DIGITAL PRODUCTION

Prerequisites:
both
FILM BC3201 (or equivalent)
and
FILM BC3200 (or equivalent). Digital Production offers visual storytellers an incredible medium to connect and build an audience. It is an inexpensive, accessible platform to launch micro-budget concepts. Developing the storytellers voice  inexpensively is critical to the evolution of any student, no matter their starting point. The Digital Series course is intended to take students from story ideation through creation of an independent digital series. Emanating from a writers room setting, all steps of the process will be explored and supported by in-class discussion, examples and workshops. This hands-on class revolves around the TV series production model: breaking story, writing pages, preproduction planning, filming and post-production review. We will emphasize the writers voice, construction of series storytelling, and establishing realistic scopes of production.

• Department: Film @Barnard
• R 5:10 p.m.-8 p.m.
• Instructor: Danielle T Douge
  Info
• 3 points

UNSEEN MASTERWORKS OF WORLD CINEMA

MASTERWORKS: ARAB CINEMA

This course examines the portrayal of significant themes in international cinema. Through a selection of diverse cinematic works from various countries, students will analyze different cultural, historical, and political perspectives. The course aims to enhance students' understanding of complex topics, their impact on individuals and societies, and the ethical questions they evoke. Through critical analysis and discussion, students will engage with a range of cinematic works that offer alternative narratives and perspectives.

• Department: Film @Barnard
• M 4:10 p.m.-7:55 p.m.
• Instructor: Sam Abbas
  Info
• 3 points

WORKSHOP IN SUSTAINABLE DEVPT

The upper level undergraduate Sustainable Development Workshop will be modeled on client based graduate-level workshops, but with more time devoted to methods of applied policy analysis and issues in Sustainable Development. The heart of the course is the group project on an issue of sustainable development with a faculty advisor providing guidance and ultimately grading student performance. Students would receive instruction on methodology, group work, communication and the context of policy analysis. Much of the reading in the course would be project-specific and identified by the student research teams. Offered in Fall and Spring. For registration issues contact Cari Shimkus (cshimkus@ei.columbia.edu).

• Department: Earth Institute
• MW 2:10 p.m.-4 p.m.
• TR 12:10 p.m.-2 p.m.
• Instructor: Jenna M Lawrence
  CULPA: 6 Info
• Instructor: Radley M Horton
  Info
• 4 points

ILLEGAL IS NOT A NOUN: DISRUPTING NARRAT

This course engages with narratives about detention and deportation in the modern United States, with special attention to the stories of Latinx people. We will analyze how journalistic writing, documentaries, and personal narratives shape public policy and American attitudes about the "the immigrant experience." What are these narratives, how are they told, and what are their implications? How do writers disrupt these narratives? We will develop four scholarly essays over the course of the semester to investigate these questions.

• Department: English @Barnard
• R 2:10 p.m.-4 p.m.
• Instructor: Maria D Hinojosa
  Info
• 4 points

BIOLOGICAL CHEMISTRY

Prerequisites: (CHEM BC3230) and (CHEM BC3231) BIOL BC1502. Introduction to biochemical building blocks, macromolecules, and metabolism. Structures of amino acids, lipids, carbohydrates, nucleic acids. Protein structure and folding. Enzyme mechanisms, kinetics, allostery. Membranes and biosignaling. Catabolism and anabolism with emphasis on chemical intermediates, metabolic energy, catalysis by specific enzymes, regulation.

• Department: Chemistry @Barnard
• WF 11:40 a.m.-12:55 p.m.
• Instructor: Romina L Mancusso
  Info
• 3 points

BIOLOGICAL CHEMISTRY II

Prerequisites: CHEM BC3282 or equivalent. Advanced topics in the field of biochemistry, including enzyme mechanisms, pharmaceutical drug design, and disease therapies. Emphasis will be placed on discussion of current scientific literature.

• Department: Chemistry @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Christina Vizcarra
  CULPA: 1 Info
• 3 points

FICTIONS OF LAW AND CUSTOM: WHITENESS IN

AMER LIT: FICT. OF LAW&CU

This course examines "white" American identity as a cultural location and set of discourses and traditions with a history—in Mark Twain’s terms, "a fiction of law and custom." What are the origins of "Anglo-Saxon" American identity? What are the borders, visible and invisible, against which this identity has leveraged position and power?  How have these borders shifted over time, and in social and cultural space? How has whiteness located itself at the center of political, historical, social and literary discourse, and how has it been displaced?  How does whiteness mark itself, or mask itself, in literature and in larger cultural practices?  What does whiteness look like, sound like, and feel like from the perspective of the racial "other"? And in what ways do considerations of gender and class complicate these other questions?

• Department: English @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Kristin Carter
  CULPA: 2 Info
• 3 points

Topics in Modern Statistics

INTERPTBLE MACHN LEARNING

Topics in Modern Statistics that provide undergraduate students with an opportunity to study a specialized area of statistics in more depth and to meet the educational needs of a rapidly growing field. Courses listed are reviewed and approved by the Undergraduate Advisory Committee of the Department of Statistics. A good working knowledge of basic statistical concepts (likelihood,
Bayes' rule, Poisson processes, Markov chains, Gaussian random vectors), including especially linear-algebraic concepts related to regression and principal components analysis, is necessary. No previous experience with neural data is required.

