TOPICS IN HUMAN BEHAVIOR AND THE SOCIAL

GENDER AND SEXUALITY

• Department: Social Work
• W 9 a.m.-11:30 a.m.
• Instructor: Marybec Griffin
  Info
• 1.5 points

TOPICS IN HUMAN BEHAVIOR AND THE SOCIAL

MASS INCARCERATION & RE-ENTRY

• Department: Social Work
• W 9 a.m.-11:30 a.m.
• Instructor: Durrell M Washington
  Info
• 1.5 points

TOPICS IN HUMAN BEHAVIOR AND THE SOCIAL

TRAUMA AND ITS IMPACT

• Department: Social Work
• R 4:30 p.m.-7 p.m.
• Instructor: Patricia Moles
  Info
• 1.5 points

TOPICS IN HUMAN BEHAVIOR AND THE SOCIAL

SOC DETERMINANTS SUBSTANCE USE

• Department: Social Work
• T 8 p.m.-10:30 p.m.
• Instructor: Timothy J Bustle
  Info
• 1.5 points

TOPICS IN HUMAN BEHAVIOR AND THE SOCIAL

RELIGION/SPIRITUALITY

• Department: Social Work
• W 9 a.m.-11:30 a.m.
• Instructor: Frederick Streets
  Info
• 1.5 points

Cancer Genetics Internship

Internship: Cancer

• Department: Genetic Counseling
• 4 points

Pediatric Genetics Internship

Internship: Pediatrics

• Department: Genetic Counseling
• 4 points

Pediatric Genetics Internship

Internship: Pediatrics

• Department: Genetic Counseling
• 4 points

Reproductive Genetics Internship

Internship: Reproductive

• Department: Genetic Counseling
• 4 points

Adult Genetics Internship

Internship: Adult

• Department: Genetic Counseling
• 4 points

Adult Genetics Internship

Internship: Adult

• Department: Genetic Counseling
• 4 points

Adult Genetics Internship

Internship: Adult

• Department: Genetic Counseling
• 4 points

Julie's Test Course

JTestCourse

**Admission priorities**

Priority will be given to CS students closer to graduation. Your number on the waitlist is not a factor in admission. But this class is large, and we hope to accommodate everyone who needs to take the class. Last year's class is a good model for what this year's syllabus will be: 
http://coms4170.cs.columbia.edu/2024-spring/

**Attendance required**
This class is highly interactive, and attendance for many of the lectures is mandatory. Especially in the second half of the class, students must attend in-class project mentoring sessions to get feedback from their TA and fellow students.


**Technical Preparation**
The first half of the class is quite technical, we introduce principles of usable design and integrate them in to technical assignments. There is a lot of programming in HTML, JavaScript, CSS, Bootstrap, and Python (server-side). Whereas we do teach these technologies, we constantly find that students who have seen them before have a better time in class. Former students have advised future students to do an online web programming series like CodeAcademy (which is sadly no longer free). Advanced Programming is an advised pre- requisite, but the true pre-requisite is simply coding experience. You will be expected to figure out some of the programming aspects by yourself, and you need the maturity to do that. Hint: ask GPT. If you are going to email me about this class, please use a subject line
that says I read the SSOL message for COMS 4170 and I still have a question. I hope to see many of you in the spring :)
Lydia

• Department: OFFC OF THE REGISTRAR
• M 1 p.m.-3:30 p.m.
• 0-10 points

Introduction to Writing about Literature

Intro Writing Lit & Cultu

What does it mean to close read? Does the author’s biography matter to understanding a text? What about the time and place that the text was written? This course will introduce students to a range of habits, practices, and approaches to writing about literature and culture that widen and deepen how one can respond to and interpret a novel, a poem, and various other cultural artifacts. At the same time, we will engage in writing practices that empower students to locate and articulate what interests them about a particular piece of writing or culture, to make a claim about it, and to articulate that claim against other interpretations. Foundational to this endeavor is re-envisioning the writing process, from an isolated, individual process to one that involves collaboration and conversation; copious in-class writing; peer workshops; the power of drafts and revision; and the inclusion of research and theoretical frames. We will use Jamaica Kincaid’s novella Lucy as our main text, accompanied by shorter readings and visits to the museum, Barnard library and archive and other excursions that expand the world of our writing and the objects we wish to understand.

• Department: Pre-College Program (Barnard)
• R 9:30 a.m.-noon
• Instructor: Tara Needham
  Info
• 0 points

Intro to NeuroScience

INTRO NEUROSCIENCE

This course will introduce and explore core concepts related to neuroscience, with an emphasis on psychobiology (or biological psychology), namely the biological basis of mental states and behavior.Topics will include nerve cells and impulses, synaptic transmission, hormone/endocrine signaling,neuroanatomy, sensation and perception, regulation of sleep and wake states, physiologic homeostasis,emotion, learning/memory, neurocognition, and psychological disorders.

• Department: Pre-College Program (Barnard)
• R 9:30 a.m.-noon
• Instructor: Ari Shechter
  CULPA: 2 h-index: 23 Info
• 0 points

Finding Climate Solutions

In this course, we will explore a wide array of climate change solutions - from the natural and traditional to the ultramodern and technological. Through this exploration, we will cover concepts across all earth and environmental science and provide an overview of topics that you may want to dive more deeply into in future courses and/or projects. We will begin with an introduction to climate change and follow this with three modules on terrestrial, ocean-based, and engineering solutions. You will engage in group and class-wide discussion – specifically on solutions that spark your curiosity so that you take responsibility in course direction and engage intentionally, critically, and freely.

