Prerequisites: GRKM UN2101 or the equivalent. Continuation of GRKM UN2101. Students complete their knowledge of the fundamentals of Greek grammar and syntax while continuing to enrich their vocabulary.
Prerequisites: HNGR UN1101-UN1102 or the equivalent. Further develops a students knowledge of the Hungarian language. With the instructors permission the second term of this course may be taken without the first. Students with a schedule conflict should consult the instructor about the possibility of adjusting hours.
Prerequisites: ITAL V1201 or W1201, or the equivalent. If you did not take Elementary Italian at Columbia in the semester preceding the current one, you must take the placement test, offered by the Italian Department at the beginning of each semester. A review of grammar, intensive reading, composition, and practice in conversation. Exploration of literary and cultural material. Lab: hours to be arranged. ITAL V1202 fulfils the basic foreign language requirement and prepares students for advanced study in Italian language and literature.
Prerequisites: LATN UN2101 or the equivalent. Selections from Ovids Metamorphoses and from Sallust, Livy, Seneca, or Pliny.
Prerequisites: POLI UN1102 or the equivalent. Rapid review of grammar; readings in contemporary nonfiction or fiction, depending on the interests of individual students.
Prerequisites: PORT UN1120 or PORT UN1320 or the equivalent. General review of grammar, with emphasis on self-expression through oral and written composition, reading, conversation, and discussion.
Prerequisites: RUSS UN2101 or the equivalent. Drill practice in small groups. Reading, composition, and grammar review.
Prerequisites: SPAN UN2101 or a score of 450-625 in the departments Placement Examination. An intensive course in Spanish language communicative competence, with stress on oral interaction, reading, writing and culture as a continuation of SPAN UN2101. All Columbia students must take Spanish language courses (UN 1101-3300) for a letter grade.
Prerequisites: SPAN UN2101 or a score of 450-625 in the departments Placement Examination. An intensive course in Spanish language communicative competence, with stress on oral interaction, reading, writing and culture as a continuation of SPAN UN2101. All Columbia students must take Spanish language courses (UN 1101-3300) for a letter grade.
Corequisites: An introductory course in statistic (STAT UN1101 is recommended). This course is an introduction to R programming. After learning basic programming component, such as defining variables and vectors, and learning different data structures in R, students will, via project-based assignments, study more advanced topics, such as conditionals, modular programming, and data visualization. Students will also learn the fundamental concepts in computational complexity, and will practice writing reports based on their data analyses.
Prerequisites: SWHL W1101-W1102 or the instructors permission. A review of the essentials of Swahili grammar; detailed analysis of Swahili texts; practice in conversation. No P/D/F or R credit is allowed for this class.
Prerequisites: UKRN UN1102 or the equivalent. Reviews and reinforces the fundamentals of grammar and a core vocabulary from daily life. Principal emphasis is placed on further development of communicative skills (oral and written). Verbal aspect and verbs of motion receive special attention.
Prerequisites: VIET W1101-W1102 or the instructors permission. This course further develops students familiarity with the linguistic and grammatical structures of Vietnamese, a major language of Southeast Asia.
Prerequisites: WLOF W1101-W1102 or the instructors permission. Further develops a students knowledge of Wolof, a major language of West Africa spoken primarily in Senegal and Gambia. No P/D/F or R credit is allowed for this class.
This architectural design studio course explores modes of visualization, technologies of mediation and environmental transformations. These explorations will be used as catalysts for architectural analysis and design experimentation.
Introducing design methodologies that allow us to see and to shape environmental interactions in new ways, the studio will focus on how architecture may operate as a mediator
– an intermediary that negotiates, alters or redirects multiple forces in our world: physical, cultural, social, technological, political etc. The semester will progress through three projects that examine unique atmospheric, spatial and urban conditions with the aid of multimedia visual techniques; and that employ design to develop creative interventions at the scales of an interface, space and city.
This course examines the practice of puppetry—animating otherwise inanimate objects and figures in performance. In many cultures this process of animation is closely connected to ideas about gods, the “supernatural,” wonder, the uncanny, and the sublime. In this class we will study some of the major global traditions of puppetry, in the ancient Mediterranean world, in premodern Indonesia, early modern Japan, and in North America. We will also learn about the connection between puppets and theories of animacy and wonder through hands-on classes and practical training in the basics of puppetry. We will find and analyze shows in New York’s thriving puppetry culture, and students will have the opportunity to prepare their own show in the final weeks of the semester.
