US INTELLCT HIST 1865-PRES-DIS

• Department: History
• R 4:10 p.m.-5 p.m.
• R 5:10 p.m.-6 p.m.
• R 6:10 p.m.-7 p.m.
• Instructor: Casey Blake
  CULPA: 22 Wikipedia Info
• 0 points

Developmental Cognitive Neuroscience

The course will be an introduction to the science of structural and functional brain development beginning in the prenatal period. We will cover major domains in both cognitive and social development. This is a flipped course, where students will watch lectures online (three 55 minute lectures each week) and participate in classroom discussions and exercises (1 hour 50 minutes twice a week) with the Professor and each other when in person.

• Department: Psychology
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Dima Amso
  CULPA: 1 h-index: 31 Info
• 3 points

CODING IN BIOLOGY

An introduction to the basics of Python and R coding in the context of solving basic problems in molecular biology. Python will be used to write programs that analyze various features of DNA sequence data and R will be used to analyze output from RNA-seq experiments. No prior programming experience is necessary. The work will involve modifying existing code as well as developing simple programs from the ground up.

• Department: Biological Sciences @Barnard
• T 1:10 p.m.-4 p.m.
• Instructor: Brian Morton
  CULPA: 21 Info
• 3 points

ORGANIC CHEM. LAB II SYNTHESIS

Prerequisites: CHEM W1403-CHEM W1404; CHEM W1500; CHEM W2493. Corequisites: CHEM W2444. Please note that you must complete CHEM W2493 before you register for CHEM W2494. This lab introduces students to experimental design and trains students in the execution and evaluation of scientific data. The technique experiments in the first half of the course (CHEM W2493) teach students to develop and master the required experimental skills to perform the challenging synthesis experiments in the second semester. The learning outcomes for this lab are the knowledge and experimental skills associated with the most important synthetic routes widely used in industrial and research environments. Attendance at the first lab lecture and laboratory session is mandatory. Please note that CHEM W2494 is the second part of a full year organic chemistry laboratory course. Students must register for the lab lecture section (CHEM W2496) which corresponds to their lab section. Students must attend ONE lab lecture and ONE lab section every other week. Please contact your advisors for further information.

• Department: Chemistry
• M 1:10 p.m.-5 p.m.
• T noon-3:50 p.m.
• T 6:10 p.m.-10 p.m.
• W 1:10 p.m.-5 p.m.
• R noon-3:50 p.m.
• F 11 a.m.-2:50 p.m.
• M 1:10 p.m.-5 p.m.
• T noon-3:50 p.m.
• T 6:10 p.m.-10 p.m.
• W 1:10 p.m.-5 p.m.
• R noon-3:50 p.m.
• F 11 a.m.-2:50 p.m.
• Instructor: Talha Siddiqui
  CULPA: 3 Info
• 0 points

ORGANIC CHEM. LABORATORY II

• Department: Chemistry
• W 4:10 p.m.-5:25 p.m.
• M 4:10 p.m.-5:25 p.m.
• W 4:10 p.m.-5:25 p.m.
• M 4:10 p.m.-5:25 p.m.
• Instructor: Talha Siddiqui
  CULPA: 3 Info
• Instructor: Anna Ghurbanyan
  CULPA: 21 Info
• Instructor: Talha Siddiqui
  CULPA: 3 Info
• Instructor: Anna Ghurbanyan
  CULPA: 21 Info
• 1.5 points

ARTS OF AFRICA

Introduction to the arts of Africa, including masquerading, figural sculpture, reliquaries, power objects, textiles, painting, photography, and architecture. The course will establish a historical framework for study, but will also address how various African societies have responded to the process of modernity.

