A major challenge for governments across the Western Hemisphere is the complex relationship between illicit drugs, violence, and politics. We can see this relationship operating at multiple levels, from everyday politics in gang-controlled neighborhoods to the global arenas where governments debate and craft international drug policy. These links also reach back in history to global wars of empire and colonial rule, race relations during and following the collapse of the institution of slavery, and contemporary drug wars being waged across the Western Hemisphere and other parts of the world. Today, the dynamics and consequences of the politics of illicit drugs touch all our lives in different ways, including individual and family struggles with substance abuse, everyday encounters with militarized police, and the strains on democracy and citizenship, among many others. This course will examine some of these dynamics and consequences with a theoretical and empirical focus mainly on Latin America and the United States. Throughout our time together we will connect these pressing issues to broader theories, concepts and empirical findings in political science. The course is divided into several individual modules (denoted below with the headings A – G) under three overarching themes for this semester:
1. Politics of Drugs in a Historical Perspective:
The first theme is a broad historical overview of the political origins of illicit drugs and the global drug regime. Some of the main questions we will tackle are: When and why did states label drugs as illicit? How did domestic and global politics come together to shape the global drug regime and the “war on drugs?” What role did race and gender play in the early social construction of illicit drugs?
2. Illicit Drugs, Politics and Governance:
The second theme focuses on contemporary linkages between illicit drugs, violence, and politics. Here we will examine the conditions under which illicit drug markets are either violent or (relatively) peaceful. We will tackle questions like: Do states always seek to dismantle drug markets? What is the relationship between illicit drugs and electoral politics? What role do illicit drugs play in governance by armed non-state actors? Are states and criminal actors involved in the drug trade always at “war” with each other?
3. Democracy, Citizenship, and the War on Drugs:
The th
Discussion Section for POLS-UN3565 Drugs and Politics in the Americas
Discussion Section for POLS-UN3565 Drugs and Politics in the Americas
Discussion Section for POLS-UN3565 Drugs and Politics in the Americas
Discussion Section for POLS-UN3565 Drugs and Politics in the Americas
This course examines 20th-century American political movements of the Left and Right. We will cover Socialism and the Ku Klux Klan in the early twentieth century; the Communist Party and right-wing populists of the 1930s; the civil rights movement, black power, and white resistance, 1950s-1960s; the rise of the New Left and the New Right in the 1960s; the Women's liberation movement and the Christian right of the 1970s; and finally, free-market conservatism, neoliberalism, white nationalism and the Trump era. We will explore the organizational, ideological and social history of these political mobilizations. The class explores grass-roots social movements and their relationship to “mainstream” and electoral politics. We will pay special attention to the ways that ideas and mobilizations that are sometimes deemed extreme have in fact helped to shape the broader political spectrum. Throughout the semester, we will reflect on the present political dilemmas of our country in light of the history that we study.
This course is designed as a workshop in both immersive devising and performance skills, revolving around the creation and execution of an immersive experience. Through a collaborative devising process, students will explore possibilities of environmental, site-specific, experiential, and ambulatory design. Students will develop compositional structures and strategies for creating content, create and develop embodied characters, as well as design and physically navigate the particular architecture of a performance environment. Students will also hone skills specific to interactive performance such as maneuvering audience, gaze, breath work, and choice making and improvisation within the parameters of storytelling.
In this seminar, we will read a selection of masterpieces in economics to explore how economic thought on capitalism has changed over time. Through weekly discussions, we will examine a number of must-read volumes that shape the field of economics and more broadly, the social sciences today. We will also develop a general understanding of the different epochs of economic thinking about the evolving capitalist system. We will analyze classics such as Adam Smith’s Wealth of Nations, Karl Marx’s Capital, and John M. Keynes’ General Theory, as well as more recent classics that have deeply influenced social science thinking in the second half of the XX century. This seminar is intended both for students in history, the humanities and the social sciences who have an interest in understanding the evolution of the economics discipline in historical perspective, and for economics students who want to develop an historical understanding of their discipline.