Prerequisites: SPAN UN2101 or a score of 450-625 on the Department’s placement examination. This is an intensive course in Spanish language communicative competence with an emphasis on oral interaction, reading, writing, and culture at an Intermediate II level with focus on health-related topics in the Spanish-speaking world. In an increasingly interconnected world, and in multilingual global cities such as New York City, the study of a foreign language is fundamental not only in the field of the humanities but also in the natural sciences. This interdisciplinary course analyzes the intersection between these two disciplines through the study of health-related topics in Iberian and Latin American cultural expressions (literature, film, documentaries, among other sources) in order to explore new critical perspectives across both domains. Students will learn health-related vocabulary and usage-based grammar in Spanish. Students will develop a cultural understanding of medicine, illness, and treatment in the Spanish-speaking world. Finally, students will be able to carry out specific collaborative tasks in Spanish with the aim of integrating language, culture, and health. * This course fulfills the last semester of the foreign language requirement. Therefore, students who have taken SPAN UN 2101 (Intermediate Spanish I), or have a score of 450-625 on the Department’s placement exam, and are interested in health-related topics may proceed and enroll in SPAN UN 2103 (Intermediate Spanish II: Health-Related Topics in the Spanish-Speaking World). Pre-med and pre-health students, as well as those students majoring in the natural sciences—including biology, general chemistry, organic chemistry, biochemistry, and physics—will be given registration priority. All Columbia students must take Spanish language courses (UN 1101-3300) for a letter grade.
Prerequisites: An introductory course in statistics (STAT UN1101 is recommended). Students without programming experience in R might find STAT UN2102 very helpful. Develops critical thinking and data analysis skills for regression analysis in science and policy settings. Simple and multiple linear regression, non-linear and logistic models, random-effects models. Implementation in a statistical package. Emphasis on real-world examples and on planning, proposing, implementing, and reporting.
Archaeology has often been described as the discipline of 'things' or of the material traces of the past. This course seeks to enhance students' engagement with the material world as a means of complementing text-based instruction in the tradition of experimental archaeology and hands-on history. Through weekly activities, students will create and engage with ‘things’, reflect critically on differences in reading about and making things, and gain a critical understanding of material culture studies in archaeology and beyond.
This is an intermediate II-level that fulfills the last semester of the foreign language requirement. It is a project-based course that integrates the Spanish language and Spanish-speaking culture through the study and the creation of a serial audiovisual fiction product, such as a soap opera (
telenovela
) or a series.
The class project consists of filming a three-episode original
telenovela
in Spanish. Students work in groups to film the episodes as scriptwriters, directors, cinematographers, camerapersons, and actors.
During the course, we will watch different soap operas (
telenovelas
) and series that will serve as inspiration for the students' creations. The course explores these products as cultural objects and vehicles of history and ideology as well as language samples of different varieties of Spanish, not only in terms of geographical differences but also of social ones. We will watch and analyze classics such as
Yo soy Betty, la fea
(
I am Betty la Fea)
to modern ones such as
La casa de las flores (The House of Flowers)
. All genres will be covered: melodramas, action, science fiction, comedies, and parodies, in productions from Argentina, Colombia, Mexico, Spain, and the United States. As they are not intended for language learning but for non-learners, students can address the challenge of listening to and understanding authentic cultural products with the help of an instructor and a project.
The course's language content is the same as the intermediate II syllabus of the Spanish Program of the Department of Latin American and Iberian Cultures, with some additions, especially in interaction, cinematography, and audiovisual fiction.
At the end of the semester, and according the expectations of an intermediate level, the students should be able to…
Work as a team in Spanish.
Understand and discuss the contents and ideologies present in Latin American audiovisual fiction.
Create (Write a script, act and film) an audiovisual fiction product in Spanish.
Participate in conversations about personal topics, feelings, and emotions.
Summarize the main topics of various types of cultural texts for a speaker of my language.
Have the resources to express opinions in debates on course topics.
Be able to self-assess my own linguistic production and that of my classmates.
Understand and produce oral and w
The course focuses on reading comprehension and translation into English and includes a grammar and vocabulary overview. It also addresses the differences between English and French syntax and raises questions of idiomatic versus literal translations.
