SOC JUSTICE & HUM RIGHTS
Corequisites: Students must have an internship related to social justice or human rights during This class is intended to complement and enhance the internship experience for students working in internships that relate to social justice and human rights during the Spring 2016 semester. This course will meet bi-weekly to provide an academic framing of the issues that students are working on and to provide an opportunity for students to analyze their internship experience.
- Department: Human Rights (HRTB)
- R 12:10 p.m.-2 p.m.
-
Instructor:
Widney Brown
CULPA: 4
Info
- 3 points
INDEPENDENT STUDY
Prerequisites: the department chairs permission. (Formerly R3932)
- Department: Visual Arts
-
Instructor:
Matthew E Buckingham
Wikipedia Info -
Instructor:
David A Cruz
Info -
Instructor:
Delphine A Fawundu
Wikipedia Info -
Instructor:
Jon Kessler
CULPA: 5 Wikipedia Info -
Instructor:
Naeem Mohaiemen
Wikipedia h-index: 8 Info -
Instructor:
Sable Smith
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Instructor:
Rirkrit Tiravanija
Wikipedia Info -
Instructor:
Tomas Vu Daniel
CULPA: 4
Info
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Instructor:
Daphne Arthur
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Instructor:
Kenny Rivero
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Instructor:
Miya Masaoka
Wikipedia Info - 1-3 points
Seeking Sanctuary in New York City
In a renewed age of anti-immigrant fervor, the last few years have seen attention focused on people seeking asylum – the process under international law by which people fleeing persecution can seek protection in a country not of their citizenship. New York has become a particular flashpoint with a large influx of asylum seekers, most of them from Latin America. Often, they have arrived on buses sent here by southern governors intending to make the border “problem” that of a so-called “sanctuary city.” How has New York responded? And how does this fit into the city’s long history of refuge?
This course will offer students an introduction to the theory, ethics, and history of the idea of international protection. We will look specifically at how Latin American citizens have engaged with the US asylum system over time and how this engagement has changed the shape of US immigration laws. We will study the origins of the ideas of international protection, who is understood to qualify and why, how the system has changed over time, and what these developments mean for a broader understanding of human rights across borders. We will also take a critical look at asylum, examine ideas of deservingness and innocence and their intersection with categories of race, class and gender, and question what it means for certain people to be constructed as victims and others to be seen as not eligible – or worthy – of protection.
This is an engaged pedagogy course. The class will be organized around a close collaboration with a NY legal organization that has taken on the work of representing many asylum seekers in the city. Students will learn the complexities of US asylum law and will work collectively to use this knowledge, while developing their research skills, to put together reports to be used in active asylum cases.
- Department: Human Rights (HRTB)
- F 10:10 a.m.-noon
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Instructor:
Jennifer Trowbridge
Info - 5 points
HIST OF THE US-MEXIC0 BORDER
Beginning in the 1980s, border crossing became an academic rage in the humanities and the social sciences. This was a consequence of globalization, an historical process that reconfigured the boundaries between economy, society, and culture; and it was also a primary theme of post-modernist aesthetics, which celebrated playful borrowing of multiple and diverse historical references. Within that frame, interest in the US-Mexican border shifted dramatically. Since that border is the longest and most intensively crossed boundary between a rich and a poor country, it became a paradigmatic point of reference. Places like Tijuana or El Paso, with their rather seedy reputation, had until then been of interest principally to local residents, but they now became exemplars of post-modern “hybridity,” and were meant to inspire the kind of transnational scholarship that is required in today’s world. Indeed, the border itself became a metaphor, a movable imaginary boundary that marks ethnic and racial distinction in American and Mexican cities. This course is an introduction to the historical formation of the US-Mexican border.
- Department: Ethnicity and Race, Center for
- M 10:10 a.m.-noon
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Instructor:
Claudio Lomnitz
CULPA: 3 Wikipedia Info - 4 points
HELLENISM&THE TOPOGRAPHICAL IMAGINATION
HELLENISM&THE TOPOGRAPHIC IMAG
This course examines the way particular spaces—cultural, urban, literary—serve as sites for the production and reproduction of cultural and political imaginaries. It places particular emphasis on the themes of the polis, the city, and the nation-state as well as on spatial representations of and responses to notions of the Hellenic across time. Students will consider a wide range of texts as spaces—complex sites constituted and complicated by a multiplicity of languages—and ask: To what extent is meaning and cultural identity, sitespecific? How central is the classical past in Western imagination? How have great metropolises such as Paris, Istanbul, and New York fashioned themselves in response to the allure of the classical and the advent of modern Greece? How has Greece as a specific site shaped the study of the Cold War, dictatorships, and crisis?