• Department: Pre-College Program (Barnard)
• R 9:30 a.m.-noon
• Instructor: Jonathan Lambert
  Info
• 0 points

Functional Anatomy for Movement

Functional Anatomy Moveme

This is an introduction to the study of Countertechnique® taught by certified Teacher, Francesca Dominguez. Countertechnique® is a system of movement designed for dancers to practice self-direction and to cultivate availability to movement while learning to take risks. Developed over the past 25 years by Dutch choreographer, Anouk Van Dijk, the technique utilizes a task-based approach for body and mind as the vehicle to approach dance. It is a movement system that helps the dancer think with the dancing body by focusing on the process of incorporating anatomical information into action; and beginning to direct and counter-direct the body through space as an alternative to gripping or falling over. Dancers are encouraged to be proactive in discovering connections and solutions, to be less concerned with judging themselves, and to work in a healthy way physically, mentally, and emotionally. The priority is to experience clarity and enjoyment of movement while utilizing the Countertechnique® principles. ☺ www.countertechnique.com By the end of the semester, students will have a clarified relationship to space; a developed coordination and articulation of the body; they will gain knowledge about the anatomy of the body especially joint structure, location, and range; and will be able to begin Scanning – the ability to observe one’s own state-of-being and draw upon solutions according to need and/or experimentation.

• Department: Pre-College Program (Barnard)
• R 9:30 a.m.-noon
• Instructor: Francesca Dominguez
  Info
• 0 points

BIODIVERSITY

An introduction to the enormous diversity of life on Earth. From bacteria to mammals, this course will survey species diversity, with an emphasis on ecological interactions and conservation. The course will also use basics of genetics and evolutionary biology to explore how diversity is generated and maintained. No previous knowledge of science is assumed. Fulfills a science requirement for most Columbia and GS undergraduates.

• Department: Summer Session (SUMM)
• MW 5:30 p.m.-8:40 p.m.
• TR 9 a.m.-12:10 p.m.
• Instructor: Steffen Foerster
  Info
• Instructor: Palani R Akana
  Info
• 3 points

CRITICAL THEORY: A GLOBAL PERSPECTIVE

The purpose of this foundational course is to introduce Columbia undergraduate students, in the context of their Global Core curriculum, to the seminal field of critical theory. The historical domain of this course is within the last century and its geographical spectrum is global. European critical thinkers are included in this course but not privileged. Thinkers from Asia, Africa, Europe, North, South, and Latin America, are examined here in chronological order and in equal democratic footing with each other. This course as a result is decidedly cross-cultural, one step forward towards de-alienating critical thinkers from around the globe and the issues they address without pigeonholing them as something “other” or “different.” The course is designed and offered in the true spirit of the “Global Core.” The purpose of the course is to reach for the common denominator of serious critical thinking about the fate of our humanity and the health of our social relations in an increasingly fragile world—where the false binaries of “the West” and “the Rest” no longer hold. The roster of critical thinkers we will examine is by no means exhaustive but representative. Any number of other critical thinkers can be added to this roster but none of those we will examine can be excluded from them. The course is divided into thirteen successive weeks and for each week a number of seminal, original, and groundbreaking texts are identified. Each week we will examine selected passages from these texts. The course is designed as a lecture course, and my lectures are based on the totality of these texts but students will be assigned specific shorter passages to read.

• Department: Summer Session (SUMM)
• TR 9 a.m.-12:10 p.m.
• Instructor: Hamid Dabashi
  CULPA: 30 Wikipedia Info
• 4 points

INTRODUCTION TO NEUROSCIENCE

This course is required for all the other courses offered in Neuroscience and Behavior. The course introduces students to the anatomy and physiology of the nervous system. The topics include the biological structure of the nervous system and its different cell types, the basis of the action potential, principles of neurotransmission, neuronal basis of behavior, sleep/wake cycles, and basic aspects of clinical neuroscience.

• Department: BARNARD SUMMER PROGRAMS
• TR 1 p.m.-4:10 p.m.
• Instructor: Anamaria Alexandrescu
  Info
• 3 points

INTRODUCTION TO NEUROSCIENCE

This course is required for all the other courses offered in Neuroscience and Behavior. The course introduces students to the anatomy and physiology of the nervous system. The topics include the biological structure of the nervous system and its different cell types, the basis of the action potential, principles of neurotransmission, neuronal basis of behavior, sleep/wake cycles, and basic aspects of clinical neuroscience.

• Department: BARNARD SUMMER PROGRAMS
• TR 1 p.m.-4:10 p.m.
• Instructor: Anamaria Alexandrescu
  Info
• 3 points

Brain Studies: A Hands-On Neuroscience L

BRAIN STUDIES

Scientific discoveries don’t happen in a classroom—they happen in the lab! In this immersive neuroscience course, students will explore the nervous system through short lectures, interactive discussions, and hands-on lab activities, investigating how neurons communicate and influence behavior. In the first week, students will examine preserved brain tissue to study functional neuroanatomy in relation to real clinical cases of brain injury. In the second week, they will learn about neural communication and record electrical signals from neurons in an earthworm. The final week will explore the relationship between brain signals and behavior. Students will use electroencephalography (EEG) to record their own brain waves and analyze how neural activity shifts during cognitive tasks. To complement these lessons, students will visit cutting-edge neuroscience research facilities and NYC landmarks such as the American Museum of Natural History and the Bronx Zoo. By the end of the course, students will have a foundational understanding of neuroscience and firsthand experience with experimental techniques used by scientists to study the brain.

• Department: Pre-College Program (Barnard)
• R 2 p.m.-4:30 p.m.
• Instructor: Abigail N Zadina
  Info
• 0 points

THE SCIENCE OF PSYCHOLOGY

Introduction to the science of human behavior. Topics include history of psychology, brain function and development, sleep and dreams, sensation and perception, learning and memory, theories of development, language and cognition, research methods, emotion, mental illness, and therapy.

• Department: Summer Session (SUMM)
• MW 9 a.m.-12:10 p.m.
• MW 5:30 p.m.-8:40 p.m.
• Instructor: Sarah Demoya
  Info
• Instructor: Tina Kao
  CULPA: 10 Info
• 3 points

Writing for TV: Discovering Your Voice i

Successfully selling a television show requires a writer to have a unique POV, engaging characters and a solid story engine. A series creator must develop two important documents to help them sell their show to television executives – the series bible and the pilot script. Through a number of creative exercises, students will learn the intricacies of the unique screenwriting formats that are the half-hour and hour-long teleplays. Together we will cover the differences between an episode arc and a seasonal one, the requirements of A/B/C story plotting, and how to write an effective show bible.