Course Description:
Prerequisites: SPAN UN2101 (Intermediate Spanish I) or a score of 450-625 on the Department’s
placement examination. This is an intensive course in Spanish language communicative competence with an emphasis on oral interaction, reading, writing, and culture at an Intermediate II level focused on Human Rights, Memory, and Film. This course fulfills the last semester of the foreign language requirement. After SPAN UN2106, students can continue learning Spanish and its cultures in SPAN UN3300.
This course uses film as a foundation for exploring contemporary social issues in the Hispanic world and the cultural, legal, and artistic responses that have arisen in their wake. Through filmic texts and authentic multimodal materials, students will analyze how language functions as a tool of identity, citizenship, and social transformation while they develop linguistic competencies for different professional contexts. The themes—immigration, neocolonization, law, and historical memory—allow for building specialized vocabulary, practicing situations linked to public service, and critical reflection on the realities of the Hispanic world in their own context.
Learning Outcomes:
At the end of this course, students will be able to:
· Critically analyze filmic and multimodal texts in Spanish, identifying and explaining their narrative, visual, and symbolic features and their relationships with historical and political contexts from the Hispanic world.
· Interpret historical processes and social transformation—like war, dictatorship, migration, and transition to democracy—using textual and cinematic evidence in discussion and academic essays.
· Apply relevant specialized vocabulary to cinematic analysis, topics of historical memory, citizenship, Human Rights, and representations of gender in oral and written interventions.
· Construct coherent academic arguments in Spanish, integrating critical analysis, citations, and indirect discourse in presentations and written work.
· Compare cultural and historical perspectives from the Hispanic world with contemporary debates in international studies, Human Rights, history, and political science.
· Demonstrate functional command of linguistic structures (the subjunctive, conditional, indirect discourse, and nominalization)
Prerequisites: SPAN UN1108 or scoring at this level on the department’s Spanish as a Heritage Language Placement test (https://columbia-barnard.vega-labs.com).
The principal aim of SPAN UN2108 is to build upon and further develop the knowledge of Spanish that heritage learners bring to the classroom – from SPAN UN1108 and/or from family and neighborhood exposure to the language. This course cultivates intermediate-level formal speaking, listening, reading, and writing abilities.
Spanish heritage language courses at Columbia/Barnard focus on the development of communicative abilities and literacy from sociolinguistic and sociocultural approaches. Throughout the semester, students will be reviewing spelling patterns, building vocabulary, acquiring and effectively using learning strategies, and strengthening composition skills in Spanish. Cultural projects and readings reinforce learners’ understanding of the multiple issues related to Hispanic cultures in the United States and in other Spanish-speaking societies.
Introduction to exploratory data analysis (EDA) and the foundations of statistical learning. Statistical graphics, EDA workflow, elements of regression and classification problems. Linear and logistic regression, principal components analysis, elements of clustering.
This course aims to develop practical skills in statistical data analysis by providing opportunities for mentored intramural statistical consulting. The emphasis is on translating researchers’ subject-matter knowledge and research goals into statistical models and analytic goals, and applying appropriate statistical methods to researchers’ data. Under the supervision of the instructor, student-consultants will meet with clients, discuss cases in class, research appropriate methods as needed, and conduct analyses and write reports. Students will mostly work in small groups, and assignments will be made to reflect students’ previous coursework. This course should be of interest to students seeking mentored research experience.
Prerequisites: PSYC BC1001, BC1020, BC1101. Corequisites: BC2115 Cognitive Lecture. Students conduct experiments related to selected topics illustrating the methods, findings, and theories of contemporary cognitive psychology. Topics include attention, memory, categorization, perception, and decision making. Special topics include neuropsychology and cognitive neuroscience.
Prerequisites: PSYC BC1001 Introduction to Psychology or COGS UN1001 Introduction to Cognitive Science or permission of the instructor. Lecture covering selected topics illustrating the methods, findings, and theories of contemporary cognitive psychology. Topics include attention, memory, categorization, perception, and decision making. Special topics include neuropsychology and cognitive neuroscience. Note that this lecture can be taken without its affiliated lab, PSYC BC2114, however, if a student completes this lecture, she cannot enroll in the lab in a later semester. The following Columbia University courses are considered overlapping and a student cannot receive credit for both the BC course and the equivalent CU course: PSYC UN2220 Cognition: Memory and Stress; and PSYC UN2210 Cognition: Basic Processes.