- Department: Classics
- R 12:10 p.m.-2 p.m.
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Instructor:
Dimitris Antoniou
h-index: 5 Info - 3 points
JOURNALISM AND DEMOCRACY: THE 2024 ELECT
JOURNAL & DEMOC THE 2024
The 2024 presidential election poses a dramatic test of both our political system and the media that covers it. The campaign offers us an opportunity to examine, in real time, the critical role the press plays in our democracy and how it has been disrupted in an era dominated by social media and hyper-partisanship. We’ll look back at some iconic pieces of political reporting and compare them to the landscape journalists face today. How are groups that were underrepresented (or misrepresented) in legacy media changing the discourse? Is objectivity obsolete? And what happens to the decisions voters make when disinformation is rampant, and the fact base is under assault?
Join waitlist and attend first class for instructor's permission.
- Department: American Studies
- W 2:10 p.m.-4 p.m.
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Instructor:
Caroline Miller
Info - 4 points
Housing Equity and the American Dream
HOUSING EQUITY AMERICAN D
The American Dream of owning a home has long represented an ideal of American equity. The ideal screams of opportunity and meritocracy: no matter how poor one begins life, as long as they work and save, they can enjoy the security and safety of home. To many, this ideal gives them hope, for they can see possibility for their achievement. To others, the ideal feels like a farce, for they rightly anticipate facing countless barriers to achieving that dream.
This course examines challenges, contradictions, and ironies of American housing equity. We study ways in which the ideal of single-family home ownership has directly led to excluding large portions of the population from secure housing. We examine why and how many Americans can be deeply committed to equality and freedom and still perpetuate inequalities in their housing choices. We examine how people at the bottom who understand well the barriers they face still manage to survive, invent, and struggle to achieve dignity and equity in their housing.
The course examines core issues of housing equity in America historically and in the present. The course primarily offers a sociological perspective on housing. But we will also read work and bring in perspectives from geography, history, urban planners, and others. In addition, we will also engage with work by journalists, which represents one way that the multi-disciplinary issues of housing are connected in narratives intended for a wider audience than more scholarly products. While we draw on work from various perspectives, we will focus on developing a sociological lens to understand housing.
- Department: Sociology @Barnard
- T 4:10 p.m.-6 p.m.
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Instructor:
Deborah Becher
CULPA: 8
h-index: 4
Info
- 4 points
RACE AND RACISMS
In this class we will approach race and racism from a variety of disciplinary and intellectual perspectives, including: critical race theory/philosophy, anthropology, history and history of science and medicine. We will focus on the development and deployment of the race concept since the mid-19th century. Students will come to understand the many ways in which race has been conceptualized, substantiated, classified, managed and observed in the (social) sciences, medicine, and public health. We will also explore the practices and effects of race (and race-making) in familiar and less familiar social and political worlds. In addition to the courses intellectual content, students will gain critical practice in the seminar format -- that is, a collegial, discussion-driven exchange of ideas.
- Department: Ethnicity and Race, Center for
- W 2:10 p.m.-4 p.m.
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Instructor:
Bahia Munem
Info - 4 points
Senior Pro Seminar
SENIOR PRO SEMINAR
This course is a seminar for seniors to either write a formal proposal for a capstone project or to begin the research process for a Senior Thesis, which will be written in the Spring semester. This interdisciplinary course provides the necessary structure needed to complete either goal. This will be an interactive class in which students are required to participate and actively engage in each meeting.
- Department: African American and African Diaspora
- T 2:10 p.m.-4 p.m.
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Instructor:
Farah Griffin
CULPA: 10
Wikipedia
Info
- 4 points
GLOBAL HEALTH, POLITICS, AND SOCIETY
GLOBAL HEALTH, SOCIETY
What is global health? Where do global health disease priorities come from, and how do the ways that we understand disease shape how we respond to it? What happens when good ideas and good intentions go wrong? This course critically examines the politics of global health and its impact on local institutions and people. Drawing on social science research, the course will address three main themes: 1) how global health priorities are defined and constructed, 2) how our understandings of disease influence our response to that disease, and 3) how efforts to respond to disease intersect with people on the ground, sometimes in unexpected ways. We will examine the global health industry from the vantage point of different institutions and actors – international organizations, governments, local healthcare institutions, healthcare workers, and people living with or at risk of various illnesses like HIV/AIDS, malaria, cancer, and Ebola. A primary goal of this course is to help you to develop skills in critical thinking in relation to global health issues and their impact on society. Students will demonstrate their knowledge through individual writing, class discussion, presentations, and a final research project.