For fifty years, the Barnard Center for Research on Women’s Scholar and Feminist conference has provided a vital forum for leading feminist thinkers to test ideas and ignite debates on the most pressing issues of their time. This course offers a special opportunity for students to engage with the Scholar and Feminist at a historic moment: in February 2026, BCRW will host the 50th conference. We will use the history of the Scholar and Feminist conference as a guide to trace the making of feminist knowledge over the past fifty years. In addition to reading about the scholarly context of the conference, students will do archival work in preparation for attending and analyzing the anniversary gathering. Students will engage with key feminist debates that have been part of the conference’s history. They will consider how conferences function as spaces of research production and movement-building, exploring how the lessons of past controversies and solidarities can inform feminist scholarship and action in the present. Readings will draw from BCRW’s
Scholar & Feminist Online
and the Barnard archives, alongside key theoretical feminist texts, to consider how movements, controversies, and institutional struggles have shaped the field. Together, we will ask: how has the conference created new possibilities for scholarship and activism, and why are these questions urgent in a moment when feminist knowledge and institutions are under attack?
Required for all majors who do not select the year-long Senior Thesis Research & Seminar (BIOL BC3593 & BC3594) to fulfill their senior capstone requirement. These seminars allow students to explore the primary literature in the Biological Sciences in greater depth than can be achieved in a lecture course. Attention will be focused on both theoretical and empirical work. Seminar periods are devoted to oral reports and discussion of assigned readings and student reports. Students will write one extensive literature review of a topic related to the central theme of the seminar section.
Topics vary per semester and include, but are not limited to:
Plant Development
,
Animal Development & Evolution,
Molecular Evolution, Microbiology & Global Change, Genomics, Comparative & Reproductive Endocrinology, and Data Intensive Approaches in Biology.
This year-long course is open to junior and senior Biology majors and minors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give a poster presentation about their research at the Barnard Biology Research Symposium.
Completion of this year-long course fulfills two upper-level laboratory requirements for the Biology major or minor. This course must be taken in sequence, beginning with BIOL BC3591 in the Fall and continuing with BIOL BC3592 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3593-BIOL BC3594.
This year-long course is open to junior and senior Biology majors and minors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give a poster presentation about their research at the Barnard Biology Research Symposium.
Completion of this year-long course fulfills two upper-level laboratory requirements for the Biology major or minor. This course must be taken in sequence, beginning with BIOL BC3591 in the Fall and continuing with BIOL BC3592 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3593-BIOL BC3594.
Neuroscience research commonly generates datasets that are increasingly complex and large. Open science and data sharing platforms have emerged across a wide range of neuroscience disciplines, laying the foundation for a transformation in the way scientists share, analyze, and reuse immense amounts of data collected in laboratories around the world. This class is designed to introduce students to several open source databases that span multiple investigative levels of neuroscience research. Students will utilize the datasets to conduct individual research projects.
Independent study for preparing and performing repertory works in production to be presented in concert.
This year-long course is open to senior Biology majors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give an oral presentation about their research at the Barnard Biology Research Symposium.
Completion of this year-long course fulfills the senior capstone requirement for the Biology major. This course must be taken in sequence, beginning with BIOL BC3593 in the Fall and continuing with BIOL BC3594 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3591-BIOL BC3592.
This year-long course is open to senior Biology majors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give an oral presentation about their research at the Barnard Biology Research Symposium.
Completion of this year-long course fulfills the senior capstone requirement for the Biology major. This course must be taken in sequence, beginning with BIOL BC3593 in the Fall and continuing with BIOL BC3594 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3591-BIOL BC3592.
Prerequisites: Open to senior Neuroscience and Behavior majors. Permission of the instructor. This is a year-long course. By the end of the spring semester program planning period during junior year, majors should identify the lab they will be working in during their senior year. Discussion and conferences on a research project culminate in a written and oral senior thesis. Each project must be supervised by a scientist working at Barnard or at another local institution. Successful completion of the seminar substitutes for the major examination.