Prerequisites: PORT UN1102 or PORT UN1320. Prerequisites: this course is an intensive and fast-paced coverage of both PORT UN2101 and PORT UN2102. Students MUST demonstrate a strong foundation in Portuguese and meet the following REQUIREMENT: A- or higher in PORT UN1102 or PORT UN1320. If you fulfill the above requirement, you do not need the instructors permission to register. HOWEVER the instructor will additionally assess student proficiency during the Change of Program Period. Students who do not have the necessary proficiency level may not remain in this course. This course replaces the sequence PORT UN2101-PORT UN2102.
We will be working on pronunciation, vocabulary acquisition, listening comprehension, and oral expression. Activities will include listening comprehension exercises, skits, debates, and oral presentations, as well as discussions of films, songs, short films, plays, news, articles, short stories or other short written documents. Although grammar will not be the focus of the course, some exercises will occasionally aim at reviewing particular points. The themes and topics covered will be chosen according to students’ interests.
We will be working on pronunciation, vocabulary, listening comprehension, and oral expression. Activities will include listening comprehension exercises, skits, debates, and oral presentations, as well as discussions of films, songs, short films, news, articles, short stories or other short written documents. Although grammar will not be the focus of the course, some exercises will occasionally aim at reviewing particular points.
Prerequisites: PSYC BC1001, BC1020, BC1101. Corequisites: PSYC BC2129 Developmental Psychology Lecture. Laboratory course involving experiments related to cognitive, linguistic, perceptual, motor, social, affective, and personality development from infancy to adolescence. The course offers an opportunity for direct observation of children; major areas of research at each level of development are covered.
This course explores the rich artistic traditions of the peoples living in Italy—the Etruscans, Italics, Greeks, Celts—from their emergence in the early first millennium BCE to their eventual absorption within the system of “Roman” art. While the arts of Etruria will form the backbone of the course, its conceptual focus will be on the densely entangled web that connected the diverse visual landscapes and creative practices of the Italian peninsula both to each other and to external centers of artistic production, from Cyprus and Carthage to Syria and the cultures of northern Europe. In addition to intercultural connectivity— imports and exports, convergences and divergences, parallels and unique features—special attention will be paid to the socio-political and religious dimensions of art and architecture. Both iconic and non-canonical objects will be examined, ranging from furniture and weaponry to anatomical votives and mythological paintings. This lecture is the first in a three-year cycle that also includes “Roman Art and Architecture” and “Rome Beyond Rome.”
Prerequisites: PSYC BC1001 Introduction to Psychology or COGS UN1001 Introduction to Cognitive Science or permission of the instructor. Lecture course covering cognitive, linguistic, perceptual, motor, social, affective, and personality development from infancy to adolescence. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2128, however, if a student completes this lecture, she cannot enroll in the lab in a later semester. The following Columbia University course is considered overlapping and a student cannot receive credit for both the BC course and the equivalent CU course: PSYC UN2280 Introduction to Developmental Psychology.
Essential data structures and algorithms in Python with practical software development skills, applications in a variety of areas including biology, natural language processing, data science and others.
Prerequisites: BC1001, BC1020, BC1101. Corequisites: BC2138 Social Psychology Lecture. Laboratory course covering contemporary theory and research on social thought and behavior. Issues such as person perception, attitudes, attraction, aggression, stereotyping, group dynamics, and social exchange will be explored. The application of theory and research to addressing social problems will be discussed.
This course is designed for intermediate dancers who are interested in maintaining their established ballet technique as well as advancing their knowledge and familiarity with the classical vocabulary. Students of Ballet III should have completed two semesters of Ballet II or it’s equivalent, or one semester of Ballet III or its equivalent, and have a firm mental and physical understanding of barre exercises (plié, battement tendu, battement dégagé, rond de jambe à terre, battement fondu, frappé, and grand battement), as well as general center concepts such as adagio, waltz, pirouettes, and petit allegro (including changement, glissade, jeté, and assemblé). This is a graded, semester long, two credit course.