• Department: Statistics
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Joyce T Robbins
  CULPA: 5 Info
• 3 points

AGAINST COLONIALISM, AGAINST FASCISM

ANTI-COLONIALISM, ANTI-FA

The Caribbean poet Aimé Cesairé argued that the terrors of World War II simply reflected colonial practices returned home to their origin, Western Europe. This course investigates the relationship between fascism and colonialism, during moment when we are experiencing a global rise in right-wing authoritarian governments premised on anti-migrant politics. What is the relationship between fascism and colonialism, and democracy, equality, and internationalism? What are the class alliances behind fascism? What are institutions that facilitate it? In a spirit of internationalism, this class brings together classic anti-colonial and anti-fascists works under one umbrella. We will start by reading theoretical texts by Umberto Ecco, Toni Morrison, Susan Sontag, G.M. Tamás, W.E.B. Du Bois, Gandhi, Tagore, Nancy Cunard, and George Padmore. Texts include:
The Underdogs
, Azuela’s novel of the Mexican Revolution; Chestnutt’s
The Marrow of Tradition
;
Family Lexicon
, Natalia Ginzburg’s memoir of Italian fascism;
The Seventh Cross
, a thrilling novel about escaping a German concentration camp by Anne Seghers, who herself escaped through France; Arab writers Etel Adnan, Emile Habibi, and Ghassan Kanafani;
My Tender Matador
by Chilean queer/trans author Pedro Lemebel;
Philadelphia Fire
by John Edgar Wideman;
Ministry of Utmost Happiness
by Roy; and Kureishi and Frears’s queer countercultural film,
Sammie and Rosie Get Laid
.

• Department: English @Barnard
• R 2:10 p.m.-4 p.m.
• Instructor: Ken Chen
  Info
• 4 points

UNSILENT VOICES: THE MEDIEVAL LYRIC IN E

THE MEDIEVAL LYRIC IN EUR

From the fall of the Western Empire to the Protestant Reformation, a period of over 1000 years, poets in Europe produced an extraordinarily rich and varied body of lyric poetry that continues to exert a major influence on world literature today. While some of this poetry is religious in nature, a great deal also addresses such diverse themes as desire, selfhood, politics, gender, and humanity’s relation to the non-human world. In this class we will examine medieval lyrics originally composed in a number of languages including but not limited to Old and Middle English, Latin, Occitan, Hebrew, Arabic, Italian, French, German and Portuguese. Aspiring polyglots welcome, but all readings will be provided in English translation. This course presumes no previous knowledge of medieval history or literature.

• Department: English @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Eugene A Petracca
  Info
• 3 points

THE AUTOBIOGRAPHICAL EFFECT: EARLY MODER

American poetry after 1960 famously took on a new intimacy and freshness of tone. Often called “confessional,” this poetry often does not actually express the kind of guilty self-revelation such a term implies. As the critic David Kalstone put it, “American poetry of this period became increasingly available to autobiographical energies of all sorts, not simply to writing which was desperate and on the edge.” This course examines some of that poetry, and its non-confessional use of an autobiographical “I.” We will explore how this poetry, far from representing a rejection of tradition, drew on early modern work to imbue seemingly modern autobiographical effects with new quickness and life.

• Department: English @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Rachel Eisendrath
  CULPA: 6 Info
• 4 points

APPLIED ELECTROMAGNETISM

Vector analysis, electrostatic fields, Laplaces equation, multipole expansions, electric fields in matter: dielectrics, magnetostatic fields, magnetic materials, and superconductors. Applications of electromagnetism to devices and research areas in applied physics.

• Department: Applied Physics and Applied Mathematics
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Gerald A Navratil
  CULPA: 2 h-index: 46 Info
• 3 points

Biochemistry

Prerequisites: 1 year of Introductory Biology, 1 year General Chemistry, and 1st semester Organic Chemistry.  Biochemistry is the study of the chemical processes within organisms that give rise to the immense complexity of life. This complexity emerges from a highly regulated and coordinated flow of chemical energy from one biomolecule to another. This course serves to familiarize students with the spectrum of biomolecules (carbohydrates, lipids, amino acids, nucleic acids, etc.) as well as the fundamental chemical processes (glycolysis, citric acid cycle, fatty acid metabolism, etc.) that allow life to happen. The course will end with a discussion of diseases that have biochemical etiologies. In particular, this course will employ active learning techniques and critical thinking problem-solving to engage students in answering the question: how is the complexity of life possible? NOTE: While only the 1st semester of Organic Chemistry is listed as a pre-requisite, it is highly recommended that you take all of Organic Chemistry beforehand.

• Department: Biological Sciences
• T 7 p.m.-9:30 p.m.
• Instructor: Danny N Ho
  CULPA: 7 Info
• 3 points

ADV LANGUAGE THROUGH CONTENT

Prerequisites: SPAN UN2102 or AP score of 4 or 5; or SAT score. An intensive exposure to advanced points of Spanish grammar and structure through written and oral practice, along with an introduction to the basic principles of academic composition in Spanish. Each section is based on the exploration of an ample theme that serves as the organizing principle for the work done in class (Please consult the Directory of Classes for the topic of each section.) This course is required for the major and the concentration in Hispanic Studies. Formerly SPAN W3200 and SPAN BC3004. If you have taken either of these courses before you cannot take SPAN UN3300. All Columbia students must take Spanish language courses (UN 1101-3300) for a letter grade.