We will survey popular tv series from diverse voices, primarily focusing on women showrunners and/or series with strong female leads (including New Girl, Stranger Things, Never Have I Ever, Abbott Elementary, Ginny & Georgia, Derry Girls and more). By the end of the course, students will have a written mini series bible, a detailed pilot outline and the first act of their pilot script, which will be the springboard for creating a series that truly stands out!

• Department: Pre-College Program (Barnard)
• R 9:30 a.m.-noon
• Instructor: Dafina Roberts
  Info
• 0 points

BASIC DRAWING

Fundamentals of visual vocabulary. Students work from observation using still-life objects and the human figure. Emphasizes the relationship of lines and forms to each other and to the picture format. Materials used: vine charcoal, compressed charcoal, pencil, pen, ink, and brushes. Class assignments, discussions, and critiques.

• Department: Summer Session (SUMM)
• TWR 5:30 p.m.-8 p.m.
• 3 points

FICTION WORKSHOP

The Fiction Writing Workshop is designed for students who have little or no experience writing imaginative prose. Students are introduced to a range of craft concerns through exercises and discussions, and eventually produce their own writing for the critical analysis of the class. Outside readings supplement and inform the exercises and longer written projects. Enrollment limited to 15.

• Department: Summer Session (SUMM)
• TR 5:30 p.m.-8:40 p.m.
• Instructor: Erroll G McDonald
  Info
• Instructor: Dennard T Dayle
  Info
• 3 points

THE INTERPRETATION OF CULTURE

The anthropological approach to the study of culture and human society. Using ethnographic case studies, the course explores the universality of cultural categories (social organization, economy, law, belief systems, arts, etc.) and the range of variation among human societies.

• Department: Summer Session (SUMM)
• MW 1 p.m.-4:10 p.m.
• Instructor: Maxine Weisgrau
  CULPA: 24 Info
• 3 points

NYC Nature: From the River to the Roofto

In NYC Nature: From the River to the Rooftops, students will collect and analyze data from local habitats on and near the Barnard campus including the Hudson River, Riverside Park forest and the wildflower meadows planted on top of Barnard College buildings. Students will examine the water quality of the Hudson, measure carbon storage in campus trees, survey birds in relationship to tree canopy density in Riverside Park, simulate a paleoecological investigation of Manhattan using the Virtual Forest and quantify biodiversity on NYC rooftops. It is an investigation of how NYC nature, from plankton to peregrines, responds to environmental change, and will be hands-on, inquiry-based, include field experiences and involve data collection, analysis and presentations. Each meeting will begin with a discussion of the day's topic and then we will head outside to collect data, for example, water samples, tree measurements, plant and bird surveys, etc. Back in the lab, the data will be visualized, analyzed and discussed in the form of team presentations.

• Department: Pre-College Program (Barnard)
• R 2 p.m.-4:30 p.m.
• Instructor: Terryanne Maenza-Gmelch
  CULPA: 14 h-index: 5 Info
• 0 points

CRITICAL THEORY:G.P.-DISC

Corequisites: MDES UN1001. Discussion sections (TWO) to accompany the course MDES UN1001, Critical Theory: A Global Perspective.

• Department: Summer Session (SUMM)
• MW 11:10 a.m.-noon
• TR 2:10 p.m.-3 p.m.
• Instructor: Chandana Krishnegowda
  Info
• Instructor: Hazem Fahmy
  Info
• Instructor: Lama Suleiman
  Info
• 0 points

Imagining Global Warming: Climate Change

IMG GLOBAL WARMING

While Global Warming has historically been seen as a matter best understood through a scientific lens, more recently it has been recognized as a quintessentially "wicked"problem," one that cannot be understood from a single perspective. Keeping in mind the value of bringing different disciplinary attitudes to such a problem, this course supplements a purely scientific approach to Global Warming by calling on the many different ways that the human mind--and eye, hand, and ear--have sought to understand and react to our ever-changing environment. Students will begin by reviewing in the first week of the course the basic science of Climate Change and then studying the roots of our understanding of nature, including a variety of ancient religious texts and a wide range of Creation Narratives from around the globe. The second week of the course will be an introduction to a critical examination of artistic responses to Climate Change in recent decades. This will include Land Art that questions and tests our control over the landscape, a century of films that feature natural disaster scenarios, dystopian poems and short stories, music that seeks to represent the challenges of climate change in the auditory dimension, paintings and sculptures that visualize global warming, and performance art that uses the human body to dramatize the ways in we have been transforming nature. In the third week of the course, students will be exposed to the history of environmentalism itself before spending the final sessions in groups producing their own artistic responses to Climate Change.

• Department: Pre-College Program (Barnard)
• R 2 p.m.-4:30 p.m.
• Instructor: Jonathan P Gill
  Info
• 0 points

INTRODUCTION TO ARCHITECTURE

• Department: Architecture, Planning and Preservation
• MTWR 2 p.m.-5 p.m.
• Instructor: Danielle S Smoller
  Info
• 3 points

COLLEGE ALGEBRA-ANLYTC GEOMTRY

Prerequisites: Mathematics score of 550 on the SAT exam, taken within the past year. Recommended: MATH S0065. Algebra review, graphs and functions, polynomial functions, rational functions, conic sections, systems of equations in two variables, exponential and logarithmic functions, trigonometric functions and trigonometric identities, applications of trigonometry, sequences, series, and limits.

• Department: Summer Session (SUMM)
• TWR 6:10 p.m.-8:20 p.m.
• Instructor: Xiaorun Wu
  Info
• 3 points

Introduction to American Constitutional

INTRO US CONSTITUTIONAL L

This 3-week course will introduce you to basic concepts in American Constitutional Law - including the founding and development of the US Constitution and the historical context of major controversies of the US Supreme Court -- such as slavery, gun rights, reproductive freedom, and free speech in the age of social media. You will also learn how to read Supreme Court cases, and be given the tools to evaluate the different approaches Justices use to interpret the Constitution. You will emerge with a deeper understanding of the role the Constitution and the Supreme Court play in American society in 2024.