Black Americans Abroad
This course focuses on the long history of Black Americans going (and sometimes returning from) abroad. Our exploration will unfold chronologically from the 19th century to the present day, as we trace our subjects’ myriad reasons for setting out beyond their country’s shores. Each week of the course will be devoted to grappling with a set of travelers and international departures characteristic of a given era, including:
Enslaved people’s quests for freedom
Entertainers, creatives, and scientists’ pursuit of professional opportunities during the era of Jim Crow
Scholars, journalists, and diplomats’ search for knowledge and cultural understanding
Modern nomads and expats’ journeys of self-actualization
Our goal is to consider Black Americans’ evolving relationship to the United States and the world at large.
- Department: Africana Studies (AFSB)
- R 2:10 p.m.-4 p.m.
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Instructor:
Tamara Walker
Info - 4 points
SUPERVISED INDIVIDUAL RESEARCH
1-4 points. May be repeated for credit. Prerequisites: the instructors permission. Except by special permission of the director of undergraduate studies, no more than 4 points of individual research may be taken in any one term. This includes both PSYC UN3950 and PSYC UN3920. No more than 8 points ofPSYC UN3950 may be applied toward the psychology major, and no more than 4 points toward the concentration. Readings, special laboratory projects, reports, and special seminars on contemporary issues in psychological research and theory.
- Department: Psychology
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Instructor:
Mariam Aly
CULPA: 5 h-index: 15 Info -
Instructor:
Dima Amso
CULPA: 1 h-index: 31 Info -
Instructor:
Christopher Baldassano
h-index: 13 Info -
Instructor:
Niall Bolger
CULPA: 4 h-index: 55 Info -
Instructor:
Lila Davachi
CULPA: 1 h-index: 59 Info -
Instructor:
Sarah Demoya
Info -
Instructor:
Geraldine Downey
CULPA: 9
Wikipedia
Info
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Instructor:
Katherine T Fox-Glassman
CULPA: 6
h-index: 4
Info
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Instructor:
Jon B Freeman
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Instructor:
Carl Hart
CULPA: 43 Wikipedia h-index: 54 Info -
Instructor:
Tory Higgins
CULPA: 23
Wikipedia
h-index: 134
Info
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Instructor:
Nora Isacoff
CULPA: 1 Info -
Instructor:
Sheena Iyengar
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Instructor:
Nikolaus Kriegeskorte
h-index: 56 Info -
Instructor:
Patricia G Lindemann
CULPA: 64 Info -
Instructor:
Bianca J Marlin
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Instructor:
Janet Metcalfe
CULPA: 31 h-index: 70 Info -
Instructor:
Meghan Meyer
Info -
Instructor:
Michael W Morris
h-index: 68 Info -
Instructor:
Kevin Ochsner
CULPA: 12 h-index: 86 Info -
Instructor:
Valerie J Purdie-Greenaway
Wikipedia h-index: 29 Info -
Instructor:
Daphna Shohamy
CULPA: 10 h-index: 47 Info -
Instructor:
Rae Silver
Wikipedia h-index: 69 Info -
Instructor:
Larisa H Solomon
Info -
Instructor:
Alfredo Spagna
CULPA: 3
h-index: 15
Info
-
Instructor:
Yaakov Stern
Wikipedia h-index: 160 Info -
Instructor:
Herbert S Terrace
CULPA: 29 Wikipedia Info -
Instructor:
John N Thorp
Info -
Instructor:
Nim L Tottenham
Info -
Instructor:
Sarah Woolley
CULPA: 13 Wikipedia h-index: 31 Info - 0-4 points
UNDERGRADUATE SEMINARS I
Prerequisites: Two years of calculus, at least one year of additional mathematics courses, and the director of undergraduate studies permission. The subject matter is announced at the start of registration and is different in each section. Each student prepares talks to be given to the seminar, under the supervision of a faculty member or senior teaching fellow.
- Department: Mathematics @Barnard
-
Instructor:
Chris Ivanov
Info - 3 points
COMPARATIVE POLITICS SEMINAR
POWER, ORGS & INSTITUTION
Prerequisites: POLS V1501 or the equivalent, and the instructors permission. Pre-registration is not permitted. Please see here for detailed seminar registration guidelines: http://polisci.columbia.edu/undergraduate-programs/seminar-registration-guidelines. Seminar in Comparative Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- T 2:10 p.m.-4 p.m.