• Department: Latin American and Iberian Cultures
• TR 10:10 a.m.-11:25 a.m.
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Leyre Alejaldre Biel
  CULPA: 1 h-index: 5 Info
• Instructor: Lorena Garcia Barroso
  CULPA: 3 Info
• 3 points

ADV LANGUAGE THROUGH CONTENT

SPAIN THROUGH ITS ART

Prerequisites: SPAN UN2102 or AP score of 4 or 5; or SAT score. An intensive exposure to advanced points of Spanish grammar and structure through written and oral practice, along with an introduction to the basic principles of academic composition in Spanish. Each section is based on the exploration of an ample theme that serves as the organizing principle for the work done in class (Please consult the Directory of Classes for the topic of each section.) This course is required for the major and the concentration in Hispanic Studies. Formerly SPAN W3200 and SPAN BC3004. If you have taken either of these courses before you cannot take SPAN UN3300. All Columbia students must take Spanish language courses (UN 1101-3300) for a letter grade.

• Department: Latin American and Iberian Cultures
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Angelina Craig-Florez
  CULPA: 14 Info
• 3 points

ADV LANGUAGE THROUGH CONTENT

INTRODUCTION CATALAN CULTURES

Prerequisites: SPAN UN2102 or AP score of 4 or 5; or SAT score. An intensive exposure to advanced points of Spanish grammar and structure through written and oral practice, along with an introduction to the basic principles of academic composition in Spanish. Each section is based on the exploration of an ample theme that serves as the organizing principle for the work done in class (Please consult the Directory of Classes for the topic of each section.) This course is required for the major and the concentration in Hispanic Studies. Formerly SPAN W3200 and SPAN BC3004. If you have taken either of these courses before you cannot take SPAN UN3300. All Columbia students must take Spanish language courses (UN 1101-3300) for a letter grade.

• Department: Latin American and Iberian Cultures
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Elsa Ubeda
  CULPA: 10 Info
• 3 points

ADV LANGUAGE THROUGH CONTENT

LGBT + CONTEXTS IN SPAIN

Prerequisites: SPAN UN2102 or AP score of 4 or 5; or SAT score. An intensive exposure to advanced points of Spanish grammar and structure through written and oral practice, along with an introduction to the basic principles of academic composition in Spanish. Each section is based on the exploration of an ample theme that serves as the organizing principle for the work done in class (Please consult the Directory of Classes for the topic of each section.) This course is required for the major and the concentration in Hispanic Studies. Formerly SPAN W3200 and SPAN BC3004. If you have taken either of these courses before you cannot take SPAN UN3300. All Columbia students must take Spanish language courses (UN 1101-3300) for a letter grade.

• Department: Spanish and Latin American Culture
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Javier Perez Zapatero
  CULPA: 2 Info
• 3 points

ADV LANGUAGE THROUGH CONTENT

Prerequisites: SPAN UN2102 or AP score of 4 or 5; or SAT score. An intensive exposure to advanced points of Spanish grammar and structure through written and oral practice, along with an introduction to the basic principles of academic composition in Spanish. Each section is based on the exploration of an ample theme that serves as the organizing principle for the work done in class (Please consult the Directory of Classes for the topic of each section.) This course is required for the major and the concentration in Hispanic Studies. Formerly SPAN W3200 and SPAN BC3004. If you have taken either of these courses before you cannot take SPAN UN3300. All Columbia students must take Spanish language courses (UN 1101-3300) for a letter grade.

• Department: Spanish and Latin American Culture
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Elga Castro
  Info
• 3 points

INTRODUCTION TO HEBREW BIBLE

INTRO TO HEBREW BIBLE

Introduction to the literature of ancient Israel against the background of the ancient Near East.

• Department: Religion @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Beth A Berkowitz
  CULPA: 2 h-index: 6 Info
• 3 points

PLAYWRITING LAB

Students will develop original dramatic scripts. Students will also read drafts of writers currently produced on New York stages to understand why changes and rewrites were made. Recommended for students undertaking a senior thesis in playwriting.

• Department: Theatre @Barnard
• M 4:10 p.m.-6 p.m.
• Instructor: Andrew Bragen
  Info
• 3 points

SCULPTURE II

Prerequisites: VIAR UN2300 or the instructors permission. (Formerly R3331) Continuation of VIAR UN2300. The objective of the class is to engage in in-depth research and hands on studio projects related to a specific theme to be determined by each student. Each student is expected to complete class with four fully realized and thematically linked works. Wood, metal, and plaster will be provided for this class but video, sound, performance and various mixed media approaches are highly encouraged. In addition, lecture and field trips will be part of the course. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• T 10 a.m.-4 p.m.
• Instructor: Bat-Ami Rivlin
  Info
• 3 points

SENIOR POETRY WORKSHOP

Seniors who are majors in creative writing are given priority for this course. Enrollment is limited, and is by permission of the professor. The senior workshop offers students the opportunity to work exclusively with classmates who are at the same high level of accomplishment in the major. Students in the senior workshops will produce and revise a new and substantial body of work. In-class critiques and conferences with the professor will be tailored to needs of each student. Please visit 
https://arts.columbia.edu/writing/undergraduate
 for information about registration procedures.