• Department: Art History and Archaeology
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Zoe S Strother
  CULPA: 10 Wikipedia Info
• 3 points

Programming for Scientists

MATLAB FOR SCIENTISTS

Learning objectives:

This course will provide a comprehensive foundation in programming methodology for quantitative biology applications that can be readily applied to any programming language. It is recommended for students interested in establishing or expanding their computational biology skillset. After completing this course, students should be able to:

1. Understand and explain the role of numerical and statistical methods in biology

2. Execute numerical computations using a widely-used programming language

3. Recognize common programming motifs that can be readily applied to other widely used languages

4. Design and troubleshoot algorithms to analyze diverse biological data and implement them using functions and scripts

5. Apply statistical programming techniques to model biological systems

6. Generate and interpret diverse plots based on biological datasets

 

Course overview: 

Once a small subfield of biology, computational biology has evolved into a massive field of its own, with computational methods fast becoming a vital toolkit leveraged by biologists across the discipline. As the size and complexity of biological datasets grows, computational methods allow scientists to make sense of these data, scaling quantitative methods to extract meaningful insights that help us better understand ourselves and the living world around us. In this course, we will learn the basics of computer programming in R, a powerful programming language with wide use in the biological sciences. Topics will include a basic introduction to R and the RStudio environment, data types and control structures, reading and writing files in R, data processing and visualization, manipulating common biological datasets; and statistical testing and modeling in R.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-4 p.m.
• Instructor: Nicolo Pini
  Info
• 3 points

ANALYSIS AND OPTIMIZATION

Prerequisites: MATH UN1102 and MATH UN1201 or the equivalent and MATH UN2010. Mathematical methods for economics. Quadratic forms, Hessian, implicit functions. Convex sets, convex functions. Optimization, constrained optimization, Kuhn-Tucker conditions. Elements of the calculus of variations and optimal control. (SC)

• Department: Mathematics
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Wenjian Liu
  Info
• 3 points

WOMEN AND MUSIC

This course explores the relationship between women, music, and performance from a thematic and a cross-cultural perspective. Through the analysis of different case studies, we will investigate different topics from the perspective of ethnomusicology, cultural anthropology, and performance studies. A number of critical questions we will consider include: how does a particular gender ideology constructs and is constructed by musical aesthetics? What are some of the critical roles for women in performance? What is the significance of gender in performances? What does it mean for women to have have and to be the voice? And how is a musical performance bound up with emotions?

• Department: Music
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Ruth Opara
  Info
• 3 points

FOUNDATIONS OF DATA SCIENCE

Designed to provide an introduction to data science for sophomore SEAS majors. Combines three perspectives: inferential thinking, computational thinking, and real-world applications. Given data arising from some real-world phenomenon, how does one analyze that data so as to understand that phenomenon? Teaches critical concepts and skills in computer programming, statistical inference, and machine learning, in conjunction with hands-on analysis of real-world datasets such as economic data, document collections, geographical data, and social networks. At least one project will address a problem relevant to New York City.

• Department: Industrial Engineering and Operations Research
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Uday Menon
  Info
• 3 points

CONTEMPORARY BIOLOGY LAB

Prerequisite or corequisite: BIOL UN2005 or BIOL UN2401. Contemporary Biology Lab is designed to provide students with hands-on exploration of fundamental and contemporary biological tools and concepts. Activities include in depth study of mammalian anatomy and physiology through dissection and histology, as well as a series of experiments in genetics and molecular biology, with emphasis on data analysis and experimental technique.

• Department: Biological Sciences
• M 1:10 p.m.-5 p.m.
• T 1:10 p.m.-5 p.m.
• W 1:10 p.m.-5 p.m.
• R 5:40 p.m.-9:30 p.m.
• Instructor: Ava E Brent
  Info
• Instructor: Joshua P Abrams
  Info
• Instructor: Ava E Brent
  Info
• Instructor: Joshua P Abrams
  Info
• 3 points

2ND YR MODERN HEBREW II

Prerequisites: Second Year Hebrew: Intermediate I or instructor permission. Equal emphasis is given to all language skills. Irregular categories of the Hebrew verb, prepositions and syntax are taught systematically. Vocabulary building. Daily homework includes grammar exercises, short answers, reading, or writing short compositions. Frequent vocabulary and grammar quizzes. (Students completing this course fulfill Columbia College and Barnard language requirement.) No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 11:40 a.m.-12:45 p.m.
• Instructor: Danielle Katz-Shenhar
  Info
• 5 points

LAB IN FICTION FILMMAKING

This lab course is limited to declared Film & Media Studies majors.  Exercises in the use of video for fiction shorts.

