INTRO LIT/METHODS OF ART HIST

Required course for department majors. Not open to Barnard or Continuing Education students. Students must receive instructors permission. Introduction to different methodological approaches to the study of art and visual culture. Majors are encouraged to take the colloquium during their junior year.

• Department: Art History and Archaeology
• T 10:10 a.m.-noon
• None None-None
• Instructor: Noam M Elcott
  CULPA: 6 h-index: 7 Info
• Instructor: Avinoam Shalem
  CULPA: 4 Wikipedia Info
• 4 points

Outlaws & Tricksters of Arabic Literatur

TRICKSTERS IN ARABIC LIT

What is so fascinating about outlaws and tricksters? They can be alluring and terrifying, creative and destructive. They wear disguises, upend the plans of their fellow humans, and bend societies to their will. They are unsettled and unsettling. But this course suggests that there is no single figure of the trickster. Rather, the significance of writing about tricksters and outlaws varies from text to text and from place to place. In this course, we will explore texts, mostly from the pre-modern period, written in Arabic (and sometimes Persian and Sanskrit) that depict outlaws and tricksters. We will ask after what texts are doing in the world when they tell stories that seem to celebrate and delight in the subversive, the strange, and the sinister. To help us think through these questions, we will also read divergent theories about outlaws, tricksters, and other subversives. At the end of the course, we will read the award-winning Iraqi novel Frankenstein in Baghdad.

• Department: Asian and Middle East @Barnard
• M 6:10 p.m.-8 p.m.
• Instructor: Matthew L Keegan
  CULPA: 8 Info
• 4 points

THE ART OF STRUCTURAL DESIGN

Basic scientific and engineering principles used for the design of buildings, bridges, and other parts of the built infrastructure. Application of principles to analysis and design of actual large-scale structures. Coverage of the history of major structural design innovations and of the engineers who introduced them. Critical examination of the unique aesthetic/artistic perspectives inherent in structural design. Consideration of management, socioeconomic, and ethical issues involved in design and construction of large-scale structures. Introduction to recent developments in sustainable engineering, including green building design and adaptable structural systems.

• Department: Civil Engineering and Engineering Mechanics
• MW 2:40 p.m.-3:55 p.m.
• Instructor: George Deodatis
  CULPA: 6 h-index: 42 Info
• 3 points

GLOBAL LONG-FORM PHOTOGRAPHY: HISTORY AN

This course explores the photographic essay as a distinct visual language. We will examine how photographic artists and photojournalists use sequences of images to construct narratives that communicate complex ideas about the past. In an age when nearly everyone carries a camera to capture the present, many photographers have turned their lenses toward the past to illuminate personal histories and collective memories. Through weekly seminars, we will explore how contemporary photographers around the world challenge national narratives and reimagine history. We will consider how photography—often seen as the medium most bound to the present—can evoke what is absent or lost. Focusing on artists from Asia, Africa, Latin America, North America, and the Middle East, we will explore how their work engages collective memory in relation to dictatorship, state violence, and contested histories. Finally, we will investigate how artists have used re-enactment, commemoration, re-imaging, and inclusive archiving to engage with history and memory through visual practice.

• Department: Comparative Literature and Society @Barnard
• W 4:10 p.m.-6 p.m.
• Instructor: Diana Matar
  Info
• 4 points

THEORY AND CULTURE

Required of all majors. Introduces theories of culture particularly related to the Middle East, South Asia. and Africa. Theoretical debates on the nature and function of culture as a symbolic reading of human collectivities. Examines critical cultural studies of the Middle East, South Asia, and Africa. Enables students to articulate their emerging knowledge of Middle East, South Asian, and African cultures in a theoretically informed language.

• Department: Middle Eastern, South Asian and African Studies
• TR 10:10 a.m.-11:25 a.m.
• 4 points

SOCIAL THEORY

Prerequisites: Sophomore standing. Required for all sociology majors. Prerequisite: at least one sociology course of the instructor's permission. Theoretical accounts of the rise and transformations of modern society in the19th and 20th centuries. Theories studied include those of Adam Smith, Tocqueville, Marx, Durkheim, Max Weber, Roberto Michels. Selected topics: individual, society, and polity; economy, class, and status: organization and ideology; religion and society; moral and instrumental action.

• Department: Sociology @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Andrew S Anastasi
  Info
• 4 points

INTRODUCTION TO HUMAN RIGHTS

Evolution of the theory and content of human rights; the ideology and impact of human rights movements; national and international human rights law and institutions; their application with attention to universality within states, including the U.S. and internationally.

• Department: Institute for Study of Human Rights
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Glenn Mitoma
  Info
• 3 points

SYSTEMS AND BEHAVIORAL NEUROSCIENCE

This course provides an in-depth examination of the physiological bases of behavior and the development, organization, and function of the nervous system. Specific topics include methods used in behavioral neuroscience, development of the nervous system, sensory and motor systems, homeostasis, sexual differentiation, biological rhythms, stress, learning and memory, psychopathology, and neurological disorders.

• Department: Neuroscience & Behavior @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Russell D Romeo
  CULPA: 9 Info
• 3 points

Social Theory- DISC

SOCIAL THEORY- DISC

Discussion section for Social Theory (SOCI UN3000).

• Department: Sociology @Barnard
• 0 points

Social Theory- DISC

SOCIAL THEORY- DISC

Discussion section for Social Theory (SOCI UN3000).

• Department: Sociology @Barnard
• 0 points

Social Theory- DISC

SOCIAL THEORY- DISC

Discussion section for Social Theory (SOCI UN3000).

• Department: Sociology @Barnard
• 0 points

Social Theory- DISC

SOCIAL THEORY- DISC

Discussion section for Social Theory (SOCI UN3000).

• Department: Sociology @Barnard
• 0 points

SENIOR THESIS

Prerequisites: the departments permission. Required for all thesis writers.

• Department: Art History and Archaeology
• T 2:10 p.m.-4 p.m.
• Instructor: Barry G Bergdoll
  CULPA: 1 Info
• 3 points

Mapping Myth

Mythologies of the ancient Mediterranean are inextricably bound to geography, from conceptual spaces to specific places. While their relationship is extensive and diverse, it can be divided into six main categories: the specific places that the narratives of myth were believed to have occurred; the metamorphic shaping and divine animation of landscapes; places that memorialize the events of myth in ritual; ties between the events and individuals of myth and real-world toponyms; places that myths are depicted in public and private spaces; and the harnessing and manipulation of myth in human activities and interactions, from poetic performance to civic propaganda to identity politics. In this course, we explore myth through the various spatial lenses that these categories afford, while learning to use the spatial systems software QGIS and some methods of spatial analysis. Depending on the semester, this course will focus on either Greek or other Mediterranean mythologies; see course note.

• Department: Classics @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Darcy Krasne
  h-index: 5 Info
• 3 points

ADVANCED GERMAN II

Corequisites: Course either taken before or after GERM V3001. Intensive practice in oral and written German. Discussions, oral reports, and weekly written assignments, based on material of topical and stylistic variety taken from German press and from literary sources.