• Department: Pre-College Program (Barnard)
• R 2 p.m.-4:30 p.m.
• Instructor: Jonathan J Keller
  Info
• 0 points

Foundations of Biology

General Chemistry I is a pre-requisite; General Chemistry II is a pre/co-requisite. In this course, we will introduce basic terminology, important concepts, and basic problem-solving skills in order to prepare biology and pre-health students for the challenging Biology courses they will take at Columbia. We will do a deep dive into a small number of topics and use these as access points to teaching skills that will aid students in future STEM courses. Classes will include time for problem solving. Recitations will involve problem solving and student presentations of solutions to problems.

• Department: Summer Session (SUMM)
• MTWR 2:30 p.m.-4 p.m.
• Instructor: Mary Ann Price
  CULPA: 5 Info
• 2 points

INTRO-COMPUT SCI/PROG IN JAVA

INTRO-COMPUTER PROGRAM IN JAVA

A general introduction to computer science for science and engineering students interested in majoring in computer science or engineering. Covers fundamental concepts of computer science, algorithmic problem-solving capabilities, and introductory Java programming skills. Assumes no prior programming background. Columbia University students may receive credit for only one of the following two courses: 1004 or 1005.

• Department: Computer Science
• MW 5:30 p.m.-8:40 p.m.
• Instructor: Paul S Blaer
  CULPA: 46 h-index: 8 Info
• 3 points

Dinosaurs and the History of Life

Dinos and the History of

Dinosaurs  
explores how science works and provide practical knowledge about the history of life and how we have come to understand it. We learn how to analyze the evolutionary relationships of organisms and examine how dinosaurs came to be exemplars of a very successful group of organisms dominant on land for 140 million years. We will delve deeply into how direct descendants of small carnivorous theropod dinosaurs evolved into birds, still more diverse than mammals, dominating the air. The Mesozoic, a “hot-house world”, with no ice caps and was the kind of world we are hurtling towards because of our input of greenhouse gases into the atmosphere, and we will look at how their time is a natural experiment for our future. The non-avian dinosaur met their end in a remarkable cataclysm discovered by detective work that we will delve deeply into as a paradigm of the scientific method  Finally, they are fun and spectacular - monsters more fantastic than any person has invented in legend or religion - and they are still with us!

• Department: Summer Session (SUMM)
• MW 1 p.m.-4:10 p.m.
• Instructor: Paul E Olsen
  CULPA: 26 Wikipedia h-index: 71 Info
• 3 points

Wall Street and the Public Culture of Fi

WALL STREET AND PCF

Wall Street has been imagined as a site of democracy, capitalism, and the pursuit of the American Dream; it has also been imagined as a place of immorality, filled with greedy global elite male financiers taking advantage of the “99 percent”. This seminar will consider how capital, gender, race, culture, and power shape understandings of Wall Street in the popular imagination, and how people’s everyday practices reshape that understanding. Drawing on a variety of texts –anthropological, sociological, political-economic, historical, literary, and cinematic – we will examine the ways new forms of capital produce financial subjects, class difference, and crisis, within the global economy. We will also explore the ways Occupy Wall Street, Me Too, Black Lives Matter and other social movements are recapturing the radical imagination and the possibilities of new forms of resistance to capitalism that often intersect with sexism, racism, and other systems of power. Using interdisciplinary methodologies such as fieldwork, archival research, and literary analysis students will produce short papers and one research paper that allows them to take advantage of conducting research in New York City.

• Department: Pre-College Program (Barnard)
• R 9:30 a.m.-noon
• 0 points

Aristotle & AI

What do the robots in ancient Greek mythology have to tell us about today’s AI? How did slavery shape how Greeks and Romans imagined autonomous tools? Where does artificial intelligence come from, and why do we tell the stories we do about what it can do and how it will change the world?
This course offers an introduction to the intellectual history of classical antiquity and a critical examination of artificial intelligence in the current cultural and political moment. Students in the course will learn about a topic in ancient Greek and Roman thought — stories about autonomous tools — and how that topic relates to social history and culture in the ancient world. They will then use that knowledge to frame questions about artificial intelligence and robots in present society, and examine critical approaches to the large generative models that are garnering so much attention today. The goal is equip students with a) a basic familiarity with how ancient Greek and Roman thought relates to its cultural context, b) an analytical framework for approaching claims about technology in historical and present contexts, and c) an appreciation for how humanistic inquiry can answer urgent questions in their lives.
Prerequisites: none
The course is intended for students for little or no familiarity with the study of the ancient world, and as an introduction to the study of ancient Greece and Rome. Familiarity with texts encountered in the fall semesters of Literature Humanities or Contemporary Civilizations will be helpful, but is neither required or presumed on the part of the instructor.

• Department: Summer Session (SUMM)
• TR 1 p.m.-4:10 p.m.
• Instructor: Joseph A Howley
  CULPA: 7 Info
• 3 points

UNIVERSITY WRITING

Prerequisites: Non-native English speakers must reach Level 10 in the American Language Program prior to registering for ENGL S1010. University Writing: Contemporary Essays helps undergraduates engage in the conversations that form our intellectual community. By reading and writing about scholarly and popular essays, students learn that writing is a process of continual refinement of ideas. Rather than approaching writing as an innate talent, this course teaches writing as a learned skill. We give special attention to textual analysis, research, and revision practices.

• Department: Summer Session (SUMM)
• MW 1 p.m.-2:35 p.m.
• TR 10 a.m.-11:35 a.m.
• MW 1 p.m.-2:35 p.m.
• TR 1 p.m.-2:35 p.m.
• MW 10 a.m.-11:35 a.m.
• MW 7 p.m.-8:35 p.m.
• TR 10 a.m.-11:35 a.m.
• Instructor: Joseph W Bubar
  Info
• Instructor: Austin L Mantele
  CULPA: 3 Info
• Instructor: Kirkwood F Adams
  Info
• Instructor: Celine M Aenlle-Rocha
  Info
• Instructor: Abigail R Melick
  Info
• Instructor: Levi C Hord
  Info
• Instructor: Leia K Bradley
  Info
• Instructor: Elizabeth F Furlong
  Info
• Instructor: Allison T Fowler
  Info
• Instructor: Alice Clapie
  Info
• 3 points

NEW YORK CITY IN FILM

This course will explore the representation of New York City in film. We will examine the way that film portrays social problems and either creates or responds to “social panics.” We will also examine the way in which film actively creates an idea of “New York” through cinematography, directing, acting and other aspects of filmmaking.  Some topics to be considered are utopia/dystopia, race, ethnicity, class, gender, sexuality, art, immigration, houselessness, and gentrification. The course follows three main themes: 1. How the filmmaking process (camera movements, lighting, dialogue, acting, etc.) is used as a method to describe space (filmmaking as a geographic method). 2. How various genres of film have been used to portray the social geography of New York City (the geography of film). 3. The relationship between the viewer’s “place” and the places portrayed in the film (communication geography). Finally, we will also consider how our personal sense of place towards New York City has altered throughout the course.

