20 senior majors. Barnard students receive priority. Examines adolescent development in theory and reality. Focuses on individual physiological, sexual, cognitive, and affective development and adolescent experiences in their social context of family, peers, school, and community. Critical perspectives of gender, race and ethnicity, sexuality, and teen culture explored.

• Department: Psychology @Barnard
• T 9 a.m.-10:55 a.m.
• Instructor: Erica Musser
  Info
• 4 points

Bilingual Minds: Language, Brain & Cultu

This discussion-based seminar explores how bilingualism shapes the developing brain, cognitive processes, communication, and cultural identity. Students will engage with research from psychology, linguistics, neuroscience, and anthropology to understand how bilingual experiences differ across individuals, communities, and cultures. Through weekly reflections and student-led discussions, we will examine both foundational theories and contemporary debates, including the bilingual advantage, code-switching, gesture, neuroplasticity, language socialization, bilingualism in autism, and sociopolitical dimensions of bilingualism.

• Department: Psychology @Barnard
• T 10:10 a.m.-noon
• Instructor: Armita Ghobadi
  Info
• 4 points

SOCIAL COGNITION

• Department: Psychology @Barnard
• R 9 a.m.-10:50 a.m.
• Instructor: Antonio Viera
  Info
• 4 points

DIFFERENTIAL GEOMETRY

• Department: Mathematics
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Mu-Tao Wang
  CULPA: 27 Wikipedia h-index: 25 Info
• 3 points

TOPICS IN NEUROETHICS

Prerequisites: BC1001 and one of the following: Neurobiology, Behavioral Neuroscience, Fundamentals of Neuropsychology, or permission of the instructor. Enrollment limited to 20 students. Recent advancements in neuroscience raise profound ethical questions. Neuroethics integrates neuroscience, philosophy, and ethics in an attempt to address these issues. Reviews current debated topics relevant to the brain, cognition, and behavior. Bioethical and philosophical principles will be applied allowing students to develop skill in ethical analysis.

• Department: Neuroscience & Behavior @Barnard
• R 9 a.m.-10:50 a.m.
• Instructor: E'Mett McCaskill
  CULPA: 38 Info
• 4 points

MODELS OF NEUROPSYCHIATRIC DISORDERS

MODELS NEUROPSYCHIATRIC D

This course is a seminar designed to enhance students understanding of the methods used in primary research to inform how we study and understand the neural basis of both normative and pathological behavior in humans through the use of model systems. Through this course students will read and discuss primary research papers, debate the merits, limitations, and applicability of various approaches for advancing our understanding of the human condition, gain skills in presentation of scientific data, and a richer understanding of the scientific process. Topics covered will include the study of depression, anxiety, aging, memory, evolution, developmental disorders, and genetics (among others).

• Department: Neuroscience & Behavior @Barnard
• W 4:10 p.m.-6 p.m.
• Instructor: Kevin G Bath
  Info
• 4 points

CANINE COGNITION

Prerequisites: PSYC BC1001 and one other Psychology course. Enrollment limited to 15 students. Permission of the instructor is required. An examination of the scientific study of the domestic dog. Emphasis will be on the evolutionary history of the species; the dogs social cognitive skills; canid perceptual and sensory capacities; dog-primate comparative studies; and dog-human interaction.

• Department: Psychology @Barnard
• T 9:10 a.m.-11 a.m.
• Instructor: Alexandra C Horowitz
  CULPA: 23 Wikipedia Info
• 4 points

GIS FOR SUSTAINABLE DEVELOPMNT

This course is designed to provide students with a comprehensive overview of theoretical concepts underlying GIS systems and to give students a strong set of practical skills to use GIS for sustainable development research. Geographic Information Systems (GIS) are a system of computer software, data and analysis methods used to create, store, manage, digital information that allow us to create maps and dynamic models to analyze the physical and social processes of the world. Through a mixture of lectures, readings, focused discussions, and hands-on exercises, students will acquire an understanding of the variety and structure of spatial data and databases, gain knowledge of the principles behind raster and vector based spatial analysis, and learn basic cartographic principles for producing maps that effectively communicate a message. Student will also learn to use newly emerging web based mapping tools such as Google Earth, Google Maps and similar tools to develop on-line interactive maps and graphics. The use of other geospatial technologies such as the Global Positioning System will also be explored in this class. Case studies examined in class will draw examples from a wide ranges of GIS applications developed to assist in the development, implementation and evaluation of sustainable development projects and programs. On completion of the course, students will: 1. use a variety of GIS software programs to create maps and reports; 2. develop a sound knowledge of methods to search, obtain, and evaluate a wide variety of spatial data resources; 3. develop skills needed to determine best practices for managing spatial data resources; 4. use GIS to analyze the economic, social and environmental processes underlying the concept of building a sustainable world; 5. Gain an understanding of the limits of these technologies and make assessments of uncertainty associated with spatial data and spatial analysis models. Offered in the fall and spring.

• Department: Earth Institute
• T 2:10 p.m.-3:25 p.m.
• Instructor: Linda I Pistolesi
  Info
• 3 points

RESEARCH SEMINAR IN HISTORY I

Prerequisites: Open to Barnard College History Senior Majors. Individual guided research and writing in history and the presentation of results in seminar and in the form of the senior essay. See Requirements for the Major for details.