• Department: German @Barnard
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Irene Motyl
  CULPA: 14 Info
• 3 points

SUPERVISED PROJ PHOTOGRAPHY

SUPERVISED PHOTO PROJECTS

In this course, you will conduct independent projects in photography in a structured setting under faculty supervision.  You are responsible for arranging for your photographic equipment in consultation with the instructor.

This course will afford you a framework in which to intensively develop a coherent body of photographs, critique this work with your classmates, and correlate your goals with recent issues in contemporary photography.  

Students are required to enroll in an additional fifteen contact hours of instruction at the International Center for Photography. Courses range from one-day workshops to full-semester courses. 

Permission of instructor only.  The class will be limited to 20 students.

• Department: Art History @Barnard
• T 10:10 a.m.-noon
• Instructor: John Miller
  CULPA: 2 Info
• 4 points

MECHANICS

Prerequisites: general physics, and differential and integral calculus. Newtonian mechanics, oscillations and resonance, conservative forces and potential energy, central forces, non-inertial frames of reference, rigid body motion, an introduction to Lagranges formulation of mechanics, coupled oscillators, and normal modes.

• Department: Physics
• MW 10:10 a.m.-11:25 a.m.
• Instructor: John Parsons
  CULPA: 31 Info
• 3 points

Photographing the Anthropocene

How have artists been informed and influenced by the natural world? This course will examine how photographic artists have responded to nature, ecology, and the environment. Augmented by literary texts by artists, scientists, poets, and ecologists, we will explore how close-looking might inform an artist’s practice regarding the living environment - its bounty - and its degradation. Readings include texts by Robin Wall Kimmerer, Masanobu Fukuoka, Robert Macfarlane, Terry Tempest Williams, Rebecca Solnit, Barry Lopez, John McPhee, Akira Hasegawa, and others. Calling on a canon of photographic works from around the globe, students will study book-length photographic essays whose makers have seen art as a form of praise of the natural world and those who investigate the relationship between art and environmental activism. Susan Derges; Meghann Riepenhoff; Masahisa Fukashe; Pedro David; Stephen Gill; Ron Jude; Dornith Doherty; David Maisel, Zhao Renhui; Mandy Barker; Pablo Lopez Luz are some of the artists studied. The course will start by exploring techniques photographers have used over the past two centuries to respond to the natural world’s beauty and complexity. During the second half of the term, we will examine how artists have depicted shrinking natural landscapes, environmental destruction, and global warming and why they might question human centrality in the sentient world. Students will produce a semester-long photographic project on an ecological theme. This course will start by exploring techniques photographers have used over the past century to respond to the natural world’s beauty and complexity. During the second half of the term, we will examine how contemporary photographers are depicting shrinking natural landscapes, environmental destruction, and global warming and why some artists are beginning to question human centrality in the sentient world.

• Department: Art History @Barnard
• R 2:10 p.m.-5 p.m.
• Instructor: Diana Matar
  Info
• 4 points

THIRD YEAR CHINESE II

This course offers an expansive journey into the Chinese language and culture. It focuses on essential semi-formal and formal writing skills while refining discourse-level competency. Students will enhance their linguistic abilities and communication skills in Chinese through reading and writing assignments, oral presentations, and discussions. This approach fosters adept communication and a deeper connection with the complexities of Chinese culture, preparing students to engage thoughtfully with contemporary issues and traditions.

• Department: East Asian Languages and Cultures
• MTWR 1:10 p.m.-2:15 p.m.
• MTWR 2:40 p.m.-3:45 p.m.
• MTWR 4:10 p.m.-5:15 p.m.
• Instructor: Jia Xu
  CULPA: 2 Info
• Instructor: Zhirong Wang
  CULPA: 11 Info
• Instructor: Yanwen Wu
  Info
• 5 points

URBAN INFRASTRUCTURE SYSTEMS

Introduction to: (a) the infrastructure systems that support urban socioeconomic activities and (b) fundamental system design and analysis methods. Coverage of water supply, transportation, buildings, and energy infrastructure, as well as their interdependencies. Emphasis upon the process that these systems serve, the factors that influence their performance, the basic mechanisms that govern their design and operation, and the impacts that they have regionally and globally. Student teams complete a design/analysis project on a large-scale urban development site in New York City with equal emphasis given to water resources/environmental engineering, geotechnical engineering, and construction engineering and management topics.

• Department: Civil Engineering and Engineering Mechanics
• M 4:10 p.m.-6:40 p.m.
• Instructor: Markus Schlaepfer
  Info
• 3 points

ACTING I

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Course develops physical, vocal, and imaginative range and skills needed to approach the text of a play: text analysis, speech exercises, non-verbal behavior, improvisation designed to enhance embodiment, movement, and projection. 
Gateway course to advanced courses; transfer students who have previous college-level course may be exempted with approval of Chair
.
 May be retaken for full credit.

• Department: Theatre @Barnard
• F 12:10 p.m.-4 p.m.
• TR 9:10 a.m.-11 a.m.
• MW 2:10 p.m.-4 p.m.
• MW 12:10 p.m.-2 p.m.
• TR 2:10 p.m.-4 p.m.
• Instructor: Elena Zucker
  Info
• Instructor: David L Skeist
  Info
• Instructor: Kareem Lucas
  Info
• Instructor: Tina C Mitchell
  CULPA: 1 Info
• Instructor: Gisela D Cardenas Ojeda
  Info
• 3 points

Introduction to Caribbean Art

This course is a broad survey of art from the Caribbean region, spanning indigenous Taíno, Kalinago, and Garifuna art, contemporary art of the Caribbean and its diaspora, and art from the colonial era. The course will cover the history of the region including indigenous cultures from first Columbian contact to today, European exploration, arrivals, and conceptions of the “New World,” plantation economies, the transatlantic slave trade, the Haitian Revolution, art of maroon communities, and the syncretism of Afro-Caribbean spiritual practices like Vodou, Santería, Palo Monte, and the Abakuá. Throughout the semester, we will examine definitions of the term “Caribbean.” We ask if the term should be limited geographically to the Caribbean basin or take on a more cultural valence, expanding to places like Louisiana and Brazil, both of which share significant historical and cultural similarities with the countries from the Caribbean basin. Major themes of the class will include the impacts of colonialism, the transatlantic slave trade, the formation of the Afro-Atlantic diaspora, and legacies of the colonial era in contemporary art.