• Department: Film
• F 10 a.m.-1 p.m.
• Instructor: Zuko Garagic
  Info
• 3 points

HEBREW FOR HERITAGE SPEAKERS

Prerequisites: Hebrew for Heritage Speakers I Hebrew for Heritage Speakers II forms the second part of a year-long sequence with Hebrew for Heritage Speakers I. The course is intended for those who have developed basic speaking and listening skills through exposure to Hebrew at home or in day-school programs but do not use Hebrew as their dominant language and have not reached the level required for exemption from the Columbia language requirement. Heritage speakers differ in the degree of their fluency, but their vocabulary is often limited to topics in daily life and many lack skills in reading and writing to match their ability to converse. The course focuses on grammar and vocabulary enrichment, exposing students to a variety of cultural and social topics in daily life and beyond. By the end of the semester students are able to read and discuss simple texts and write about a variety of topics. Successful completion of the year-long sequence prepares students to enroll in third-year modern Hebrew. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MWR 10:10 a.m.-11:25 a.m.
• Instructor: Danielle Katz-Shenhar
  Info
• 4 points

LAB IN NONFICTION FILMMAKING

Exercises in the use of video for documentary shorts.

• Department: Film
• F 2 p.m.-5 p.m.
• Instructor: Munir M Atalla
  Info
• 3 points

INTRODUCTION TO URBAN PLANNING

INTRO TO URBAN PLANNING

This course is a basic introduction to the field and practice of urban planning in the United States. The course will focus on key concepts in planning history, theory, and practice, including the various conflicts and dilemmas planners face, stakeholders involved in urban planning, and the tools and methods that planners use to address challenges in the built environment.

The core questions that this class will return to throughout the semester are: How does planning take place, and whose interest(s) does planning serve? How does planning (re)produce social inequities? Planning is often framed as a technical exercise to rationalize the built environment and create more “livable” cities. However, planning is not value-neutral. As we will examine throughout the course of the semester, power relations fundamentally shape the planning profession, and planning decisions have contributed to racial, economic, and gender inequalities and spatial segregation in cities throughout the United States. We will also explore debates about how to encourage more inclusive cities and engage in more ethical planning practice.

The course is divided into six sections. In Part I, we will explore foundational concepts in urban planning, such as how previous scholars have defined urban planning and urban space. In Part II, we will explore the historical context in which the planning profession emerged and key moments in planning history. In Part III, we will examine normative models of planning, or how the planning profession conceives of itself. In Part IV, we will learn about the different technical tools that planners use to regulate urban development and key debates surrounding these tools. In Part V, we will interrogate the role of the planner, the role of power relations in planning, and how planning decisions have resulted in racial, class, and gender exclusion in the built environment. In Part VI, we will contemplate future directions in planning.

• Department: Urban Studies @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Jenna M Davis
  Info
• 3 points

EARLY AMERICA TO 1763

This course examines the three critical centuries from 1492 to 1763 that transformed North America from a diverse landscape teeming with hundreds of farming and hunting societies into a partly-colonized land where just three systems empires held sway. Major themes include contrasting faiths, power relationships, and cultural exchanges among various Native, European, and African peoples.This course examines the three critical centuries from 1492 to 1763 that transformed North America from a diverse landscape teeming with hundreds of farming and hunting societies into a partly-colonized land where just three systems empires held sway. Major themes include contrasting faiths, power relationships, and cultural exchanges among various Native, European, and African peoples.

• Department: History @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Andrew C Lipman
  CULPA: 5 Info
• 3 points

DANCE COMPOSITION: FORM

An exploration of choreography that employs text, song, vocal work, narrative and principles of artistic direction in solo and group contexts.