• Department: History @Barnard
• W 4:10 p.m.-6 p.m.
• Instructor: Angelo Caglioti
  h-index: 2 Info
• 4 points

PSYCHOBIOLOGY OF STRESS

• Department: Neuroscience & Behavior @Barnard
• R 2:10 p.m.-4 p.m.
• Instructor: Russell D Romeo
  CULPA: 9 Info
• 4 points

NEURODEVELOPMENTAL DISABILITIES

NEURODEVELOPMNTL DISABILI

The purpose of this course is to introduce students to the history of disability as a construct, as well as major models of disability. Both medical and social models (as well as others) will be examined across each of the major neurodevelopmental disabilities explored, including: ADHD, autism, intellectual disability, specific learning disability, and communication/language/speech and motor disabilities. We will examine the ways in which disability is rooted in disparities associated with power and resources, political rights, and social status. We will also utilize an intersectional lens in approaching disability to examine intersections with class, ethnicity, gender, race, sexuality, and more. For each disability, we will examine cultural, historical, and socio-political context; diagnostic criteria; epidemiology; etiology; assessment; and interventions/common accommodations. For each disability, we will also engage with several first-person, lived experience accounts and attempt to identify links to the different models and theories of disability, as well as theories of intersectionality.

• Department: Psychology @Barnard
• R 9 a.m.-10:50 a.m.
• Instructor: Erica Musser
  Info
• 4 points

Novels, Netflix & the British Empire

Novels/Netflix/British Em

Nothing seems to hold our attention quite like Britain’s early-nineteenth century and the women who wrote about it. But why are so many of the stories most resonant with modern audiences love stories? How can we account for the tenacious staying power of the Regency romance? What is lost, and gained, in the reinterpretations (or reinventions) of these works, and what does it say about the legacy of Britain and its empire? These are some of the questions to be explored in this course, which will engage with the original texts and put those texts in conversation with recent adaptations.

• Department: History
• W 10:10 a.m.-noon
• Instructor: Julia P Burke
  Info
• 4 points

ELECTRICAL ENGINEERING PRACTICE

Design project planning, written and oral technical communication, the origin and role of standards, engineering ethics, and practical aspects of engineering as a profession, such as career development and societal and environmental impact. Generally taken fall of senior year just before ELEN E3390.

• Department: Electrical Engineering
• M 11:40 a.m.-12:55 p.m.
• Instructor: David G Vallancourt
  CULPA: 28 Info
• 1 points

ELECTRICAL ENGINEERING PRACTICE

Design project planning, written and oral technical communication, the origin and role of standards, engineering ethics, and practical aspects of engineering as a profession, such as career development and societal and environmental impact. Generally taken fall of senior year just before ELEN E3390.

• Department: Electrical Engineering
• F 6 p.m.-7 p.m.
• Instructor: David G Vallancourt
  CULPA: 28 Info
• 1 points

Evidence

This course will examine theories and methods pertaining to evidence as a process, a tool, and a failure. What kinds of evidence are rendered legible or legitimate? What is excluded? What cannot be measured at all? Through close reading and assignments involving both the production and critique of different evidentiary forms, students will be trained to methodologically apply a range of research skills from the archival to the ethnographic and observational. We will also consider particular forms confession, testimony, divine intervention character evidence, archival materials, expertise, and more to parse not only the limits of what can be known, but also the worlds that evidence makes possible and impossible.

• Department: American Studies @Barnard
• T 6 p.m.-8 p.m.
• Instructor: Daria Reaven
  Info
• 4 points

TOPICS IN MUSIC & SOCIETY

This course seeks to approach the study of music and society by comparatively studying repertories from different parts of the world, how the history of ideas and methods of studying such repertoires shaped them, the practices that constitute them and the ways they are understood and used by different peoples. Central to this course is the interrelationship between the constitution of a repertoire and the history of the construction of knowledge about it.

• Department: Music
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Aaron A Fox
  CULPA: 7 Info
• 3 points

HUMAN POPULATIONS & SDEV

• Department: Earth Institute
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Dana Thomson-Browne
  Info
• 3 points

American Studies Methods: Archive Fever

AMST Methods: Archive Fev

Introduction to the theoretical approaches of American Studies, as well as the methods and materials used in the interdisciplinary study of American society. Through close reading of a variety of texts (e.g. novels, films, essays), we will analyze the creation, maintenance, and transmission of cultural meaning within American society.

• Department: American Studies @Barnard
• W 2:10 p.m.-4 p.m.
• Instructor: Jennie Kassanoff
  CULPA: 20 Info
• 4 points

SEMINAR IN GLOBAL THOUGHT

INQUIRIES INTO AN INTERCONNECT

This course on global thought will consider the ways in which we think about, debate, and give meaning to the interconnected world in which we live. In thematically focused collaborative teams, students will examine how the flows of people, things and ideas across national borders both connect our world and create uneven consequences within and among communities. We will locate ourselves in these processes, suggesting we need go no further than our closets, tables, and street corners to consider the meanings of globalization and our roles in the world today. This course has been approved to partially satisfy the Global Core requirement.

• Department: Committee on Global Thought
• M 12:10 p.m.-2 p.m.
• Instructor: Kevin Funk
  h-index: 6 Info
• 4 points

SOUND DESIGN

Prerequisites: Permission of instructor given at first class meeting. Studies the art and practice of designing sound and scoring music for dramatic performance. Students study the relationship between concert and incidental music, and read plays toward the production of a score for live theatre. Students also read broadly in the fields of sound, music, acoustics, and the cultural analysis of sound as a component of performance. Background in music or composition not essential. .