• Department: African American and African Diaspora
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Rachel Grace Newman
  Info
• 3 points

NEUROBIO II: DEVPT & SYSTEMS

Prerequisites: One year of biology,  BIOL UN3004 or instructors permission in case the student hasn't take it. This course is the capstone course for the Neurobiology and Behavior undergraduate major at Columbia University. It is designed for advanced undergraduate and graduate students. Knowledge of  Cellular Neuroscience (how an action potential is generated and how a synapse works) will be assumed. It is recommended that students take BIOL UN3004 Neurobiology I: Molecular and Cellular Neuroscience, or a similar course, or obtain instructors permission. Website for BIOLUN3005: 
https://blogs.cuit.columbia.edu/rmy5/files/2022/01/syllabus.UN3005.2022.v4-lab.pdf

• Department: Biological Sciences
• TR 10:10 a.m.-11:25 a.m.
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Maria Tosches
  Info
• Instructor: Darcy B Kelley
  CULPA: 4 Wikipedia Info
• 4 points

THEORY AND CULTURE-DISC

• Department: Middle Eastern, South Asian and African Studies
• W 5:10 p.m.-6 p.m.
• W 6:10 p.m.-7 p.m.
• 0 points

ACTING II

ACTING II: SUZUKI

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Students must have taken Acting I or equivalent to be eligible for Acting II sections. Acting II will offer several different sections, focusing on a specific range of conceptual, embodiment, and physical acting skills. Please check with the Theatre Department website forspecific offerings and audition information. May be retaken for full credit.  All sections of Acting II fullfull the “Arts and Humanities” Foundations requirement at Barnard College.

• Department: Theatre @Barnard
• MW 9:10 a.m.-11 a.m.
• Instructor: Tina C Mitchell
  CULPA: 1 Info
• 3 points

ACTING II

ACTING II: CTMP MUS THTR

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Students must have taken Acting I or equivalent to be eligible for Acting II sections. Acting II will offer several different sections, focusing on a specific range of conceptual, embodiment, and physical acting skills. Please check with the Theatre Department website forspecific offerings and audition information. May be retaken for full credit.  All sections of Acting II fullfull the “Arts and Humanities” Foundations requirement at Barnard College.

• Department: Theatre @Barnard
• TR 4:10 p.m.-6 p.m.
• Instructor: Mana Allen
  CULPA: 1 Info
• 3 points

ACTING II

ACTING II: CHEKHOV/VIEWPOINTS

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Students must have taken Acting I or equivalent to be eligible for Acting II sections. Acting II will offer several different sections, focusing on a specific range of conceptual, embodiment, and physical acting skills. Please check with the Theatre Department website forspecific offerings and audition information. May be retaken for full credit.  All sections of Acting II fullfull the “Arts and Humanities” Foundations requirement at Barnard College.

• Department: Theatre @Barnard
• TR 12:10 p.m.-2 p.m.
• Instructor: Gisela D Cardenas Ojeda
  Info
• 3 points

ACTING II

ACTING II: COMEDY

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Students must have taken Acting I or equivalent to be eligible for Acting II sections. Acting II will offer several different sections, focusing on a specific range of conceptual, embodiment, and physical acting skills. Please check with the Theatre Department website forspecific offerings and audition information. May be retaken for full credit.  All sections of Acting II fullfull the “Arts and Humanities” Foundations requirement at Barnard College.

• Department: Theatre @Barnard
• MW 9:10 a.m.-11 a.m.
• Instructor: Crystal Finn
  Info
• 3 points

PHYSIOLOGY

In this primarily human physiology course, we will discuss how the major organ systems function, with an emphasis on cellular, molecular, and physical mechanisms. Organ systems covered include musculoskeletal, cardiovascular, respiratory, urinary, and digestive systems. Traditional lectures focus primarily on the normal functioning of organ systems, while pathophysiology is introduced through five case studies during the semester. After this course, students should be able to 1) describe the basic functioning of the major organ systems and how they contribute to homeostasis and health, 2) apply key concepts in physics and chemistry, such as flow, pressure/volume relationships, and mass action, to physiological systems, 3) use key concepts in molecular and cell biology to gain a mechanistic understanding of physiological processes, explain how organ systems work in an integrated way to achieve homeostasis and health, and 4) predict changes in organ function upon drug treatment, genetic mutation, or disease conditions.

• Department: Biological Sciences
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Ava E Brent
  Info
• 3 points

THIRD YEAR CHINESE W II

Prerequisites: CHNS W4005 or the equivalent. Admission after Chinese placement exam and an oral proficiency interview with the instructor. Especially designed for students who possess good speaking ability and who wish to acquire practical writing skills as well as business-related vocabulary and speech patterns. Introduction to semiformal and formal Chinese used in everyday writing and social or business-related occasions. Simplified characters are introduced.

• Department: East Asian Languages and Cultures
• MWR 10:10 a.m.-11:25 a.m.
• Instructor: Hailong Wang
  CULPA: 22 Info
• 5 points

COMPOSITION AND CONVERSATION

Prerequisites: Enrollment limited to 12 students. Discussions on contemporary issues and oral presentations. Creative writing assignments designed to improve writing skills and vocabulary development. FREN BC1204: French Intermediate II or the equivalent level is required.

• Department: French @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Karen Santos da Silva
  CULPA: 4 Info
• 3 points

THIRD YEAR JAPANESE II

Prerequisites: JPNS W4005 or the equivalent. Readings in authentic/semi-authentic texts, videos, and class discussions.

• Department: East Asian Languages and Cultures
• MTWR 10:10 a.m.-11:15 a.m.
• MTWR 2:40 p.m.-3:45 p.m.
• Instructor: Kyoko M Loetscher
  CULPA: 3 Info
• Instructor: Mihoko Yagi
  Info
• 5 points

THIRD YEAR KOREAN II

Prerequisites: KORN W1202 or the equivalent and consultation with instructor. (See Entrance to Language Courses Beyond the Elementary Level in the main bulletin under Department of Instruction -- East Asian Languages and Cultures.) Readings in modern Korean. Selections from modern Korean writings in literature, history, social sciences, culture, and videos and class discussions.

• Department: East Asian Languages and Cultures
• MTWR 11:40 a.m.-12:45 p.m.
• Instructor: Sue Yoon
  Info
• 5 points

QUANTUM PHYSICS

Prerequisites: BC3001 or C2601 or the equivalent. Wave-particle duality and the Uncertainty Principle. The Schrodinger equation. Basic principles of the quantum theory. Energy levels in one-dimensional potential wells. The harmonic oscillator, photons, and phonons. Reflection and transmission by one-dimensional potential barriers. Applications to atomic, molecular, and nuclear physics.

• Department: Physics and Astronomy @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Reshmi Mukherjee
  CULPA: 7 Wikipedia h-index: 63 Info
• 3 points

COMPLEX VARIABLES

Prerequisites: MATH UN1202 An elementary course in functions of a complex variable. Fundamental properties of the complex numbers, differentiability, Cauchy-Riemann equations. Cauchy integral theorem. Taylor and Laurent series, poles, and essential singularities. Residue theorem and conformal mapping.(SC)

• Department: Mathematics
• TR 8:40 a.m.-9:55 a.m.
• Instructor: Sangiovanni Vincentelli Marco
  Info
• 3 points

ELECTROMAGNETIC WAVES & OPTICS

Prerequisites: PHYS UN3008 Maxwells equations and electromagnetic potentials, the wave equation, propagation of plane waves, reflection and refraction, geometrical optics, transmission lines, wave guides, resonant cavities, radiation, interference of waves, and diffraction.