• Department: Dance @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Gabri Christa
  CULPA: 1 Info
• 3 points

American History at the Movies - DISC

Amer Hist at the Movies -

The purpose of this course is to increase the history department’s offerings in American cultural history and to familiarize students with how to use and interpret cultural documents and sources in the writing of history. To this end, it also designed to expose students to interdisciplinary
scholarship in the context of research firmly rooted in historical practice. A second goal is to increase students’ sophistication as media consumers by increasing their awareness of how industrial practices and outside institutions work to shape what we do and don’t see on movie
screens. It will pay particular attention to two related issues: how Hollywood’s shifting attitudes toward its audience and the controversies the industry sparked in American society, reflected broader changes in the American cultural landscape. In this way, students will come to
understand the agendas and desires of those who supported, disliked, or simply sought to control the nation’s first mass cultural form of entertainment.

• Department: History
• Instructor: Hilary-Anne Hallett
  CULPA: 2 Info
• 0 points

WORLD DANCE HISTORY

Investigates the multicultural perspectives of dance in major areas of culture, including African, Asian, Hispanic, Indian, Middle Eastern, as well as dance history of the Americas through reading, writing, viewing, and discussion of a wide range of resources. These include film, original documents, demonstration, and performance.

• Department: Dance @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Elisa R Davis
  Info
• 3 points

American History at the Movies

Amer. Hist. at the Movies

This lecture explores major topics in modern American history through an examination of the American film industry and some of its most popular films and stars. It begins with the emergence of “Hollywood” as an industry and a place in the wake of WWI and ends with the rise of the so-called ‘New Hollywood’ in the 1970s and its treatment of the 1960s and the Vietnam War. For much of this period, Hollywood’s films were
not
protected free speech, making movies and stars peculiarly reflective of, and vulnerable to, changes in broader cultural and political dynamics. Students will become familiar with Hollywood’s institutional history over this half-century in order to understand the forces, both internal and external, that have shaped the presentation of what Americans do and don’t see on screens and to become skilled interpreters of American history at the movies.

• Department: History
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Hilary-Anne Hallett
  CULPA: 2 Info
• 4 points

DANCE IN NEW YORK CITY

Study of the cultural roots and historical contexts of specific communities using New York Citys dance scene as a laboratory. Students observe the social environments in which various modes of dance works are created while researching the history of dance in New York City. Course includes attendance at weekly events, lecture-demonstrations, and performances.

• Department: Dance @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Siobhan F Burke
  CULPA: 2 Info
• 3 points

JAZZ IMPROVISTN:THRY,HIST,PRAC

This course offers an introduction to jazz improvisation for instrumentalists. Through recordings, transcriptions, daily performance and selected readings, students will actively engage the history of jazz through their instruments and intellect. The idea of improvisation will be explored in an historical context, both as a musical phenomenon with its attendant theory and mechanics, and as a trope of American history and aesthetics. This class is for instrumentalists who wish to deepen their understanding of the theory, history and practice of jazz improvisation. The history of jazz will be used as a prism through which to view approaches to improvisation, from the cadences of the early Blues through the abstractions of Free Jazz and beyond. The student will be exposed to the theory and vocabularies of various jazz idioms, which they will also learn to place in their social and historical contexts.

• Department: Music
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Ole Mathisen
  Wikipedia Info
• 3 points

MEASURING HISTORY

This course examines big themes in economic and social history-population history and human well-being, inequality and poverty, and gender differences. Using these themes, it adopts a hands-on data-driven approach to introduce tools and concepts of empirical reasoning. Datasets related to each theme create opportunities for learning by doing.

• Department: Economics @Barnard
• TR 6:10 p.m.-7:25 p.m.
• Instructor: Alan Dye
  CULPA: 19 Info
• 4 points

INTERMEDIATE HINDI-URDU II

One year of prior coursework in Elementary Hindi-Urdu I&II or the instructor’s permission. The course aims to continue consolidating and building upon the existing listening, speaking, reading, writing and cultural skills and will help students acquire higher level proficiency in Hindi language. Students will be introduced to new grammatical structures and a broad range of vocabulary through exposure to a variety of authentic materials including Hindi literature, newspapers, folk tales, films, songs, and other kinds of written and audio-visual materials and through these materials. Students will expand their knowledge base of the society and culture of the target languages in this course. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 1:10 p.m.-2:15 p.m.
• Instructor: Timsal Masud
  Info
• 5 points

ARTS OF CHINA, JAPAN AND KOREA

Introduces distinctive aesthetic traditions of China, Japan, and Korea--their similarities and differences--through an examination of the visual significance of selected works of painting, sculpture, architecture, and other arts in relation to the history, culture, and religions of East Asia.