• Department: Theatre @Barnard
• M 1:10 p.m.-4 p.m.
• Instructor: Daniel Baker
  Info
• 3 points

The Global Threat of Antimicrobial Resis

Antimicrobial Resistance

Antimicrobial resistant bacterial infections were estimated to account for 1.27 million deaths worldwide in 2019. The goal of the seminar is to provide an in-depth analysis of this ongoing threat. Discussions will include the molecular mechanisms, epidemiology of transmission and the consequences of antimicrobial resistant infections. It will also cover current efforts to reduce the spread and emergence of these difficult to treat pathogens, both in the community and the healthcare setting.

• Department: Biological Sciences
• M 2:10 p.m.-4 p.m.
• 3 points

SCENE DESIGN

Prerequisites: Enrollment limited to 12 students. Permission of instructor given at first class meeting. Introduction to designing for the theatre. The course will focus on set design, developing skills in script analysis, sketching, model making, storyboarding and design presentation. Some investigation into theatre architecture, scenic techniques and materials, and costume and lighting design.

• Department: Theatre @Barnard
• F 11 a.m.-1:50 p.m.
• 3 points

Read, Think, Write in French

UN3405 enables students to hone and perfect their reading and writing skills while improving their ability to express and organize thoughts in French. In this engaging advanced language class, students are exposed to major texts in fields as diverse as journalism, sociology, anthropology, politics, literature, philosophy and history. Stimulating class discussions, targeted reviews of key grammatical points in context, and an array of diverse writing exercises all contribute to strengthen students’ mastery of the French language. This course also works as a bridge class between Intermediate French II and courses that focus on French and Francophone cultures, history and literature (such as 3409 and 3410). Students who take this class will be fully prepared to take advanced content classes or spend a semester in a Francophone country. This class is required for the French major and minor.

• Department: French
• MW 10:10 a.m.-11:25 a.m.
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Laurence Marie
  CULPA: 3 Info
• Instructor: Alexandra Borer
  CULPA: 4 Info
• 3 points

COMPUTER GRAPHICS & DESIGN

Introduction to drafting, engineering graphics, computer graphics, solid modeling, and mechanical engineering design. Interactive computer graphics and numerical methods applied to the solution of mechanical engineering design problems.

• Department: Mechanical Engineering
• MW 8:40 a.m.-9:55 a.m.
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Sinisa Vukelic
  CULPA: 2 h-index: 11 Info
• 3 points

SEMINAR IN CLINICAL PSYCHOLOGY

Clin Psy:Depressive Disorders

This course offers an in-depth examination of depressive disorders, including major depressive disorder, persistant depressive disorder, post-partum depression, premenstrual dysmorphic disorder, and pediatric depression.   Topics include historical perspectives, current understanding of diagnoses and symptoms, neural changes associated with the disorders, and research on effective treatments.  Emphasis will be placed on the impact of depressive disorders on families and communities, as well as gender and cultural differences in diagnosis, treatment and outcomes.

• Department: Psychology @Barnard
• M 10:10 a.m.-noon
• Instructor: Kathleen M Taylor
  CULPA: 78 Info
• 4 points

INTRO TO FRENCH & FRANCOPHONE HISTORY

INTRO FREN FRANCOPHONE HI

Who were the Gauls and when was Paris the "capital of modernity"? What caused the French and Haitian Revolutions? Why do the French care so much about religion, nation, empire or, for that matter, food and fashion? This class surveys the history of France and the Francophone world from the Middle Ages to the present. It provides an introduction to major events and ideas that have shaped the lives of millions of people in France and across the world, in its former colonies. From feudalism and absolutism to imperialism, capitalism, and republicanism, we explore how questions of identity and difference play out in politics, culture and society. The class is based in lecture and discussion and relies on close readings of primary sources. The course is taught entirely in French and is one of two core courses for the major and minor in French. Students are encouraged to take FREN 3405 prior to this course.

• Department: French
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Eleanor L Grabowski
  Info
• 3 points

MACHINE DESIGN

Computer-aided analysis of general loading states and deformation of machine components using singularity functions and energy methods. Theoretical introduction to static failure theories, fracture mechanics, and fatigue failure theories. Introduction to conceptual design and design optimization problems. Design of machine components such as springs, shafts, fasteners, lead screws, rivets, welds. Modeling, analysis, and testing of machine assemblies for prescribed design problems. Problems will be drawn from statics, kinematics, dynamics, solid modeling, stress analysis, and design optimization.

• Department: Mechanical Engineering
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Yevgeniy Yesilevskiy
  h-index: 7 Info
• 3 points

APPROACHES TO CONTEMPORARY ART

This course examines the critical approaches to contemporary art from the 1970s to the present. It will address a range of historical and theoretical issues around the notion of the contemporary (e.g. globalization, participation, relational art, ambivalence, immaterial labor) as it has developed in the era after the postmodernism of the 1970s and 1980s.

• Department: Art History and Archaeology
• W 4:10 p.m.-6 p.m.
• Instructor: Branden W Joseph
  CULPA: 9 Wikipedia Info
• 4 points

COMPUTERS AND SOCIETY

Broader impact of computers. Social networks and privacy. Employment, intellectual property, and the media. Science and engineering ethics. Suitable for nonmajors.

• Department: Computer Science
• T 4:10 p.m.-6:40 p.m.
• Instructor: Ronald Baecker
  Wikipedia Info
• 3 points

Intro French & Francophone Literature

Intro French Francophone

This class offers students an introduction to major works that have marked the history of literature in French from the Middle Ages to the present. Our focus will be on close reading and discussion, but works will also be placed in historical context. We will look at a variety of literary genres (sonnet, short story, comedy, autobiography, narrative poetry, novel), and our readings will be complemented by visual materials such as paintings and films. The course is taught entirely in French and is one of two core courses for the major and minor in French. Students are encouraged to take FREN 3405 prior to this course.