• Department: Writing
• R 12:10 p.m.-2 p.m.
• Instructor: Emily Luan
  Info
• 4 points

ADVANCED SWAHILI II

Prerequisites: Advanced Swahili I or the instructor's permission. An introduction to the advanced syntactical, morphological, and grammatical structures of Swahili grammar; detailed analysis of Swahili texts; practice in conversation. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MW 12:10 p.m.-2 p.m.
• Instructor: Abdul Nanji
  CULPA: 1 Info
• 4 points

SCULPTURE III

Prerequisites: VIAR R2300. (Formerly R3332) Sculpture III is an invitation for immersive sculpting. The class will explore the idea of experiences and construction of contexts as central research topics. The class becomes a laboratory space to explore various techniques to heighten body awareness and spatial sensibility. Through assignments and workshops, the students will practice how to digest these sensory experiences through their studio practice. Historical precedents for art outside the usual mediums and venues will be our reference points to investigate how our own work may take part in a generative process that evolves the definition of sculpture. The assignments in the first half of the semester point the students to performance, site specificity, and sound, that utilize New York Citys odd spots and professionals. While building such common experiential platforms, the class will also build language for a dialogic space, through weekly in-class discussions lead by the instructor, guests, and rotating panels of the students. As the semester progresses, the emphasis will gradually be shifted from experiential learning to intensive studio work on a final project, where the students are asked to pay close attention to how various methods and fields of subjects combine. The resulting project has to be the best work you have ever done. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• T 10 a.m.-4 p.m.
• Instructor: Bat-Ami Rivlin
  Info
• 3 points

LAB IN MOLECULAR BIOLOGY

Introduction to the use of molecular techniques to answer questions about subcellular biological phenomena. Techniques include isolation of genomic and plasmid DNAs, restriction enzyme analysis, DNA and protein electrophoresis, bacterial transformation, and plasmid subcloning.

• Department: Biological Sciences @Barnard
• W 1:10 p.m.-6 p.m.
• Instructor: Stephen L Sturley
  CULPA: 3 Info
• 3 points

IND STUDIES-CIVIL ENGIN-JUNIOR

A project on civil engineering subjects approved by the chairman of the department.

• Department: Civil Engineering and Engineering Mechanics
• Instructor: Raimondo Betti
  CULPA: 4 h-index: 31 Info
• Instructor: Adrian Brugger
  h-index: 4 Info
• Instructor: Gautam Dasgupta
  CULPA: 3 h-index: 19 Info
• Instructor: George Deodatis
  CULPA: 6 h-index: 42 Info
• Instructor: Xuan Di
  h-index: 15 Info
• Instructor: Maria Q Feng
  CULPA: 3 h-index: 46 Info
• Instructor: Jacob Fish
  CULPA: 1 Wikipedia h-index: 54 Info
• Instructor: Marco Giometto
  h-index: 9 Info
• Instructor: Shiho Kawashima
  h-index: 24 Info
• Instructor: Addis Kidane
  Info
• Instructor: Ioannis Kougioumtzoglou
  h-index: 26 Info
• Instructor: Hoe I Ling
  h-index: 45 Info
• Instructor: Ibrahim Odeh
  Info
• Instructor: Markus Schlaepfer
  Info
• Instructor: Andrew W Smyth
  CULPA: 3 Info
• Instructor: Waiching Sun
  CULPA: 1 h-index: 30 Info
• Instructor: Haim Waisman
  CULPA: 3 h-index: 29 Info
• Instructor: Huiming Yin
  CULPA: 1 h-index: 25 Info
• 1-3 points

Whiteness, Sentiment and Political Belon

Whiteness, Senti Politica

Scholars of gender, sexuality, ethnicity and race have long been preoccupied with the terms, categories, and processes through which the United States has excluded or qualified the citizenship of particular groups, including women, immigrants, indigenous nations, and descendants of enslaved Africans. Yet it has spent less time interrogating the unqualified content of Americanness, and the work that the imagination of a "default" American identity does in contemporary political life. This seminar introduces students to this problem through an unspoken racial dimension of American political belonging -- the presumed whiteness of ideal American citizens. Readings drawn from several disciplinary traditions, including anthropology, linguistics, sociology, history, and journalism, will ground students in the course's key concepts, including racial markedness, the history of racialization, and public sentiment. Students will mobilize these tools to analyze several cases that rendered white sentiment explicit in politically efficacious ways, including the "panic" incited by the destabilization of race-based residential segregation, the "paranoia" of conspiracy theorists, the "sympathy" associated with natural disasters, and the "resentment" or "rage" associated with the loss of racial privileges

• Department: Ethnicity and Race, Center for
• R 10:10 a.m.-noon
• Instructor: Catherine Fennell
  Info
• 4 points

