INVESTIGATIVE TECHNIQUES
- Department: Journalism
- W 6 p.m.-9 p.m.
- R 6 p.m.-9 p.m.
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Instructor:
Giannina Segnini
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Instructor:
Alexandra Zayas
Info - 3 points
Early Modern Museums: Iberian Colonizati
The Early Modern origins of the “public” museum have been studied, in the last decades, under the categories of curiosity and wonder. Revising this literature, the seminar intends to introduce the students to a wealth of primary sources, in order to find novel conceptual avenues of research. We will look at the most important illustrated catalogues that were written, painted and often printed between the 16th and 17th centuries: from Ferrante Imperato’s
Dell’Historia Naturale
, published in Spanish Naples, in 1599 to the beautiful
Manoscritti Campori
, the
Museum Septalianum
(1664) and the
Galeria
(1666) of the museum opened by Mandredo Settala in Spanish Milan, from the Roman museum of Athanasius Kircher, passing through the public museums of Ulisse Aldrovandi and Ferdinando Cospi in Bologna, of Oleus Worm in Copenhagen, to the documentation about the collections of Juan de la Espina in Madrid, of Lastanosa in Huesca, the Kunstkammerns of Sweden, and that Rudolf II's in Prague, among others. While acquiring a panoramic and critical view on a major field, on its sources and studies, the seminar’s participants will be guided by the following topics: 1) the tight relationship between Iberian colonization and collecting, in the selection and circulation of the art pieces and natural species that will enter the space of the museum and its catalogues 2) the intertwining between art pieces and natural species coming from afar with those produced or generated locally; 3) the different actors implicated in the
museification
(in space and on paper) of the objects and natural species; 4) the aesthetic education implemented by the items’ public display and by their published descriptions.
- Department: Latin American and Iberian Cultures
- W 3 p.m.-5 p.m.
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Instructor:
Alessandra Russo
CULPA: 5
Info
- 4 points
French Lecture Series
Graduate students attend and lead a series of lectures open to all members of the French department, including graduate students, faculty and undergraduate majors/concentrators. These lectures are planned in conjunction with graduate seminars occurring that year, and graduate students are expected to introduce the guest speakers and lead the discussion.
The lecture series exposes graduate students to new work in the field, including new methodologies and emerging areas of research and teaching, while enriching the cultural and intellectual life of the department. Students benefit from meeting important faculty in the field and from observing the different possible formats and styles of academic talks. By helping to prepare events, write speaker introductions and moderate Q&A sessions, they also develop important professional skills.
- Department: French
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Instructor:
Thomas Dodman
CULPA: 2 Info - 1 points
INTRO TO HUMAN RIGHTS
This course provides a wide-ranging survey of conceptual foundations and issues in contemporary human rights. The course examines the philosophical origins of human rights, their explication in the evolving series of international documents, questions of enforcement, and current debates. It also explores topics such as womens rights, development and human rights, the use of torture, humanitarian intervention, and the horrors of genocide. The broad range of subjects covered in the course is intended to assist students in honing their interests and making future course selections in the human rights field.
- Department: Institute for Study of Human Rights
- W 4:10 p.m.-6 p.m.
- M 6:10 p.m.-8 p.m.
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Instructor:
Glenn Mitoma
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Instructor:
Daniela R Ikawa
Info - 3 points
MEDIEVAL/RENAISSANCE PHILOLOGY
MEDIEVAL/RENAISSANCE PHILOLGY
- Department: Medieval and Renaissance Studies
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Instructor:
Susan Boynton
CULPA: 18 Info - 3 points
SPECIALIZED SOCIAL WORK PRACTICUM
SPECIALIZED SW PRACTICUM
Field education is a central component in each student's professional education, and requires 21 hours a week for all four terms of the full-time M.S. degree. Placements provide a range of experiences to integrate with theoretical learning from class work and to develop knowledge, values, and skills for social practice.
- Department: Social Work
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Instructor:
Stuart L Aaronson
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Instructor:
Teena Brooks
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Instructor:
Candice Brown-Saunders
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Instructor:
Patrick L Burden
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Instructor:
Clara Ceccanti
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Instructor:
Christine A Consiglio
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Instructor:
Elizabeth Creel
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Instructor:
Ann Graham
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Instructor:
Kristen Hartman
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Instructor:
Kate Johnson-Powers
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Instructor:
Anastasia Jozwik
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Instructor:
Michelle Liu
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Instructor:
Christine S Low
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Instructor:
Elizabeth S Nson
CULPA: 9 Info -
Instructor:
Liora Schwartz
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Instructor:
Lori Spector
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Instructor:
Elizabeth Weiner
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Instructor:
Stacey M Wright
Info - 4.5 points
SPECIALIZED SOCIAL WORK PRACTICUM
SPECIALIZED SW PRACTICUM
Field education is a central component in each student's professional education, and requires 21 hours a week for all four terms of the full-time M.S. degree. Placements provide a range of experiences to integrate with theoretical learning from class work and to develop knowledge, values, and skills for social practice.