• Department: French
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Joanna R Stalnaker
  CULPA: 18 Info
• 3 points

COLLOQUIUM ON HUMAN RIGHTS IN A DIVERSE

COLL:HUMAN RGTS DIVERSE W

Examination of human rights within the context of international migration. The course covers topics such as citizenship, state sovereignty, border control, asylum-seekers, refugees, and undocumented immigrants. (Cross-listed by the Human Rights Program.)

• Department: Political Science @Barnard
• W 2:10 p.m.-4 p.m.
• Instructor: Ayten Gundogdu
  CULPA: 20 h-index: 8 Info
• 4 points

SYMBOLIC LOGIC

Corequisites: PHILV3413 Required Discussion Section (0 points). Advanced introduction to classical sentential and predicate logic. No previous acquaintance with logic is required; nonetheless a willingness to master technicalities and to work at a certain level of abstraction is desirable.

• Department: Philosophy
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Tamar A Lando
  CULPA: 8 Info
• 4 points

COLL: BUILDING PEACE

How can we build peace in the aftermath of extensive violence? How can international actors help in this process? This colloquium focuses on international peacemaking, peacekeeping, and peacebuilding efforts in recent conflicts. It covers general concepts, theories, and debates, as well as specific cases of peacebuilding successes and failures. Cross-listed with Human Rights.

• Department: Political Science @Barnard
• T 2:10 p.m.-4 p.m.
• Instructor: Severine Autesserre
  CULPA: 19 Wikipedia h-index: 14 Info
• 4 points

INTRODUCTION TO ECONOMETRICS

Prerequisites: (ECON UN3211 or ECON UN3213) and (MATH UN1201 or MATH UN1207) and STAT UN1201 Modern econometric methods; the general linear statistical model and its extensions; simultaneous equations and the identification problem; time series problems; forecasting methods; extensive practice with the analysis of different types of data.

• Department: Economics
• TR 4:10 p.m.-5:25 p.m.
• MW 2:40 p.m.-3:55 p.m.
• TR 5:40 p.m.-6:55 p.m.
• Instructor: Seyhan Erden
  CULPA: 7 Info
• Instructor: Sebastian Otero
  Info
• Instructor: Thomas Piskula
  Info
• 4 points

PRINTMAKING:DRAWING INTO PRINT

Prerequisites: VIAR UN2420 or VIAR UN2430 note that VIAR UN2430 was formerly R3420. The objective of the course is to provide students with an interdisciplinary link between drawing, photography and printmaking through an integrated studio project. Students will use drawing, printmaking and collage to create a body of work to be presented in a folio format. In the course, students develop and refine their drawing sensibility, and are encouraged to experiment with various forms of non-traditional printmaking. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• T 10 a.m.-4 p.m.
• Instructor: Tomas Vu Daniel
  CULPA: 4 Info
• 3 points

NINETEENTH-CENTURY CRITICISM

This course examines a diverse selection of social and aesthetic responses to the impacts of modernization and industrialization in nineteenth-century Europe. Using works of art criticism, fiction, poetry, and social critique, the seminar will trace the emergence of new understandings of collective and individual experience and their relation to cultural and historical transformations. Readings are drawn from Friedrich Schiller's Letters On Aesthetic Education, Mary Shelley's The Last Man, Thomas Carlyle's "Signs of the Time," poetry and prose by Charles Baudelaire, John Ruskin's writings on art and political economy, Flora Tristan's travel journals, J.-K. Huysmans's Against Nature, essays of Walter Pater, Nietzsche's Birth of Tragedy and other texts.

• Department: Art History and Archaeology
• M 4:10 p.m.-6 p.m.
• Instructor: Jonathan K Crary
  CULPA: 11 Wikipedia Info
• 4 points

INTRO TO ECONOMETRICS-DIS

INTRO TO ECONOMETRICS-DISC

Required discussion section for ECON UN3412: Intro to Econometrics

• Department: Economics
• 0 points

SYMBOLIC LOGIC - REC

Required discussion section for UN3411 Symbolic Logic

• Department: Philosophy
• T 9:10 a.m.-10 a.m.
• M 12:10 p.m.-1 p.m.
• R 10:10 a.m.-11 a.m.
• Instructor: Ethan D Johnson
  Info
• Instructor: Weiming Sheng
  Info
• Instructor: James O Beardmore
  Info
• 0 points

STAGE MANAGEMENT

Prerequisites: Permission of the instructor, given at first class meeting. This course explores the role of the stage manager and production manager in theatrical production. Students undertake hands-on exercises to develop the practical and collaborative skills essential to working both as a stage manager and production manager--script analysis; production timeline and rehearsal management; technical rehearsal; budgeting; working with directors and designers; working with unions; health and safety codes; house management; box office.

• Department: Theatre @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Michael Banta
  Info
• 3 points

French in the World: A Linguistic Survey

French: Linguistic Survey

This course examines French from a linguistic perspective: the historical development of the language, as well as important phonetic, phonological, and sociolinguistic aspects of varieties of French from around the world. The course is intended for undergraduates in French, as well as students in linguistics, and is open to students across the Columbia community.

• Department: French
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Eric T Matheis
  CULPA: 4 Info
• 3 points

Mechanics of Solids for Mechanical Engin

Introduction to the mechanics of solids with an emphasis on mechanical engineering applications. Stress tensor, principal stresses, maximum shear stress, stress equilibrium, infinitesimal strain tensor, Hooke’s law, boundary conditions. Introduction to the finite element method for stress analysis. Static failure theories, safety factors, fatigue failure.  Assignments include finite element stress analyses using university-provided commercial software.