LGBT MADRID: A PROGRAM ABROAD

Prerequisites: SPAN UN2102 or SPAN UN2103 or SPAN UN2108 and SPAN UN3300.006 COLUMBIA FOREIGN LANGUAGE EXEMPTION THROUGH PLACEMENT TEST Corequisites: SPAN UN3300.021 This course is a faculty led-program in Madrid linked to an existing course which will take place in the Spring Semester during Spring Break every year. Co-requisite: Advanced Spanish through Content: Gay Identities in Spain. REQUISITES: Registration in Advanced Spanish through Content: Gay Identities in Spain (Span UN3300.021 in Spring 2019) or having completed Advanced Spanish through Content: Gay Identities in Spain (Span UN3300.006 in Fall 2018) or previous editions of this course. All registrations are subject to instructor's approval. Advanced Spanish through Content: Gay Identities in Spain (Span UN3300.006 in Fall 2018) and is taught at Columbia in the Fall Semester and at Barnard in the Spring. The program is open to both Barnard and Columbia students who have taken this course (with instructor's approval) or taking it during the Spring semester of the program. It’s a hands-on program in Madrid, the actual scenario of the main contents in our course of study. It will include networking with members of LGBTI national and local organizations (FELGTB, COGAM, Fundación Triángulo, ERQR) Arcópoli), academic activities at the Universidad Complutense and Universidad Carlos III, attendance to a theater play, activities at a local bookstore specialized in LGBTQI publications, and attending cultural events such as a lecture, book presentations, interacting with LGBTQI college students, etc. Open to: Barnard College, Columbia College, General Studies, and SIPA.

• Department: Spanish and Latin American Culture
• 1 points

IND STUDIES-CIVIL ENGIN-SENIOR

A project on civil engineering subjects approved by the chairman of the department.

• Department: Civil Engineering and Engineering Mechanics
• Instructor: Raimondo Betti
  CULPA: 4 h-index: 31 Info
• Instructor: Adrian Brugger
  h-index: 4 Info
• Instructor: Gautam Dasgupta
  CULPA: 3 h-index: 19 Info
• Instructor: George Deodatis
  CULPA: 6 h-index: 42 Info
• Instructor: Xuan Di
  h-index: 15 Info
• Instructor: Maria Q Feng
  CULPA: 3 h-index: 46 Info
• Instructor: Jacob Fish
  CULPA: 1 Wikipedia h-index: 54 Info
• Instructor: Marco Giometto
  h-index: 9 Info
• Instructor: Shiho Kawashima
  h-index: 24 Info
• Instructor: Addis Kidane
  Info
• Instructor: Ioannis Kougioumtzoglou
  h-index: 26 Info
• Instructor: Hoe I Ling
  h-index: 45 Info
• Instructor: Ibrahim Odeh
  Info
• Instructor: Markus Schlaepfer
  Info
• Instructor: Andrew W Smyth
  CULPA: 3 Info
• Instructor: Waiching Sun
  CULPA: 1 h-index: 30 Info
• Instructor: Haim Waisman
  CULPA: 3 h-index: 29 Info
• Instructor: Huiming Yin
  CULPA: 1 h-index: 25 Info
• 1-3 points

PROJECT LAB MOLECULAR GENETCS

PROJECT LAB IN MLCLR GENETICS

Laboratory course in which students conduct original research projects in molecular genetics. Students will participate in experimental design, conduct data analysis, and work with key techniques for studying gene structure, expression, and function including nucleic acid extraction and synthesis, cloning, bioinformatics analysis, PCR, and qPCR. Students will present their results orally and in writing. Enrollment in both semesters (BIOL BC3305 and BIOL BC3306) of this full-year course is required, and fulfills two upper-level lab courses for the Barnard Biology major. Must be taken in sequence, beginning in the fall.

• Department: Biological Sciences @Barnard
• W 1:10 p.m.-6 p.m.
• 3 points

INTRODUCTION TO MICROBIAL GENOMICS

INTRO TO MICROBIAL GENOMI

This course will focus on understanding, implementing, and using basic bioinformatic algorithms and tools to analyze microbial genomes and genomic information. Topics cover a history of genome sequencing methods, local and global alignment methods, sequence annotation tools,
de novo
genome assembly, multiple sequence alignments, and simple molecular phylogeny. Theoretical lectures will be taught in parallel with labs focused on hands-on analysis of real-world data so that students create tangible and applicable skills.
Knowledge of a programming language is required to take this course
. Class notes are intended to be self-contained for these topics.

• Department: Biological Sciences @Barnard
• W 1:10 p.m.-4 p.m.
• Instructor: Philippe A Chlenski
  Info
• 3 points

GREEK LITERATURE SELECTIONS II

Prerequisites: GREK UN2101 - GREK UN2102 or the equivalent. Since the content of this course changes from year to year, it may be repeated for credit.

• Department: Classics
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Hanna Golab
  Info
• 3 points

LATIN LITERATURE SELECTIONS

Prerequisites: LATN UN2102 or the equivalent. Since the content of this course changes from year to year, it may be repeated for credit.