• Department: Physics
• TR 2:40 p.m.-3:55 p.m.
• Instructor: James W McIver
  Info
• 3 points

Conversational Chinese II

Conversational Chinese II is the continuation of Conversational Chinese I, both of which are designed for students with at least two years of college-level Chinese who wish to improve their conversational skills. It focuses on practical speaking and listening in real- world contexts, emphasizing fluency, vocabulary expansion, and cultural competence. Students will develop confidence in expressing opinions, narrating experiences, and engaging in spontaneous conversations on everyday andcontemporary topics.

Note: This Course CANNOT be used to fulfill the language requirement.

• Department: East Asian Languages and Cultures
• TR 2:40 p.m.-3:30 p.m.
• MW 2:40 p.m.-3:30 p.m.
• Instructor: Jia Xu
  CULPA: 2 Info
• 2 points

FIELD GEOLOGY

The centerpiece of this course is a geological field trip during Spring Break in Barbados. The class will meet weekly before the trip to prepare for it and after the trip to synthesize what was learned and to create a field guide. Subjects to be covered: plate tectonics, convergent plate margins and accretionary prisms, local Barbados geology; ice ages, Milankovitch cycles, sea level; introduction to coral reefs and fossil coral reef geology; Barbados terrestrial ecology; limestone caves, hydrology; dating methods; overview of Barbados history, economy, culture. In order to observe the modern-day coral reef (the modern day live analog to the fossil coral reefs we will see) the class will go snorkeling. In order to observe the effects of cave formation and water flow in limestone terrains the class will participate in an extensive visit to a cave. The class will also participate in an exercise in geological mapping of a series of coral reef terraces.

Priority: Priority is given to junior and senior majors and concentrators in Earth Science or Environmental Science at Columbia College and the School of General Studies, and Barnard College Environmental Science majors and minors. Others (non-DEES majors and non-Barnard Environmental Science students) may also be allowed to enroll if space permits. All students need permission of the instructor. Students who sign up will be put on a waitlist and will be considered after contacting the instructor.

• Department: Earth and Environmental Sciences
• T 7 p.m.-8:50 p.m.
• 3 points

METHODS FOR SOCIAL RESEARCH

Prerequisites: SOCI UN1000 The Social World or Instructor Permission Required for all Sociology majors. Introductory course in social scientific research methods. Provides a general overview of the ways sociologists collect information about social phenomena, focusing on how to collect data that are reliable and applicable to our research questions.

• Department: Sociology
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Gerard Torrats-Espinosa
  h-index: 6 Info
• 4 points

COLLAGE: MIXED MEDIA

Prerequisites: (VIAR UN1000) (Formerly R3515) This course approaches drawing as an experimental and expressive tool. Students will explore the boundaries between drawing and sculpture and will be encouraged to push the parameters of drawing. Collage, assemblage and photomontage will be used in combination with more traditional approaches to drawing. The class will explore the role of the imagination, improvisation, 3-dimensional forms, observation, memory, language, mapping, and text. Field trips to artists’ studios as well as critiques will play an important role in the course. The course will culminate in a final project in which each student will choose one or more of the themes explored during the semester and create a series of artworks. This course is often taught under the nomenclature Drawing II - Mixed Media.

• Department: Visual Arts
• R 10 a.m.-4 p.m.
• Instructor: Diana Cooper
  Wikipedia Info
• 3 points

SHORT PROSE FORMS

Prerequisites: No Prerequisites. Department approval NOT required. Flash fiction, micro-naratives and the short-short have become exciting areas of exploration for contemporary writers. This course will examine how these literary fragments have captured the imagination of writers internationally and at home. The larger question the class seeks to answer, both on a collective and individual level, is: How can we craft a working definition of those elements endemic to short prose as a genre? Does the form exceed classification? What aspects of both crafts -- prose and poetry -- does this genre inhabit, expand upon, reinvent, reject, subvert? Short Prose Forms incorporates aspects of both literary seminar and the creative workshop. Class-time will be devoted alternatingly to examinations of published pieces and modified discussions of student work. Our reading chart the course from the genres emergence, examining the prose poem in 19th-century France through the works of Mallarme, Baudelaire, Max Jacob and Rimbaud. Well examine aspects of poetry -- the attention to the lyrical, the use of compression, musicality, sonic resonances and wit -- and attempt to understand how these writers took, as Russell Edson describes, experience and made it into an artifact with the logic of a dream. The class will conclude with a portfolio at the end of the term, in which students will submit a compendium of final drafts of three of four short prose pieces, samples of several exercises, selescted responses to readings, and a short personal manifesto on the short prose form.

• Department: Writing
• W 2:10 p.m.-4 p.m.
• Instructor: Alan Ziegler
  CULPA: 5 Info
• 3 points

THE SECOND WORLD WAR

This course surveys some of the major historiographical debates surrounding the Second World War. It aims to provide student with an international perspective of the conflict that challenges conventional understandings of the war. In particular, we will examine the ideological, imperial, and strategic dimensions of the war in a global context. Students will also design, research, and write a substantial essay of 15-18 pages in length that makes use of both primary and secondary sources.

• Department: History
• R 12:10 p.m.-2 p.m.
• Instructor: Paul T Chamberlin
  CULPA: 3 Info
• 4 points

PROBLEMS IN DRAWING

Prerequisites: VIAR R1000. (Formerly R4005) Students will connect with the very heart of the Western Art tradition, engaging in this critical activity that was the pillar of draftsmanship training from the Renaissance on through the early Modern Era. This pursuit is the common thread that links artists from Michelangelo and Rubens to Van Gogh and Picasso. Rigorous studies will be executed from plaster casts of antique sculptures, and pedagogical engravings. Students will confront foundational issues of academic training; assessing proportion and tonal value, structure and form. Hours will be spent on a single drawing pushing to the highest degree of accuracy in order develop a means for looking at nature. There is a focus on precision and gaining a thorough understanding of the interaction between light and a surface. This approach emphasizes drawing by understanding the subject and the physical world that defines it. While this training has allowed great representational artists of the past to unlock the poetry from the world around them and continues to inspire a surging new realist movement, it can also serve as a new way of seeing and a launching point for achieving creative goals. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• T 5 p.m.-9 p.m.
• Instructor: Edward Minoff
  CULPA: 4 Info
• 3 points

African Voices & Colonial Documents: Uga

AFR Voices & COL Docs: Ug

This course introduces students to researching and writing African colonial history with a specific focus on Uganda. Students will be guided through the missionary sources available at Columbia and we will discuss how African voices can and cannot be found in these archives. At the end of the semester students will have produced an original primary source paper on Ugandan history.