Similar to BIOL BC3591-BIOL BC3592, this is a one-semester course that provides students with degree credit for unpaid research
without
a seminar component. You may enroll in BIOL BC3597 for between 1-4 credits per semester. As a rule of thumb, you should be spending approximately 3 hours per week per credit on your research project.
A
Project Approval Form
must be submitted to the department each semester that you enroll in this course. Your Barnard research mentor (if your lab is at Barnard) or internal adviser in the Biology Department (if your lab is elsewhere) must approve your planned research
before
you enroll in BIOL BC3597. You should sign up for your mentor's section.
This course does not fulfill any Biology major requirements. It is open to students beginning in their first year.
Challenges confronting the world today require multiple perspectives, approaches, and methods to grasp their complexity and devise responses and solutions. Whether addressing the climate crisis, public health threats, global and local inequities, social problems, geopolitical tensions, or any number of other problems, all demand the expertise developed in disciplinary training as well as flexible thinking and the ability to collaborate and solve problems across disciplinary boundaries. This course places students with different majors into conversation with each other to consider the approaches of their own disciplines, learn about the methodological “tool kits” of other fields, investigate examples of transdisciplinary research, and work with their classmates to design their own problem-centered collaborative projects.
Prerequisites: POLS UN1601 or HRTS UN3001 An equivalent course to POLS UN1601 or HRTS UN3001 may be used as a pre-requisite, with departmental permission. Examines the development of international law and the United Nations, their evolution in the Twentieth Century, and their role in world affairs today. Concepts and principles are illustrated through their application to contemporary human rights and humanitarian challenges, and with respect to other threats to international peace and security. The course consists primarily of presentation and discussion, drawing heavily on the practical application of theory to actual experiences and situations. For the Barnard Political Science major, this seminar counts as elective credit only. (Cross-listed by the Human Rights Program.)
This seminar engages--through science fiction and speculative fiction, film, and companion readings in anthropology and beyond—a range of approaches to the notion of the “future” and to the imagination of multiple futures to come. We will work through virtual and fictive constructions of future worlds, ecologies, and social orders “as If” they present alternative possibilites for pragmatic yet utopian thinking and dreaming in the present (and as we’ll also consider dystopian and “heterotopian” possibilities as well).
Prerequisites: Audition. Do not register for this course until you have been selected at the audition. Subject to cap on studio credit. Can be taken more than once for credit up to a maximum of 3 credits a semester. Students are graded and take part in the full production of a dance as performers, choreographers, designers, or stage technicians.
Prerequisites: Audition. Do not register for this course until you have been selected at the audition. Subject to cap on studio credit. Can be taken more than once for credit up to a maximum of 3 credits a semester. Students are graded and take part in the full production of a dance as performers, choreographers, designers, or stage technicians.
This course can be worth 1 to 4 credits (each credit is equivalent to approximately three hours of work per week), and requires a Barnard faculty as a mentor. The course will be taken for a letter grade, regardless of whether the student chooses 1, 2, 3, or 4 credits. The expectations for each of these options are as follows: 1 credit, 3h/week commitment, 5-10 page "Research Report" at the end of the term; 2 credits, 6h/week commitment, 5-10 page "Research Report" at the end of the term; 3 credits, 9h/week commitment, 15-20 page "Research Report" at the end of the term; 4 credits, 12h/week commitment, 15-20 page "Research Report" at the end of the term. "Research Report" is a document submitted to the person grading the student, the instructor of record for the section in which the student has enrolled. If a student is working off-site, then input from the off-site research mentor will inform the grading. The "Research Report" can take a variety of forms: progress reports on data collected, training received, papers read, skills learned, etc.; or organized notes for lab notebooks, lab meetings, etc.; or manuscript-like papers with Intro, Methods, Results, Discussion; or some combination thereof, depending on the maturity of the project. Ultimately, this will take different forms for different students/labs.