• Department: Art History and Archaeology
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Yuri Handa
  Info
• 3 points

SECOND YEAR MODERN TIBETAN II

For those whose knowledge is equivalent to a student whos completed the First Year course. The course focuses on the further development of their skills in using the language to engage with practical topics and situations, such as seeing a doctor, reading news, writing letters, and listening to music.

• Department: East Asian Languages and Cultures
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Sonam Tsering
  Info
• 4 points

ABNORMAL BEHAVIOR

Prerequisites: An introductory psychology course. Examines definitions, theories, and treatments of abnormal behavior.

• Department: Psychology
• F 1:10 p.m.-3:40 p.m.
• Instructor: Jeffrey M Cohen
  h-index: 5 Info
• 3 points

Industrial-Organizational Psychology

Study of behavior in organizational and business-related settings. Examination of such topics as employee motivation and satisfaction, communication patterns, effective leadership strategies, and organization development.

• Department: Psychology
• TR 6:10 p.m.-7:25 p.m.
• Instructor: Joshua M Feinberg
  Info
• 3 points

CINEMAS OF INDIA

This course offers an expansive journey through the forms, pleasures, and meanings of Indian cinema. It explores the plural beginnings of popular film; the many competing cinemas produced across India; the diverse protagonists (from vamps to vigilantes) that populate the imagined entity named ‘national cinema’; and the varied audiences addressed by these cinemas. Over the course of the semester, we will watch 15 of the most iconic narrative films produced in India, including 
Diamond Queen
 (1940), 
Awara
 (1951), 
Deewar
 (1975), 
Roja 
(1992), 
Mahanagar
 (1963), and 
Bandit Queen
 (1994). As we voyage with the dynamic, shifting codes and priorities of India’s fiction filmmaking, we also shadow the emergence of the Indian nation and contestations of its coherence.

• Department: Middle Eastern, South Asian and African Studies
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Debashree Mukherjee
  CULPA: 2 h-index: 5 Info
• 3 points

Moral Psychology

Prerequisite: An introductory psychology course.

An introduction to basic concepts in moral psychology. Topics include controversies around the definition of morality, foundations of moral thought and behavior, and connections between morality and other areas of life, among other subjects.

• Department: Psychology
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Larisa H Solomon
  Info
• 3 points

GANDHI & HIS INTERLOCUTORS

Gandhi is in two senses an extraordinary figure: he was the most important leader of anti-imperialist movements in the twentieth century; yet, his ideas about modernity, the state, the industrial economy, technology, humanity’s place in nature, the presence of God - were all highly idiosyncratic, sometimes at odds with the main trends of modern civilization. How did a man with such views come to have such an immense effect on history? In some ways, Gandhi is an excellent entry into the complex history of modern India - its contradictions, achievements, failures, possibilities. This course will be primarily a course on social theory, focusing on texts and discursive exchanges between various perceptions of modernity in India. It will have two parts: the first part will be based on reading Gandhi’s own writings; the second, on the writings of his main interlocutors. It is hoped that through these exchanges students will get a vivid picture of the intellectual ferment in modern India, and the main lines of social and political thought that define its intellectual culture. The study in this course can be followed up by taking related courses in Indian political thought, or Indian politics or modern history. This course may not be taken as Pass/D/Fail.

• Department: Middle Eastern, South Asian and African Studies
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Shaunna Rodrigues
  h-index: 0 Info
• 4 points

GANDHI & HIS INTERLOCUTORS-DIS

• Department: Middle Eastern, South Asian and African Studies
• W 5:10 p.m.-6 p.m.
• W 6:10 p.m.-7 p.m.
• W 10:10 a.m.-11 a.m.
• W 11:10 a.m.-noon
• Instructor: Sourav Chatterjee
  Info
• 0 points

COGNITIVE SCIENCE AND PHILOSOPHY

COG SCI AND PHILOSOPHY

This course will survey a number of topics at the intersection of cognitive science and philosophy. Potential topics include free will, consciousness, embodied cognition, artificial intelligence, neural networks, and the language of thought.