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Instructor:
Junyan Jiang
h-index: 8 Info - 4 points
COMPARATIVE POLITICS SEMINAR
CORRUPTION & RULE OF LAW
Prerequisites: POLS V1501 or the equivalent, and the instructors permission. Pre-registration is not permitted. Please see here for detailed seminar registration guidelines: http://polisci.columbia.edu/undergraduate-programs/seminar-registration-guidelines. Seminar in Comparative Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- W 2:10 p.m.-4 p.m.
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Instructor:
Timothy M Frye
CULPA: 8
Wikipedia
h-index: 31
Info
- 4 points
COMPARATIVE POLITICS SEMINAR
Comp Pol of Migration
Prerequisites: POLS V1501 or the equivalent, and the instructors permission. Pre-registration is not permitted. Please see here for detailed seminar registration guidelines: http://polisci.columbia.edu/undergraduate-programs/seminar-registration-guidelines. Seminar in Comparative Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Surveillance
SURVEILLANCE
Surveillance has become a ubiquitous term that either conjures images of George Orwell’s
1984
, the popular series
Black Mirror,
or is dismissed as an inconvenience and a concern of only those who engage in criminal activity or have something to hide. Using sociological theories of power, biopower, racialization, and identity formation,
Surveillance
explores the various ways we are monitored by state authorities and corporations and our role in perpetuating the system (un)wittingly.
- Department: Sociology @Barnard
- M 2:10 p.m.-4 p.m.
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Instructor:
Randa B Serhan
CULPA: 2 Info - 4 points
SENIOR RESEARCH SEMINAR
Prerequisites: Course open to Barnard Art History majors only. Independent research for the senior thesis. Students develop and write their senior thesis in consultation with an individual faculty adviser in art history and participate in group meetings scheduled throughout the senior year.
- Department: Art History @Barnard
- T 6:10 p.m.-8 p.m.
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Instructor:
Rosalyn Deutsche
CULPA: 11
Info
- 3 points
How Race Gets Under Our Skin: The Sociol
RACE, HEALTH, AND BIOMEDI
One of the glaring forms of inequalities that persists today is the race-based gap in access to health care, quality of care, and health outcomes. This course examines how institutionalized racism and the structure of health care contributes to the neglect and sometimes abuse of racial and ethnic minorities. Quite literally, how does race affect one’s life chances? This course covers a wide range of topics related to race and health, including: racial inequalities in health outcomes, biases in medical institutions, immigration status and health, racial profiling in medicine, and race in the genomic era.
- Department: Sociology @Barnard
- R 4:10 p.m.-6 p.m.
-
Instructor:
Domonique M Reed
Info - 4 points
HONORS THESIS SEMINAR PART 1
Prerequisites: minimum GPA of 3.5 in MESAAS courses. The MESAAS honors seminar offers students the opportunity to undertake a sustained research project under close faculty supervision. The DUS advises on general issues of project design, format, approach, general research methodologies, and timetable. In addition, students work with an individual advisor who has expertise in the area of the thesis and can advise on the specifics of method and content. The thesis will be jointly evaluated by the adviser, the DUS, and the honors thesis TA. The DUS will lead students through a variety of exercises that are directly geared to facilitating the thesis. Students build their research, interpretive, and writing skills; discuss methodological approaches; write an annotated bibliography; learn to give constructive feedback to peers and respond to feedback effectively. The final product is a polished research paper in the range of 40-60 pages. Please note: This is a one-year course that begins in the fall semester (1 point) and continues through the spring semester (3 points). Only students who have completed both semesters will receive the full 4 points of credit.
- Department: Middle Eastern, South Asian and African Studies
- M 12:10 p.m.-2 p.m.
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Instructor:
Hamid Dabashi
CULPA: 30 Wikipedia Info - 1 points
INTERNATIONAL POLITICS SEMINAR
POL OF TRADE AID & INVESTMENT
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- R 10:10 a.m.-noon
-
Instructor:
Allison J Carnegie
Info - 4 points
INTERNATIONAL POLITICS SEMINAR
TERRORISM
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- T 4:10 p.m.-6 p.m.