From Frederick Douglass’s The North Star, which insisted that journalism could be a tool for liberation and collective conscience, to today’s digital-first platforms, American journalism has always been a site of struggle over truth, power, and representation. This course explores the power of journalism to shape public conscience — from the days when print was the Twitter of its time to the rise of radio, television, and digital media. At its core, this seminar centers the voices of journalists of conscience — those who speak truth to power, challenge dominant narratives, and reflect the full spectrum of human experience. We will approach journalism through a lens that foregrounds the perspectives of people of color, recognizing how mainstream media has historically erased, distorted, or marginalized their voices while also highlighting the powerful traditions of resistance and self-representation in journalism.
To foster meaningful connection and collaboration, students will be split into groups for the semester. These groups will meet in breakout rooms during each class session to workshop ideas, respond to prompts, and sometimes collaborate on short journalistic pieces. The goal is to make a large seminar feel intimate and to encourage peer-to-peer dialogue throughout the course.
Through weekly readings, in-class discussions, site visits, guest speakers, and multimedia projects, students will examine how journalism has both reflected and resisted dominant narratives across history. Students will also create original work that embodies conscience-based journalism.
For undergraduates only. Required for all undergraduate students majoring in IE, OR:EMS, OR:FE, and OR. This is a follow-up to IEOR E3608 and will cover advanced topics in optimization, including integer optimization, convex optimization, and optimization under uncertainty, with a strong focus on modeling, formulations, and applications.
This course introduces students to psychological theories of international politics. We pose a series of questions about the role of individuals in international relations and consider different theories of political decision making (including rational choice, cognitive, motivational, and organizational theories), personality and leadership, and the role of images, values, and identity in shaping international behavior. We’ll put these theories in the context of other ways of explaining state behavior, evaluate their usefulness, and you’ll make use of these theories to explain an international relations course of your choosing.
Introduction to microstructures and properties of metals, polymers, ceramics and composites; typical manufacturing processes: material removal, shaping, joining, and property alteration; behavior of engineering materials in the manufacturing processes.
For those whose knowledge is equivalent to a student whos completed the Second Year course. The course develops students reading comprehension skills through reading selected modern Tibetan literature. Tibetan is used as the medium of instruction and interaction to develop oral fluency and proficiency.
Discussions of the student's Independent Research project during the fall and spring terms that culminate in a written and oral senior thesis. Each project must be supervised by a scientist working at Barnard or at another local institution.
The causes and consequences of nationalism. Nationalism as a cause of conflict in contemporary world politics. Strategies for mitigating nationalist and ethnic conflict.
Prerequisites: at least two of the following courses: (UN1001, UN1010, UN2280, UN2620, UN2680, UN3280) and the instructor's permission. Developmental psychopathology posits that it is development itself that has gone awry when there is psychopathology. As such, it seeks to understand the early and multiple factors contributing to psychopathology emerging in childhood and later in life. We will use several models (e.g. ones dominated by biological, genetic, and psychological foci) to understand the roots of mental illness.
Prerequisites: (PSYC UN1001) Instructor permission required. A seminar for advanced undergraduate students exploring different areas of clinical psychology. This course will provide you with a broad overview of the endeavors of clinical psychology, as well as discussion of its current social context, goals, and limitations.
