APPLIED MATH I: LINEAR ALGEBRA

Matrix algebra, elementary matrices, inverses, rank, determinants. Computational aspects of solving systems of linear equations: existence-uniqueness of solutions, Gaussian elimination, scaling, ill-conditioned systems, iterative techniques. Vector spaces, bases, dimension. Eigenvalue problems, diagonalization, inner products, unitary matrices.

• Department: Applied Physics and Applied Mathematics
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Yuan He
  CULPA: 3 Info
• 3 points

ADVANCED BENGALI I

• Department: Language Resource Center
• TW 1:25 p.m.-2:25 p.m.
• Instructor: Stephane A Charitos
  CULPA: 6 Info
• 3 points

ADVANCED DUTCH I

This advanced course is a content-based language course, and is centered around the history of the Low Countries. Each week focuses on a specific era, such as the counts of Holland in the 13th century and the Reformation in the 16th century. Students will read texts about history and literature of the historical periods.

Students will read texts at home and discuss them in class, explore history-related websites and watch short video clips.

Attention will be paid to advanced grammar issues and vocabulary.

• Department: Germanic Languages
• TR 1:15 p.m.-2:30 p.m.
• Instructor: Wijnie de Groot
  CULPA: 11 Info
• 3 points

GEOCHEM FOR A HABITABLE PLANET

Prerequisites: Any 1000-level or 2000-level EESC course; MATH UN1101 Calculus I and CHEM UN1403 General Chemistry I or their equivalents. The origin, evolution, and future of our planet, based on the book How to Build a Habitable Planet by Wallace S. Broecker. This course will focus on the geochemical processes that built Earth from solar material, led to its differentiation into continents and ocean, and have maintained its surface at a comfortable temperature. Students will participate in a hands-on geochemistry project at Lamont-Doherty Earth Observatory.

• Department: Earth and Environmental Sciences
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Terry A Plank
  CULPA: 6 Wikipedia Info
• 3 points

THE WRITER'S PROCESS

Enrollment limited to Barnard students. Application process and permission of instructor required:
https://writing.barnard.edu/become-writing-fellow
. Exploration of theory and practice in the teaching of writing, designed for students who plan to become Writing Fellows at Barnard. Students will read current theory and consider current research in the writing process and engage in practical applications in the classroom or in tutoring. The Writer’s Process is only open to those who applied to and were accepted into the Writing Fellows Program.
Note: This course now counts as an elective for the English major.

• Department: English @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Pamela Cobrin
  CULPA: 6 Info
• Instructor: Alexandra P Watson
  CULPA: 16 Info
• 4 points

ADVANCED INDONESIAN I

This course offers students the opportunity to practice advanced structures of Bahasa Indonesia, a major language of Indonesia and South East Asia. This course is offered by videoconferencing from Cornell as part of the Shared Course Initiative.

• Department: Language Resource Center
• 3 points

INTRODUCTION TO LINGUISTICS

An introduction to the study of language from a scientific perspective. The course is divided into three units: language as a system (sounds, morphology, syntax, and semantics), language in context (in space, time, and community), and language of the individual (psycholinguistics, errors, aphasia, neurology of language, and acquisition). Workload: lecture, weekly homework, and final examination.

• Department: Slavic Languages
• TR 1:10 p.m.-2:25 p.m.
• Instructor: John H McWhorter
  CULPA: 26 Wikipedia Info
• 3 points

CONVERS ABOUT LUSOPHONE WORLD

Prerequisites: PORT W1220. This conversation class will help students develop their oral proficiency in Portuguese. We will discuss current events, participate in challenging pronunciation exercises, improve understanding of Portuguese idioms, develop conversation strengths, confront weaknesses, and increase fluency in spoken Portuguese.

• Department: Latin American and Iberian Cultures
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Joao Nemi Neto
  CULPA: 1 Info
• 3 points

THIRD-YEAR RUSSIAN I

Prerequisites: RUSS UN2102 or the equivalent, and the instructor's permission. Recommended for students who wish to improve their active command of Russian. Emphasis on conversation and composition. Reading and discussion of selected texts and videotapes. Lectures. Papers and oral reports required. Conducted entirely in Russian.

• Department: Slavic Languages
• MWF 10:10 a.m.-11:25 a.m.
• Instructor: Tatiana Mikhailova
  Info
• 4 points

Literary Sinhala I

This one-semester course introduces the distinctive grammatical forms and vocabulary used in Literary Sinhala. While focused particularly on the development of reading skills, the course also introduces students to Literary Sinhala composition, builds students’ listening comprehension of semi-literary Sinhala forms (such as those used in radio and TV news), and guides students in incorporating elements of the literary register of Sinhala in their spoken production.

• Department: Language Resource Center
• 3 points

PAINTING II

Prerequisites: (VIAR UN1000) and (VIAR UN2100) (Formerly R3202) Painting II: Extension of VIAR UN2100 This course explores the transition of representational form towards abstraction in the early 20th century (Cubism) with full consideration to recent movements such as geometric abstraction, organic abstraction, gestural abstraction, color field and pattern painting. Students will be encouraged to find dynamic approaches to these classic tropes of 20th and 21st century abstraction.

• Department: Visual Arts
• T 10 a.m.-4 p.m.
• Instructor: Gregory Amenoff
  CULPA: 6 Wikipedia Info
• 3 points

THIRD YEAR VIETNAMESE I

This course is designed for students who have completed fourth semester Vietnamese or have equivalent background of intermediate Vietnamese. The course is aimed at enhancing students' competence in reading and listening comprehension as well as the ability to present or show their knowledge of the language and various aspects of Vietnamese with the use of more advanced Vietnamese.

• Department: East Asian Languages and Cultures
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Chung Nguyen
  CULPA: 1 Info
• 3 points

SENIOR FICTION WORKSHOP

Seniors who are majors in creative writing are given priority for this course. Enrollment is limited, and is by permission of the professor. The senior workshop offers students the opportunity to work exclusively with classmates who are at the same high level of accomplishment in the major. Students in the senior workshops will produce and revise a new and substantial body of work. In-class critiques and conferences with the professor will be tailored to needs of each student. Please visit
https://arts.columbia.edu/writing/undergraduate
for information about registration procedures.

• Department: Writing
• R 2:10 p.m.-4 p.m.
• Instructor: Heidi S Julavits
  CULPA: 1 Wikipedia Info
• 4 points

ADVANCED YORUBA I

• Department: Language Resource Center
• Instructor: Stephane A Charitos
  CULPA: 6 Info
• 3 points

ADVANCED ZULU I

Prerequisites: ZULU W1201-W1202 or the instructor's permission. This course allows students to practice adanced structures of the Zulu language. Please note this course is offered by videoconference from Yale through the Shared Course Initiative.

• Department: Language Resource Center
• MW 1 p.m.-2:15 p.m.
• 3 points

DEVELOPMENT TECHNOLOGY

OBSERVABILITY

Introduction to software development tools and environments. Each section devoted to a specific tool or environment. One-point sections meet for two hours each week for half a semester, and two point sections include an additional two-hour lab.