-
Instructor:
Virginia Page Fortna
CULPA: 5
Wikipedia
h-index: 17
Info
- 4 points
INTERNATIONAL POLITICS SEMINAR
SECURITY TOPICS
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- W 10:10 a.m.-noon
-
Instructor:
Jack L Snyder
CULPA: 27 Info - 4 points
INTERNATIONAL POLITICS SEMINAR
Pol Multinat'l Enterprise
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- W 10:10 a.m.-noon
-
Instructor:
Calvin N Thrall
Info - 4 points
INTERNATIONAL POLITICS SEMINAR
SOLVING GLOBAL PROBLEMS
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- F 12:10 p.m.-2 p.m.
-
Instructor:
Giulio M Gallarotti
Info - 4 points
INTERNATIONAL POLITICS SEMINAR
POLITICAL VIOLENCE
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- R 4:10 p.m.-6 p.m.
-
Instructor:
Linda M Kirschke
CULPA: 1 Info - 4 points
INTERNATIONAL POLITICS SEMINAR
Security policy & democ.
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- M 6:10 p.m.-8 p.m.
-
Instructor:
Jayme R Schlesinger
Info - 4 points
INTERNATIONAL POLITICS SEMINAR
INEQUALITY WITHIN&BTWN NATIONS
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- R 10:10 a.m.-noon
-
Instructor:
David E Spiro
CULPA: 1 h-index: 6 Info - 4 points
INTERNATIONAL POLITICS SEMINAR
War and Peace
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- T 12:10 p.m.-2 p.m.
-
Instructor:
Sarah Daly
Info - 4 points
INTERNATIONAL POLITICS SEMINAR
Art, Science Civil Resist
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
- Department: Political Science
- W 12:10 p.m.-2 p.m.
-
Instructor:
Tenzin Dorjee
Info - 4 points
Precision Medicine: Science, Ethics, and
Precision Medicine:Sci,Et
This seminar will cover the scientific foundations of precision medicine and its social and ethical dimensions, alongside fundamental humanistic questions and challenges raised by this discipline. It is designed as an introduction to precision medicine accessible to the non-scientist student, but will also explore issues relevant to students who are planning a career in science or medicine.
- Department: Comparative Literature and Society, Institute for
- T 4:10 p.m.-6 p.m.
- 3 points
The News: The Profession of Journalism G
The News: Journalism Digi
This course examines the profession of journalism in modern society.. The social role of the Press has changed with the advent of digital technologies and the democratization of the production, distribution and consumption of authoritative information. The course looks closely at the practice of newsmaking by examining the people and organizations who interact with one another to create and share news content. Newsmaking is viewed as meaningful collective interaction—that is, a behavior that is the sum of the engagement of multiple social actors, each of whom is motivated by assumptions, norms, and aspirations regarding the value of information and the role of the Press in society.
Themes for the course include: (1) how journalists think and work (2) the ways that digital technologies has challenged the Qield of professional journalism and redeQined the role of the “journalist” and “reporter” (3) the evolution of journalism since the Industrial Revolution, with a particular focus on social media and digital transmission of news content (4) the social assumptions and infrastructure that lies behind modern newsmaking (5) the conQlicts, disruptions and tensions that emerge in social organization when new and/or competing technologies are introduced. Substantive topics include, “fake news,” “misinformation,” the challenges of Qirst-hand reporting, the newsroom as an ecosystem, and the rise of social media.
Students will read a variety of texts, including: historical studies of journalism: accounts and memoirs of professional journalists; scientiQic research examining the impact of modern digital media; and news articles and contemporary forms of reportage (tweets, podcasts, etc.).
- Department: Sociology
- M 4:10 p.m.-6 p.m.
-
Instructor:
Sudhir A Venkatesh
CULPA: 11 Wikipedia Info - 4 points
ART CRITICISM
This course is a seminar on contemporary art criticism written by artists in the post war period. Such criticism differs from academic criticism because it construes art production less as a discrete object of study than as a point of engagement. It also differs from journalistic criticism because it is less obliged to report art market activity and more concerned with polemics. Art /Criticism I will trace the course of these developments by examining the art and writing of one artist each week. These will include Brian ODoherty/Patrick Ireland, Allan Kaprow, Robert Morris, Yvonne Rainer, Robert Smithson, Art - Language, Dan Graham, Adrian Piper, Mary Kelly, Martha Rosler, Judith Barry and Andrea Fraser. We will consider theoretical and practical implications of each artists oeuvre.