In 1987, the queer-feminist Chicana scholar and poet Gloria Anzaldúa reflected on the politics of writing and rewriting histories. Mobilized by the social revolutions of the 1970s and 1980s, Anzaldúa sought to intervene in contemporary history, arguing that the act of retrieval—mining and sifting through our past—is necessary for sensing and creating uninhibited possibilities. Drawing on Anzaldúa’s understanding of the stakes of historiography, this course explores how artists have sought to reimagine queer-feminist pasts and enact latent futures. It focuses on the period from the 1970s onward, when the proliferation of mnemonic, time-based media, such as video, sound, slides, and photography, as well as ephemeral forms like performance and participation, emerged as significant material and conceptual foci for artists. Artists’ engagements with institutions crucial to the creation and circulation of history, memory, and knowledge—such as universities, the mass media, AI companies, and museums—are examined alongside enduring queer-feminist themes of education, motherhood, family, home, exile, kin, and futurity. Students will become cognizant of how contemporary art influences cultural, political, and social traditions and institutions, and how “old” and “new” ideas co-exist and conflict. The course offers an art historical perspective on contemporary art, mapping its relations to late modern art, while also foregrounding the question: how can we, as “contemporaries,” engage with art and art history in a way that responds to the demands of the present? Artists we examine include Mary Kelly, Ana Mendieta, Magali Lara, Jenny Holzer, Emily Kame Kngwarray, Madeleine Hunt-Ehrlich, D. Harding, Simone Leigh, and Jesse Darling. Writers include Anzaldúa, Rosalyn Deutsche, Tina Campt, Aileen Moreton Robinson, and Ruha Benjamin.
This course is concerned with what policy the American government should adopt toward several foreign policy issues in the next decade or so, using materials from contradictory viewpoints. Students will be required to state fairly alternative positions and to use policy analysis (goals, alternatives, consequences, and choice) to reach conclusions.
Corequisites: POLS UN3631 This is the required discussion section for POLS UN3631.
Depression has existed for all time. But our explanations of it has shifted, from sin, to an imbalance of the humours, and a poetic inspiration; from the eighteenth-century mechanistic understanding of the self, to the Freudian family romance that generates trauma, and to our current neuro-genetic understanding of the mind as a machine that can achieve happiness with pharmaceutical intervention. We will follow these permutations, even as we read novels, poems, plays, and view film (and art) for their diagnostic awareness of mental suffering. And we will also ask the question: what if depression comes not from within but without, the intelligent response of aware minds to a world that has become undone.
This seminar explores the relationship between literature, culture, and mental health. It pays particular emphasis to the
poetics
of emotions structuring them around the five stages of grief: denial, anger, bargaining, depression, acceptance and the concept of hope. During the course of the semester, we will discuss a variety of content that explores issues of race, socioeconomic status, political beliefs, abilities/disabilities, gender expressions, sexualities, and stages of life as they are connected to mental illness and healing. Emotions are anchored in the physical body through the way in which our bodily sensors help us understand the reality that we live in. By feeling backwards and thinking forwards, we will ask a number of important questions relating to literature and mental health, and will trace how human experiences are first made into language, then into science, and finally into action.
The course surveys texts from Homer, Ovid, Aeschylus and Sophocles to Virginia Woolf, Sylvia Plath, C.P. Cavafy, Dinos Christianopoulos, Margarita Karapanou, Katerina Anghelaki-Rooke, Katerina Gogou etc., and the work of artists such as Toshio Matsumoto, Yorgos Lanthimos, and Anohni.
This course will focus on one topic at the intersection of cognitive science and philosophy. Potential topics include free will, consciousness, modularity, mental representation, probabilistic inference, the language of thought, and the computational theory of mind.
Introductory course to probability theory and does not assume any prior knowledge of subject. Teaches foundations required to use probability in applications, but course itself is theoretical in nature. Basic definitions and axioms of probability and notions of independence and conditional probability introduced. Focus on random variables, both continuous and discrete, and covers topics of expectation, variance, conditional distributions, conditional expectation and variance, and moment generating functions. Also Central Limit Theorem for sums of random variables. Consists of lectures, recitations, weekly homework, and in-class exams.