Prerequisites: BC1001 or permission of the instructor. Lecture course covering contemporary theory and research on social thought and behavior. Issues such as person perception, attitudes, attraction, aggression, stereotyping, group dynamics, and social exchange will be explored. The application of theory and research to addressing social problems will be discussed. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2137, however, if a student completes this lecture, she cannot enroll in the lab in a later semester. The following Columbia University course is considered overlapping and a student cannot receive credit for both the BC course and the equivalent CU course: PSYC UN2630 Social Psychology.
This course is designed for advanced intermediate dancers who are interested in maintaining their established ballet technique as well as advancing their knowledge and familiarity with the classical vocabulary. Students of Ballet IV should have completed two semesters of Ballet III or its equivalent, or one semester of Ballet IV or its equivalent, and have a firm mental and physical understanding of ballet technical exercises. These include all barre exercises (plié, battement tendu, battement dégagé, rond de jambe à terre, battement fondu, battement frappé, and grand battement), as well as center exercises including adagio, waltz, pirouettes, petit allegro, and grand allegro. Focus of this class will be on how to practice ballet safely, efficiently, musically, and joyfully.
This course examines the conceptual foundations that support feminist and queer analyses of racial capitalism, security and incarceration, the politics of life and health, and colonial and postcolonial studies, among others. Open to all students; required for the major in Women’s, Gender, and Sexuality Studies (WGSS) and the Interdisciplinary Concentration or Minor in Race and Ethnicity (ICORE/MORE).
Prerequisites: PSYCBC1001 Introduction to Psychology or its accepted equivalent. . An introduction to the study of abnormal behavior and various psychological disorders such as depression, schizophrenia, anxiety disorders, eating disorders, and personality disorders. The course broadly reviews scientific and cultural perspectives on abnormal behavior with an emphasis on clinical descriptions and diagnosis, etiology, treatment, and research methods. The following Columbia University course is considered overlapping and a student cannot receive credit for both the BC course and the equivalent CU course: PSYC UN2620 Abnormal Behavior.
Who's a good dog? The history of the species (a member of which might be napping on your bed right now) is intertwined with human history since the late Pleistocene. In this lecture course we turn our gaze to the animal who is famous for their gaze toward and interest in us: the domestic dog,
Canis familiaris
.
Dogs are not just good bed-warmers and companions: they are also an excellent introduction into how behavioral science is conducted; an example of the rapid effect of genetic changes; and a case study in how science influences animals' social and legal roles in society. We will look at the history of the development of the species and the recent further development into hundreds of types of purebred dogs. As a domesticated species, dogs are an example of the effect of artificial selection on appearance and behavior. We will discuss the genetic markers underpinning those effects. Dogs also have had a long role in psychological science, and their history, from Pavlov's experiments to present day, traces the history of behaviorism and the cognitive revolution in the field. We will consider the perceptual world of dogs and the importance of understanding sensory capacity in study design. We will spend several weeks on highlights from recent cognitive studies of dogs demonstrating dogs' surprising capacities in areas previously thought to be solely humans' province. Working from video examples, we will learn to describe behaviors objectively, and will discuss how to develop testable hypotheses of the function of seen behavior. We will conclude the semester with a consideration of the future of dogs in science and in our lives.
Enrollment for this class is by instructor approval and an application is required. Please fill out the form here:
https://forms.gle/bPsV7rcf5RWB35PM9
This introductory course for the Interdisciplinary Concentration or Minor in Race and Ethnicity (ICORE/MORE) as well as Majors/Minors in Women's, Gender, and Sexuality Studies (WGSS) is open to all students. We focus on the critical study of social difference as an interdisciplinary practice, using texts with diverse modes of argumentation and evidence to analyze social differences as fundamentally entangled and co-produced. Because of the interdisciplinary nature of this course, the professor will frequently be joined by other faculty and guest speakers who bring distinct disciplinary and subject matter expertise. Some keywords for this course include hybridity, diaspora, borderlands, migration, and intersectionality.
Prerequisites: BC1001 or permission of the instructor. Enrollment strictly limited to 45 students; decided upon and finalized first week of classes. Introduction to behavior of individuals and small groups in work organizations. Recent theory and research emphasizing both content and research methodology. Motivation and performance, attitudes and job satisfaction, power, influence, authority, leadership, cooperation and conflict, decision making, and communications. Enrollment limited to 45; and only seniors.