• Department: Philosophy
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Juliette C Vazard
  Info
• 3 points

LATIN AMERICAN CIVILIZATION II

LATIN AMERICN CIVILIZATIO

This course explores major themes in Latin American history from the independence period (ca 1810) to the present. We will hone in on Latin Americas “chronic” problems of social inequality, political polarization, authoritarianism, incomplete democratization, and troubled memory politics. The course covers economic, social, and cultural histories, and gives special weight to the transnational aspects of Latin American ideological struggles – from its dependency on Western capital to its ideological “inner Cold War” – and the way they influenced the subaltern strata of society. The section discussions are a crucial component of the course, and will focus on assigned historiography. While the lecture centers on constructing a cogent meta-narrative for Latin America’s modern era, in the section we will explore not only the historical “facts,” but will instead ask: how do historians know what they know about the past? What sources and analytic methods do they use to write history? And what ethical dilemmas do they confront when narrating politically-sensitive topics?

• Department: History
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Alfonso Salgado
  Info
• 4 points

DISC - Latin American Civilization II

DISCUSSION SECTION for HIST UN 2661 Latin American Civilization II

• Department: History
• Instructor: Alfonso Salgado
  Info
• 0 points

Atlantic Slave Trade

The history of human trafficking in the Atlantic world from the first European slaving expeditions in the late fifteenth century down to the final forced crossings in the era of the U.S. Civil War.  Themes include captive taking in West Africa and its impact on West African societies, the commercial organization of the Atlantic slave trade in Europe and the Americas, and the experience of capture, exile, commodification, and survival of those shipped to the Americas.

• Department: History
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Christopher L Brown
  CULPA: 5 Info
• 4-4.5 points

Atlantic Slave Trade

The history of human trafficking in the Atlantic world from the first European slaving expeditions in the late fifteenth century down to the final forced crossings in the era of the U.S. Civil War.  Themes include captive taking in West Africa and its impact on West African societies, the commercial organization of the Atlantic slave trade in Europe and the Americas, and the experience of capture, exile, commodification, and survival of those shipped to the Americas.

• Department: Auditing
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Christopher L Brown
  CULPA: 5 Info
• 0 points

Atlantic Slave Trade - DISC

Required discussion section for HIST UN 2679 - The Atlantic Slave Trade

• Department: History
• R 3:10 p.m.-4 p.m.
• R 4:10 p.m.-5 p.m.
• Instructor: Christopher L Brown
  CULPA: 5 Info
• 0 points

WOMEN AND GENDER IN LATIN AMERICA

WOMEN&GENDER IN LATIN AME

Examines the gendered roles of women and men in Latin American society from the colonial period to the present. Explores a number of themes, including the intersection of social class, race, ethnicity, and gender; the nature of patriarchy; masculinity; gender and the state; and the gendered nature of political mobilization.

• Department: History @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Nara Milanich
  CULPA: 15 Wikipedia Info
• 3 points

American Monument Cultures

AMERICAN MONUMENT CULTURE

Cities, institutions, and impassioned individuals are pulling down statues of people implicated in the histories of slavery, colonization and violence.  This class explores why monuments are important, how they have been used historically to assert political and social power and different points of view on where to go from here. 

The nation is caught up in a vital debate about how historical figures and events should be recorded in the public square.  Spurred by protests in Charlottesville, VA in the summer of 2017 and moved forward during the uprisings against police brutality in the summer of 2020, cities, institutions and impassioned individuals are pulling down and removing statues of Confederate leaders and other individuals implicated in the histories of slavery, colonization and violence even as objections are raised to these actions from both the left and the right.  This activism led to the formation of a commission to study New York City’s built environment in fall 2017 and its resolution advocating both taking down and putting up monuments here.