Examines representations of the mafia in American and Italian film and literature. Special attention to questions of ethnic identity and immigration. Comparison of the different histories and myths of the mafia in the U.S. and Italy. Readings includes novels, historical studies, and film criticism. Limit 25
Prerequisites: None Humans don’t just eat to live. The ways we prepare, eat, and share our food is a complex reflection of our histories, environments, and ideologies. Whether we prefer coffee or tea, cornbread or challah, chicken breast or chicken feet, our tastes are expressive of social ties and social boundaries, and are linked to ideas of family and of foreignness. How did eating become such a profoundly cultural experience? This seminar takes an archaeological approach to two broad issues central to eating: First, what drives human food choices both today and in the past? Second, how have social forces shaped practices of food acquisition, preparation, and consumption (and how, in turn, has food shaped society)? We will explore these questions from various evolutionary, physiological, and cultural viewpoints, highlighted by information from the best archaeological and historic case studies. Topics that will be covered include the nature of the first cooking, beer-brewing and feasting, writing of the early recipes, gender roles and ‘domestic’ life, and how a national cuisine takes shape. Through the course of the semester we will explore food practices from Pleistocene Spain to historic Monticello, with particular emphasis on the earliest cuisines of China, Mesoamerica, and the Mediterranean.
Semester:
What are the consequences of entrenched inequalities in the context of care? How might we (re)imagine associated practices as political projects? Wherein lie the origins of utopic and dystopic visions of daily survival? How might we track associated promises and failures as they travel across social hierarchies, nationalities, and geographies of care? And what do we mean when we speak of “care”? These questions define the scaffolding for this course. Our primary goals throughout this semester are threefold. First, we begin by interrogating the meaning of “care” and its potential relevance as a political project in medical and other domains. Second, we will track care’s associated meanings and consequences across a range of contents, including urban and rural America, an Amazonia borderland, South Africa, France, and Mexico. Third, we will address temporal dimensions of care, as envisioned and experienced in the here-and-now, historically, and in a futuristic world of science fiction. Finally, and most importantly, we will remain alert to the relevance of domains of difference relevant to care, most notably race, gender, class, and species.
Upper level seminar; 4 points
Summer:
What do we mean when we speak of “care”? How might we (re)imagine practices of care as political and moral projects? What promises, paradoxes, or failures surface amid entrenched inequalities? And what hopes, desires, and fears inform associated utopic and dystopic visions of daily survival? These questions will serve as a scaffolding of sorts for this course, and our primary goals are fourfold.
First,
we will begin by interrogating the meaning of “care” and its potential relevance as a political project in medical and other domains.
Second,
we will track care’s associated meanings and consequences across a range of contents, communities, and geographies of care.
Third
, we will remain alert to the temporal dimensions of care, as envisioned and experienced historically, in the here-and-now, and in the futuristic world of science fiction.
Finally,
we will consider the moral underpinnings of intra-human alongside interspecies care.
Enrollment limited to 10; 4 points
French and francophone literature from past centuries is replete with queer and feminist literary utopias. While some French-language authors have imagined fictional places where patriarchal structures have been weakened or reversed, others have imagined worlds in which the category of gender itself has been problematized or done away with. This course introduces students to the rich and long history of such texts from the middle ages to the present. Authors and filmmakers will include Christine de Pizan, George Sand, Alice Guy, Monique Wittig, Hélène Cixous, Léonora Miano, Mati Diop, Céline Sciamma and Paul Preciado. Class taught entirely in French.
Companies (or, as we’ll mostly refer to them, firms) play a number of important roles in both domestic and international politics; among other activities, they create jobs, engage in trade and in-vestment, create social responsibility programs, lobby governments, and create much of the world’s pollution. How should we think about firms as political actors? Why, when, and how do firms attempt to influence policymaking? And when do they succeed? In this course, we will study strategic collaboration, competition, and collusion between firms and governments in a range of settings and policy areas. To do so, we will draw on insights from international relations, economics, and business scholars, and we will frequently engage with current real-world examples of business-government relations. Topics will include (among others) lobbying, corporate social responsibility, taxation and tax avoidance, public-private governance, and corporate influence in foreign policy.