• Department: Classics
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Darcy Krasne
  h-index: 5 Info
• 3 points

ETHICS OF SUSTAINABLE DEVPT

Aiming to improve human conditions within many diverse environments, sustainable development seeks to create, increase and perpetuate benefit and to cease, rectify and reverse harm. Sustainable development is consequently inextricable from the fabric of ethics, woven with determinations of benefit and harm to the existence and well-being of both humans and nonhumans. Underlying such determinations are those of self- and other-regarding motivation and behavior; and underlying these are still others, of sensitivity and rationality in decision-making, whether individual, social or public. Sustainable development is interlaced with and contingent upon all these determinations, at once prescriptive and judgmental, which can be called the ethics of sustainable development. This course is divided into four main sections, of which two are intended to show the ethical fallacies of unsustainable development, and two, the ethical pathways of sustainable development. The first section focuses upon ethically problematic basic assumptions, including human (species) hegemony, happy (hedonic) materialism, and selective (data) denial. The second focuses upon ethically problematic ensuing rationalizations, including those pertaining to damages, victims, consequences and situations of climatic, chemical, biological and ecological harm. The third section responds to these rationalizations with ethically vital considerations of earth justice, environmental justice, culturally-based ethics, and sector-based ethics (water, food, place and climate ethics). Finally, the fourth section responds to the initial, longstanding problematic assumptions with a newly emergent ethical paradigm, comprising biotic wholeness, environmental integrity and the deliberative zero-goal. Tying all sections together is the central theme: to be sustainable, development must be ethical. Reflecting the collaborative quality of the field of sustainable development, the course extends to readings whose authors have all pursued their work at intersections of science and ethics, environment and ethics, policy and ethics, business and ethics, and sustainable development and ethics.

• Department: Earth Institute
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Adela J Gondek
  CULPA: 2 Info
• 3 points

RACE. SPACE, URB SCHOOLS

Many people don’t think of themselves as having attended segregated schools. And yet, most of us went to schools attended primarily by people who looked very much like us. In fact, schools have become more segregated over the past 30 years, even as the country becomes increasingly multiracial. In this class, we will use public schools as an example to examine the role race plays in shaping urban spaces and institutions. We will begin by unpacking the concept of racialization, or the process by which a person, place, phenomenon, or characteristic becomes associated with a certain race. Then, we will explore the following questions: What are the connections between city schools and their local contexts? What does it mean to be a “neighborhood school”? How do changes in neighborhoods change schools? We will use ethnographies, narrative non-fiction, and educational research to explore these questions from a variety of perspectives. You will apply what you have learned to your own experiences and to current debates over urban policies and public schools. This course will extend your understanding of key anthropological and sociological perspectives on urban inequality in the United States, as well as introduce you to critical theory.

• Department: Education @Barnard
• R 4:10 p.m.-6 p.m.
• Instructor: Fawziah Qadir
  Info
• 3 points

HEAT TRANSFER

Heat Transfer

Steady and unsteady heat conduction. Radiative heat transfer. Internal and external forced and free convective heat transfer. Change of phase. Heat exchangers.

• Department: Mechanical Engineering
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Yevgeniy Yesilevskiy
  h-index: 7 Info
• 3 points

FEMINIST THEORY

Prerequisites: LIMITED TO 20 BY INSTRUC PERM; ATTEND FIRST CLASS

This course provides a theoretical itinerary to the emergence of contemporary queer theory and engagement with some contemporary legacies of the movement. The goal is not to be exhaustive nor to establish a correct history of queer theory but to engage students in the task of understanding and creating intellectual genealogies.

• Department: Women's and Gender Studies
• R 10:10 a.m.-noon
• Instructor: Rachel Aumiller
  Info
• 4 points

SPECIAL TOPICS IN ARCHITECTURE

SP TPC: LIVING LIGHTING

See the Barnard and Columbia Architecture Department website for the course description: 
https://architecture.barnard.edu/architecture-department-course-descriptions

• Department: Architecture @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Katharine M Shima
  Info
• 3 points

SPECIAL TOPICS IN ARCHITECTURE

SP TPC: THE ARCH OF TIME

See the Barnard and Columbia Architecture Department website for the course description: 
https://architecture.barnard.edu/architecture-department-course-descriptions

• Department: Architecture @Barnard
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Clara Kraft Isono
  Info
• 3 points

The Scientific Buddha : Buddhism an

Buddhism & Science in Chi

The relationship between religion and science, and by extension between Buddhism and science, have been long investigated by scholars and practitioners attempting to understand questions regarding the nature of reality, knowledge, and experience. While the meeting of Buddhism and Western science dates back to the nineteenth century, the discourse of “encounter” between these two systems of knowledge intensified with the Dalai Lama’s suggestion to institutionalize a dialogue between Buddhist practitioners and Western scientists in 1987. This seminar examines this on-going dialogue from its beginning in China about 200 years ago through today.

• Department: Religion
• R 10:10 a.m.-noon
• Instructor: Nataly Shahaf
  Info
• 4 points

N.Y. AS THEA OF SPAN MODERNITY

• Department: Latin American and Iberian Cultures
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Alberto Medina
  Info
• 3 points

EAR-TRAINING III

Sight-singing techniques of modulating diatonic melodies in simple, compound, or irregular meters that involve complex rhythmic patterns. Emphasis is placed on four-part harmonic dictation of modulating phrases.

• Department: Music
• MW 12:10 p.m.-1 p.m.
• Instructor: Peter M Susser
  CULPA: 20 Info
• 1 points

EAR-TRAINING IV

Techniques of musicianship at the intermediate level, stressing the importance of musical nuances in sight-singing. Emphasis is placed on chromatically inflected four-part harmonic dictation.