Why are Monuments so important?  How have they been used historically to assert political and social power?  This course introduces the history of monument culture in the United States, focusing on monuments related to three controversial subjects:  the Vietnam War, the Confederacy, and the “discovery” of America.  We will study when, by whom, and in what form these monuments were erected and how artists and audiences of the past and present have responded to them.  In addition to gaining historical background, students will create a podcast exploring the history and impact of a public monument in New York City.  Class meetings will combine lecture and discussion and will include several guest speakers.

• Department: Art History @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Elizabeth Hutchinson
  CULPA: 9 Info
• 4 points

THE OTTOMAN EMPIRE

This course will cover the seven-century long history of the Ottoman Empire, which spanned Europe, Asia, and Africa as well as the medieval, early modern, and modern period. The many levels of continuity and change will be the focus, as will issues of identities and mentalities, confessional diversity, cultural and linguistic pluralism, and imperial governance and political belonging of the empire within larger regional and global perspectives over the centuries. The course also seeks to cultivate appreciation of the human experience through the multifarious experiences culled from the Ottoman past.

• Department: History
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Tunc Sen
  Info
• 4 points

PRE-COLUMBIAN ART AND ARCHITECTURE

The Western Hemisphere was a setting for outstanding accomplishments in the visual arts for millennia before Europeans set foot in the so-called “New World.” This course explores the early indigenous artistic traditions of what is now Latin America, from early monuments of the formative periods (e.g. Olmec and Chavín), through acclaimed eras of aesthetic and technological achievement (e.g. Maya and Moche), to the later Inca and Aztec imperial periods. Our subject will encompass diverse genre including painting and sculpture, textiles and metalwork, architecture and performance. Attention will focus on the two cultural areas that traditionally have received the most attention from researchers: Mesoamerica (including what is today Mexico, Guatemala, Belize, El Salvador, and Honduras) and the Central Andes (including Ecuador, Peru, and Bolivia). We will also critically consider the drawing of those boundaries—both spatial and temporal—that have defined “Pre-Columbian” art history to date. More than a survey of periods, styles, and monuments, we will critically assess the varieties of evidence—archaeological, epigraphic, historical, ethnographic, and scientific—available for interpretations of ancient Latin American art and culture.

• Department: Art History and Archaeology
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Lisa Trever
  CULPA: 2 Info
• 3 points

THE OTTOMAN EMPIRE-DISCUSSION

MANDATORY Discussion Section for HIST UN 2701 Ottoman Empire. Students must also be registered for HIST UN 2701.

• Department: History
• Instructor: Tunc Sen
  Info
• 0 points

INTERMEDIATE PERSIAN II

Prerequisites: MDES W1701-MDES W1702 or the equivalent. A general review of the essentials of grammar; practice in spoken and written Persian; Arabic elements in Persian; selected readings emphasizing Iranian life and culture; materials from Tajikistan and Afghanistan, Indari. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MW 10:10 a.m.-noon
• Instructor: Saeed Honarmand
  Info
• 4 points

Advanced Darkroom Photography

Advanced analog photography & darkroom printing. Students will work with analog cameras and learn how to refine black-and-white printing techniques, produce larger prints, etc. Emphasis will be placed on the editing, sequencing, and display of images while cultivating a theoretical and historical context to situate the work. Students will engage with an array of photographic practices through presentations, critiques, guest artist lectures and printing assignments. This course will explore critical issues in contemporary photography and advanced camera and production techniques through regular shooting assignments, demonstrations, critique, lectures, readings, and field trips. Prerequisites:
Intro Darkroom Photography
(Columbia) or equivalent experience

• Department: Visual Arts
• TR 9:30 a.m.-noon
• Instructor: Dana N Buhl
  Info
• 3 points

ADVANCED LITERARY TIBETAN II

This course will focus on helping students gain greater profiency in reading Tibetan Buddhist philosophical and religious historical texts.

• Department: East Asian Languages and Cultures
• TR 12:10 p.m.-2 p.m.
• Instructor: Sonam Tsering Ngulphu
  Info
• 4 points

ACCELERATED PHYSICS II

Prerequisites: PHYS UN2801 This accelerated two-semester sequence covers the subject matter of PHYS UN1601, PHYS UN1602 and PHYS UN2601, and is intended for those students who have an exceptionally strong background in both physics and mathematics. The course is preparatory for advanced work in physics and related fields. There is no accompanying laboratory; however, students are encouraged to take the intermediate laboratory, PHYS UN3081, in the following year.