• Department: BARNARD SUMMER PROGRAMS
• MW 5:30 p.m.-8:40 p.m.
• Instructor: Ross T Hamilton
  CULPA: 25 Info
• 3 points

NEW YORK CITY IN FILM

This course will explore the representation of New York City in film. We will examine the way that film portrays social problems and either creates or responds to “social panics.” We will also examine the way in which film actively creates an idea of “New York” through cinematography, directing, acting and other aspects of filmmaking.  Some topics to be considered are utopia/dystopia, race, ethnicity, class, gender, sexuality, art, immigration, houselessness, and gentrification. The course follows three main themes: 1. How the filmmaking process (camera movements, lighting, dialogue, acting, etc.) is used as a method to describe space (filmmaking as a geographic method). 2. How various genres of film have been used to portray the social geography of New York City (the geography of film). 3. The relationship between the viewer’s “place” and the places portrayed in the film (communication geography). Finally, we will also consider how our personal sense of place towards New York City has altered throughout the course.

• Department: BARNARD SUMMER PROGRAMS
• MW 5:30 p.m.-8:40 p.m.
• Instructor: Ross T Hamilton
  CULPA: 25 Info
• 3 points

BAD LOVE

This seminar reads stories of love gone bad, of romances that end catastrophically, that damage lovers or leave victims along the way.   We will illuminate the consuming fantasy of the romance genre in its quest for “true love,” as well as a range of emotions – rage and revenge, narcissism and self-protection, obsession and oblivion – that surface in its wake.  We will also look at shifting interpretations of “bad love,” from Plato, to the Galenic theory of the humors, to the sociology of court-culture, to Freudian and finally contemporary neurobiological explanations of feelings.  Students are welcome to propose texts of their own interests to open this course to the widest range of interests.  In addition to seminar discussion, there will be weekly individual tutorials with Professor Hamilton as well as zoom interviews with a neurobiologist and a psychologist if it can be arranged.

• Department: BARNARD SUMMER PROGRAMS
• MW 1 p.m.-4:10 p.m.
• Instructor: Ross T Hamilton
  CULPA: 25 Info
• 3 points

BAD LOVE

This seminar reads stories of love gone bad, of romances that end catastrophically, that damage lovers or leave victims along the way.   We will illuminate the consuming fantasy of the romance genre in its quest for “true love,” as well as a range of emotions – rage and revenge, narcissism and self-protection, obsession and oblivion – that surface in its wake.  We will also look at shifting interpretations of “bad love,” from Plato, to the Galenic theory of the humors, to the sociology of court-culture, to Freudian and finally contemporary neurobiological explanations of feelings.  Students are welcome to propose texts of their own interests to open this course to the widest range of interests.  In addition to seminar discussion, there will be weekly individual tutorials with Professor Hamilton as well as zoom interviews with a neurobiologist and a psychologist if it can be arranged.

• Department: BARNARD SUMMER PROGRAMS
• MW 1 p.m.-4:10 p.m.
• Instructor: Ross T Hamilton
  CULPA: 25 Info
• 3 points

THE JAZZ OF CHEMISTRY

The contribution of chemistry to everyday life is immense. The applications of chemistry in medicine, petrochemicals, cosmetics, and fertilizers are readily apparent. However, the knowledge and applications of chemistry come in handy in many other fascinating fields, some of which may be less than obvious. Examples of areas in which chemistry plays a key role include forensic science; art restoration and forgery detection; and flavors and fragrances in food, beverages and other consumer products. The goal of this course is to provide insights and spur discussion of several areas and applications of chemistry, while gaining hands-on experience in techniques used in these fields.

• Department: BARNARD SUMMER PROGRAMS
• TR 1 p.m.-4:10 p.m.
• Instructor: Meenakshi S Rao
  CULPA: 24 Info
• 3 points

THE JAZZ OF CHEMISTRY

The contribution of chemistry to everyday life is immense. The applications of chemistry in medicine, petrochemicals, cosmetics, and fertilizers are readily apparent. However, the knowledge and applications of chemistry come in handy in many other fascinating fields, some of which may be less than obvious. Examples of areas in which chemistry plays a key role include forensic science; art restoration and forgery detection; and flavors and fragrances in food, beverages and other consumer products. The goal of this course is to provide insights and spur discussion of several areas and applications of chemistry, while gaining hands-on experience in techniques used in these fields.

• Department: BARNARD SUMMER PROGRAMS
• TR 1 p.m.-4:10 p.m.
• Instructor: Meenakshi S Rao
  CULPA: 24 Info
• 3 points

True Crime

Over the centuries, readers have been drawn to accounts of “true” crime—violent narratives involving real people and real events. And yet, as with any literary object, the notion of “truth” is always unstable—stories and their tellings are always shaped by the motivations, values, and choices of those who tell them, often with an eye toward the audience that will consume them. Whether constructed in order to moralize, to enforce or critique social or political ideologies, or purely to sell copies, “true
crime” is a literary genre that reveals attitudes about gender, race, and class; that illustrates—and sometimes calls into question—cultural norms and mores; that calls on readers to reflect on their own morbid curiosity and assumptions and fears. In this class we will engage with a diverse selection of literary texts—spanning from the Middle Ages to the present day and from a range of genres, including pamphlets, plays, novels, and more—as well as contemporary films, a tv series, and a
podcast. Through close reading and critical analysis, we will examine the evolution of the “true crime” genre and the cultural and societal contexts that shape the portrayal of crime for popular consumption. We will explore the ways in which texts and authors sensationalize, moralize, and convey the complexities of crime. We will analyze point of view: who’s telling the story, whom we sympathize with, and what insights we get into the minds of those committing crimes as well as those who fall prey to them. We will consider justice and policing— the role played by the law and its enforcers in shaping narratives about crime and punishment, right and wrong. Finally, we will reflect on the ethical implications of representing real-life crimes in literature, and how “true crime” narratives shape social perceptions, fears, prejudices, and notions of justice and morality.