• Department: Mechanical Engineering
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Kristin Myers
  CULPA: 3 h-index: 25 Info
• 3 points

The Carceral United States

Examination of the development of U.S. carceral systems and logics from the late 18th century through the present.  Through course readings and class discussion, students will explore the changes and continuities in technologies of punishment and captivity over time, interrogating how the purpose and political economy of captivity and policing shifted over time, and analyzing the relationship between carceral institutions and constructions of race, gender, and sexuality.

• Department: History
• W 10:10 a.m.-noon
• Instructor: Sarah Haley
  Info
• 4 points

PRIVACY IN A NETWORKED WORLD

The ubiquity of computers and networks in business, government, recreation, and almost all aspects of daily life has led to a proliferation of online sensitive data: data that, if used improperly, can harm the data subjects. As a result, concern about the use, ownership, control, privacy, and accuracy of these data has become a top priority. This seminar course focuses on both the technical challenges of handling sensitive data, the privacy implications of various technologies, and the policy and legal issues facing data subjects, data owners, and data users.

• Department: Computer Science @Barnard
• W 4:10 p.m.-6 p.m.
• Instructor: Rebecca N Wright
  Wikipedia h-index: 34 Info
• 4 points

ENG DES-CONCPT/DESIGN GENERATN

A preliminary design for an original project is a prerequisite for the capstone design course. Will focus on the steps required for generating a preliminary design concept. Included will be a brainstorming concept generation phase, a literature search, incorporation of multiple constraints, adherence to appropriate engineering codes and standards, and the production of a layout drawing of the proposed capstone design project in a Computer Aided Design (CAD) software package. Note: MECE students only.

• Department: Mechanical Engineering
• MW 1:10 p.m.-3:40 p.m.
• Instructor: Yevgeniy Yesilevskiy
  h-index: 7 Info
• 3 points

PRINTMAKING II: INTAGLIO

Prerequisites: VIAR UN2420 (Formerly R3402) Continues instruction and demonstration of further techniques in intaglio. Encourages students to think visually more in the character of the medium, and personal development is stressed. Individual and group critiques. Portfolio required at end. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• MW 2:30 p.m.-5 p.m.
• Instructor: Jennifer Nuss
  Info
• 3 points

MISINFORMATION, JUSTICE & DESIGN

MISINFO, JUSTICE & DESIGN

In this course, we work together to understand and address the challenges of misinformation, disinformation, and strategic manipulation in online environments. Students develop a deep understanding of the problem space from an information and social justice perspective by reading and discussing research—both historical and contemporary—on how and why misinformation and disinformation spread. Alongside this, we explore the process, both personal and interpersonal, by which these issues can be approached and addressed in our own lives. This will involve reflecting on our own presuppositions, beliefs, and biases about information; and doing a project in which we apply the principles of Human-Centered Design to investigate different design directions for addressing misleading information. Through this, students gain important contextual knowledge and hands-on design experience that they can take into future professional domains (from education to policy to technology), where they can contribute to building more trustworthy information systems.

• Department: Computer Science @Barnard
• MW 5:40 p.m.-6:55 p.m.
• Instructor: Ahmer Arif
  Info
• 4 points

RUSSIAN FOR HERITAGE SPEAKERS

Prerequisites: RUSS V3430 or the instructor's permission. This course is designed to help students who speak Russian at home, but have no or limited reading and writing skills to develop literary skills in Russian. THIS COURSE, TAKEN WITH RUSS V3431, MEET A TWO YEAR FOREIGN LANGUAGE REQUIREMENT. Conducted in Russian.

• Department: Slavic Languages
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Alla Smyslova
  CULPA: 20 Info
• 3 points

4TH YEAR GRAMMAR/COMPOSITN I

• Department: Global Programs
• Instructor: Moira Dalant
  Info
• 3 points

PRINTMAKING II: RELIEF

Prerequisites: VIAR UN2430 (Formerly R3412) Printmaking II: Relief continues instruction and demonstration of further techniques in woodcut. Encourages students to think visually more in the character of the medium, and personal development is stressed. Individual and group critiques. Portfolio required at end. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• MW 9:30 a.m.-noon
• Instructor: Nathan N Catlin
  Info
• 3 points

4TH YEAR GRAMMAR/COMPOSITN II

• Department: Global Programs
• Instructor: Pascal Some
  Info
• 3 points

LANGUAGE & REVOLUTION

Prerequisites: Third-year bridge course (W3300), and introductory surveys (W3349, W3350). Kants Enlightenment motto, sapere aude, took on political significance for Spanish American revolutionaries who made their case in prose, pushing against the constraints of the essay. This course traces the genres evolution from the transatlantic debate over political independence to the exuberant declarations of intellectual independence that would follow.

• Department: Spanish and Latin American Culture
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Ronald D Briggs
  CULPA: 4 Info
• 3 points

INTRODUCTION TO AMERICAN CONSTITUTIONAL

INTRO TO AMERICAN CON LAW

This course will introduce students to basic concepts in American Constitutional Law - including the history and development of the U.S. Constitution, theories and practice of constitutional interpetation, and the historical context of major controversies of the Supreme Court. Students will develop the intellectual ability to read case law, properly conceptualize and analyze constitutional issues, and will foster an informed perspective on the nature and limits of constitutional decision making. Class will spend particular attention on the development of civil rights and civil liberties.