• Department: History
• T 4:10 p.m.-6 p.m.
• Instructor: Rhiannon Stephens
  CULPA: 2 Info
• 4 points

Music as Black Archive

This seminar explores Black musical history as a vital site of memory, archive, and storytelling, centering music within Black experience, history, and culture. Framed as a seminar on musical thought, the course begins in the early 1900s and moves to the present day, tracing how Black music in the United States has functioned as a vessel for preserving history, shaping Black intellectual traditions, and narrating lived experience. Through practices of deep listening, students critically examine not only what we hear, but how we hear—interrogating racialized listening and the ways Black sound has been interpreted, appropriated, and institutionalized. Drawing on the ideals of early twentieth-century Black intellectuals, the course positions Black music as a space of resistance and an archive in its own right. Students engage Black archive practices and explore their connection to Black intellectual history, considering how African diasporic lineages shape Black music as ancestral expression. The seminar asks: What is Black music’s function in the United States? How has it helped form the broader national narrative? Through close study of genres such as funk, Hip Hop, opera, jazz, and R&B, in connection with and artists and composers such as Duke Ellington, Beyonce, D’Angelo, and Betty Davis,  students examine how Black musical forms carry cultural memory across generations. The course also interrogates how Black culture is displayed and curated in spaces not originally built for Blackness, challenging traditional frameworks of preservation and performance. Ultimately, the seminar invites students to understand  black music not simply as sound, but as a intentional intellectual, cultural, and historical practice.

• Department: Music
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Sasha Doster
  Info
• 3 points

ECONOMIC HISTORY-UNITED STATES

Prerequisites: ECON BC3035 or ECON BC3033, or permission of the instructor. Economic transformation of the United States from a small, open agrarian society in the late colonial era to the leading industrial economy of the 20th century. Emphasis is given to the quantitative, institutional, and spatial dimensions of economic growth, and the relationship between the changing structures of the economy and state.

• Department: Economics @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: David Weiman
  CULPA: 40 Info
• 3 points

LABORATORY IN MATERIALS SCI II

Metallographic sample preparation, optical microscopy, quantitative metallography, hardness and tensile testing, plastic deformation, annealing, phase diagrams, brittle fracture of glass, temperature and strain-rate dependent deformation of polymers; written and oral reports. This is the second of a two-semester sequence materials laboratory course.

• Department: Applied Physics and Applied Mathematics
• Instructor: Ismail C Noyan
  CULPA: 7 Info
• 3 points

ADVANCED ORAL FRENCH

Prerequisites: At least one French course after completion of FREN BC1204: Intermediate II or permission of the instructor. Oral presentations and discussions of French films aimed at increasing fluency, acquiring vocabulary, and perfecting pronunciation skills.

• Department: French @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Anne Boyman
  CULPA: 16 Info
• 3 points

MODERN POLITICAL THOUGHT

This course is a survey of modern political theory (approximately the 16th-19th centuries), examining the revolutionary challenges to classical and medieval political philosophy posed by such writers as Hobbes, Locke, Rousseau, Burke, and Marx. Our work seeks to address themes and questions such as: what is modern about modern political theory? What is human nature? What is power and how is it deployed? What are the possibilities and limits of social contract theory? What are the nature and scope of rights, duties, freedom, and equality? What is the relation between the state and the individual? What are rights and do they authorize political resistance? What are the core modern political values and how do modern political theorists grapple with their implementation? Does modernity signify
an age of progress
in terms of knowledge about the world and freedom for human beings? Or do modern technological, political and social developments actually constitute
a new kind of prison
? How do modern political thinkers conceptualize or fail to conceptualize race and gender? In what ways can modern political thought animate thinking about contemporary politics?

Simultaneously, we seek to critically engage with these classic texts about politics, political subjects, and political life in two ways. First, we will question what “modern” or “modernity” means historically and theoretically; in doing so, we will interrogate practices and theories of exclusion and violence that seek to grant only some subjects and collectivities access to the presumed progress of “modernity.” Second, and in a related vein, we will analyze these texts for the discourses of race and gender they produce, both explicitly and tacitly. We pursue these objectives by examining contemporary readings of this time period and of the theorists upon whom we will focus.

• Department: Political Science @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Jonathan J Keller
  Info
• 3 points

ECONOMETRICS

Prerequisites: ECON BC3033 or ECON BC3035, and ECON BC2411 or STAT W1111 or STAT W1211, or permission of the instructor. Specification, estimation and evaluation of economic relationships using economic theory, data, and statistical inference; testable implications of economic theories; econometric analysis of topics such as consumption, investment, wages and unemployment, and financial markets.

• Department: Economics @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Anja Tolonen
  CULPA: 3 h-index: 8 Info
• 4 points

LABOR ECONOMICS

Prerequisites: ECON BC3035, or permission of the instructor. Factors affecting the allocation and remuneration of labor; population structure; unionization and monopsony; education and training, mobility and information; sex and race discrimination; unemployment; and public policy.

• Department: Economics @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: John Park
  CULPA: 4 Info
• 3 points

Writing Photography

Why does literature turn to photography? In 1931, Walter Benjamin prophesied that “captions would become the essential component of pictures” — but just as much as text has accompanied photographs, literary works for the past 150 years have not only commented on, but also incorporated photographs as part of their creative project. Over the course of the semester, we will look at a set of literary texts (with an emphasis on poetry) in which photography plays a central part, from Breton’s surrealist novel
Nadja
to Eve Ewing’s
1919
, an exploration of the 1919 Chicago Race Riot. Together, we will ask how writing and photography can work together to document history, construct new kinds of intimacies between author, subject, and audience, and play with the limits of creative form. We will also take a field trip to the Guggenheim’s Taryn Simon exhibit, to see how a contemporary artist uses the interplay of text and image to comment on our world today. The course has no prerequisites, and fulfills the New Media, Poetry, and Comparative requirements for the English major.

Over the course of the semester, we will journey through a series of paired texts, touching on themes of the city, experimentation, intimacy, war, and archive. As we go from pair to pair, we will begin to hear echoes of these themes resonate across works we read earlier on and works we are just encountering, from Jacob A. Riis’s 1890s record of New York slums and André Breton’s surreal 1920s Paris, to Hervé Guibert’s fragile domestic spaces and Don Mee Choi’s reappropriation of her father’s photographs. We will end with the film
The Unbearable Lightness 
of Being
, which brings together some of the strands running through our syllabus: the personal and the political, the gaze and the viewer, the past and the future.

• Department: English and Comparative Literature
• R 10:10 a.m.-noon
• Instructor: Alina Shubina
  Info
• 4 points

BIOMEDICAL ENGINEERING II

Various concepts within the field of biomedical engineering, foundational knowledge of engineering methodology applied to biological and/or medical problems through modules in biomechanics, bioinstrumentation, and biomedical imaging.

• Department: Biomedical Engineering
• MW 10:10 a.m.-11:25 a.m.
• 3 points

ANALYSIS OF CHEM ENGIN PROBLMS

Advance chemical-engineering problem-solving skills through the use of computational tools (primarily developed in Excel or Python).  Examples are drawn from thermodynamics, transport phenomena, and chemical kinetics. The course is project based, emphasizing data analysis and report writing. Unstructured collaboration with peers is highly encouraged. Requisite numerical methods and Chemical Engineering concepts introduced.

• Department: Chemical Engineering
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Alexander Urban
  h-index: 24 Info
• 3 points

NUMBER THEORY AND CRYPTOGRAPHY

Prerequisites: one year of calculus. Prerequisite: One year of Calculus. Congruences. Primitive roots. Quadratic residues. Contemporary applications.