Prerequisites: BC1001, BC1020, BC1101. Corequisite: PSYC BC2156 Clinical Psychology lecture. The purpose of the lab is to teach students the research methods involved in creating clinical psychological science. Students gain hands-on practice with clinical psychology research methods. In the first half of the lab students conduct classroom exercises demonstrating concepts such as reliability and validity and research methodologies such as randomized controlled trials (RCTs) and treatment fidelity. In the second half of the class students design and run a research study. Basic methodological issues will be explored in depth, including research ethics, conducting literature reviews and writing up a scientific report in APA style.
Prerequisites: PSYC BC1001 or permission of the instructor. An introduction to the field of clinical psychology aimed at 1) becoming familiar with professional issues in the field and 2) comparing therapeutic approaches for their utility and efficacy. Therapeutic approaches covered include psychodynamic therapies, cognitive behavior therapies, family/child therapies. The course will critically examine a variety of professional issues including ethical dilemmas, clinical assessment and diagnosis, and use of technology in therapy. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2155, however, if a student completes this lecture, she cannot enroll in the lab in a later semester.
Prerequisites: BC1001 or permission of the instructor.
The aim of this course is to critically examine the complex interaction of biological, psychological and environmental factors which impact the etiology, symptoms, and treatment of substance abuse and dependence. The course focuses on those drugs which have abuse and dependence potential with specific emphasis on Alcohol and the Depressants, the Psychostimulants, and the Opiates. A primary objective is to provide insight into factors which contribute to challenges with substances for some individuals and to better understand their felt and lived experience with drugs.
The course begins with a review of theoretical perspectives including disease, behavioral, cognitive, social learning, psychodynamic, and neurobiological models. The physical, psychological, and socio-cultural effects/impact of each major class of drug will then follow. Within each category, we will also discuss controversial issues related to each drug for example: methadone maintenance, needle exchange programs, Ritalin/Adderall abuse, the “opiate epidemic.” Throughout the course, case histories, film documentaries and memoirs will provide personal accounts of the drug experience. We conclude the course with an overview of treatment interventions.
This course examines the history of gender and sexuality in Europe, from the Renaissance to the present day. We will take a thematic approach, tracing the shifting operations, definitions, and understandings of both gender and sexuality within European culture and society. Topics include: Renaissance visual culture, the witchcraft trials, Enlightenment philosophy, European imperialism and colonialism, revolutions (both political and sexual), moral reform campaigns, the birth of sexology, queer and trans histories, sex work, and the politics of control. Central to this course is an examination of the ways gender and sexuality function at the intersections of class, race, nation, ethnicity, and religion, and how these intersections speak to dynamics of social, cultural, and political power. In our work throughout the semester, we will draw from a range of sources, including film, painting, photography, literature, and music. We will regularly engage with primary sources, which will allow students to learn the skills and techniques necessary for the work of historians. Throughout the course, students will examine how historians write, interpret, and construct histories of gender and sexuality, and question what place these histories have in our contemporary world.
Pottery is one of the most enduring products of the ancient world and among the most ubiquitous classes of artifacts recovered from archaeological sites. In many cases, pottery sherds are all that remain of past societies, making them a critical source of evidence for reconstructing ancient lifeways. Archaeologists use ceramics to investigate a wide range of questions, from the transmission of craft knowledge to cooking practices, political economies, social identities, and human responses to environmental change. This course introduces the concepts and methods used to analyze archaeological ceramics, with an emphasis on how these artifacts are evaluated and used to build evidence-based interpretations of the past. Students who wish to enroll in this course must also register for the accompanying laboratory course.
Recommended preparation: high school chemistry and physics; and one semester of college science. Exploration of how the solid Earth works, today and in the past, focusing on Earth in the Solar system, continents and oceans, the Earth's history, mountain systems on land and sea, minerals and rocks, weathering and erosion, glaciers and ice sheets, the hydrological cycle and rivers, geochronology, plate tectonics, earthquakes, volcanoes, energy resources. Laboratory exploration of topics through examination of rock samples, experimentation, computer data analysis, field exercises, and modeling. Columbia and Barnard majors should plan to take W2200 before their senior year to avoid conflicts with the Senior Seminar.
This course provides an introduction to statistical methods for analyzing data in global affairs and public policy. Students learn how to summarize and visualize data, understand probability and sampling, and conduct basic statistical inference, including hypothesis testing and regression analysis.