- Department: Art History @Barnard
- T 10:10 a.m.-noon
-
Instructor:
John Miller
CULPA: 2 Info - 4 points
IMMIGRATION, RACE, AND ASIAN AMERICANS
IMM, RACE, ASIAN AMERICAN
Drawing from evidenced-based social science research, this course will equip students to understand how the laws and policies of America’s past continue to affect the experiences, trajectories, and perceptions of Asian Americans today. Tracing the racial mobility of Asian Americans from “unassimilable to exceptional”, we begin by studying legacies of exclusion and then examine Asian Americans’ experiences in education, affirmative action, the workplace, and the surge of anti-Asian violence during the Covid-19 pandemic.
- Department: Sociology
- M 2:10 p.m.-4 p.m.
-
Instructor:
Jennifer Lee
CULPA: 2 Wikipedia Info - 4 points
METHODS & THEORIES OF ART HIST
Prerequisites: Barnard Art History Major Requirement. Enrollment limited only to Barnard Art History majors. Introduction to critical writings that have shaped histories of art, including texts on iconography and iconology, the psychology of perception, psychoanalysis, social history, feminism and gender studies, structuralism, semiotics, and post-structuralism.
- Department: Art History @Barnard
- T 2:10 p.m.-4 p.m.
- W 2:10 p.m.-4 p.m.
-
Instructor:
Jonathan Reynolds
CULPA: 10
Info
-
Instructor:
Elizabeth Hutchinson
CULPA: 9 Info - 4 points
Introduction to Genocide Studies
Intro to Genocide Studies
This course provides students with an introduction to the study of genocide.
In this class, we will take a
critical approach
to understanding genocide, meaning:
we will try to avoid easy moralizing and distancing of genocide;
we won’t take existing legal and political definitions of genocide for granted; and
we will think about
power
in relation to genocide perpetration and prevention.
Our strategy will be
interdisciplinary
, meaning:
we will explore the ways historians, psychologist, lawyers, political scientists, and others have tried to understand genocide; and
we will reflect on the limits on what and how we can know about genocide as a human experience.
This course aspires to be
practical
and
applied
, meaning
this course fundamentally
anti-genocidal
in its purpose, and
students will have the opportunity to contribute to and/or develop practical efforts commemorate, advocate against, or prevent the perpetration of genocide.
- Department: Institute for Study of Human Rights
- W 10:10 a.m.-noon
-
Instructor:
Glenn Mitoma
Info - 3 points
ANTHROPOLOGY OF SCIENCE
This course examines specific debates in the history and philosophy of science, and in science and technology studies (STS), with a view towards exploring the relationships among science, technology and society. The first half of the course engages methodological questions and theoretical debates concerning the nature of epistemology, and the significance of social interests, material agency, laboratory and social practices, and “culture(s)” in the making of scientific knowledge. The second half delves more specifically into the ways in which sciences and technologies are both embedded in and shape contemporary social and political practices and imaginaries
- Department: Anthropology @Barnard
- R 12:10 p.m.-2 p.m.
-
Instructor:
Gina A Jae
CULPA: 1 Info - 4 points
POST-BACCALAUREATE SEMINAR
This seminar aims to provide students in the post-baccalaureate certificate program with opportunities 1) to (re-)familiarize themselves with a selection of major texts from classical antiquity, which will be read in English, 2) to become acquainted with scholarship on these texts and with scholarly writing in general, 3) to write analytically about these texts and the interpretations posed about them in contemporary scholarship, and 4) to read in the original language selected passages of one of the texts in small tutorial groups, which will meet every week for an additional hour with members of the faculty.
- Department: Classics
- F 2:40 p.m.-4:40 p.m.
-
Instructor:
Darcy Krasne
h-index: 5 Info - 3 points
POST-BACCALAUREATE SEMINAR
This seminar aims to provide students in the post-baccalaureate certificate program with opportunities 1) to (re-)familiarize themselves with a selection of major texts from classical antiquity, which will be read in English, 2) to become acquainted with scholarship on these texts and with scholarly writing in general, 3) to write analytically about these texts and the interpretations posed about them in contemporary scholarship, and 4) to read in the original language selected passages of one of the texts in small tutorial groups, which will meet every week for an additional hour with members of the faculty.
- Department: Classics
- F 2:40 p.m.-4:40 p.m.
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Instructor:
Darcy Krasne
h-index: 5 Info - 3 points
CURATORIAL POSTNS 1969-PRES
Contemporary exhibitions studied through a selection of great shows from roughly 1969 to the present that defined a generation. This course will not offer practical training in curating; rather it will concentrate on the historical context of exhibitions, the theoretical basis for their argument, the criteria for the choice in artists and their work, and exhibitions internal/external reception.