• Department: Computer Science
• M 6:10 p.m.-8 p.m.
• Instructor: Emily Stolfo
  CULPA: 2 Info
• 1 points

DEVELOPMENT TECHNOLOGY

FULL STACK WEB DEVELOP

Introduction to software development tools and environments. Each section devoted to a specific tool or environment. One-point sections meet for two hours each week for half a semester, and two point sections include an additional two-hour lab.

• Department: Computer Science
• F 6:10 p.m.-8 p.m.
• Instructor: Shoaib Ahamed
  Info
• 2 points

ACADEMIC WRITING INTENSIVE

Academic Writing Intensive is a small, intensive writing course for Barnard students in their second or third year who would benefit from extra writing support. Students attend a weekly seminar, work closely with the instructor on each writing assignment, and meet with an attached Writing Fellow every other week. Readings and assignments focus on transferable writing, revision, and critical thinking skills students can apply to any discipline. Students from across the disciplines are welcome. This course is only offered P/D/F. To be considered for the course, please send a recent writing sample to 
clie@barnard.edu
, ideally from your First-Year Writing or First-Year Seminar course, or any other writing-intensive humanities or social sciences course at Barnard (no lab reports please).

• Department: English @Barnard
• T 11 a.m.-12:50 p.m.
• Instructor: Wendy C Schor-Haim
  CULPA: 11 Info
• 4 points

Endangered Languages in the Global City:

ENDANGERED LANGUAGES

Of the world’s estimated 7,000 languages – representing migrations and historical
developments thousands of years old – the majority are primarily oral, little documented,
and increasingly endangered under the onslaught of global languages like English. This
course will take the unprecedented, paradoxical linguistic capital of New York City as a
lens for examining how immigrants form communities in a new land, how those
communities are integrated into the wider society, and how they grapple with linguistic and
cultural change. Drawing on sociolinguistics, anthropology, and history, the course will
focus on texts from and encounters with members of three of the city’s fastest-growing but
least-studied communities (Indigenous Americans, Himalayans, Central Asians) before
closing with a series of classes exploring broader questions around mapping, education,
policy, the role of linguists, revitalization and the future of language and mobility.

• Department: Slavic Languages
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Ross Perlin
  Wikipedia Info
• 3 points

ROMAN VILLAS: THE ART AND ARCHITECTURE

• Department: Art History and Archaeology
• T 6:10 p.m.-8 p.m.
• Instructor: Blair Fowlkes Childs
  Info
• 4 points

ENERGY,MINERALS,MATERIALS SYST

ENERGY & MATERIALS SYSTEMS

Overview of energy resources, resource management from extraction and processing to recycling and final disposal of wastes. Resources availability and resource processing in the context of the global natural and anthropogenic material cycles; thermodynamic and chemical conditions including nonequilibrium effects that shape the resource base; extractive technologies and their impact on the environment and the biogeochemical cycles; chemical extraction from mineral ores, and metallurgical processes for extraction of metals. In analogy to metallurgical processing, power generation and the refining of fuels are treated as extraction and refining processes. Large scale of power generation and a discussion of its impact on the global biogeochemical cycles.

• Department: Earth and Environmental Engineering
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Raymond Farinato
  CULPA: 1 Info
• 3 points

THE ART OF THE ESSAY

NOTE: Students who are on the electronic waiting list or who are interested in the class but are not yet registered MUST attend the first day of class.

Fall 2022 course description: Essay writing above the first-year level. Reading and writing various types of essays to develop one's natural writing voice and craft thoughtful, sophisticated and personal essays. 

Summer 2022 course description: The Art of the Essay is a writing workshop designed to help you contribute meaningfully in public discourse about the issues that matter most to you. You will write three types of essays in this class, all of which will center personal experience as valuable evidence of larger phenomena or patterns. Your essays will build in complexity, as you introduce more types of sources into conversation about your topics as the semester goes on. You will hone your skills of observing, describing, questioning, analyzing, and persuading. You will be challenged to confront complications and to craft nuanced explorations of your topics. We will also regularly read and discuss the work of contemporary published essayists, identifying key writerly moves that you may adapt as you attempt your own essays.  You will have many opportunities throughout the semester to brainstorm ideas, receive feedback from me and your peers, and develop and revise your drafts. At the end of the semester, you will choose a publication to which to submit or pitch one or more of your essays.

• Department: English @Barnard
• T 12:10 p.m.-2 p.m.
• W 11 a.m.-12:50 p.m.
• M 11 a.m.-12:50 p.m.
• Instructor: Vrinda Condillac
  CULPA: 28 Info
• Instructor: Margaret R Ellsberg
  CULPA: 54 Info
• Instructor: Nina Sharma
  CULPA: 5 Info
• 3 points

Language, Brain and Mind

The ability to speak distinguishes humans from all other animals, including our closest relatives, the chimpanzees. Why is this so? What makes this possible? This course seeks to answer these questions. We will look at the neurological and psychological foundations of the human faculty of language. How did our brains change to allow language to evolve? Where in our brains are the components of language found? Are our minds specialized for learning language or is it part of our general cognitive abilities to learn? How are words and sentences produced and their meanings recognized? The structure of languages around the world varies greatly; does this have psychological effects for their speakers?

• Department: Slavic Languages
• MW 2:40 p.m.-3:55 p.m.
• Instructor: William Foley
  h-index: 0 Info
• 3 points

Women Writers of Contemporary Middle Eas

WOMEN WRITERS MIDEAST AFR

Since the last decades of the twentieth century there has been a dramatic increase in the number of women writers from the Middle East and North Africa. This advanced course, which will be taught mainly in French, provides a window into this rich and largely neglected branch of world literature. Students will encounter the breadth and creativity of contemporary Middle Eastern and North African women’s literature by reading a range of twentieth- and twenty-first-century novels, short stories, memoirs and poetry available in French or in translation, and by viewing films that are from or about Iran, Lebanon, Algeria, and Egypt. How do Middle Eastern women authors address women’s oppression – both social and physical – and enunciate issues such as the tension between tradition and modernity, sexuality, identity and class from a female perspective? What literary traditions and models do they draw on? How different are those texts written in French for a global audience, as opposed to those written in Persian or Arabic? What are the effects of reading them in translation? Authors will include Marjane Satrapi, Shahrnush Parsipur, Assia Djebar, Maïssa Bey and Nawal El Saadawi.

• Department: French @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Melanie Heydari
  Info
• 3 points

Applied Bayesian Analysis

This is a course in intermediate statistical inference techniques in the context of applied research
questions in data science. Assuming some prior exposure to probability and statistics, this course will
first introduce the student to the principles of Bayesian inference, then apply them in estimation and
prediction in the context of linear and generalized linear models, counting and classification, mixture and
multilevel models, including scientific computation (like MCMC methods). Students will also learn
about the main benefits of using Bayesian vs. frequentist methods, like naturally combining prior
information with the data; posterior probabilities as easier to interpret alternatives to p-values; parameter
estimation “pooling” in hierarchical model and so on.