This course surveys Latin American literary texts that have deeply engaged with disability in the
20 th and 21 st century. Against the tendency to treat disability merely as a useful metaphor or to
simply import Global Northern vocabulary and methodologies of disability studies to other
locations, this course turns to Latin American literary texts by authors that have been directly
“touched” by disability to foreground the concerns, vocabularies, and commitments that their
texts reveal. This includes authors who either through their personal experience with disability
or as caretakers—as parents, siblings, or close friends of people with disabilities—have closely
grappled with the experience of non-normative bodies and minds in the Latin American
context. In this course we ask how are subjects with disabilities represented in a variety of
genres (novel, essay, poem, graphic novel) and what constraints and possibilities circumscribe
these subjectivities and their lives. Ultimately, we will ask what vision of disability justice
emerges from these localized experiences and creative interventions beyond now globalized
disability discourses of inclusion/access and independence/autonomy.
This undergraduate seminar offers an introduction to the study of mass media and politics in Latin America from the early 19th to the early 21st century. Throughout the course, the students will get acquainted with some of the key concepts, problems, and methods through which historians and communication scholars have probed the relationship between mass media and political power in the region. We will define and understand media broadly, but we will focus largely on printed media and, to a lesser extent, radio, cinema, and television. We will discuss both breaks and continuities between different media technologies, journalistic cultures, and political regimes. Knowledge of Spanish is welcome, but not mandatory.
An overview of active research areas in Operations Research and Data Analytics, and an introduction to the essential components of research studies. This course helps students develop fundamental research skills, including paper reading, problem formulation, problem-solving, scientific writing, and research presentation. Classes are in seminar format, with students analyzing research papers, developing research projects, and presenting research findings.
Guided exploration of chemistry research using modern library resources. Topics include: organization and evaluation of information, information ethics, the history of citation, and use of databases. Culminates in the creation of an online research guide on a specific chemistry topic, using a variety of carefully considered and annotated sources.
The course will investigate the impact of racial identity among Latinx in the U.S. on cultural production of Latinos in literature, media, politics and film. The seminar will consider the impact of bilingualism, shifting racial identification, and the viability of monolithic terms like Latinx. We will see how the construction of Latinx racial identity affects acculturation in the U.S., with particular attention to hybrid identities and the centering of black and indigenous cultures. Examples will be drawn from different Latinx ethnicities from the Caribbean, Mexico and the rest of Latin America.
A basic course in communication theory, stressing modern digital communication systems. Nyquist sampling, PAM and PCM/DPCM systems, time division multipliexing, high frequency digital (ASK, OOK, FSK, PSK) systems, and AM and FM systems. An introduction to noise processes, detecting signals in the presence of noise, Shannons theorem on channel capacity, and elements of coding theory.
Traditional film history has consigned a multitude of cinema practices to an inferior position. By accepting Hollywood’s narrative model as central, film scholars have often relegated non-male, non-white, non-Western films to a secondary role. Often described as “marginal” or “peripheral” cinemas, the outcomes of these film practices have been systematically excluded from the canon. Yet… are these motion pictures really “secondary”? In relation to what? And according to whom? This course looks at major films by women filmmakers of the 20th Century within a tradition of political cinema that 1) directly confronts the hegemonic masculinity of the Hollywood film industry, and 2) relocates the so-called “alternative women’s cinema” at the core of film history. Unlike conventional feminist film courses, which tend to be contemporary and anglocentric, this class adopts a historical and worldwide perspective; rather than focusing on female directors working in America today, we trace the origins of women’s cinema in different cities of the world (Berlin, Paris, New York) during the silent period, and, from there, we move forward to study major works by international radical directors such as Lorenza Mazzetti, Agnès Varda, Forough Farrokhzad, Věra Chytilová, Chantal Akerman, Lina Wertmüller, Barbara Loden, Julie Dash, and Mira Nair. We analyse how these filmmakers have explored womanhood not only as a source of oppresion (critique of patriarchal phallocentrism, challenge to heteronormativity, etc) but, most importantly, as a source of empowerment (defense of matriarchy, equal rights, lesbian love, inter- and transexuality...). Required readings include seminal texts of feminist film theory by Claire Johnston, Laura Mulvey, Ann Kaplan, bell hooks, and Judith Butler. Among the films screened in the classroom are silent movies –
Suspense
(Lois Weber, 1913),
The Seashell and the Clergyman
(Germaine Dulac, 1928)—, early independent and experimental cinema –
Girls in Uniform
(Leontine Sagan, 1931),
Ritual in Transfigured Time
(Maya Deren, 1946)—, “new wave” films of the 1950s and 1960s –
Cléo from 5 to 7
(Varda, 1962),
Daisies
(Chytilová, 1966)–,
auteur
cinema of the 1970s –
Seven Beauties
(Wertmüller, 1974),
Jeanne Dielman
(Akerman, 1975)–, and documentary films –
This course examines the basic methods data analysis and statistics that political scientists use in quantitative research that attempts to make causal inferences about how the political world works. The same methods apply to other kinds of problems about cause and effect relationships more generally. The course will provide students with extensive experience in analyzing data and in writing (and thus reading) research papers about testable theories and hypotheses. It will cover basic data analysis and statistical methods, from univariate and bivariate descriptive and inferential statistics through multivariate regression analysis. Computer applications will be emphasized. The course will focus largely on observational data used in cross-sectional statistical analysis, but it will consider issues of research design more broadly as well. It will assume that students have no mathematical background beyond high school algebra and no experience using computers for data analysis.