• Department: BARNARD SUMMER PROGRAMS
• TR 9 a.m.-12:10 p.m.
• Instructor: Penelope Usher
  Info
• 3 points

True Crime

Over the centuries, readers have been drawn to accounts of “true” crime—violent narratives involving real people and real events. And yet, as with any literary object, the notion of “truth” is always unstable—stories and their tellings are always shaped by the motivations, values, and choices of those who tell them, often with an eye toward the audience that will consume them. Whether constructed in order to moralize, to enforce or critique social or political ideologies, or purely to sell copies, “true
crime” is a literary genre that reveals attitudes about gender, race, and class; that illustrates—and sometimes calls into question—cultural norms and mores; that calls on readers to reflect on their own morbid curiosity and assumptions and fears. In this class we will engage with a diverse selection of literary texts—spanning from the Middle Ages to the present day and from a range of genres, including pamphlets, plays, novels, and more—as well as contemporary films, a tv series, and a
podcast. Through close reading and critical analysis, we will examine the evolution of the “true crime” genre and the cultural and societal contexts that shape the portrayal of crime for popular consumption. We will explore the ways in which texts and authors sensationalize, moralize, and convey the complexities of crime. We will analyze point of view: who’s telling the story, whom we sympathize with, and what insights we get into the minds of those committing crimes as well as those who fall prey to them. We will consider justice and policing— the role played by the law and its enforcers in shaping narratives about crime and punishment, right and wrong. Finally, we will reflect on the ethical implications of representing real-life crimes in literature, and how “true crime” narratives shape social perceptions, fears, prejudices, and notions of justice and morality.

• Department: BARNARD SUMMER PROGRAMS
• TR 9 a.m.-12:10 p.m.
• Instructor: Penelope Usher
  Info
• 3 points

ELEMENTARY FRENCH I

Equivalent to FREN UN1101. Designed to help students understand, speak, read, and write French, and to recognize cultural features of French-speaking communities, now with the help of a newly digitized audio program. Students learn to provide information in French about their feelings, environment, families, and daily activities. Daily assignments, quizzes, laboratory work, and screening of video material.

• Department: Summer Session (SUMM)
• MTWR 10 a.m.-12:05 p.m.
• Instructor: Alexandra Borer
  CULPA: 4 Info
• 4 points

ELEMENTARY ITALIAN I

Equivalent to ITAL V1101. Students will develop listening, speaking, reading, and writing skills in Italian and an understanding of Italian culture. Upon successful completion of this course, students should be able to provide basic information in Italian about themselves, their families, interests, likes and dislikes, and daily activities; participate in a simple conversation on everyday topics; to read edited texts on familiar topics; and produce Italian with basic grammatical accuracy and accurate pronunciation.

• Department: Summer Session (SUMM)
• MTWR 11:30 a.m.-1:35 p.m.
• Instructor: Maria Luisa Gozzi
  CULPA: 14 Info
• 4 points

CALCULUS I

Prerequisites: high school mathematics through trigonometry or MATH S1003, or the equivalent. Functions, limits, derivatives, introduction to integrals.

• Department: Summer Session (SUMM)
• TR 5:30 p.m.-8:40 p.m.
• Instructor: Aditya Ghosh
  Info
• Instructor: Tomasz Owsiak
  Info
• 3 points

BEGINNING RUSSIAN I

$15.00= Language Resource Fee, $15.00 = Materials Fee , Designed to develop all four skills: speaking, listening, reading, and writing. Taken with RUSS S1102R, equivalent to full-year elementary course.

• Department: Summer Session (SUMM)
• MTWR 9 a.m.-1 p.m.
• Instructor: Alla Smyslova
  CULPA: 20 Info
• 4 points

ELEMENTARY SPANISH I

Elementary course, equivalent to SPAN V1101 or F1101. Fundamental principles of grammar; practice in pronunciation. Reading and conversation are introduced from the beginning. Use of the language laboratory is required.

• Department: Summer Session (SUMM)
• MTWR 8:30 a.m.-10:35 a.m.
• MTWR 10:45 a.m.-12:50 p.m.
• Instructor: Irene Alonso-Aparicio
  Info
• Instructor: Ramon Flores Pinedo
  Info
• 4 points

INTRODUCTION TO STATISTICS

Prerequisites: some high school algebra. Designed for students in fields that emphasize quantitative methods. This course satisfies the statistics requirements of all majors except statistics, economics, and engineering. Graphical and numerical summaries, probability, theory of sampling distributions, linear regression, confidence intervals, and hypothesis testing are taught as aids to quantitative reasoning and data analysis. Use of statistical software required. Illustrations are taken from a variety of fields. Data-collection/analysis project with emphasis on study designs is part of the coursework requirement.

• Department: Summer Session (SUMM)
• MTWR 6:15 p.m.-7:50 p.m.
• MTWR 10:45 a.m.-12:20 p.m.
• Instructor: Ji Meng Loh
  CULPA: 19 Info
• Instructor: Anthony Donoghue
  CULPA: 17 Info
• 3 points

ELEMENTARY FRENCH II

Prerequisites: one term of college French or one year of secondary school French. $15.00= Language Resource Fee, $15.00 = Materials Fee , Equivalent to FREN UN1102. Continues the work of French S1101D and completes the study of elementary French. Students continue to develop communicative skills, narrating recent events (past, present, and future), describing daily life activities, and learning about cultural features of France and of the wider Francophone world. Following the communicative approach, students, with the help of the instructor, learn to solve problems using the language, to communicate their feelings and opinions, and to obtain information from others. Daily assignments, quizzes, laboratory work, and screening of video materials.