• Department: Statistics
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Dobrin Marchev
  Info
• 3 points

FICTION & PERSONAL NARRATIVE

Writing sample required to apply. Instructions and the application form can be found here: 
https://english.barnard.edu/english/creative-writing-courses
. Short stories and other imaginative and personal writing.

• Department: English @Barnard
• W 4:10 p.m.-6 p.m.
• Instructor: Elif Batuman
  Info
• 3 points

FICTION & PERSONAL NARRATIVE

ART & CRAFT OF THE DIARY

Writing sample required to apply. Instructions and the application form can be found here: 
https://english.barnard.edu/english/creative-writing-courses
. Short stories and other imaginative and personal writing.

• Department: English @Barnard
• M 10:10 a.m.-noon
• Instructor: Jhumpa Lahiri
  Wikipedia Info
• 3 points

MECHANICS

Elements of statics; dynamics of a particle and systems of particles.

• Department: Civil Engineering and Engineering Mechanics
• F 11:40 a.m.-2:10 p.m.
• Instructor: Ioannis Kougioumtzoglou
  h-index: 26 Info
• 4 points

APPLIED STATISTICAL METHODS

Prerequisites: At least one, and preferably both, of STAT UN2103 and UN2104 are strongly recommended. Students without programming experience in R might find STAT UN2102 very helpful. This course is intended to give students practical experience with statistical methods beyond linear regression and categorical data analysis. The focus will be on understanding the uses and limitations of models, not the mathematical foundations for the methods. Topics that may be covered include random and mixed-effects models, classical non-parametric techniques, the statistical theory causality, sample survey design, multi-level models, generalized linear regression, generalized estimating equations and over-dispersion, survival analysis including the Kaplan-Meier estimator, log-rank statistics, and the Cox proportional hazards regression model. Power calculations and proposal and report writing will be discussed.

• Department: Statistics
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Alex Pijyan
  Info
• 3 points

SOLID STATE DEVICES-MATERIALS

Crystal structure and energy band theory of solids. Carrier concentration and transport in semiconductors. P-n junction and junction transistors. Semiconductor surface and MOS transistors. Optical effects and optoelectronic devices. Fabrication of devices and the effect of process variation and distribution statistics on device and circuit performance.

• Department: Electrical Engineering
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Savannah Eisner
  Info
• 3.5 points

STOCHASTIC SYSTEMS AND APPLICATIONS

Some of the main stochastic models used in engineering and operations research applications: discrete-time Markov chains, Poisson processes, birth and death processes and other continuous Markov chains, renewal reward processes. Applications: queueing, reliability, inventory, and finance. IEOR E3106 must be completed by the fifth term. Only students with special academic circumstances may be allowed to take these courses in alternative semesters with the consultation of CSA and Departmental advisers.

• Department: Industrial Engineering and Operations Research
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Kaizheng Wang
  CULPA: 1 h-index: 8 Info
• 3 points

Democracy: Principles, Critics and Probl

Demcrcy: Prncpls, Crit, P

This course is about democracy: its theory, principles, critics and challenges. After centuries of vilification, democracy acquired the status of the "best" political order thanks also to the defeat of Nazism and fascism, in 1945. The end of the Cold War and the international order created by the victors of World War II caused some major changes in the perception and practice of democracy. The world has become a unified place for financial markets and a borderless space for the implementation of hegemonic projects. Openness and globalization put pressure on the ideal and practice of democracy, however. On the one hand, democracy seems to be the solution to all problems so much so that "democracy" now means everything on the right side of history. On the other hand, it seems instead to be a source of problems, and many (even democrats) criticize it for being inefficient in decision-making, subject to the prejudices of increasingly uninformed and ignorant voters, and finally a system that breeds corruption. The goal of this course is to understand this conundrum. 

What are the basic principles of democracy and the main objections raised against it? In what sense does democracy embody universal values? Is it desirable that democracy contains partisanship with competence? Is populism a fate of modern democracies? These questions will guide us in understanding the promises of democracy and the disappointments of democrats. We will begin our intellectual journey with the ancient vision of democracy and its early critics, then explore the modern trajectory of democratic theory and finally contemporary populist transformations.

• Department: Political Science
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Nadia Urbinati
  CULPA: 29 Wikipedia Info
• 3 points

Clean Object-Oriented Design

A course in designing, documenting, coding, and testing robust computer software, according to object-oriented design patterns and clean coding practices. Taught in Java.Object-oriented design principles include: use cases; CRC; UML; javadoc; patterns (adapter, builder, command, composite, decorator, facade, factory, iterator, lazy evaluation, observer, singleton, strategy, template, visitor); design by contract; loop invariants; interfaces and inheritance hierarchies; anonymous classes and null objects; graphical widgets; events and listeners; Java's Object class; generic types; reflection; timers, threads, and locks.

• Department: Computer Science
• MW 4:10 p.m.-5:25 p.m.
• Instructor: John R Kender
  CULPA: 20 h-index: 34 Info
• 3 points

INTRODUCTION TO FICTION WRITING

INTRO TO FICTION WRITING

Writing sample required to apply. Instructions and the application form can be found here:
https://english.barnard.edu/english/creative-writing-courses
. Practice in writing short stories and other forms of fiction with discussion and close analysis in a workshop setting.

• Department: English @Barnard
• R 11 a.m.-12:50 p.m.
• Instructor: Zaina F Arafat
  Info
• 3 points

Undergraduate Mentored Research

Prerequisites: the project mentors permission. This course provides a mechanism for students who undertake research with a faculty member from the Department of Statistics to receive academic credit. Students seeking research opportunities should be proactive and entrepreneurial: identify congenial faculty whose research is appealing, let them know of your interest and your background and skills.

• Department: Statistics
• Instructor: Anne Van Delft
  CULPA: 2 h-index: 5 Info
• 3 points

Undergraduate Mentored Research

Prerequisites: the project mentors permission. This course provides a mechanism for students who undertake research with a faculty member from the Department of Statistics to receive academic credit. Students seeking research opportunities should be proactive and entrepreneurial: identify congenial faculty whose research is appealing, let them know of your interest and your background and skills.

• Department: Statistics
• Instructor: Arian Maleki
  h-index: 31 Info
• Instructor: David A Rios
  CULPA: 16 Info
• 1 points

THE AFRICANA COLLOQUIUM

BLACK FUTURES

The Africana Studies Department offers special topics courses every year as colloquia. These colloquia provide opportunities for students to explore areas of particular interest within African Diasporic Studies in a seminar environment. Students earn 4 credits for these courses. There are multiple colloquia offered by the department every year. Some of the topics for these colloquia have included Critical Race Theory, Indian Ocean Diaspora, The New Black, Caribbean Women, and Black Shakespeare. As the topics change, students should check with the Chair of the Africana Studies Department if they have any questions about the topics for a particular academic year.