• Department: Music
• TR 12:10 p.m.-1 p.m.
• Instructor: Peter M Susser
  CULPA: 20 Info
• 1 points

MUSIC IN EAST ASIA

A topical approach to the concepts and practices of music in relation to other arts in the development of Asian civilizations.

• Department: Music
• MW 6:10 p.m.-7:25 p.m.
• Instructor: Daniel Ferguson
  Info
• 3 points

MUSIC IN EAST ASIA

MUSIC-EAST ASIA-SOUTHEAST

A topical approach to the concepts and practices of music in relation to other arts in the development of Asian civilizations.

• Department: Music
• MW 6:10 p.m.-7:25 p.m.
• Instructor: Noah D Rosen
  Info
• 3 points

MUSIC IN EAST ASIA

A topical approach to the concepts and practices of music in relation to other arts in the development of Asian civilizations.

• Department: Music
• TR 10:10 a.m.-11:25 a.m.
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Thomas T Wetmore
  Info
• 3 points

LABORATORY IN MICROBIOLOGY

Enrollment limited to 16. Provides experience in the isolation, cultivation, and analysis of pure cultures of microorganisms. Methods used for the study of cell structure, growth, physiology, and genetics of microbes will be incorporated into laboratory exercises.

• Department: Biological Sciences @Barnard
• R 1:10 p.m.-6 p.m.
• Instructor: Gabrielle Corradino
  Info
• 3 points

MUSIC THEORY III

Intermediate analysis and composition in a variety of tonal idioms.  A one-hour weekly lab is required, to be scheduled at the beginning of the term.  Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.

• Department: Music
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Cheng W Lim
  Info
• 3 points

Bruegel s Comic World: Everyday Life i

We are told, in one of the earliest accounts of the life and work of the Netherlandish artist Pieter Bruegel the Elder (1525–1569), that his prints and paintings elicited laughter. From his visualizations of carnival celebrations and children's games to peasant weddings to riotous hellscapes, the comic Bruegel makes his viewers, both in the late sixteenth century and today, question whether any of it should be taken seriously. This advanced undergraduate seminar examines Bruegel's innovative comic practice and the social context of laughter and humor in the era of the Dutch Revolt, a time fraught with social, political, and religious strife. We will explore the reception of Bruegel's work in his time, in particular the possibilities of both entertainment and didacticism for viewers. Our studies of pictorial humor in Bruegel's oeuvre will include broader investigations of the secularization of the image in the Reformation context, iconoclasm, the vernacular artistic mode, print culture in early modern Europe, humanism, global expansion and trade, the relationship between pictorial and literary humor, and the functions of satire in visual art. A field trip to the Metropolitan Museum of Art will allow us to encounter Bruegel's images in person.

• Department: Art History and Archaeology
• R 2:10 p.m.-4 p.m.
• Instructor: Katherine H Gobel
  Info
• 4 points

MUSIC THEORY IV

Intermediate analysis and composition in a variety of tonal and extended tonal idioms.  A one-hour weekly lab is required, to be scheduled at the beginning of the term.  Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.

• Department: Music
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Joseph P Dubiel
  CULPA: 3 Info
• 3 points

WASTE

What if we think of writing as waste management? “To find a form that accommodates the mess, that is the task of the artist now,” said Samuel Beckett then, famously, but: What does this mean? In this course, we will explore the many ways in which artists and writers have tried to answer this question, not only with waste as a figure for thought but as the concrete and recalcitrant reality of our being. Students will be asked to keep a notebook, with the instruction to keep everything that is for them a signature of thought. In this way, a pinecone or a piece of garbage is as much “writing” as anything else. Together, we will create an archive for the semester, of everything that is produced and/or consumed under this aegis of making. This class is designed to pose questions about form and the activity of writing and, in turn, the modes and methods of production not only as writers, but as persons. In addition to our weekly readings, we will be taking field trips throughout the city, convening with Freegan.info for a trash tour and meeting with the artist in residence at the Department of Sanitation, as well as hosting visitors for additional conversations over Zoom.

• Department: Writing
• R 10:10 a.m.-noon
• Instructor: Lynn Xu
  Info
• 3 points

SENSORY POETICS

“A writer should have the precision of a poet and the imagination of a scientist” —Vladimir Nabokov


