Through a review of major academic writings, lectures, and class discussion, Conceptual Foundations of International Politics examines many of the central concepts, theories, and analytical tools used in contemporary social science to understand and explain international affairs. The theoretical literature is drawn from different fields in the social sciences, including comparative politics, international relations, political sociology and economics; the lecturers include members of the Columbia faculty who are authorities in these fields (as well as, in many cases, experienced practitioners in their own right). The course is designed to enhance students' abilities to think critically and analytically about current problems and challenges in international politics.
This graduate seminar will discuss texts and topics in the period of Romanticism by way of the question of the
common
—the common as both what is shared, and what is ordinary or everyday. In addition to discussing works major and minor from the eighteenth and nineteenth centuries, we will use the Romantic era and the concept “common” as a springboard for familiarizing ourselves with and thinking through pressing problems in contemporary eco-criticism, political theory, and philosophy. What do our habits and everyday orientations disclose about the life we share, and its conditions? An important historical backdrop the class will explore will be the enclosure of common land in England, a practice of privatization, accumulation, and ecological change that drastically altered the English countryside during the Romantic period, but had huge global consequences. How was the process of enclosing the commons linked to global capitalism, colonization, and enslavement abroad, and what are the afterlives of these property regimes today, in our time of ecological devastation known as the Anthropocene? How and why are so many key contemporary thinkers returning to the question of the common(s) now, and what might be the Romantic legacies of current debates?
This course is designed for students to become familiar with the assessment, diagnosis, treatment, and evaluation of common critical illnesses of the cardiac, pulmonary, acid/base/electrolyte, and renal systems, and will also include an introduction to trauma and orthopedics.
Prerequisites: the instructor's permission. This course will help guide E3B Ph.D. students towards candidacy by teaching them the skills necessary to be effective and independent scientists. Students will conduct an extensive literature review, write a preliminary dissertation proposal, and present their research ideas to the group on multiple occasions. Students will learn how to give and receive constructive written and oral feedback on their work.
The Graduate Seminar in Sound Art and Related Media is designed to create a space that is inclusive yet focused on sound as an art form and a medium. Class time is structured to support, reflect, and challenge students as individual artists and as a community. The course examines the medium and subject of sound in an expanded field, investigating its constitutive materials, exhibition and installation practices, and its ethics in the 21st century. The seminar will focus on the specific relations between tools, ideas, and meanings and the specific histories and theories that have arisen when artists engage with sound as a medium and subject in art. The seminar combines discussions of readings and artworks with presentations of students' work and research, as well as site visits and guest lectures. While the Columbia Visual Arts Program is dedicated to maintaining an interdisciplinary learning environment where students are free to use and explore different mediums while also learning to look at, and critically discuss, artwork in any medium, we are equally committed to providing in-depth knowledge concerning the theories, histories, practices, tools and materials underlying these different disciplines. We offer Graduate Seminars in different disciplines, or combinations of disciplines, including moving image, new genres, painting, photography, printmaking, sculpture, as well as in Sound Art in collaboration with the Columbia Music Department through their Computer Music Center. These Discipline Seminars are taught by full-time and adjunct faculty, eminent critics, historians, curators, theorists, writers, and artists.
Prerequisites: (COMS W3134 or COMS W3136 or COMS W3137) and (COMS W3261) Introduction to the theory and practice of formal methods for the design and analysis of correct (i.e. bug-free) concurrent and embedded hardware/software systems. Topics include temporal logics; model checking; deadlock and liveness issues; fairness; satisfiability (SAT) checkers; binary decision diagrams (BDDs); abstraction techniques; introduction to commercial formal verification tools. Industrial state-of-art, case studies and experiences: software analysis (C/C++/Java), hardware verification (RTL).
This is the first of four courses that discuss techniques for anesthetic administration and related technologies in the context of various surgical and diagnostic interventions in diverse anesthetizing locations. Focus is monitoring modalities and pre-, intra-, and post-anesthesia (perioperative) management for less complex surgical and diagnostic interventions.
This is the last of four courses that discusses various methods and techniques of anesthesia administration, with an emphasis on physiological basis for practice. Advanced surgical procedures and the anesthetic implications in the perianesthetic period will be explored.
Required of all first-year Ph.D. candidates. Each faculty member addresses the proseminar in order to acquaint students with the interests and areas of expertise on the faculty. Through discussion and the dissemination of readings the student learns about possible areas of doctoral research.
Prerequisites: (ELEN E4810) Topic: Reinforcement Learning.
The class will give you a richer understanding of networking, focusing on principles and systems that have shaped the Internet. Via classic and contemporary literature, topics covered include routing, content delivery, congestion control, data centers, SDN, and the cloud.
Topic: Big Data Analytics.