• Department: Africana Studies (AFSB)
• W 2:10 p.m.-4 p.m.
• Instructor: Maleda Belilgne
  Info
• 4 points

THE AFRICANA COLLOQUIUM

COLL:BLACK EUR CULTRL STUD

The Africana Studies Department offers special topics courses every year as colloquia. These colloquia provide opportunities for students to explore areas of particular interest within African Diasporic Studies in a seminar environment. Students earn 4 credits for these courses. There are multiple colloquia offered by the department every year. Some of the topics for these colloquia have included Critical Race Theory, Indian Ocean Diaspora, The New Black, Caribbean Women, and Black Shakespeare. As the topics change, students should check with the Chair of the Africana Studies Department if they have any questions about the topics for a particular academic year.

• Department: Africana Studies (AFSB)
• T 10:10 a.m.-noon
• Instructor: Monica L Miller
  CULPA: 10 Info
• 4 points

PRINCIPLES OF TRANSPORT PHENOMENA

PRINC TRANSPORT PHENOMENA

A mechanistic and mathematical description of the engineering fundamentals of heat and mass transport and fluid mechanics based on mass, momentum and energy balances from the molecular to the continuum to the industrial device scale. Problems and applications will focus on energy, biological and chemical systems and processes.

• Department: Chemical Engineering
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Christopher M Boyce
  h-index: 17 Info
• 3 points

INTRO TO TRANSLATION STUDIES

Introduction to the major theories and methods of translation in the Western tradition, along with practical work in translating. Topics include translation in the context of postcolonialism, globalization and immigration, the role of translators in war and zones of conflict, gender and translation, the importance of translation to contemporary writers. Completion of Intermediate II or equivalent in any foreign language.

• Department: Comparative Literature and Society @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Peter T Connor
  CULPA: 13 Info
• 3 points

INTRODUCTION TO POETRY WRITING

Writing sample required to apply. Instructions and the application form can be found here:
https://english.barnard.edu/english/creative-writing-courses
.

Varied assignments designed to confront the difficulties and explore the resources of language through imitation, allusion, free association, revision, and other techniques.

• Department: English @Barnard
• W 6:10 p.m.-8 p.m.
• R 2:10 p.m.-4 p.m.
• Instructor: Brionne Janae
  Info
• Instructor: Miranda Field
  Info
• 3 points

UNCERTAIN/RISK-CIVIL INF SYST

Introduction to basic probability; hazard function; reliability function; stochastic models of natural and technological hazards; extreme value distributions; Monte Carlo simulation techniques; fundamentals of integrated risk assessment and risk management; topics in risk-based insurance; case studies involving civil infrastructure systems, environmental systems, mechanical and aerospace systems, construction management. Not open to undergraduate students.

• Department: Civil Engineering and Engineering Mechanics
• T 4:10 p.m.-6:40 p.m.
• Instructor: George Deodatis
  CULPA: 6 h-index: 42 Info
• 3 points

THERMO/KINETIC THRY/STAT MECH

An introduction to the basic thermodynamics of systems, including concepts of equilibrium, entropy, thermodynamic functions, and phase changes. Basic kinetic theory and statistical mechanics, including diffusion processes, concept of phase space, classical and quantum statistics, and applications thereof.

• Department: Applied Physics and Applied Mathematics
• MW 1:10 p.m.-2:25 p.m.
• Instructor: William Bailey
  CULPA: 12 Info
• 3 points

PLAYWRITING I

Writing sample required to apply. Instructions and the application form can be found here:
https://english.barnard.edu/english/creative-writing-courses
.

The class will explore a broad range of approaches to playwriting in a workshop setting. Each week, students will write in response to prompts that are designed to explicate different elements and principles of the form. The work will culminate at the end of the semester with the writing of a one act play. Classes will largely be spent reading and discussing students’ work but students will also be choosing from a wide selection of plays to read two each week.

• Department: English @Barnard
• M 4:10 p.m.-6 p.m.
• Instructor: Ellen McLaughlin
  CULPA: 4 Info
• 3 points

MECHANICS OF SOLIDS

Stress and strain. Mechanical properties of materials. Axial load, bending, shear, and torsion. Stress transformation. Deflection of beams. Buckling of columns. Combined loadings. Thermal stresses.

• Department: Civil Engineering and Engineering Mechanics
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Raimondo Betti
  CULPA: 4 h-index: 31 Info
• 3 points

STORY WRITING

Writing sample required to apply. Instructions and the application form can be found here:
https://english.barnard.edu/english/creative-writing-courses
.
 
A workshop in writing, with emphasis on the short story.

• Department: English @Barnard
• R 11 a.m.-12:50 p.m.
• Instructor: Nellie G Hermann
  Info
• 3 points

FICTION WRITING

Writing sample required to apply. Instructions and the application form can be found here:
https://english.barnard.edu/english/creative-writing-courses
. 

Assignments designed to examine form and structure in fiction.

• Department: English @Barnard
• W 2:10 p.m.-4 p.m.
• Instructor: Weike Wang
  CULPA: 1 Info
• 3 points

ADVANCED POETRY WRITING

Writing sample required to apply. Instructions and the application form can be found here:
https://english.barnard.edu/english/creative-writing-courses
. Weekly workshops designed to generate and critique new poetry. Each participant works toward the development of a cohesive collection of poems. Readings in traditional and contemporary poetry will also be included.

• Department: English @Barnard
• T 11 a.m.-12:50 p.m.
• Instructor: Patricia S Jones
  Info
• 3 points

SCREENWRITING FUNDAMENTALS

SCREENWRITING FUNDMENTALS

Prerequisites: FILM BC3201 or equivalent. Enrollment limited to 12 students. Priority is given to Film Studies majors/concentrations in order of class seniority. Corequisites: (Since this is a Film course, it does not count as a writing course for English majors with a Writing Concentration.)

This course is ideal for writers of their FIRST, SECOND AND THIRD screenplays. The first several weeks will focus on STORY: What it is, what it isn’t, how to recognize the difference. How to find your own individual stories that nobody else in the universe can tell.

From there we will make the transition to the highly individualized techniques, the strengths and limitations, the dynamics of telling a SCREEN STORY; what to leave in, what to leave out. As Michelangelo puts it—starting with a block of marble and chipping away everything that isn’t David.  Through studies of existing screenplays and films in coordination with and hands-on writing exercises which we will share in class, we will develop our skills in all aspects of screenwriting; building fascinating characters, dialogue, story construction (The BIG PICTURE) and scene construction (The Small Picture)

Perfection is not the goal; but rather it is to be able to say truly at the end of each day’s writing, “I did the best I could with what I had at the time. (Phillip Roth quoting heavyweight champion Joe Louis)

• Department: Film @Barnard
• W 12:10 p.m.-3 p.m.
• Instructor: Peter Nickowitz
  Info
• 3 points

CITY,LANDSCAPE, & ECOLOGY

City, Landscape, Ecology 
is a thematically driven course that centers on issues and polemics related to landscape, land settlement and ecology over the past two centuries. The class looks at changing attitudes to the natural world from the eighteenth century to the present, tracing important historical shifts in the consideration of nature across the ecological sciences, conservation practices, landscape design, and environmental activism, law and policy. Lectures focus on the critical role that artists and architects have played, and are to play, in making visible the sources of environmental degradation and in developing new means of mitigating anthropogenic ecological change.