Large Language Models (LLMs) such as GPT-3, ChatGPT, LLaMA are models that are trained on large amounts of data and are adaptable to a wide range of tasks. They are the basis of most state-of-the-art systems in Natural Language Processing. While the potential of these technologies for social good is large, the risks are also comparable. In this course, the students will learn the fundamentals about the modeling, theory and ethical aspects of LLMs and their applications, while gaining experience working with them. The course will be structured as a seminar, where one class is dedicated to instructor-led lecture and one to studentled discussion of papers around topics covered in the lecture. Each paper discussion will be structured as a panel of 3-4 students, each with an assigned role. Each panel role covers one aspect of critically assessing an academic/industry paper. Everyone in the class should participate by commenting and asking questions from the panel. The class is project-based, meaning there will be a semester-long project focused on evaluating LLMs and/or building LLMs around a topic/problem/task you care about, with an end of semester final paper. The projects will be done by groups of 3-4 students.
Prerequisite(s): COMS W3134 or W3136 or W3137 (or equivalent). Background in probability/statistics and linear algebra is also required and experience with Python programming is strongly encouraged. Some previous or concurrent exposure to NLP, AI or machine learning is beneficial, but not required.
By employing statistical and computational methods, including randomized controlled trials, natural experiments, and machine learning techniques, students will engage directly with real-world data to uncover the intricacies of persuasion across different sectors, including but not limited to quantifying the effects of partisan media, social media, and political campaigns. The course will also delve into the historical evolution of these persuasive techniques, providing students with a rich contextual background to better understand current trends and anticipate future developments.
This course fulfills the quantitative methods requirement for the Political Science major.
This class aims to introduce students to the logic of social scientific inquiry and research design. Although it is a course in political science, our emphasis will be on the science part rather than the political part — we’ll be reading about interesting substantive topics, but only insofar as they can teach us something about ways we can do systematic research. This class will introduce students to a medley of different methods to conduct social scientific research.
This is the required discussion section for
POLS UN3720.
Surrounded by friends on the morning of his state-mandated suicide, Socrates invites them to join him in considering the proposition that philosophizing is learning how to die. In dialogues, essays, and letters from antiquity to early modernity, writers have returned to this proposition from Plato’s
Phaedo
to consider, in turn, what it means for living and dying well. This course will explore some of the most widely read of these works, including by Cicero, Seneca, Jerome, Augustine, Boethius, Petrarch, and Montaigne, with an eye to the continuities and changes in these meanings and their impact on the literary forms that express them.
Application instructions: E-mail Prof. Eden (khe1@columbia.edu) with your name, school, major, year of study, and relevant courses taken, along with a brief statement about why you are interested in taking the course. Admitted students should register for the course; they will automatically be placed on a wait list from which the instructor will in due course admit them as spaces become available.