• Department: Mathematics
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Yoonjoo Kim
  Info
• 3 points

MARKETING MANAGEMENT

Designed to provide students with an understanding of the fundamental marketing concepts and their application by business and non-business organizations. The goal is to expose students to these concepts as they are used in a wide variety of settings, including consumer goods firms, manufacturing and service industries, and small and large businesses. The course gives an overview of marketing strategy issues, elements of a market (company, customers, and competition), as well as the fundamental elements of the marketing mix (product, price, placement/distribution, and promotion).

• Department: Mendelson Center
• W 4:10 p.m.-6:40 p.m.
• Instructor: Silvia Bellezza
  h-index: 7 Info
• 3 points

MAJOR FRENCH TEXTS II

Prerequisites: FREN BC3021 may be taken for credit without completion of FREN BC3022. The Age of Enlightenment, Romanticism, Realism, and Symbolism. FREN BC1204: French Intermediate II or the equivalent level is required.

• Department: French @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Brian D O'Keeffe
  CULPA: 28 Info
• 3 points

Hauntings: Ghosts, Presences & Residues

Hauntings: Ghosts in Lit

“I believe
—
I know that ghosts
have
wandered the earth. Be with me always
—

take any form
—
drive me mad!”

 
—Emily Brontë
, Wuthering Heights

 

In this course we’ll expand our understanding of how writing is often the site of lingering, numinous, immaterial presences. We’ll begin with the tradition of
the ghost story
— a literary device beloved by writers for centuries across many genres. Beyond the consideration of the supernatural, we’ll also investigate more abstract capacities in which texts—and writers (and sometimes editors!)—are inevitably possessed by an
other
, a presence that lingers persistently, making itself known whether we welcome it or not. Memory and trauma are their own kinds of ghosts. Similarly, we’ll discover how traces of works by writers we admire, our teachers, even a specific text or image, can manifest as spectral forms inhabiting our work. We’ll address the complexities of those vestiges in terms of appropriation and originality—what Harold Bloom calls “the anxiety of influence.” Students will process and explore these ideas in both creative and analytical writings throughout the semester.

Course Books (available at Book Culture):

Eileen Myles
, Afterglow

Diana Khoi Nguyen,
Ghost Of

Lucie Brock Broido,

Trouble in Mind

Mary Reufle
, A Little White Shadow

Max Porter
, Grief is the Thing With Feathers

All other readings will be posted on Courseworks as PDFs.

• Department: Writing
• M 12:10 p.m.-2 p.m.
• Instructor: Samantha Zighelboim
  Info
• 3 points

FINANCIAL ECONOMICS

Prerequisites: ECON UN3211 and ECON UN3213 and STAT UN1201 Institutional nature and economic function of financial markets. Emphasis on both domestic and international markets (debt, stock, foreign exchange, eurobond, eurocurrency, futures, options, and others). Principles of security pricing and portfolio management; the Capital Asset Pricing Model and the Efficient Markets Hypothesis.

• Department: Economics @Barnard
• MW 2:40 p.m.-3:55 p.m.
• TR 8:40 a.m.-9:55 a.m.
• Instructor: Jose Cao-Alvira
  CULPA: 2 Info
• Instructor: Waldo Ojeda
  Info
• 3 points

INCLUSIVE APPROACHES TO TEACHING LITERAC

LITERACY: THEORY & PRACTI

This seminar engages students in an exploration of how schools prepare students to be literate across multiple subject areas. Engaging students with theory and practice, we will look at how students learn to read and write, considering approaches for literacy instruction from early childhood through adolescence. Understanding that schools are required to meet the needs of diverse learners, we will explore literacy instruction for K-12 students with special needs, multilingual learners, and students from diverse cultural backgrounds. This course requires 60 hours of clinical experience (fieldwork).

• Department: Education @Barnard
• W 5 p.m.-7:50 p.m.
• Instructor: Lisa Edstrom
  CULPA: 1 Info
• 6 points

BIRD,PLANT &LAND-USE DYNAMICS

Prerequisites: Enrollment limited to 16 students. One year of college-level science. Primarily for Environmental Majors, Concentrators and Minors. This class looks at the response of wildlife (birds and plants) to climate change and land-use issues from the end of the last glaciation to the present. Case study topics are: (1) land-use and climate change over time: a paleoenvironmental perspective, (2) environmental transformations: impact of invasive plants and birds and pathogens on local environments and (3) migration of Neotropical songbirds between their wintering and breeding grounds: land-use, crisis and conservation. We visit wildlife refuges along a rural-suburban-urban gradient in order to observe and measure the role refuges play in conservation.  Format: lecture, student presentations, short labs, data collection/analysis and field trips (some on a weekend day in April in place of the week day meeting).

• Department: Environmental Sciences @Barnard
• W 1:10 p.m.-3:40 p.m.
• Instructor: Terryanne Maenza-Gmelch
  CULPA: 14 h-index: 5 Info
• 3 points

Muslims of the US

• Department: Religion @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Hussein Rashid
  CULPA: 3 Info
• 3 points

PARTIAL DIFFERENTIAL EQUATIONS

Prerequisites: (MATH UN2010 and MATH UN2030) or the equivalent introduction to partial differential equations. First-order equations. Linear second-order equations; separation of variables, solution by series expansions. Boundary value problems.

• Department: Mathematics
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Panagiota Daskalopoulos
  CULPA: 19 Wikipedia Info
• 3 points

MECHANICAL ENGINEERING LAB II

Experiments in engineering and physical phenomena: aerofoil lift and drag in wind tunnels, laser Doppler anemometry in immersed fluidic channels, supersonic flow and shock waves, Rankine thermodynamical cycle for power generation, and structural truss mechanics and analysis.

• Department: Mechanical Engineering
• M 2:40 p.m.-3:30 p.m.
• Instructor: Bianca N Howard
  Info
• 3 points

MECHANICAL ENGINEERING LAB II

Experiments in engineering and physical phenomena: aerofoil lift and drag in wind tunnels, laser Doppler anemometry in immersed fluidic channels, supersonic flow and shock waves, Rankine thermodynamical cycle for power generation, and structural truss mechanics and analysis.

• Department: Mechanical Engineering
• T 1:10 p.m.-3 p.m.
• T 3:10 p.m.-5 p.m.
• R 1:10 p.m.-3 p.m.
• R 3:10 p.m.-5 p.m.
• Instructor: Bianca N Howard
  Info
• 0 points

Bermuda: Case Studies in Environmental S

Bermuda: Env Susdev

This course focuses on the ecology, geology, and sustainability of Bermuda. Students will explore the local flora, fauna, geology and hydrology of various habitats in the context of environmental change brought on by issues such as rising global temperatures, invasive species, and development.  Students will also look into sustainability issues, such as energy, drinking water, solid waste, and wastewater issues, some of which the country addresses in unique ways. The course will also contrast some of these topics with those in the NYC area and other subtropical and tropical islands.

Classes will meet during the spring semester at Barnard in preparation for a field trip to Bermuda for five days during spring break. 