City, Landscape, Ecology 
is divided into three parts. Part I explores important episodes in the history of 
landscape
: picturesque garden theory, notions of “wilderness” as epitomized in national and state parks in the United States, Modern and Postmodern garden practices, and place of landscape in the work of artists from the 1960s to the present. The purpose here is to better understand the role that territorial organization plays in the construction of social practices, human subjectivities, and technologies of power. Lectures in this part are shaped around a dialectical pair of historical episodes–– for example, the picturesque garden is paired with the enclosure of the commons, and American national parks are discussed in relation to the systematic removal of native peoples.

We then turn to 
ecology
 and related issues of climate, urbanization and sustainability in Part II. Here we will look at the rise of ecological thinking in the 1960s; approaches to the environment that were based on the systems-thinking approach of the era. In the session “Capitalism, Race and Population Growth” we examine the history of the “crisis” of scarcity from Thomas Robert Malthus, to Paul R. Ehrlich (
The Population Bomb
, 1968) to today and look at questions of environmental racism, violence and equity. 

The course concludes with Part III on 
Environmental Repair
. At this important juncture in the course, we will ask what is to be done today. We’ll examine the work of contemporary theorists, architects, landscape architects, policy makers and environmentalists who have channeled some of the lessons

• Department: Architecture @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Ralph Ghoche
  CULPA: 1 h-index: 2 Info
• 3 points

ADVANCED SCREENWRITING

ADV SCRNWRTNG: SHORT FILM

Prerequisite: FILM BC3201 or equivalent. First priority enrollment is given to senior Film Studies majors/concentrations. For more information on this semester's visiting instructor from the Artemis Rising Foundation Filmmaker Fellowship Program, visit: https://athenacenter.barnard.edu/arff

This screenwriting seminar provides students an in-depth understanding of the short form which will help them turn their ideas into a short film script (up to 10 pages in length). With a focus on studying contemporary international short films students will learn to write their own short screenplay, as well as learn to give and receive feedback and receive tips on revising their scripts. Homework assignments will include watching films, reading short stories, writing exercises and reading screenplays.

• Department: Film @Barnard
• T 9:10 a.m.-noon
• Instructor: Sush Parmar
  Info
• 3 points

The Politics of Nature

THE POLITICS OF NATURE

Nature and politics have often been counterposed in political thought: politics is understood to be a distinctly human activity, perhaps even the defining human activity, while nature describes the material world as it operates independently from human action; politics concerns the realm of decisions about how things will and ought to be, while nature names that which simply is and cannot be changed. What, then, does it mean to think about the politics of nature? We will begin by examining the ways that political thinkers have understood nature in general before moving into specifically ecological thought and ending with reflections on the central challenge of nature and politics today: climate change. Themes addressed include the role of science in politics, the challenges of politics on a global or planetary scale, the political and moral status of nonhuman nature, and the relationship between nature and economics.

• Department: Political Science @Barnard
• W 11 a.m.-12:50 p.m.
• Instructor: Alyssa Battistoni
  Info
• 4 points

FIGURE PAINTING

Prerequisites: VIAR R1000 and VIAR R2100. (Formerly R3210) Course provides the experience of employing a wide range of figurative applications that serve as useful tools for the contemporary artist. Non-Western applications, icon painting, and the European/American traditions are presented. Individual and group critiques. Portfolio required at end. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• R 10 a.m.-4 p.m.
• Instructor: Daphne Arthur
  Info
• 3 points

PUBLIC SPEAKING

Open only to undergraduates. 


This course will introduce you to principles of effective public speaking and debate, and provide practical opportunities to use these principles in structured speaking situations. You will craft and deliver speeches, engage in debates and panel discussions, analyze historical and contemporary speakers, and reflect on your own speeches and those of your classmates. You will explore and practice different rhetorical strategies with an emphasis on information, persuasion and argumentation. For each speaking assignment, you will go through the speech-making process, from audience analysis, purpose and organization, to considerations of style and delivery. The key criteria in this course are content, organization, and adaptation to the audience and purpose. While this is primarily a performance course, you will be expected to participate extensively as a listener and critic, as well as a speaker.

• Department: English @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Daniela Kempf
  Info
• 3 points

HOW TO BUILD A PERSON

Prerequisites: No prerequisites. Departmental approval NOT required. Character is something that good fiction supposedly cannot do without. But what is a character, and what constitutes a supposedly good or believable one? Should characters be like people we know, and if so, how exactly do we create written versions of people? This class will examine characters in all sorts of writing, historical and contemporary, with an eye toward understanding just how characters are created in fiction, and how they come to seem real to us. Well read stories and novels; we may also look at essays and biographical writing to analyze where the traces of personhood reside. Well also explore the way in which these same techniques of writing allow us to personify entities that lack traditional personhood, such as animals, computers, and other nonhuman characters. Does personhood precede narrative, or is it something we bestow on others by allowing them to tell their story or by telling a story of our own creation on their behalf? Weekly critical and creative exercises will intersect with and expand on the readings and discussions.

• Department: Writing
• T 4:10 p.m.-6 p.m.
• Instructor: Mina Seckin
  Info
• 3 points

RHETORICAL CHOICES: PUBLIC SPEAKING

RHETORICAL CHOICES:PBLC S

Enrollment restricted to Barnard students. Application process and instructor permission required:
https://speaking.barnard.edu/become-speaking-fellow
. Speaking involves a series of rhetorical choices regarding vocal presentation, argument construction, and physical affect that, whether made consciously or by default, project information about the identity of the speaker. In this course students will relate theory to practice: to learn principles of public speaking and speech criticism for the purpose of applying these principles as peer tutors in the Speaking Fellow Program.
Note: This course now counts as an elective for the English major.

• Department: English @Barnard
• TR 10:10 a.m.-11:25 a.m.
• 4 points

INTRO TO SEXUALITY STUDIES

• Department: Women's and Gender Studies
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Jack Halberstam
  Wikipedia Info
• 3 points

APOCALYPSES NOW

• Department: Writing
• W 4:10 p.m.-6 p.m.
• Instructor: Molly L McGhee
  Info
• 3 points

STRUCTURAL DESIGN PROJECTS

Design of steel members in accordance with AISC 360: moment redistribution in beams; plastic analysis; bearing plates; beam-columns: exact and approximate second-order analysis; design by the Effective Length method and the Direct Analysis method. Design of concrete members in accordance with ACI 318: bar anchorage and development length, bar splices, design for shear, short columns, slender columns. AISC/ASCE NSSBC design project: design of a steel bridge in accordance with National Student Steel Bridge Competition rules; computer simulation and design by using SAP2000.

