Peqod :: Classes - Columbia University Catalog of Classes

In a 2015 interview with David Simon (creator of
The Wire
) President Barak Obama offered that
The Wire
is, "one of the greatest -- not just television shows, but pieces of American art in the last couple of decades."
The Wire
combines hyperrealism with the reinvention of fundamental American themes (from picaresque individualisms, to coming to terms with the illusory “American dream”, to a fundamental loss of faith in American institutions), and engages in a scathing expose of the shared dysfunction among the bureaucracies (police, courts, public schools etc.) that manage a troubled American inner city. On a more macro level
The Wire
humanizes (and therefore vastly problematizes) assumptions about the individual Americans’ who inhabit America’s most dangerous urban environments from gang members to police officers to teachers and even ordinary citizens.
The Wire
, of course, did not single-handedly reshape American television. Scholars like Martin Shuster refer to this period of television history as “new television.” That is, the product of new imaginations that felt television had exhausted its normative points of reference, subject matter and narrative technique. Many of the shows from this period sought to reinvent television for interaction with an evolving zeitgeist shaped by shared dissolution with 21st century American life: “I’d been thinking: it’s good to be in a thing from the ground floor, I came too late for that, I know. But lately I’m getting the feeling I might be in at the end. That the best is over,” Tony Soprano confides to Dr. Malfi in S1.E1 of the Sopranos. Series that fall within this rubric include (in chronological order):
The Sopranos
;
The Wire
;
Deadwood
;
Madmen
; and
Breaking Bad.

We need to consider carefully that these shows emerged during a particular moment on American history. This was a period shaped by an increasingly relativist conceptualizations of truth (and, at times, outright fraud) and a resultant loss of faith in American institutions. Resistance movements (MeeToo, and Black Lives Mater) began to shape. No wonder that so many of the series under discussion take place amid American cultures defined by a liminal faith in law and order, within the contexts of vague moral authorities and hold American institutions with a shared, deep, suspicion.

These show

Department: Film
Instructor: Ben Alexander
Info
3 points

Details

FILM GU4954

Gender-Based Violence & Human Rights

GENDER-BASED VIOL & HUM R

Department: Institute for Study of Human Rights
Instructor: Julie Rajan
Info
3 points

Details

HRTS GU4965

Refugees, Citizenship, Migration

Refugees Citizenship Migr

This interdisciplinary course grapples with nation-states and cities at its margins, exploring the exclusions, oppositions, silences and, in particular, the 'Others' or 'in-betweens' of the nation-state as an organizing tool. ‘Illegal migrants’, ‘refugees’, ‘asylum seekers’, ‘exiles’, ‘nomads’, ‘aliens’, and other ‘Others’: these are all in-between figures, exceptions to a political order defined by membership in the city, borders, sovereignty and nation-states. In their very existence, they represent a challenge to this political order, as social and political theorists have long recognized. This seminar explores the dynamics, contradictions and politics surrounding nation-states and their Others with particular attention to the responses to them on the part of ostensibly liberal-democratic states. We examine the relationship between citizenship, statelessness, refugee-hood and migration as exceptions to a political order defined by membership in the city, borders, sovereignty and nation-states. Students will engage with film, fiction, visual animations and displacement maps to examine key theoretical and critical interventions by scholars who examine nation-states and cities at their margins. To this end, participants will examine key theoretical interventions by Hannah Arendt, Michel Foucault, Jacques Derrida, and Giorgio Agamben alongside scholars who have grappled with, contested, and developed their ideas, such as Étienne Balibar, Didier Bigo, Jacques Rancière, and Seyla Benhabib. With these texts, the participants will attempt to explore non-national or post-national alternatives to the nation-state and citizenship as a tool for planning and organization of people and space.

Taken together, this course provides an alternative to conventional scholarship on this subject. It engages with and provides an alternative to the mainstream literature to take for granted the inclusive and integrative character of nation-states and its respective memberships in the form of refugees, citizens and migrants.
At first glance, the course may appear highly theoretical, but not to worry—we will move slowly through the texts and concepts together. The instructor will also ensure that we apply the ideas discussed in class to concrete and tangible case studies with examples given to enable easier access and collective learning.

Department: Institute for Study of Human Rights
Instructor: Shourideh Molavi
Info
3 points

Details

HRTS GU4970

Queer Theory

This course surveys the relationship between sociology as a discipline and the body of thought, action and critique that coheres under the term queer theory. Many people understand these two projects to be constitutionally at odds. Sociology as a discipline concerns itself with the empirical study of, as Norbert Elias wrote, “the problem of human societies.” How we do this is distinct. Sociologists have a defined set of technical skills that make use of social categories and classifications. We organize individuals by behavior and identity, document diverse cultural milieus, and even attempt to quantify the demographic details of sexual identities, practices and communities. Queer theory, on the other hand, emerged as a field of academic thought in the early 1990’s, at the apex of the HIV/AIDS epidemic. The urgency of the political moment demanded new analytical tools for thinking about gender, sexuality, medicine and bodies. Queer theorists took to task the restrictive categories of gender and sexual life that relegated gay men and lesbians to sociological studies of “deviant” people and practices, in favor of rich and pointed critiques of the organization of culture, institutions and politics that renders some people and practices deviant in the first place. Queer theorists document their suspicion of methods, of categories, and of knowledge practices themselves. Social science is often the target of such critiques.

So, is there actually a way to do something we might call queer sociology? Or is it, fundamentally, an oxymoron? As what we think of as data becomes “bigger” and ever more categorically precise, what use has sociology for queer theory? How can a body of thought that operates from an anti-categorical impulse inform empirical work that seeks, at least in some part, to identify and observe particular types of people and particular forms of social life? In this course, we will read a set of foundational texts in the queer theoretical tradition alongside sociology that makes use of queer phenomena, frameworks and world-making projects. Expect to cover topics like ephemera, ghosts, messy affect, political lesbianism, perversion and a variety of other things you don’t typically see on a sociology syllabus. Each week, we will survey a select set of orienting ideas from queer theory–the heterosexual matrix, heteronormativity, antidisciplinarity, and homonormativity–and examine the ways in which sociologists of sexuality aim