• Department: Political Science @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Jonathan J Keller
  Info
• 3 points

PRINTMAKING II:SILKSCREEN

Prerequisites: VIAR R2440. (Formerly R3414) Printmaking II: Silkscreen continues instruction and demonstration of further techniques in silkscreen. Encourages students to think visually more in the character of the medium, and personal development is stressed. Individual and group critiques. Portfolio required at end. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• R 10 a.m.-4 p.m.
• Instructor: Garrett S Ball
  Info
• 3 points

Animals as Spectacle

What does it mean to look at an animal on display and to consider what that experience means for the
animal who endures it? This course examines how animals are spectacularized through entertainment economies—the circus, zoo, marine park, bullfighting ring, rodeo arena, and trophy-hunting safari—and their anthropocentric regimes. Working across critical animal, performance, and multispecies studies, archival sources, legal documents, and films (Blackfish, dir. Cowperthwaite, 2013; Afternoon of Solitude, dir. Serra, 2024; Le Havre, dir. Kaurismäki, 2011), we move from analyses of animal display toward sanctuary ethics, animal legal advocacy, and interspecies justice. Requirements include active seminar participation, periodic collection and informal presentation of documentary material, a formal in-class presentation on assigned course material, and individual research essay. FY students are welcome.

• Department: Comparative Literature and Society @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Hana Worthen
  Info
• 4 points

ACAD WRITING IN HUM & SOC SCI

• Department: Global Programs
• Instructor: Moira Dalant
  Info
• 3 points

ACAD WRITING IN HUM & SOC SCI

ACAD WRITING II

• Department: Global Programs
• Instructor: Cecile J Balavoine
  Info
• 3 points

Evolution of Intelligence, Animal Commun

Prerequisites: PSYC UN1001, and the instructors permission.

A systematic review of the evolution language covering the theory of evolution, conditioning theory, animal communication, ape language experiments, infant cognition, preverbal antecedents of language and contemporary theories of language.

• Department: Psychology
• R 2:10 p.m.-4 p.m.
• Instructor: Herbert S Terrace
  CULPA: 29 Wikipedia Info
• 3 points

NEIGHBORHOOD & COMMUNITY DVLP

New York City is made up of more than 400 neighborhoods. The concept of neighborhoods in cities has had many meanings and understandings over time. Equally complex is the concept of community used to describe the people attached to or defined by neighborhood. While neighborhood can be interpreted as a spatial, social, political, racial, ethnic, or even, economic unit; community often refers to the group of stakeholders (i.e. residents, workers, investors) whose interests directly align with the conditions of their environment. Community development is “a process where these community members come together to take collective action and generate solutions to common problems” that result from the changing contexts in their neighborhoods. Using a variety of theories and approaches, residents organize themselves or work with community development practitioners on the ground to obtain safe, affordable housing, improve the public realm, build wealth, get heard politically, develop human capital, and connect to metropolitan labor and housing markets. To address the ever-changing contexts of neighborhoods, community development organizations are taking on new roles and adapting (in various cases) to larger forces within the city, region and nation such as disinvestment, reinvestment, increased cultural diversity, an uncertain macroeconomic environment, and changes in federal policy. For more than a century, city-dwellers—and especially New Yorkers—have been tackling these challenges. This course will examine both historic and contemporary community building and development efforts, paying special attention to approaches which were shaped by New York City. This urban center, often described as a “city of neighborhoods,” has long been a seedbed for community-based problem-solving inventions. The course will focus on the theories (why?), tools (how?), and actors (who?) within the field of community development practice and is organized around important sectors (housing, econom

• Department: Urban Studies @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Mary Rocco
  CULPA: 2 Info
• 3 points

IMMIGRANT NEW YORK

For centuries, New York City has served as a primary gateway city for immigrants to the United States.  In the early twentieth century, according to the 1910 Census, New York City’s population was roughly 40% foreign-born.  The problems these immigrants presented to government officials, doctors, religious leaders, industrialists, the police, and educators in New York City transformed not only the local debate on immigration but the national discussion of “Americanization” as well.  According to the most recent census, approximately 40% of the city's population is foreign-born.  Like their predecessors at the turn of the twentieth century, contemporary immigrants, arriving from the Caribbean, Africa, Central America, Asia, and Europe, have posed serious challenges to the civic, educational, and political institutions of New York City.  How are these foreign-born residents reshaping the city today?  This seminar explores the intersection of immigration, race, culture, and politics in New York City, both from the perspective of history and in relation to contemporary realities as it explores the forces shaping the century-old encounter between immigrants and New York City.

• Department: History
• M 10:10 a.m.-noon
• Instructor: Rebecca Kobrin
  CULPA: 7 Info
• 4 points

KOREAN FILM AND MEDIA

This course places film in relation to a variety of other media forms, including architecture, art, music/sound technology, and printed texts. While not losing sight of the ways in which media (and ideas about media) circulate regionally and globally, this class will pay particular attention to the history of media in Korea from the colonial period (1910-1945) forward.

• Department: East Asian Languages and Cultures
• W 4:10 p.m.-6 p.m.
• Instructor: Theodore Hughes
  CULPA: 6 Info
• 4 points

Field Work & Research Seminar: Toddler C

FLDWRK-RSRCH SEM-BAR TOD CNTR

This is a two-semester course. Those interested in applying for Fall 2026-Spring 2027 should email 
toddlercenter@barnard.edu
 to sign up for information sessions and receive details on the application process. PSYC BC2129 Developmental Psychology (with or without PSYC BC2128 lab) is a prerequisite, as well as permission of the instructor.