• Department: Civil Engineering and Engineering Mechanics
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Tom T Panayotidi
  CULPA: 3 Info
• 3 points

HIST-WEST MUS: MID AGE-BAROQUE

Prerequisites: MUSI UN2318 - MUSI UN2319. May be taken before or concurrently with this course. Topics in Western music from Antiquity through Bach and Handel, focusing on the development of musical style and thought, and analysis of selected works.

• Department: Music
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Giuseppe Gerbino
  CULPA: 12 Info
• 3 points

PROJECT MGMT FOR CONSTRUCTION

Introduction to Project Management for design and construction processes. Elements of planning, estimating, scheduling, bidding, and contractual relationships. Computer scheduling and cost control. Critical path method. Design and construction activities. Field supervision.

• Department: Civil Engineering and Engineering Mechanics
• W 4:10 p.m.-6:40 p.m.
• Instructor: Julius Chang
  Info
• 3 points

Heading South: Voyages to Latin America

This course is concerned with two interrelated topics: 1) the long, complicated history of voyages to Latin America; and 2) the myriad and evolving ways voyagers to the region have portrayed its landscapes, people, food, festivals, and more. The course will move chronologically from the 15th century to the present, with each week devoted to grappling with a type of voyage characteristic of a given era, including:


conquest voyages undertaken by figures such as Christopher Columbus and Hernán Cortés

settler-colonial voyages undertaken by Iberians seeking new lives in the New World

captive voyages undertaken by Africans destined for enslavement in households, cities, and rural environs

freedom voyages undertaken by African Americans escaping from slavery

sex-tourism voyages undertaken by North Americans and Europeans


We will view these topics through a combination of different forms of media (such as letters, travel accounts, features, and films) and traditional scholarly sources that will help contextualize them.

• Department: Africana Studies (AFSB)
• T 2:10 p.m.-4 p.m.
• Instructor: Tamara Walker
  Info
• 4 points

THIRD-YEAR CONVERSATION FR I

Prerequisites: completion of the language requirement in French or the equivalent. Conversation on contemporary French subjects based on readings in current popular French periodicals.

• Department: French
• MW 11:40 a.m.-12:55 p.m.
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Celia Abele
  Info
• 2 points

WOMEN AND SCIENCE

Prerequisites: Enrollment limited to 18 students. History and politics of womens involvement with science. Womens contributions to scientific discovery in various fields, accounts by women scientists, engineers, and physicians, issues of science education. Feminist critiques of biological research and of the institution of science.

• Department: Women's, Gender, Sexuality Studies @Barnard
• T 6:10 p.m.-8 p.m.
• Instructor: Laura E Kay
  CULPA: 35 Info
• 4 points

GENDERED CONTROVERSIES

Love and sex have long been studied as historical constructs influenced by social, political, and economic dimensions. This course aims to expand this discourse by incorporating the often-overlooked lens of technological mediation. Beginning with the premise that romantic love is deeply shaped by the affordances of the technology of the time, a critical awareness of technological mediation in romance –especially of digital technologies, i.e. online dating, social media, or cybersex— allows for a deeper understanding of how social categories such as gender, race, class, ability, or sexuality are technologically-mediated, thereby informing our societal and cultural perceptions of love, dating, and sex. 

 

Sandra Moyano-Ariza is Term Assistant Professor of WGSS and Research Director at BCRW. Her research works at the intersection of pop culture, philosophy, and digital technologies, with interests in the fields of media studies and digital scholarship, contemporary feminist theory, critical race theory, posthumanism, and affect theory.

• Department: Women's, Gender, Sexuality Studies @Barnard
• M 2:10 p.m.-4 p.m.
• Instructor: Sandra Moyano-Ariza
  Info
• 4 points

THE ECSTASY OF INFLUENCE

Ecstasy of Influence

What does it mean to be original? How do we differentiate plagiarism from pastiche, appropriation from homage? And how do we build on pre-existing traditions while simultaneously creating work that reflects our own unique experiences of the world?

In a 2007 essay for
Harper
’
s
magazine, Jonathan Lethem countered critic Harold Bloom’s theory of “the anxiety of influence” by proposing, instead, an “ecstasy of influence”; Lethem suggested that writers embrace rather than reject the unavoidable imprints of their literary forbearers. Beginning with Lethem’s essay—which, itself, is composed entirely of borrowed (or “sampled”) text—this class will consider the nature of literary influence, and its role in the development of voice.

Each week, students will read from pairings of older stories and novel excerpts with contemporary work that falls within the same artistic lineage. In doing so, we’ll track the movement of stylistic, structural, and thematic approaches to fiction across time, and think about the different ways that stories and novels can converse with one another. We will also consider the influence of other artistic mediums—music, visual art, film and television—on various texts. Students will then write their own original short pieces modeled after the readings. Just as musicians cover songs, we will “cover” texts,  adding our own interpretive imprints.

• Department: Writing
• R 12:10 p.m.-2 p.m.
• Instructor: Adam Z Wilson
  Info
• 3 points

DATA STRUCTURES IN JAVA

Data types and structures: arrays, stacks, singly and doubly linked lists, queues, trees, sets, and graphs. Programming techniques for processing such structures: sorting and searching, hashing, garbage collection. Storage management. Rudiments of the analysis of algorithms. Taught in Java. Note: Due to significant overlap, students may receive credit for only one of the following three courses: COMS W3134, COMS W3136, COMS W3137.

• Department: Computer Science
• MW 4:10 p.m.-5:25 p.m.
• MW 5:40 p.m.-6:55 p.m.
• Instructor: Brian Borowski
  Info
• 3 points

CREATIVE NON-FICTION

CREAT NON-FIC: HUMOR WRIT

Writing sample required to apply. Instructions and the application form can be found here:
https://english.barnard.edu/english/creative-writing-courses
.

In this class, you'll write two personal essays, about fifteen pages each. We'll spend each class discussing two student essays and one published essay. My goal in this class--besides building a community of people to talk about writing together--is for each student to figure out what drives them to write, what they're most driven to write about, and how their mind works. I like to find and bring out each student's strengths as a writer, storyteller, thinker. 

I'm a comics artist (long-form) and cartoonist (short-form), and I encourage anyone with an interest in making comics or other kinds of visual narratives to do so. I can offer help with very nuts and bolts things like materials and computer programs, as well as help telling a clear story in a sometimes complicated medium. 

I don't think there are clear, universal boundaries between non-fiction and fiction, personal essay and journalistic essay, fact and story (in a creative writing context, I mean!), long-form and short-form, written word and other modes of communication - and I like for students to start to figure out their own personal differentiations and definitions. 

Homework for this class is mostly reading. There's also a quick weekly writing assignment, graded pass/fail, just to keep you writing regularly. In our workshops, we go over the essays in draft form. I don't grade the essays until they're officially turned in at the end of the semester.