Using real-world datasets and applied examples, the course builds practical skills in interpreting quantitative evidence and assessing how data inform policy debates and decisions. No prior background in statistics is required. Emphasis is placed on developing confidence in quantitative reasoning and the ability to critically evaluate empirical claims in policy contexts.
Prerequisites: Must attend first class for instructor permission. Students create maps using ArcGIS software, analyze the physical and social processes presented in the digital model, and use the data to solve specific spatial analysis problems. Note: this course fulfills the C requirement in Urban Studies.
(Formerly R3130) This studio course will provide the students with a foundation in the ceramic process, its history, and its relevance to contemporary art making. The course is structured in two parts. The first centers on the fundamental and technical aspects of the material. Students will learn construction techniques, glazing and finishing methods, and particulars about firing procedures. This part of the course will move quickly in order to expose the students to a variety of ceramic processes. Weekly assignments, demonstrations, and lectures will be given. The second centers on the issue of how to integrate ceramics into the students current practice. Asking the question of why we use ceramics as a material and, further, why we choose the materials we do to make art. Rigorous group and individual critiques focusing on the above questions will be held. The goal of this course is to supply the students with the knowledge and skill necessary to work in ceramics and enough proficiency and understanding of the material to enable them to successfully incorporate it into their practice. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.
Pottery is one of the most enduring products of the ancient world and among the most ubiquitous classes of artifacts recovered from archaeological sites. In many cases, pottery sherds are all that remain of past societies, making them a critical source of evidence for reconstructing ancient lifeways. Archaeologists use ceramics to investigate a wide range of questions, from the transmission of craft knowledge to cooking practices, political economies, social identities, and human responses to environmental change. This course introduces the concepts and methods used to analyze archaeological ceramics, with an emphasis on how these artifacts are evaluated and used to build evidence-based interpretations of the past. Students who wish to enroll in this course must also register for the accompanying lecture course.
This is the required Discussion Section for
Introduction to Quantitative Analysis for Global Affairs and Public Policy
(GAPP IA2200)
This is the required Discussion Section for
Introduction to Quantitative Analysis for Global Affairs and Public Policy
(GAPP IA2200)
This is the required Discussion Section for
Introduction to Quantitative Analysis for Global Affairs and Public Policy
(GAPP IA2200)
This is the required Discussion Section for
Introduction to Quantitative Analysis for Global Affairs and Public Policy
(GAPP IA2200)
Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.
Prerequisites: PHIL UN2211 Required Discussion Section (0 points). PHIL UN2101 is not a prerequisite for this course. Exposition and analysis of the metaphysics, epistemology, and natural philosophy of the major philosophers from Aquinas through Kant. Authors include Aquinas, Galileo, Gassendi, Descartes, Spinoza, Leibniz, Berkeley, Hume, and Kant. This course has unrestricted enrollment.
Students may participate as actors in Directing II as a 1-credit course; these students will comprise the Acting Ensemble. Actors will be cast in all four student-directed scenes and will participate in the feedback process following the showings. Actors must be available for both days of the week the course meets, but are only required to attend when they are performing; they are welcome to attend additional classes that may be of interest. Actors will be graded on their in-class performances (moment-to-moment work, collaboration with on-stage partners, memorization) and ability to respond and adjust to notes. Actors who are responsible and collaborative will succeed as part of the Acting Ensemble. Grading is Pass/Fail.
As the second half of a one-year program for intermediate Chinese learners, this course helps students consolidate and develop everyday communicative skills in Chinese, as well as
introducing aspects of Chinese culture such as the social norms of politeness and gift-giving. Semi-formal and literary styles will also be introduced as students transition to more advanced
levels of Chinese language study. While providing training for everyday communication skills, Second Year Chinese aims to improve the student's linguistic competence in preparation for
advanced studies in Mandarin.
Prerequisites: JPNS C1201 or the equivalent. Further practice in the four language skills. Participation in a once a week conversation class is required.
Prerequisites: KORN W1102 or the equivalent. Consultation with the instructors is required before registration for section assignment. Further practice in reading, writing, listening comprehension, conversation, and grammar.
Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.
An introduction to the potential of digital sound synthesis and signal processing. Teaches proficiency in elementary and advanced digital audio techniques. This course aims to challenge some of the tacet assumptions about music that are built into the design of various user interfaces and hardware and fosters a creative approach to using digital audio workstation software and equipment. Permission of Instructor required to enroll. Music Majors have priority for enrollment.