Prerequisites: Graduate student status, calculus, or instructor permission Priority given to first year PhD students in the Department of Earth and Environmental Sciences. Computing has become an indispensable tool for Earth Scientists. This course will introduce incoming DEES PhD students to modern computing software, programming tools and best practices that are broadly applicable to carrying out research in the Earth Sciences. This includes an introduction to Unix, programming in three commonly used languages (Python, MATLAB and Fortran), version control and data backup, tools for visualizing geoscience data and making maps. Students will learn the basics of high performance computing and big data analysis tools available on cluster computers. Student learning will be facilitated through a combination of lectures, in-class exercises, homework assignments and class projects. All topics will be taught through example datasets or problems from Earth Sciences. The course is designed to be accessible for Earth Science graduate students in any discipline.
Intended for incoming graduate students, this course introduces students to the key tools, analogue and digital, forms of writing, scholarly and non-scholarly, used by historians, and to the fundamental political and ethical challenges facing scholars, especially at this moment when the an academic already in crisis finds itself gravely challenged. Student will be equipped with the fundamental tools needed to undertake long term research programs at the end of the course; in gaining experience with newer digital tools and fora for historical discussion and work, they will likewise gain literacy with more traditional historical tools and genres.
All first-year graduate students in the physics department must register for this course each term. Discussion of the experimental and theoretical research in the department.
Prerequisites: calculus. Recommended preparation: linear algebra, statistics, computer programming. Introduction to the fundamentals of quantitative data analysis in Earth and environmental sciences. Topics: review of relevant probability, statistics and linear algebra; linear models and generalized least squares; Fourier analysis and introduction to spectral analysis; filtering time series (convolution,deconvolution,smoothing); factor analysis and empirical orthogonal functions; covariance and correlation; methods of interpolation; statistical significance and hypothesis testing; introduction to Monte Carlo methods for data analysis.
Anyone who pursues a career as a college faculty member will teach writing—either formally, in a writing class, or informally, as we work with students who are new to our disciplines. However, many graduate students in the humanities have received no substantive training in the burgeoning field of writing studies. In English, career opportunities in writing studies have outpaced other field areas. The MLA’s 2016-2017 jobs list reported that 851 positions were advertised in English, 10% fewer than the previous year. Of those jobs, 217 were in writing studies, 187 were in British literature, and 172 were in American literature. Given that writing studies positions are also advertised elsewhere, the gap is likely larger. This seminar will explore key debates in writing studies research and teaching methodologies, program development, and disciplinary and institutional status. Writing studies is the newest name for “rhetoric and composition,” a field which declared its existence in the mid-1960s, and draws its praxes and theories from classical rhetoric, applied linguistics, cognitive and developmental psychology, literary criticism, civic education, creative writing, and progressive pedagogy. Scholarship in writing studies since the 1960s has sought to deepen our understanding of how transactions work among writers, readers, and texts. Writing studies prompts us to track how standards for “good” or “appropriate” academic writing change over time, and how the teaching of writing responds to social, political, institutional, and disciplinary forces. The readings in this course will help us to articulate our own philosophies of writing and shape approaches to pedagogy in our own fields. Topis will include the following: how writers develop; intellectual practices that foster community among learners; the ethics and politics of textual transactions, including assessment; students’ rights to their own language; literacy acquisition across media; working in transnational and translingual spaces; genre and rhetorical theory; fostering knowledge and skills transfer; the impact of intersectionality on pedagogy and program design; and labor justice. We will read works by foundational writing studies scholars including John Dewey, Wayne Booth, bell hooks, Victor Villaneuva, Jr. A. Suresh Canagarajah, and the current president of the Modern Language Association, Anne Ruggles Gere. Participants will have the opportunity to ask how writing studies can deepen the understanding of writing in our fields, regardless
This fall course, taken by the entire M.A. class, teaches a disciplined “journalistic method” of testing assumptions and making sure that reporting firmly proves its points.
Students develop useful skills for working with statistics, using academic research and conducting in-depth interviews. They are also taught to carefully combine anecdote and narrative with the big picture in their writing.
Art Humanities aims to instill in undergraduate students a passion and a critical vocabulary for the study of art as well as a fundamental capacity to engage the world of images and built environments. Principles of Art Humanities aims to prepare instructors to teach Art Humanities. We will study each unit of Art Humanities with an eye toward pedagogy, formal and critical analysis, and a capacious understanding of art and culture of past epochs. The course comprises presentations by the Art Humanities Chair and by weekly invited guests, as well as discussion among all participants. Required of all first-time Art Humanities instructors. Open to retuning instructors.
This is a Law School course. For more detailed course information, please go to the Law School Curriculum Guide at: http://www.law.columbia.edu/courses/search SIPA: Management. SIPA: Electives.