• Department: English @Barnard
• T 12:10 p.m.-2 p.m.
• Instructor: Nina Sharma
  CULPA: 5 Info
• 3 points

ESSENTIAL DATA STRUCTURES

A second programming course intended for nonmajors with at least one semester of introductory programming experience. Basic elements of programming in C and C++, arraybased data structures, heaps, linked lists, C programming in UNIX environment, object-oriented programming in C++, trees, graphs, generic programming, hash tables. Due to significant overlap, students may only receive credit for either COMS W3134, W3136, or W3137.

• Department: Computer Science
• TR 5:40 p.m.-6:55 p.m.
• Instructor: Timothy K Paine
  CULPA: 4 Info
• 4 points

SHAKESPEARE IN PERFORMANCE

Shakespeare's plays as theatrical events. Differing performance spaces, acting traditions, directorial frames, theatre practices, performance theories, critical studies, cultural codes, and historical conventions promote differing modes of engagement with drama in performance. We will explore Shakespeare's plays in the context of actual and possible performance from the Renaissance to the twenty-first century.

• Department: English @Barnard
• W 12:10 p.m.-2 p.m.
• Instructor: Patricia D Denison
  CULPA: 10 Info
• 4 points

BALLET V

This course is for the intermediate advanced dancer. Material presented will focus on healthy anatomical alignment in barre work, extended combinations in the center, fostering personal artistic expression, and integrating improvisation in combinations with the ballet vocabulary. Clarification, analysis and repetition are fundamental elements for a sound technique of any dancer and are the foundation of this course. Center work will include attention to shaping adagio work, multiple turns in the large poses, batterie, and extended grand allegro. You may be assigned the construction and presentation of exercises, which will be explained in detail further into the semester.

• Department: Dance @Barnard
• TR 4:10 p.m.-5:25 p.m.
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Nicole D Robertson
  Info
• Instructor: Cynthia Anderson
  Info
• 0-1 points

INTRODUCTION VOCAL REPERTOIRE

This course is designed for developing singers. Group vocalizing, learning of songs and individual workshop performances are aimed at improving the students technical skill and the elements necessary to create a meaningful musical and dramatic experience. Attention to text, subtext, emotional and psychological aspects of a piece and the performers relationship to the audience are included in the work. Repertoire is predominantly in English and comes from both classical and popular traditions Individual coaching sessions are available with the class accompanist and help strengthen the students confidence and skill. The class culminates with an in-class performance.

• Department: Music @Barnard
• TR 1:10 p.m.-2:55 p.m.
• Instructor: Jean-Paul Bjorlin
  Info
• 3 points

BALLET VI

This course is for the intermediate advanced dancer. Material presented will focus on healthy anatomical alignment in barre work, extended combinations in the center, fostering personal artistic expression, and integrating improvisation in combinations with the ballet vocabulary. Clarification, analysis and repetition are fundamental elements for a sound technique of any dancer and are the foundation of this course. Center work will include attention to shaping adagio work, multiple turns in the large poses, batterie, and extended grand allegro. You may be assigned the construction and presentation of exercises, which will be explained in detail further into the semester. You will be assigned a grading exercise at the end of the shopping period and will get written observations from me

• Department: Dance @Barnard
• TR 8:40 a.m.-9:55 a.m.
• F 9 a.m.-10:50 a.m.
• Instructor: Antonio Carmena
  Info
• Instructor: Ashley Tuttle
  CULPA: 1 Info
• 0-1 points

VOCAL REPERTOIRE, TECHNIQUE

VOCAL REPERTOIRE TECHNIQUE

Vocal exercises and exploration of wide-ranging repertoires, styles, and languages of the Western European song tradition. The rich variety of English, French, Italian and German poetry and music from the Baroque period through the Twentieth Century allows the student to experience both the music and the cultural environment of each of these styles. Attention is given both to meaning oftext and musical interpretation. Individual coaching sessions are available with the class accompanist and help strengthen the students confidence and skill. The class culminates with an in-class performance.

• Department: Music @Barnard
• F 10 a.m.-1 p.m.
• Instructor: Coralie Gallet
  Info
• 3 points

PERFORMING WOMEN

Prerequisites: Enrollment limited to 16 students. This course examines the category of "woman" as it is mobilized in performance, considering both a variety of contemporary performances chosen from a wide range of genres and a diversity of critical/theoretical perspectives. Course fulfills lecture/seminar "studies" requirement for Theatre/Drama and Theatre Arts major.

• Department: Theatre @Barnard
• W 12:10 p.m.-2 p.m.
• Instructor: Shayoni Mitra
  CULPA: 5 Info
• 4 points

MAJOR ENGLISH TEXTS I

A chronological view of the variety of English literature through study of selected writers and their works. Autumn: Beowulf through Johnson.

• Department: English @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Margaret R Ellsberg
  CULPA: 54 Info
• 3 points

Humans, Nature and the Future: an Introd

This course is about how we understand humans and their relationship to nature – and about how these understandings influence the ways we design our societies, run our democracies, and make plans for the future. We’ll focus on two central themes. First: how does introducing a concern for ‘the environment’ (or the Earth, or ecology) deepen, and often complicate, our understanding of key concepts in political theory? Second: given that ‘the environment’ is an interdisciplinary issue, how do we understand the relationship between the ideas and conversations we have in political theory, and the ideas and conversations people are having in other disciplines? (For example: climate science.)

There is no single prerequisite course for this one, but we will be assuming that you are familiar with the field of political theory in general. This is important, because many of our discussions will aim to map concepts and conversations from environmental political theory onto broader political theory conversations (which requires you to be familiar with those conversations!). Ideally, you’ll have taken a political theory survey before you take this course. If you haven’t, but you still think you’ve got the background necessary to participate fully in the class, please get in touch.

• Department: Political Science
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Ben Mylius
  Info
• 3 points

CLASSIC VARIATIONS

Variations
 class is a course for the intermediate to advanced dancer.  As in all other ballet classes, there will be a focus on correct physical alignment, proper technique and musicality.  The added challenges in this course will be the pointe shoe technique, creative choreographic choices, and musical phrasing. The class will include variations based on works ranging from Petipa to Balanchine to today’s choreographers.  Dancers will explore personalizing already known works, pushing the boundaries of the pointe shoe, examining how choreography has evolved and developing the stamina required to execute a full variation. Learning material rapidly while paying attention to the stylistic demands of each choreographer’s works and being able to shift from one stylistic choice to another is simply expected.