• Department: Summer Session (SUMM)
• MTWR 10 a.m.-12:05 p.m.
• Instructor: Pascale Crepon
  CULPA: 10 Info
• Instructor: Samuel Skippon
  CULPA: 13 Info
• 4 points

ELEMENTARY ITALIAN II

Prerequisites: ITAL S1101, or the equivalent. Continues the work of ITAL 1101 and completes the study of elementary Italian. Students continue to develop communicative skills (listening, speaking, reading, and writing skills). Upon successful completion of this course, students should be able to provide basic information in Italian about wants and needs, personal opinions and wishes, personal experiences, past activities, and daily routines; read simple texts on familiar matters of high frequency everyday or job-related language; draw on a repertoire of vocabulary and syntax sufficient for dealing with everyday situations.

• Department: Summer Session (SUMM)
• MTWR 11:30 a.m.-1:35 p.m.
• Instructor: Patrizia Palumbo
  CULPA: 15 Info
• 4 points

CALCULUS II

Prerequisites: MATH S1101 Calculus I, or the equivalent. Methods of integration, applications of the integral, Taylor's theorem, infinite series.

• Department: Summer Session (SUMM)
• MW 9 a.m.-12:10 p.m.
• TR 1 p.m.-4:10 p.m.
• Instructor: Nicolas I Vilches Reyes
  Info
• Instructor: Sergey Nersisyan
  Info
• 3 points

BEGINNING RUSSIAN II

Prerequisites: RUSS UN1101 or placement test $15.00= Language Resource Fee, $15.00 = Materials Fee , Continuation of RUSS S1101H.

• Department: Summer Session (SUMM)
• MTWR 9 a.m.-1 p.m.
• Instructor: Alla Smyslova
  CULPA: 20 Info
• 4 points

ELEMENTARY SPANISH II

Prerequisites: SPAN S1101, or the equivalent. Equivalent to SPAN F1102 or V1102. Grammar exercises, prose readings, and practice in the spoken language.

• Department: Summer Session (SUMM)
• MTWR 8:30 a.m.-10:35 a.m.
• MTWR 10:45 a.m.-12:50 p.m.
• Instructor: Lorena Garcia Barroso
  CULPA: 3 Info
• Instructor: Aaron R Boalick
  Info
• 4 points

First-Year Chinese I

This course aims to introduce students to the Chinese language and cultivate their basic communicative competence by providing a comprehensive training in listening, speaking, reading and writing in Chinese. In addition, the course will bring real life tasks into classroom and prepare students to use Chinese language to function in an immersive environment.

• Department: Summer Session (SUMM)
• MTWRF 10 a.m.-12:15 p.m.
• Instructor: Shaoyan Qi
  CULPA: 25 Info
• 5 points

PRINCIPLES OF ECONOMICS

Equivalent to ECON UN1105, the first course for the major in economics. How a market economy determines the relative prices of goods, factors of production, and the allocation of resources; the circumstances under which it does these things efficiently. Why such an economy has fluctuations and how they may be controlled.

• Department: Summer Session (SUMM)
• MW 10:20 a.m.-11:55 a.m.
• Instructor: Renee C Garrow
  Info
• 4 points

First-Year Chinese II

In this course students will continue to develop basic communicative competence in Chinese. More emphasis will be given to reading and writing Chinese characters than First Year Chinese (I). In addition to bringing real life tasks into classroom and preparing students to use Chinese language to function in an immersive environment, the course also aims to cultivate inter-cultural communication awareness among students.

• Department: Summer Session (SUMM)
• MTWRF 10 a.m.-12:10 p.m.
• Instructor: Shaoyan Qi
  CULPA: 25 Info
• 5 points

MELLON MAYS UNDERGRADUATE FELLOWSHIP JUN

MMUF JUNIOR YEAR COLLOQUI

This is a course designed for the students enrolled in the Mellon Mays Undergraduate Research Fellowship Program.  It should be taken fall and spring semesters of a student's third and fourth years at the college (for a total of 6 course credits total over the two years). The goal of this course is to become familiar with academic research and writing, as well as the  culture of colleges/ universities in order to prepare students to apply to graduate school and earn the PhD.. The program hones academic writing skills (research papers, project and grant proposals, academic reflections designed to facilitate intentional goal setting and planning), teaches skills related to scholarly presentations (oral and written), as well as familiarizes students with academic culture in particular diversity, equity and inclusion issues and concerns in the academy. Students are expected to attend all the events and meetings associated with the program.

• Department: Barnard College
• MW 1:10 p.m.-2:25 p.m.
• TR 10:10 a.m.-11:25 a.m.
• 1.5 points

THE LIFE AQUATIC

Water covers the majority of the earth’s surface but what of the life in these waters? Rivers, wetlands, lakes, estuaries and oceans provide habitat for an extraordinary diversity of animals. This course explores the amazing array of aquatic animals that occupy both freshwater and marine ecosystems as well as the natural and human activities that impact their survival. No previous knowledge of science is assumed. Fulfills the science requirement for most Columbia and GS undergraduates.

• Department: Summer Session (SUMM)
• TR 1 p.m.-4:10 p.m.
• Instructor: Mercer R Brugler
  Info
• 3 points

ACCELERATED ELEM READING I/II

Prerequisites: no previous knowledge of German required, but some background is strongly recommended. This accelerated survey of German grammar, reading techniques, and dictionary skills is designed primarily for graduate students preparing for reading proficiency exams or wishing to do research in German-language literature. In addition to translation, the course focuses on strategies for extracting general and specific information from German texts (skimming and scanning) and judging their relevance for a specific research purpose. Reading texts take students' fields of study into consideration. Although this course does not satisfy any part of the foreign language requirement for degree candidates, successful completion of the translation on the final exam fulfills the German reading proficiency requirement in most graduate programs. Students are advised that this course is a full-time commitment. Students should expect to study 2 hours every day for every hour spent in the classroom and additional time on weekends. Students who would like to gain speaking and listening skills are advised to enroll in the Intensive Elementary German I and II, or another appropriate German course. The Department of Germanic Languages will assist in selecting the appropriate course. Equivalent to GERM UN1113-UN1114 taught during regular semesters.