This advanced course in developmental psychology integrates theory, research, and practice at the Barnard Toddler Center,  a state-of-the-art center serving 18-36 month old children and their families. Students in the course participate as student teachers alongside an experienced staff one morning per week. Everybody gathers in a weekly seminar to discuss the intellectual concepts and research that help explain toddler behavior and the center's educational practices. In the fall semester, the focus is on developing a skillful practice when working with children and understanding the foundations of toddler development using current science and psychological theories. In the spring semester, student teaching continues, and the class carries out new research projects at the center, guided by the instructor, on topics such as the emerging concept of self, language and cognition, social interactions, emotional development, spatial and physical exploration, and parenting philosophies.

• Department: Psychology @Barnard
• T 2:10 p.m.-4 p.m.
• Instructor: Anna Shusterman
  Info
• 4 points

Top-Down Effects on Perception

For much of the history of neuroscience, perception was viewed as a rigidly hierarchical process. A bottom-up network beginning with the transduction of different sensory modalities into action potentials, relay distribution through the thalamus and finally cortical processing from early sensory areas to the frontal lobe.  Once thought to fully explain perception, evidence from the last few decades suggests that is an incomplete view. Expectation, attention, memories, tasks and emotions can affect perception and sensory processing even in early cortical stages. These top-down effects suggest that the subjective reality each one of us experience is not determined solely by the shapes of objects, frequency of air vibrations or structure of odorant molecules. Reality is built at the intersection between the physical attributes of the world and  our brains’ internal processes.

• Department: Psychology
• M 12:10 p.m.-2 p.m.
• Instructor: Tiago Altavini
  Info
• 3 points

The Modern Woman Genius in Paris & New Y

Mod.Woman Genius Paris/NY

How have women turned combinations of creatives roles into artistic success?  At once daughters, fashion icons, models, mothers, muses, painters, print-makers, sisters, sculptors, and wives, great women artists have brilliantly understood the conditions of creativity in their times. This seminar studies how Impressionist Paris launched the modern woman artist, then traces a history of women’s tactics through mid-twentieth century New York Abstract Expressionism.  The seminar takes advantage of: a major 2026 exhibition about Mary Cassatt at the Musée d’Orsay; a burst of 2025-26 scholarship about the women Impressionists; 2025 and 2026 exhibitions about Ruth Asawa and Frida Kahlo; a major 2026 exhibition about Lee Krasner and Jackson Pollock at the Metropolitan Museum of Art; and the creative ecologies of two cultural capitals: Paris and New York.

• Department: Art History and Archaeology
• T 10:10 a.m.-noon
• Instructor: Anne Higonnet
  CULPA: 31 Wikipedia Info
• 4 points

POST 9/11 IMMIGRATION POLICIES

Since September 11, 2001, there has been an avalanche of immigration enforcement policies and initiatives proposed or implemented under the guise of national security. This course will analyze the domino effect of the Patriot Act, the Absconder Initiative, Special Registration, the Real I.D. Act, border security including the building of the 700-mile fence along the U.S./Mexico border, Secured Communities Act-that requires the cooperation of state and local authorities in immigration enforcement, the challenge to birthright citizenship, and now the congressional hearings on Islamic radicalization. Have these policies been effective in combating the war on terrorism and promoting national security? Who stands to benefit from these enforcement strategies? Do immigrant communities feel safer in the U.S.? How have states joined the federal bandwagon of immigration enforcement or created solutions to an inflexible, broken immigration system?

• Department: Ethnicity and Race, Center for
• R 10:10 a.m.-noon
• Instructor: Elizabeth Ouyang
  CULPA: 8 Info
• 4 points

BRAZILIAN SOCIETY & CIV (ENG)

Each week, a historical period is studied in connection to a particular theme of ongoing cultural expression. While diverse elements of popular culture are included, fiction is privileged as a source of cultural commentary. Students are expected to assimilate the background information but are also encouraged to develop their own perspective and interest, whether in the social sciences, the humanities (including the fine arts), or other areas.

• Department: Latin American and Iberian Cultures
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Joao Nemi Neto
  CULPA: 1 Info
• 3 points

Gene-Environment Interactions & Epigenet

Gene-Env Interaction & Ep

The aim of this course is to examine the biological bases of individual differences in behavior. We will start by examining how individual differences in behavior and health are shaped by gene-environment interactions. We will complement these studies with the endophenotype approach and discuss its role in our contemporary views of complex disorders. We will then introduce behavioral epigenetics studies that are suggested to mediate the effects of gene-environment interactions at different levels of analysis. We will continue by discussing how these topics shape and are shaped by developmental programming. We will end the semester by discussing the major debates around these topics as well as their implications in real life and public policies. By covering these topics, students are expected to gain a better understanding of how our behavior is i) formed and shaped by gene-environment interactions over time, ii) influenced by the underlying physiological and epigenetic mechanisms, and iii) changed by developmental processes. With this information, the students are expected to view individual differences in behavior in a perspective that is highly interdisciplinary and dynamic.

• Department: Psychology
• M 2:10 p.m.-4 p.m.
• Instructor: Elif A Duman
  Info
• 4 points

INDEP BIOLOGICAL RESEARCH

Prerequisites: Intro Bio I & II. Students who have not taken Intro Bio are encouraged to register for BIOL UN2600. Concurrent with registering for this course, a student must register with the department and provide a written invitation from a mentor; details of this procedure are available at https://biology.columbia.edu/content/biol-un3500-independent-biological-research. Students must register for recitations UN3510 or consult the instructor. Corequisites: BIOL UN3510.