• Department: Dance @Barnard
• MW 5:40 p.m.-6:55 p.m.
• Instructor: Ashley Tuttle
  CULPA: 1 Info
• 0-1 points

AFRICAN AMERICAN WOMEN PLAYWRIGHTS

AFRICAN AMER WOMEN PLAYWR

African American women have been writing plays at least since the Harlem Renaissance and the American Little Theatre Movement (1910s-1920s).  Initially many of their plays portrayed the plight of poor Black women either in the American South or in New York City’s Harlem, in each case showing a struggle for dignity in the midst of an unfair, dismissive, racist situation in which lynchings of Black men were a common enough occurrence and citizen rights were doubly denied these (generally educated) writers—both as Blacks and as women.  Even plays depicting middle-class Black families or working women showed how just holding one’s head up and keeping food on the table (much less seeking fulfillment or advancement) was exhausting and often demeaning.  Plays written with Black audiences in mind often sought to provide “uplift” and encouragement.  Those anticipating white or mixed audiences frequently wanted to show Blacks as equal to whites in intellect, cleanliness, childrearing, honor, patriotism, and citizenship.  Over the course of a century, Black playwrights have addressed racism, African American history, urban blight, a changing workplace, and Black American womanhood in a variety of styles ranging from so-called kitchen sink realism to comedy, fantasy, and abstraction.  The readings in the course do not exhaust the possibilities for study but they will get you attuned to a rich trove of varied, important writing. In this seminar, students will read and discuss several plays/meeting, make both formal and informal class presentations, and write a final essay.  Course fulfills lecture/seminar in drama studies, theatre studies, performance studies requirement for Theatre major.

• Department: Theatre @Barnard
• T 10:10 a.m.-noon
• Instructor: Dorothy Chansky
  Info
• 4 points

INTRODUCTION TO NARRATIVE MEDICINE

INTRO TO NARRATIVE MEDICI

Narrative competence is a crucial dimension of health-care delivery, the capacity to attend and respond to stories of illness, and the narrative skills to reflect critically on the scene of care and its contexts. The objectives of this introductory course include fortifying close reading skills and engaging theories of relationality and self-telling. Narrative Medicine explores and builds the clinical applications of literary knowledge.

At the center of this project is the medical encounter. In examining the complexities of this exchange, to help clinicians to fulfill their "receiving" duties more effectively, we will turn to narrative theory, autobiographical theory, psychoanalytic theory, trauma scholarship and witnessing literature. Classwork will integrate didactic and experiential methodologies to develop a heightened awareness of self and other and to build a practical set of narrative competencies.

Readings will include works by Ta-Nehisi Coates, Maggie Nelson, Toni Morrison, W.G. Sebald, Kazuo Ishiguro, Alison Bechdel, Judith Butler, Arthur Frank, Jonathan Shay, Jens Brockmeier, Donnel Stern, and Tim O’Brien.

• Department: English @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Maura L Spiegel
  CULPA: 40 Info
• 4 points

CRITICAL HISTORIES OF DRAMA, THEATRE, AN

CRIT HIST DRAMA, THTR & P

This course undertakes a

dialectical approach to reading and thinking about the history of dramatic theatre, interrogating the ways writing inflects, and is inflected by, the material dynamics of performance. Course undertakes careful study of the practices of performance, and of the sociocultural, economic, political, and aesthetic conditions animating representative performance in “classical” theatres globally; course will also emphasize development of important critical concepts for the analysis of drama, theatre, and performance. Topics include the sociology of theatre, the impact of print on conceptions of performance, representing gender and race, the politics of intercultural performance, and the dynamics of court performance. Writing: 2-3 papers; Reading: 1-2 plays, critical and historical reading per week; final examination. Fulfills one (of two) lecture requirements for Theatre/Drama and Theatre Arts majors.

• Department: Theatre @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: William B Worthen
  CULPA: 10 Info
• 3 points

LIVING WITH ANIMALS: ANTHROPOLOGICAL PER

• Department: Anthropology
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Hannah Chazin
  Info
• 4 points

CHAUCER BEFORE CANTERBURY

Before he wrote the
Canterbury Tales
, Chaucer was a famed European poet, steeped in the medieval tradition and fascinated with the convergence of history, gender, and power. Our course will focus on one dream vision,
The Parliament of Fowls
, and then the great romance
Troilus and Criseyde
. Along the way, we’ll explore (in translation) earlier European texts that framed and inspired Chaucer’s work.

• Department: English @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Christopher C Baswell
  CULPA: 8 Info
• 3 points

THEATRE TRAD GLOBAL CONTEXT

Prerequisites: Enrollment limited to 50 students.

Provides a broad introduction to several traditions of nonwestern drama and theatrical practice, often placing recent and contemporary writing in relation to established conventions.  Taking up plays and performance traditions from Asia, South Asia, and various African traditions, it may also consider the relation between elite and popular culture (adaptations of Shakespeare, for example), and between drama, theatre, and film. Course fulfills lecture/seminar "studies" requirement for Theatre/Drama and Theatre Arts major.

• Department: Theatre @Barnard
• TR 12:10 p.m.-1:25 p.m.
• Instructor: Shayoni Mitra
  CULPA: 5 Info
• 3 points

ARTS&HUMANITIES IN CITY FIELDWORK LAB

ARTS&HUMANITIES IN CITY L

• Department: Education @Barnard
• W 2 p.m.-5:30 p.m.
• F 9 a.m.-noon
• Instructor: Drew Chambers
  Info
• 0 points

DESIGN PROJECT

E3156: a design problem in materials science or metallurgical engineering selected jointly by the student and a professor in the department. The project requires research by the student, directed reading, and regular conferences with the professor in charge. E3157: completion of the research, directed reading, and conferences, culminating in a written report and an oral presentation to the department.

• Department: Applied Physics and Applied Mathematics
• Instructor: Simon Billinge
  CULPA: 3 h-index: 75 Info
• 3 points

ADVANCED PROGRAMMING

C programming language and Unix systems programming. Also covers Git, Make, TCP/IP networking basics, C++ fundamentals.

• Department: Computer Science
• TR 2:40 p.m.-3:55 p.m.
• TR 5:40 p.m.-6:55 p.m.
• Instructor: Jae W Lee
  CULPA: 42 Info
• 4 points

THE ENGLISH COLLOQUIUM

Prerequisites: Enrollment limited to Barnard English majors. In the Renaissance colloquium we will examine English and European imaginative and intellectual life from the sixteenth to mid-seventeenth centuries. Defined by humanism, the Protestant Reformation, and revolution, this was a period of ideological struggle on many levels. Long-held ways of ordering the world came under increasing strain-and sometimes ruptured irreparably. Writers discussed and debated the aims of human knowledge, retooled old literary forms for new purposes, scrambled to take account of an expanded awareness of the globe, and probed the tension between belief and doubt. Throughout this process, they experimented with new literary styles to express their rapidly changing worldviews. This is an intensive course in which we will take multiple approaches to a variety of authors that may include Petrarch, Erasmus, Machiavelli, Castiglione, More, Rabelais, Luther, Calvin, Montaigne, Spenser, Bacon, Marlowe, Shakespeare, Milton, and Behn, among others.

• Department: English @Barnard
• T 2:10 p.m.-4 p.m.
• T 4:10 p.m.-6 p.m.
• Instructor: Atefeh Akbari Shahmirzadi
  Info
• Instructor: Rachel Eisendrath
  CULPA: 6 Info
• 4 points