- Department: Art History @Barnard
- T 10:10 a.m.-noon
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Instructor:
Valerie Smith
Info - 4 points
ASTROSTATISTICS
Astronomers live in era of “big data”.
Whilst astronomers of a century ago collected a handful
of photographic plates each night, modern astronomers
collect thousands of images encoded by millions of
pixels in the same time. Both the volume of data and the
ever present desire to dig deeper into data sets has led
to a growing interest in the use of statistical methods to
interpret observations. This class will provide an
introduction to the methods commonly used in
understanding astronomical data sets, both in terms of
theory and application. It is one six classes the
department offers every fourth semester.
- Department: Astronomy
- TR 10:10 a.m.-11:25 a.m.
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Instructor:
David Kipping
CULPA: 4 h-index: 44 Info - 3 points
APPROACHES TO E ASIAN STUDIES
This course is intended to provide a focal point for undergraduate majors in East Asian Studies. It introduces students to the analysis of particular objects of East Asian historical, literary, and cultural studies from various disciplinary perspectives. The syllabus is composed of a series of modules, each centered around an object, accompanied by readings that introduce different ways of understanding its meaning.
- Department: East Asian Languages and Cultures
- T 2:10 p.m.-4 p.m.
- T 4:10 p.m.-6 p.m.
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Instructor:
Feng Li
CULPA: 12
Wikipedia
Info
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Instructor:
Robert P Hymes
CULPA: 8 Info - 4 points
FIELDWORK
May be repeated for credit, but no more than 3 total points may be used for degree credit. Only for Electrical Engineering and Computer Engineering undergraduate students who include relevant off-campus work experience as part of their approved program of study. Final report and letter of evaluation required. May not be used as technical or nontechnical electives or to satisfy any other Electrical Engineering or Computer Engineering major requirements. May not be taken for pass/fail credit or audited.
- Department: Electrical Engineering
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Instructor:
Xiaodong Wang
CULPA: 15 Info - 1-2 points
SENIOR PROJ:RESEARCH FOR MUSIC
Working with her advisor, a student will expand the research project initiated in the Fall Senior Seminar for Music Majors (BC3992x). In order to satisfy the requirement, the student will complete a fifty page research paper.
- Department: Music @Barnard
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Instructor:
Gail R Archer
CULPA: 24
Info
- 3 points
SENIOR SEMINAR
This course is a requirement for all majors and is taken in the
Fall
semester of the Senior year; students may register for the Barnard or Columbia (3991) section. In this academic writing workshop students develop individual research projects under the guidance of the course’s instructor and in dialogue with the other participants’ projects. The final assignment of the senior seminar (6000 words) is the
senior essay
. It is written in Spanish.
- Department: Spanish and Latin American Culture
- W 4:10 p.m.-6 p.m.
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Instructor:
Wadda Rios-Font
CULPA: 4 h-index: 8 Info - 4 points
SENIOR SEM-COMP LIT & SOCIETY
Prerequisites: CPLS UN3900 The senior seminar is a capstone course required of all CLS/MedHum majors and CLS concentrations. Only ICLS students may register. The seminar provides students the opportunity to discuss selected topics in comparative literature and society and medical humanities in a cross-disciplinary, multilingual, and global perspective. Students undertake individual research projects while participating in directed readings and critical dialogues about theory and research methodologies, which may culminate in the senior thesis. Students review work in progress and share results through weekly oral reports and written reports.
- Department: Comparative Literature and Society, Institute for
- W 2:10 p.m.-4 p.m.
- T 12:10 p.m.-2 p.m.
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Instructor:
Irina Kalinka
Info -
Instructor:
Brent H Edwards
CULPA: 6
Wikipedia
Info
- 3 points
THESIS RESEARCH SEMINAR
Guided, independent, indepth research experience culminating in the senior essay. Weekly meetings are held to review work in progress, to share results through oral and written reports, and to consider career options for further work in this field.
- Department: Ecology, Evolution, and Environmental Biology
- R 4:10 p.m.-6 p.m.
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Instructor:
Matthew I Palmer
CULPA: 5
h-index: 14
Info
- 3 points
SENIOR PROJ: MUSIC REPERTORY
Working with her advisor, a student will develop a vocal or instrumental recital program with representative musical works from a variety of historical periods. In order to satisfy the requirement, the student will present an hour long public performance of the recital program. Students may also satisfy this requirement by composing original vocal or instrumental works.