• Department: Summer Session (SUMM)
• MTWR 10 a.m.-12:05 p.m.
• Instructor: Simona C Vaidean
  CULPA: 5 Info
• Instructor: Young Na
  Info
• 4 points

INTENSIVE ELEM GERMAN I & II

This intensive program provides one year of German in one six-week session. The course enables students to understand, speak, read, and write in German about a range of subjects (such as: family activities, studies, work and home life, as well as travel, economics, and current events) and helps them develop an understanding of German speaking cultures. Classes are conducted in German and supplemented with written homework and audiovisual materials. Assignments and activities are diversified to integrate undergraduate and graduate students’ academic and personal interests. The program draws on the German heritage of New York City (museums, Goethe Institut, restaurants, etc.). Students are encouraged to attend German-language films and musical performances. Students have many opportunities for informal conversation. Upon successful completion of the course (with a minimum grade of B), students should achieve novice high to intermediate low proficiency (ACTFL scale). Final grades are based on frequent oral and written tests, writing assignments, a project on German culture in New York, and a final examination (written and oral). Students are advised that this course constitutes a full-time commitment. The workload of this course is very intense and students will be expected to spend 4-6 hours studying every day outside of class and additional time on weekends. The Department of Germanic Languages will assist in selecting the appropriate course. Equivalent to the combination of 
GERM UN1101
 and 
UN1102
 taught during the regular semesters.

If prior knowledge of German, a placement exam is required. Students should contact Jutta Schmiers-Heller (js2331) to schedule a test or if they have other questions about the course.

• Department: Summer Session (SUMM)
• MTWR noon-1:30 p.m.
• Instructor: Jutta Schmiers-Heller
  CULPA: 19 Info
• 6 points

INTENSIVE ELEMENTARY GREEK

Equivalent to Greek 1101 and 1102. Covers all of Greek grammar and syntax in one term to prepare the student to enter Greek 1201 or 1202. This is an intensive course with substantial preparation time outside of class.

• Department: Summer Session (SUMM)
• MTWR 9 a.m.-12:10 p.m.
• Instructor: Melody A Wauke
  Info
• 6 points

MASTERPIECES-WESTERN ART

MASTER-WEST ART (PARIS)

HUMA1121OC. Masterpieces of Western Art. 3 points.  You are required to take HUMA1123OC Masterpieces of Western Music for 3 points with this course.

Art Humanities teaches students how to look at, think about, and engage in critical discussion of the visual arts. The course focuses on the formal structure of works of architecture, painting, and other media, as well as the historical context in which these works were made and understood. In addition to discussion-based classes like those held in New York, Art Humanities in Paris and in Berlin will make extensive use of the city through field trips to museums, buildings, and monuments. 
Please note that attendance at all class meetings, concerts, and excursions, unless otherwise indicated, is mandatory.

To enroll in this course in Paris
, you must apply to the
Columbia Summer Core In Paris: Art Humanities and Music Humanities
 through the Center for Undergraduate Global Engagement (UGE).

Global Learning Scholarships
available.
Tuition
charges apply.

To enroll in this course in Berlin
, you must apply to the 
Columbia Summer Core In Berlin: Art Humanities and Music Humanities
program through the Center for Undergraduate Global Engagement (UGE).

Global Learning Scholarships
 available.
Tuition
charges apply.

Please note the program dates are different from the Summer Sessions Terms. Visit the
UGE
website for the start and end dates for the Columbia Summer Core programs. Email
uge@columbia.edu
with any questions you may have.

• Department: Global Programs
• Instructor: Robert Harrist
  CULPA: 19 Wikipedia Info
• Instructor: Ioannis Mylonopoulos
  CULPA: 13 Info
• 3 points

MASTERPIECES-WESTERN ART

MASTER-WEST ART (BERLIN)

HUMA1121OC. Masterpieces of Western Art. 3 points.  You are required to take HUMA1123OC Masterpieces of Western Music for 3 points with this course.

Art Humanities teaches students how to look at, think about, and engage in critical discussion of the visual arts. The course focuses on the formal structure of works of architecture, painting, and other media, as well as the historical context in which these works were made and understood. In addition to discussion-based classes like those held in New York, Art Humanities in Paris and in Berlin will make extensive use of the city through field trips to museums, buildings, and monuments. 
Please note that attendance at all class meetings, concerts, and excursions, unless otherwise indicated, is mandatory.

To enroll in this course in Paris
, you must apply to the
Columbia Summer Core In Paris: Art Humanities and Music Humanities
 through the Center for Undergraduate Global Engagement (UGE).

Global Learning Scholarships
available.
Tuition
charges apply.

To enroll in this course in Berlin
, you must apply to the 
Columbia Summer Core In Berlin: Art Humanities and Music Humanities
program through the Center for Undergraduate Global Engagement (UGE).

Global Learning Scholarships
 available.
Tuition
charges apply.

Please note the program dates are different from the Summer Sessions Terms. Visit the
UGE
website for the start and end dates for the Columbia Summer Core programs. Email
uge@columbia.edu
with any questions you may have.

• Department: Global Programs
• Instructor: Irina T Oryshkevich
  CULPA: 11 Info
• Instructor: Leah E Werier
  Info
• 3 points

MASTERPIECES OF WESTERN ART

Equivalent to HUMA C1121 and F1121. Not a historical survey but an analytical study of masterpieces, including originals available in the metropolitan area. The chief purpose is to acquaint students with the experience of a work of art. A series of topics in the development of Western art, selected to afford a sense of the range of expressive possibilities in painting, sculpture, and architecture, such as the Parthenon, the Gothic cathedral, and works of Michelangelo, Bruegel, Picasso, and others. Space is limited. Columbia University undergraduates who need this course for graduation are encouraged to register during early registration.

• Department: Summer Session (SUMM)
• MW 1 p.m.-4:10 p.m.
• MW 9 a.m.-12:10 p.m.
• Instructor: Holger A Klein
  CULPA: 13 Info
• Instructor: Alex Marko
  Info
• Instructor: Martina Mims
  CULPA: 5 Info
• Instructor: Rachel L Hutcheson
  CULPA: 1 Info
• Instructor: Alessandra Di Croce
  Info
• Instructor: Sophia D'Addio
  CULPA: 2 Info
• Instructor: Leslie Tait
  Info
• Instructor: Francesco Cassini
  Info
• 3 points