Students and faculty will use the Bermuda Institute of Ocean Sciences (BIOS) field station for both lodging and laboratory facilities.  BIOS will provide bus and boat-based transportation.  

The excursions to caves, volcanic and pink sand beaches, outcrops, rare plant habitats and bird conservation areas in addition to engagement with the local experts at BIOS will provide an authentic opportunity to study the natural history of and environmental threats to an offshore island compared to our local environment in NYC.  

Students will take detailed field notes in Bermuda. After returning from the trip, they will focus on one or two aspects of the field trip and research related issues in depth. Topics will include:  transportation, energy acquisition, electricity generation, wind energy, solar power, carbon capture and storage, drinking water, waste management, sewage treatment and disposal, biological conservation, ecological restoration, social & environmental justice, economy, and food supply. Students are also encouraged to compare issues in Bermuda with NYC and other islands. 

The final products of the semester will be a detailed field journal, a mini research project  with an annotated bibliography and a poster summarizing the results.

• Department: Environmental Sciences @Barnard
• W 8:40 a.m.-9:55 a.m.
• Instructor: Terryanne Maenza-Gmelch
  CULPA: 14 h-index: 5 Info
• 3 points

Critical Pedagogies

CRITICAL PEDAGOGIES

This course explores education as a process through which critical consciousness and epistemic justice combat oppression in communities. Students will connect seminal work by critical pedagogues, such as Paolo Freire and bell hooks, to systemic educational challenges and lived experience. As a class, we will investigate power dynamics and structural inequalities at the systemic, institutional, interpersonal and individual levels. Students will problem-pose, dialogue and create pedagogical tools through praxis, by integrating the theory learned in the class to educational practice.

• Department: Education @Barnard
• T 2:10 p.m.-4 p.m.
• Instructor: Fawziah Qadir
  Info
• 4 points

IMAGERY AND FORM IN THE ARTS

Operation of imagery and form in dance, music, theater, visual arts and writing; students are expected to do original work in one of these arts. Concepts in contemporary art will be explored.

• Department: Art History @Barnard
• M 6:10 p.m.-9 p.m.
• Instructor: Jozefina Chetko
  Info
• 4 points

GENETICS

Prerequisites: BIOL UN2005 and BIOL UN2006. General genetics course focused on basic principles of transmission genetics and the application of genetic approaches to the study of biological function. Principles will be illustrated using classical and contemporary examples from prokaryote and eukaryote organisms, and the experimental discoveries at their foundation will be featured. Applications will include genetic approaches to studying animal development and human diseases. SPS and TC students must obtain the written permission from the instructor, by filling out a Registration Adjustment Form (Add/Drop form). https://www.registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• TR 10:10 a.m.-11:25 a.m.
• 3 points

CHEMISTRY OF CLIMATE

Pre-requisites Chem 1 and Calculus I ; Co-requisites Chemistry II (CHEM1404 or equivalent) and Calculus II (MATH UN2030 or equivalent)
By the end of this course, students will understand: The biogeochemical cycles driving the composition of trace gas and aerosol species that are both long- and short-lived in the atmosphere that influence climate by directly interacting with radiation (i.e. greenhouse gases (GHGs) such as carbon dioxide, methane, nitrous oxide, ozone, CFCs, aerosols) and those that do so mainly by altering the concentrations of other gases (OH, NOx, etc.); The effects of these gas and aerosol species on climate and atmospheric composition; Climate mitigation strategies that are being considered in response to climate warming.

This course is designed for undergraduate students seeking a quantitative introduction to climate and climate change science. EESC V2100 (Climate Systems) is not a prerequisite, but can also be taken for credit if it is taken before this course.

• Department: Earth and Environmental Sciences
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Roisin Commane
  h-index: 25 Info
• 3 points

Writing Machines and Machinic Literature

Writing Machines & Machin

At a moment when ChatGPT is transforming our relationship to writing, this class explores the place of the machine in the history of literature as fear, fantasy, and creative function: from literary representations of writing machines to automated textual production. Contemporary anxieties about machines usurping creativity will be shown to have ancient origins. We will move from Plato’s suspicion of inscription to Annie Dorsen’s AI-generated productions of Hamlet, via a survey of twentieth-century avant-garde attempts to write like a machine, from Modernist automatic writing and Dadaist cut-ups to postmodern hypertext. We will cover movements including Futurism, Surrealism, Dada, Fluxus, and Oulipo, reading works by Gertrude Stein, Mina Loy, Italo Calvino, John Cage, Alison Knowles, David Foster Wallace, and more. We will also read texts written by machines, including RACTER, ELIZA, PARRY and Claude. As well as reading, we will be playing early video games, chatting to some of the first chatbots, viewing machinic artworks, and listening to constraint-driven music. This class will widen our knowledge and critical faculties as readers, but also as writers: we will experiment with automatic writing, use games and constraints to generate text, and reflect on collaborating with writing machines.

There are no prerequisites for this course.

• Department: English and Comparative Literature
• M 2:10 p.m.-4 p.m.
• Instructor: Claudia G Grigg Edo
  Info
• 4 points

Worlding Otherwise: Speculative Fictions

Worlding Otherwise is a studio course exploring how artists use game engines to craft speculative and ecological narratives. Using tools like Unreal Engine and Blender, students will visualize alternate futures, mythologies, and socio-political realities through creating immersive virtual environments. Key questions include: How might the game environment lend itself to storytelling? How can speculative fiction act as a method of critique? What can we learn from artists who blend technology with mythology and alternative futures? The semester culminates in a final project: a short cinematic piece, interactive environment, or hybrid installation created within a game engine.

• Department: Art History @Barnard
• T 2:10 p.m.-5 p.m.
• Instructor: Jozefina Chetko
  Info
• 4 points

INTERMEDIATE MACROECONOMICS

Prerequisites: An introductory course in economics and a functioning knowledge of high school algebra and analytical geometry or permission of the instructor. Systematic exposition of current macroeconomic theories of unemployment, inflation, and international financial adjustments.

• Department: Economics @Barnard
• MW 10:10 a.m.-11:25 a.m.
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Martina Jasova
  CULPA: 7 h-index: 7 Info
• Instructor: Sarah M Gertler
  Info
• 4 points

Ethnographies of Youth Confinement, Cons

Youth Constraint & Resist

Being young can often mean being (or feeling) powerless, particularly within the large
institutions that structure youth’s lives. Couple this with experiences of marginalization due to
race, class, gender, or other social identities, and young people may experience profound
constraints in their choices or pathways. At the same time, youth – both individually and in
groups – often develop strategies to resist these sources of literal and figurative confinement to
seek out dignity, joy, and justice. Using sociological and ethnographic texts as our foundation,
this course will explore the way experiences of confinement and constraint show up in the lives
of young people, particularly as they move through educational institutions – and how youth
work to resist those forms of subordination.