- Department: Social Work
- 4.5 points
SPECIALIZED SOCIAL WORK PRACTICUM
SPECIALIZED SW PRACTICUM
Field education is a central component in each student's professional education, and requires 21 hours a week for all four terms of the full-time M.S. degree. Placements provide a range of experiences to integrate with theoretical learning from class work and to develop knowledge, values, and skills for social practice.
- Department: Social Work
- 4.5 points
SPECIALIZED SOCIAL WORK PRACTICUM
SPECIALIZED SW PRACTICUM
Field education is a central component in each student's professional education, and requires 21 hours a week for all four terms of the full-time M.S. degree. Placements provide a range of experiences to integrate with theoretical learning from class work and to develop knowledge, values, and skills for social practice.
- Department: Social Work
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Instructor:
Tina Atherall
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Instructor:
Lauren E Bachman
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Instructor:
Jennifer L Doutre
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Instructor:
Sarah K Hafetz
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Instructor:
Stephanie M Palau
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Instructor:
Alayne Rosales
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Instructor:
Lenisha Sisnett
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Instructor:
Mary-Elizabeth Vachon
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Instructor:
Sarah R Feeney
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Instructor:
James E Singletary
Info - 4.5 points
Global East Asian Performance
What is East Asian performance? Are films like
Blade Runner
(1982) and
Ghost in the Shell
(2017) East Asian? Do platforms like TikTok automatically bring an East Asian aesthetics, if not politics, to the content presented? This class considers the global circulation of East Asian cultures in the modern era from the perspectives of theatre and performance studies. Major countries and areas under discussion include China, Japan, South Korea, North Korea, and Taiwan, with occasional references to Asian America and the Sinophone.
- Department: English and Comparative Literature
- F 12:10 p.m.-2 p.m.
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Instructor:
Yizhou Huang
Info - 4 points
MEDIEVAL & RENAISSANCE PHILOLOGY
Medieval and Renaissance Philology for MA students.
- Department: Medieval and Renaissance Studies
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Instructor:
Susan Boynton
CULPA: 18 Info - 4 points
ADV SEM IN BUSINESS JOURNALISM
- Department: Journalism
- T 4 p.m.-8 p.m.
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Instructor:
Robert A Smith
CULPA: 13 Info - 3 points
JOURNALISM AND SOCIETY
Seminar surveying the history and the social, political, and economic impact of media from the birth of the newspaper forward.
- Department: Journalism
- T 2:10 p.m.-4 p.m.
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Instructor:
Andie Tucher
Info - 3 points
GENERALIST SOCIAL WORK PRACTICUM
GENERALIST SW PRACTICUM
- Department: Social Work
- 3 points
GENERALIST SOCIAL WORK PRACTICUM
GENERALIST SW PRACTICUM
- Department: Social Work
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Instructor:
Rebecca Knickmeier
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Instructor:
Esther C Howe
Info - 3 points
GENERALIST SOCIAL WORK PRACTICUM
GENERALIST SW PRACTICUM
- Department: Social Work
- 3 points
GENERALIST SOCIAL WORK PRACTICUM
GENERALIST SW PRACTICUM
- Department: Social Work
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Instructor:
James E Singletary
Info - 3 points
FUNDAMENTALS OF DIRECTING
Directing is the art of articulating and sharing vision. This course will explore how directors locate the deep “why” behind their work, both their oeuvre and their individual projects, and how that “why” translates into every element of production: design, casting, direction of the actors, and producing choices. We will study the articulation of vision through both the macro and micro lens: how directors develop the big vision behind a project and also how directors communicate vision in the moment to moment work of a rehearsal process. The first part of every class will be devoted to the macro: articulation of vision. We will study master directors and the way they translate intention into aesthetic choices and process. We will learn a process of excavating the deepest intentions of the author (be that the playwright, an auteur director, or a collective) and integrating those intentions thoughtfully into all other production choices. And we will practice articulating the vision behind a dream project. The second part of each class will be a practicum exploring the communication directors use when working with actors to craft scenes. Students will apply fundamental directing skills through a progression from silent scenes to neutral scenes and finally scenes of their own choosing.
- Department: Theatre Arts
- R 2:10 p.m.-5 p.m.
- M 10 a.m.-12:50 p.m.
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Instructor:
Lisa Rothe
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Instructor:
Katherine Wilkinson
Info - 3 points
CONTESTING THE PAST
This course provides a panoramic survey of the ways that competing interest groups call on knowledge or narratives of the past and methods of its study in debates over controversial public issues. It is designed to examine claims about the past through the lenses of alternative knowledge frameworks and ideas about reality, in the context of specific contemporary problems: e.g., nationalist narratives; the basis for human rights for indigenous peoples; ownership or destruction of the world's patrimony; strife over disputed lands; investigations into mass human exploitation, murder and genocide; communities’ engagement with their own history; the antiquity of humanity on the planet; and interstellar communications and paranormal phenomena. The information that we will draw from balances historical sources, contemporary literature (e.g., newspapers and other periodicals), archaeology, sociocultural anthropology, oral accounts, and videos (both academic and popular).