“Every word was once an animal.” —Ralph Waldo Emerson

How do writers use words to bring whole worlds to life in the senses?
Sensory Poetics
is a semester-long exploration of how this formal question has propelled the last 150 years of formally innovative poetry, manifestos and essays on craft. Here, we will read by critically and creatively responding to these texts with a single goal in mind: Borrow their methods to compose a dossier of writing that brings just one thing to life in the senses—any one thing—of your individual choosing. To that end, the semester is divided into 3 Labs that each isolate a different register of sensemaking: Sound, Image, and Line. For example, in the Sound Lab unit, you’ll respond to poems and essays by acoustic-centered poets like John Cage, Kamau Brathwaite and Gertrude Stein, transcribing the sound of your one thing, and writing a metered sonnet based on models from different periods and artistic contexts. To capture the look and logic of your one thing, further in you’ll read Surrealists like Aimé and Suzanne Césaire (for Image Lab), Kathy Acker’s cut-ups, and the psychedelic prose poems of Georges Perec and Yoko Ono (for Line Lab). Throughout, we’ll also read Raymond Queneau’s
Exercises in Style
, a book that is similarly a dossier of one thing written a hundred different ways. Class time focuses on close-reading and analyzing poems together. At the end of each of the three Labs, you’ll submit a portfolio which showcases and reflects on your favorite creative/critical writing generated during the unit. So, no matter how boring or inflexible your one thing may appear to you at any point, your only limits beyond this constraint—make a dossier on one thing—will merely be the finite plasticity of your own imagination, which luckily, readings in this course are curated to expand. This is a place to encounter, practice and experiment with new and exciting forms that broaden your repertoire for articulating your obsessions in ways that bring them to life in the ears, eyes and minds of your audience. Writers of all majors and levels welcome.

• Department: Writing
• T 12:10 p.m.-2 p.m.
• Instructor: Holly Melgard
  Info
• 3 points

INTRO ORGANIC CHEMISTRY-LAB

Prerequisites: (CHEM BC2001) General Chemistry I with lab. Corequisites: CHEM BC3230 Basic techniques of experimental organic chemistry. Principles and methods of separation, purification, and characterization of organic compounds. Selected organic reactions.

• Department: Chemistry @Barnard
• M 2 p.m.-5:30 p.m.
• T 2 p.m.-5:30 p.m.
• W 2 p.m.-5:30 p.m.
• R 2 p.m.-5:30 p.m.
• F 2 p.m.-5:30 p.m.
• T 9:30 a.m.-12:50 p.m.
• R 9:30 a.m.-12:50 p.m.
• Instructor: Meenakshi S Rao
  CULPA: 24 Info
• 2.5 points

INTRO TO PORTUGUESE STUDIES

INTRO TO PORTUGUESE CULTURES

This course presents the students with the information and basic tools needed to interpret a broad range of topics and cultural production from the Portuguese-speaking world: literary, filmic, artisitic, architectural, urban, etc. We will use a continuing cross-disciplinary dialogue to study everyday acts as a location of culture. This course will center on interpretation as an activity and as the principal operation though which culturally sited meaning is created and analyzed. Among the categories and topics discussed will be history, national and popular cultures, literature (high/low), cultural institutions, migration, and globalization. Students will also acquire the fundamental vocabulary for the analysis of cultural objects. This course is required for the concentration in Portuguese Studies.

• Department: Latin American and Iberian Cultures
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Joao Nemi Neto
  CULPA: 1 Info
• 3 points

ELECTRONIC CIRCUITS

Operational amplifier circuits. Diodes and diode circuits. MOS and bipolar junction transistors. Biasing techniques. Small-signal models. Single-stage transistor amplifiers. Analysis and design of CMOS logic gates. A/D and D/A converters.

• Department: Electrical Engineering
• MW 11:40 a.m.-12:55 p.m.
• Instructor: David G Vallancourt
  CULPA: 28 Info
• 3 points

QUEER VISIONS IN CONTEMPORARY FILM

QUEER VISIONS IN CONT FIL

In this class, we will focus on recurring themes and questions of contemporary queer cinema by engaging with a number of film genres and forms, and explore how filmmakers create queer visions of the world through their cinematic practices. We will also consider how these queer films are informed by various local, national, cultural and political contexts. Through a comparative, transnational and intersectional approach that takes into consideration the particularities of each filmmaker’s context, we will aim to answer the following questions: How do various cultural, national, linguistic, religious contexts affect the way queer identities are defined and depicted visually? How do these filmmakers create queer narratives that contest, complicate or reify dominant narratives of gender and sexuality? How do they play around with cinematic and genre conventions?

Films, directors and genres studied are subject to change but will likely include directors such as Celine Sciamma, Cheryl Dunye, Pedro Almodovar, Todd Haynes, among others; and various genres such as drama, romance, thriller, mockumentary, thriller and experimental film.

• Department: Film @Barnard
• F 10 a.m.-1:45 p.m.
• Instructor: Duygu Ula
  CULPA: 6 Info
• 3 points

URBAN SPACE & CONFLICT IN MIDDLE EAST

This course explores how civil war, revolution, militarization, mass violence, refugee crises, and terrorism impact urban spaces, and how city dwellers engage in urban resilience, negotiate and attempt to reclaim their right to the city. Through case studies of Beirut (1975-present), Baghdad (2003-present), Cairo (2011-present), Diyarbakir (1914-present), Aleppo (1914-present), and Jerusalem (1914-present), this course traces how urban life adjusted to destruction (and post-conflict reconstruction), violence, and anarchy; how neighborhoods were reshaped; and how local ethnic, religious, and political dynamics played out in these cities and metropolises. Relying on multi-disciplinary and post-disciplinary scholarship, and employing a wealth of audiovisual material, literary works, and interviews conducted by the instructor, the course scrutinizes how conflicts have impacted urban life in the Middle East, and how civilians react to, confront, and resist militarization in urban spaces.

• Department: Middle Eastern, South Asian and African Studies
• M 4:10 p.m.-6 p.m.
• Instructor: Khatchig Mouradian
  Wikipedia Info
• 3 points