In the first half of the semester, we will focus on policing and prisons and examine the ways
schools play a role in funneling youth into different forms of confinement. In the second half of
the semester, we will investigate college and college preparatory contexts in an effort to
understand the ways they may constrain opportunities by creating or foreclosing particular
pathways for students’ futures. Throughout the semester, we will emphasize the role of socially
constructed identity categories – race, gender, class, in particular, as well as the category of
youth itself – in these processes of confinement and constraint. We will also highlight youth and
community practices of resistance against these social and institutional forces. Along the way,
we will consider (and practice) the affordances and limitations of ethnography as a mode of
social research for studying confinement, constraint, and practices of resistance in educational
contexts.

LEARNING OBJECTIVES
Through this course, students will:

● Use a range of sociological, ethnographic, and multimodal texts to analyze youth’s
experiences of confinement, constraint, and resistance (expansively defined) and the
ways they play out in different institutional, educational, and social contexts.
● Explore the methodological approach of ethnography – its affordances, challenges, and
some of the major dilemmas in the field – and practice it by conducting a series of
scaffolded ethnographic projects.
● Write for multiple purposes, including exploratory and dialogic writing shared with peers

• Department: Education @Barnard
• M 12:10 p.m.-2 p.m.
• Instructor: Nora M Gross
  Info
• 4 points

COLL: THE AMERICAN PRESIDENCY

The origin and development of the contemporary roles of the President as a decision maker and the
importance of the presidency in the American Political System. Studies examining the selection process
and the relationship between presidents and other decision- making actors, such as the Congress,
interest groups, the courts and the bureaucracy, will be used to inform the students to help critically
analyze both continuity and changes in the influence of the office.
This course examines the American presidency from both an academic and applied perspective. The
executive branch of government has changed more than the others, especially over the past century.
As America has moved from a legislative centered government to an executive centered one, it
becomes important to understand the intricacies of presidents and of the presidency. This course
examines the individuals who have held this office and stand as the head of state and government,
along with the institutional structure of the executive branch that consists of departments, agencies,
offices that employ over two million people. The course covers the complexities and struggles
administrations have in navigating internal politics, along with public expectations and approval,
influencing relations with Congress and the courts, and navigating global politics around security and
economic interests.

• Department: Political Science @Barnard
• W 4:10 p.m.-6 p.m.
• Instructor: Jonathan J Keller
  Info
• 4 points

INTERMEDIATE MICROECONOMICS

Prerequisites: An introductory course in microeconomics or a combined macro/micro principles course (ECON BC1003 or ECON W1105, or the equivalent) and one semester of calculus or ECON BC1007, or permission of the instructor. Preferences and demand; production, cost, and supply; behavior of markets in partial equilibrium; resource allocation in general equilibrium; pricing of goods and services under alternative market structures; implications of individual decision-making for labor supply; income distribution, welfare, and public policy. Emphasis on problem solving.

• Department: Economics @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: John Park
  CULPA: 4 Info
• 4 points

THE AGE OF ENLIGHTENMENT

Dans ce cours, nous examinerons le phénomène qui domine—et révolutionne—le discours philosophique, religieux, sociologique et politique au 18e siècle en Occident: les Lumières. Visant les dogmes jusque-là incontestables d'un Etat monarchique et d'une Eglise catholique autoritaires, ce mouvement réclame la liberté de la pensée et du culte; condamne l'intolérance religieuse, l’iniquité politique et le préjugé culturel; expose et déplore l’inégalité sociale; examine les bases de l’autorité politique; et subvertit par ses propos l'idéo. A l'exception d'un texte de l'Allemand Immanuel Kant, nous nous bornerons à lire des écrits des principaux philosophes francophones des Lumières (Voltaire, Diderot, et Rousseau), aussi bien que deux romans "dystopiques” (Charrière et de Sade), et deux textes politiques parus durant la Révolution française.

• Department: French @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Caroline Weber
  CULPA: 8 Wikipedia Info
• 3 points

BAUDELAIRE, RIMBAUD, MALLARME

BAUDELAIRE RIMBAUD MALLARME

Through close readings of majors texts, an examination of how these 19th-century poets brought about a "revolution" in language and thought that gave rise to the Modernism that transformed literature and the arts and whose influence is still with us today.

• Department: French @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Anne Boyman
  CULPA: 16 Info
• 3 points

INTERNATIONAL MONEY & FINANCE

Prerequisites: ECON BC3033. Introduction to balance of payments and exchange rate theory; capital mobility and expectations; internal and external adjustment under fixed and flexible exchange rates; international financial markets; capital mobility and expectations; international policy coordination and optimum currency areas; history of the international monetary system.

• Department: Economics @Barnard
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Sarah M Gertler
  Info
• 3 points

ENVIRONMENTAL & NATURAL RESOURCE ECONOMI

ENVRNMTL & NTRL RESOURCE

Prerequisites: ECON BC1003 or ECON W1105. Prerequisite for Economics majors: ECON BC3035. Link between economic behavior and environmental quality: valuation of non-market benefits of pollution abatement; emissions standards; taxes; and transferable discharge permits. Specific problems of hazardous waste; the distribution of hazardous pollutants across different sub-groups of the U.S. population; the exploitation of commonly owned natural resources; and the links between the environment, income distribution, and economic development.

• Department: Economics @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Thuy Nguyen
  Info
• 3 points

ENVIRONMENTAL LAW

Process-oriented introduction to the law and its use in environmental policy and decision-making. Origins and structure of the U.S. legal system. Emphasis on litigation process and specific cases that elucidate the common law and toxic torts, environmental administrative law, and environmental regulation through application and testing of statutory law in the courts. Emphasis also on the development of legal literacy, research skills, and writing.

• Department: Environmental Sciences @Barnard
• MW 6:10 p.m.-7:30 p.m.
• Instructor: Dana Neacsu
  h-index: 8 Info
• 3 points

THEORETICL FOUNDTNS-POLIT ECON

Prerequisites: An introductory course in economics or permission of the instructor. Intellectual origins of the main schools of thought in political economy. Study of the founding texts in classical political economy, Marxian economics, neoclassicism, and Keynesianism.

• Department: Economics @Barnard
• MW 1:10 p.m.-2:25 p.m.
• TR 5:40 p.m.-6:55 p.m.
• Instructor: Malte Dold
  Info
• Instructor: Kurt Semm
  Info
• 3 points

Austen and Her Antecedents

In the eighteenth century, a new and sensational kind of entertainment appeared: the novel. Disparaged and revered, this revolutionary form of storytelling soon subordinated other artistic genres and remains the single most important influence on modern-day film and television. To puzzle out how this came to be, we will place the development of the novel in the long eighteenth century within the history of art, philosophy, science, psychology, literary theory, sociology –even dance history-- by using four of Jane Austen’s novels to explore the narrative ingredients of what we recognize today as romantic comedy: adventure, the novel of manners, sentimentality, and gothic melodrama. (In addition to Jane Austen, readings will include Defoe, Diderot, Haywood, Mackenzie, Radcliffe, and the anonymous author of
The Woman of Colour.
)

• Department: English and Comparative Literature
• W 12:10 p.m.-2 p.m.
• Instructor: Monica F Cohen
  CULPA: 8 Info
• 4 points