- Department: Anthropology
- T 10:10 a.m.-noon
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Instructor:
Terence N D'Altroy
CULPA: 37 Info - 3 points
HLTH PROM/DISEASE PREVNT CLRKSHIP II
HPDP CLERKSHIPS II
- Department: Dental and Oral Surgery
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Instructor:
Folarin Odusola
h-index: 5 Info - 0 points
Specialized Social Work Practicum
SPECIALIZED SW PRACTICUM
- Department: Social Work
- 3 points
Specialized Social Work Practicum
SPECIALIZED SW PRACTICUM
- Department: Social Work
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Instructor:
Ana Chaer Salvador
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Instructor:
Erin Orjuela
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Instructor:
Sarah R Feeney
Info - 3 points
Specialized Social Work Practicum
SPECIALIZED SW PRACTICUM
- Department: Social Work
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Instructor:
Sarah R Feeney
Info - 3 points
STATISTICAL MECHANICS
Prerequisites: PHYS W4021-W4022-W4023, or their equivalents. Fundamentals of statistical mechanics; theory of ensembles; quantum statistics; imperfect gases; cooperative phenomena.
- Department: Physics
- TR 10:10 a.m.-11:25 a.m.
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Instructor:
Hector Ochoa
Info - 4.5 points
QUANTUM MECHANICS I
Prerequisites: PHYS W4021-W4022, or their equivalents. The fundamental principles of quantum mechanics; elementary examples; angular momentum and the rotation group; spin and identical particles; isospin; time-independent and time-dependent perturbation theory.
- Department: Physics
- MW 8:40 a.m.-9:55 a.m.
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Instructor:
Norman H Christ
CULPA: 34 Wikipedia Info - 4.5 points
MASTERS PROJECT I
The master’s project will be your most sustained effort during your time at the journalism school, encompassing both fall and spring semesters. It’s not a thesis in the traditional academic sense; think of it instead as an in-depth exploration of a topic as a journalist would pursue it. Master’s projects can take a variety of forms, some of them incorporating elements from more than one medium: print, photo, audio, video, data. Regardless of format, you’ll work on your project under the guidance of an experienced advisor, who will help you to hone your topic, figure out your reporting strategy and serve as your editor for the duration of the project.
- Department: Journalism
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Instructor:
Aida Alami
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Instructor:
Helen Benedict
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Instructor:
Juan M Benitez-Fernel
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Instructor:
Kat Chow
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Instructor:
Alexis B Clark
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Instructor:
Howard French
Wikipedia h-index: 21 Info -
Instructor:
William Grueskin
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Instructor:
Azmat Khan
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Instructor:
Dolores Barclay
Info - 1 points
MASTERS PROJECT I
Audio Master's Project
The master’s project will be your most sustained effort during your time at the journalism school, encompassing both fall and spring semesters. It’s not a thesis in the traditional academic sense; think of it instead as an in-depth exploration of a topic as a journalist would pursue it. Master’s projects can take a variety of forms, some of them incorporating elements from more than one medium: print, photo, audio, video, data. Regardless of format, you’ll work on your project under the guidance of an experienced advisor, who will help you to hone your topic, figure out your reporting strategy and serve as your editor for the duration of the project.
- Department: Journalism
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Instructor:
Joanne Faryon
Info - 1 points
MASTERS PROJECT I
The master’s project will be your most sustained effort during your time at the journalism school, encompassing both fall and spring semesters. It’s not a thesis in the traditional academic sense; think of it instead as an in-depth exploration of a topic as a journalist would pursue it. Master’s projects can take a variety of forms, some of them incorporating elements from more than one medium: print, photo, audio, video, data. Regardless of format, you’ll work on your project under the guidance of an experienced advisor, who will help you to hone your topic, figure out your reporting strategy and serve as your editor for the duration of the project.
- Department: Journalism
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Instructor:
Josiah N Bates
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Instructor:
Lisa Belkin
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Instructor:
Michael Bobelian
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Instructor:
Sean K Campbell
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Instructor:
Christine Y Chung
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Instructor:
Kevin Coyne
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Instructor:
Jack Crosbie
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Instructor:
Anthony Depalma
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Instructor:
Jared Diamond
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Instructor:
Liz Donovan
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Instructor:
Ian Fisher
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Instructor:
Jeffrey P Gage
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Instructor:
Sara Ganim Cevallos
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Instructor:
Ari L Goldman
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Instructor:
Michael J Hoyt
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Instructor:
Katherine Tamar Lewin
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Instructor:
Alyson R Martin
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Instructor:
Judith Matloff
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Instructor:
Rita A Omokha
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Instructor:
Nancy Ramsey
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Instructor:
Nushin Rashidian
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Instructor:
Lynda Richardson
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Instructor:
Isabel C Ruehl
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Instructor:
Gisela M Salim Peyer
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Instructor:
Maryellen Schoonmaker
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Instructor:
Deborah Sontag
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Instructor:
Paula Span
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Instructor:
Charles Stevens
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Instructor:
Kelly A Whiteside
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Instructor:
Nina Alvarez
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Instructor:
Brianna Holt
Info - 1 points