Independent Biological Research is an opportunity for full-time undergraduates in the College, SEAS and GS interested in laboratory research to share in the work of an ongoing research program in our Department or in a comparable laboratory elsewhere in the region. Projects should address a specific biological problem. Clinical projects are not allowed. While most projects are laboratory-based, computational projects that address specific biological issues are allowed.

• Department: Biological Sciences
• Instructor: Ron M Prywes
  CULPA: 2 Info
• 3-4 points

SUPERVISED READINGS IN PHYSICS

Prerequisites: the written permission of the faculty member who agrees to act as supervisor, and the director of undergraduate studies permission. Readings in a selected field of physics under the supervision of a faculty member. Written reports and periodic conferences with the instructor.

• Department: Physics
• Instructor: Jeremy R Dodd
  CULPA: 25 Info
• 3 points

COLL:POLIT ECON:CORRPTN/CONTRL

Prerequisites: POLS V1501 or the equivalent. Admission by application through the Barnard department only. Enrollment limited to 16 students. Barnard syllabus. Comparative political economy course which addresses some important questions concerning corruption and its control: the concept, causes, patterns, consequences, and control of corruption. Introduces students to and engages them in several key social science debates on the causes and effects of political corruption.

• Department: Political Science @Barnard
• T 2:10 p.m.-4 p.m.
• Instructor: Xiaobo Lu
  CULPA: 4 Info
• 4 points

Intro to Moving Image: Video, Film & Art

Intro Moving Image:Video,

Intro to Moving Image: Video, Film & Art is an introductory class on the production and editing of digital video. Designed as an intensive hands-on production/post-production workshop, the apprehension of technical and aesthetic skills in shooting, sound and editing will be emphasized. Assignments are developed to allow students to deepen their familiarity with the language of the moving image medium. Over the course of the term, the class will explore the language and syntax of the moving image, including fiction, documentary and experimental approaches. Importance will be placed on the decision making behind the production of a work; why it was conceived of, shot, and edited in a certain way. Class time will be divided between technical workshops, viewing and discussing films and videos by independent producers/artists and discussing and critiquing students projects. Readings will be assigned on technical, aesthetic and theoretical issues. Only one section offered per semester. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• W 10 a.m.-4 p.m.
• Instructor: Sable Smith
  Wikipedia Info
• 3 points

Animation

Unlike any other medium, animation provides unmatched suspicion of disbelief. Moreover, one can exercise one's imagination in digital space beyond material and physical limitations. Combining the two provides the permissive space to manifest our wildest reveries: utopias, dystopias, thought experiments, psi-fic scenarios, or dollhouses for amphibians.

In this course, students will receive a general survey on a range of methods in animation production. From the most traditional hand-drawn animation and cel animation to digital animation employing Photoshop, After Effects, and Blender (3D animation). Although this class can be technically involved; software mastery the end goal of the course is using these techniques to produce animations as a means of expression. These are only tools to help students form and realize their creative visions. Designed for both the digitally inclined and those who hate computers, students can try and then choose the method most agreeable to their temperament and ideas. They can also combine and mix different methods, maximizing creative freedom.

The course will introduce projects from animation history (early experimental animation, Disney, Soviet experimental animation, etc.) and contemporary art examples (Pierre Huyghe, Ian Chang, Wong Ping. etc.). However, the aim is to go beyond the Western art canon and expose students to other facets of culture. We will also study examples from popular culture (music videos) and Japanese anime (Hideaki Anno, Satoshi Kon, Masaaki Yuasa, etc.). One of the most essential responsibilities the students will take on is expanding our collective references by bringing in and presenting works that genuinely inspire and interest them.

Animation is an exceptionally permissive medium; it facilitates all of your prior skills and interests. Whether it is drawing, painting, music, poetry, fiction, or using a yoyo, there is a way for it to exist in animation. Students will be asked to keep a sketchbook for the duration of the semester. It will serve a landing pad for ideas and an anchor point to manage the project. The course will cover the entire production process, from idea development, concept design, character design, writing, storyboarding, foley, voice, music, editing, and final publication. Much of the class time will be dedicated to working, punctured by presentations, technical workshops, and critiques. At the end of the semester, students will have completed three shorts (30 seconds-2 minutes) and one fully developed pr

• Department: Visual Arts
• F 10 a.m.-4 p.m.
• Instructor: Yi Fan Jiang
  Info
• 3 points

ALGORITHMIC LOVE: SEX, TECHNOLOGY, POWER

In academic discourse, romance and sex are often discussed as historical constructs shaped by the social, economic, and political contexts of their time, marking a powerful association between the romantic discourse and capitalism. This course builds on this understanding while supplementing it with the critical but often-overlooked role of technological mediation. Starting from the premise that romantic love is profoundly influenced by the affordances of the technology of its time, a critical awareness of technological mediation in romance—especially of digital technologies, i.e., online dating, social media, or cybersex– will afford us an understanding of how social categories such as gender, race, class, ability, or sexuality are redefined by technologies and in turn govern popular cultural perceptions of dating and sex.

Whereas technology is usually framed as prosthetic or derivative of the human, this course challenges this view approaching technological developments as ‘co-produced’ by humans and technology, forcing us to grapple with both the inherently discriminatory power of socio-technical systems and the unimaginable capacities of these digital devices (Benjamin 2020). The course readings span sociology, media studies, feminist theory, critical race theory, queer theory, or disability studies, equipping students with a critical framework to understand and analyze power structures in love (and beyond) in the contemporary conditions of algorithmic governance.

• Department: Women's, Gender, Sexuality Studies @Barnard
• M 2:10 p.m.-4 p.m.
• Instructor: Sandra Moyano-Ariza
  Info
• 4 points