- Department: Music @Barnard
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Instructor:
Gail R Archer
CULPA: 24
Info
- 3 points
SUPERVISED STUDY IN GERMANY: EARTH & ENV
Fundamentals Geochemistry
- Department: Global Programs
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Instructor:
Carmen Mueller
Info - 4 points
SUPERVISED STUDY IN GERMANY: ENGLISH
Shakespeare: Pol. Traged.
Enrollment limited to Barnard senior English majors with a concentration in creative writing.
This creative writing workshop represents an opportunity for creative writing concentrators to focus on one large project that will serve as a capstone senior project. As in a typical writing workshop, much of the focus will be on sharing and critiquing student work. Unlike other workshops, in this class students will focus on building out a longer project—such as a more ambitious full-length story for fiction and creative nonfiction writers and a chapbook for poets. This means students will discuss work by writers who may not share their own genre. We will focus on generating new work, developing your writing process, and creating new possibilities and momentum for your piece, as well as trying to create a sense of community among the concentrators. We will also conduct in-class writing exercises in response to short reading assignments and class lectures. Students should be aware of two important notes: (1) This class is limited to senior English majors who have already been approved to be creative writing concentrators; and (2) this course fulfills the requirement for concentrators to finish a senior project, but not the academic senior seminar requirement. This class is about your own writing and that of your classmates. This class will be what you make of it!
- Department: Global Programs
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Instructor:
Carmen Mueller
Info - 4 points
SENIOR PROJECT IN CREATIVE WRITING
SENIOR PROJ: CREATIVE WRI
Enrollment limited to Barnard senior English majors with a concentration in creative writing.
This creative writing workshop represents an opportunity for creative writing concentrators to focus on one large project that will serve as a capstone senior project. As in a typical writing workshop, much of the focus will be on sharing and critiquing student work. Unlike other workshops, in this class students will focus on building out a longer project—such as a more ambitious full-length story for fiction and creative nonfiction writers and a chapbook for poets. This means students will discuss work by writers who may not share their own genre. We will focus on generating new work, developing your writing process, and creating new possibilities and momentum for your piece, as well as trying to create a sense of community among the concentrators. We will also conduct in-class writing exercises in response to short reading assignments and class lectures. Students should be aware of two important notes: (1) This class is limited to senior English majors who have already been approved to be creative writing concentrators; and (2) this course fulfills the requirement for concentrators to finish a senior project, but not the academic senior seminar requirement. This class is about your own writing and that of your classmates. This class will be what you make of it!
- Department: English @Barnard
- M 2:10 p.m.-4 p.m.
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Instructor:
Jennifer F Boylan
Info - 4 points
SENIOR SEM FOR MUSIC MAJORS
The goals of this seminar are a) to introduce senior music majors to ethnographic, bibliographic, and archival research methods in music and b) to help the same students develop, focus, implement, draft, revise, and polish a substantive, original piece of research (25-30 pages) which will serve as the senior project. The course will begin with a survey of academic literature on key problems in musicological research and writing, and will progress to a workshop/discussion format in which each week a different student is responsible for assigning readings and leading the discussion on a topic which s/he has formulated and deemed to be of relevance to her own research.
- Department: Music @Barnard
- W 10:10 a.m.-noon
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Instructor:
Lauren E Ninoshvili
CULPA: 4 Info - 4 points
URBAN STUDIES SENIOR SEMINAR
Prerequisites: Senior standing. Year-long course; participation is for two consecutive terms. No new students admitted for spring. Emphasizes the study of the built environment of cities and suburbs, and the related debates. Readings, class presentations, and written work culminate in major individual projects, under the supervision of faculty trained in architecture, urban design, or urban planning.
- Department: Urban Studies @Barnard
- W 9 a.m.-10:50 a.m.
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Instructor:
Aaron Passell
CULPA: 8
h-index: 3
Info
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Instructor:
Noah Allison
Info -
Instructor:
Christian Siener
CULPA: 1 Info -
Instructor:
Andreina Torres Angarita
Info - 4 points
SELECTED TOPICS: KYOTO CONSORTIUM FOR J
Explore Japanese Cuisine
- Department: Global Programs
- 4 points
SELECTED TOPICS: KYOTO CONSORTIUM FOR J
Jpn Asian Envir. Issues
- Department: Global Programs
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Instructor:
Miyuki Nishimata
Info - 4 points