• Department: Physics
• TR 10:10 a.m.-noon
• Instructor: Yury Levin
  h-index: 91 Info
• 4.5 points

S ASIA II:EMPIRE/ITS AFTR

Prerequisites: None. (No prerequisite.) We begin with the rise and fall of the Mughal Empire, and examine why and how the East India Company came to rule India in the eighteenth century. As the term progresses, we will investigate the objectives of British colonial rule in India and we will explore the nature of colonial modernity. The course then turns to a discussion of anti-colonial sentiment, both in the form of outright revolt, and critiques by early nationalists. This is followed by a discussion of Gandhi, his thought and his leadership of the nationalist movement. Finally, the course explores the partition of British India in 1947, examining the long-term consequences of the process of partition for the states of India, Pakistan and Bangladesh. We will focus in particular on the flowing themes: non-Western state formation; debates about whether British rule impoverished India; the structure and ideology of anti-colonial thought; identity formation and its connection to political, economic and cultural structures. The class relies extensively on primary texts, and aims to expose students to multiple historiographical perspectives for understanding South Asias past.

• Department: History
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Anupama Rao
  CULPA: 28 Info
• 4 points

S ASIA II:EMPIRE/ITS AFTR - DISC

S ASIA II - DISC

Required discussion for History of South Asia II lecture (S ASIA II:EMPIRE/ITS AFTR HSME UN2811). Discussion section day & times to be determined.

• Department: History
• M 3:10 p.m.-4 p.m.
• M 4:10 p.m.-5 p.m.
• T 10:10 a.m.-11 a.m.
• T 11:10 a.m.-noon
• Instructor: Anupama Rao
  CULPA: 28 Info
• 0 points

GENDER AND POWER IN CHINA

• Department: History @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Dorothy Ko
  CULPA: 16 Wikipedia Info
• 3 points

DATA:PAST, PRESENT AND FUTURE

Data-empowered algorithms are reshaping our professional, personal, and political realities, for good--and for bad. Data: Past, Present, and Future moves from the birth of statistics in the 18th century to the surveillance capitalism of the present day, covering racist eugenics, World War II cryptography, and creepy personalized advertising along the way. Rather than looking at ethics and history as separate from the science and engineering, the course integrates the teaching of algorithms and data manipulation with the political whirlwinds and ethical controversies from which those techniques emerged. We pair the introduction of technical developments with the shifting political and economic powers that encouraged and benefited from new capabilities. We couple primary and secondary readings on the history and ethics of data with computational work done largely with user-friendly Jupyter notebooks in Python.

• Department: Applied Physics and Applied Mathematics
• MW 11:40 a.m.-12:55 p.m.
• 3 points

INTERMEDIATE MODERN TURKISH II

A continuation of the study of the written and spoken language of Turkey, with readings of literary, historical, and other texts. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MW 12:10 p.m.-2 p.m.
• Instructor: Zuleyha Colak
  CULPA: 2 h-index: 0 Info
• 4 points

Introduction to Research Skills in Astro

Astrophysics Research Ski

Participation in research is an essential component of a complete undergraduate science education, and is mandatory for those students wishing to go on to the PhD. This course is designed to introduce students to doing astronomy beyond the classroom. It will cover basic topics including but not limited to: coding in astronomy, utilizing international archives, manipulating data, running simulations, reading academic papers, making and giving presentations, academic culture, time management, working in collaborations, and career paths. Students will engage in first-hand research on a specific astronomical topic in order to put their skills to practice. By the end of the course, students should be fully prepared to enter a summer research internship and make the most of their time there. We encourage students considering majoring in Astronomy or Astrophysics who are interested in astrophysical research to take this course. Priority will be given to those interested in majoring in Astrophysics who have no prior research experience. Students should have taken at least one semester of college-level physics and have a knowledge of calculus. No prior experience in python coding is required.

• Department: Astronomy
• F 10 a.m.-1 p.m.
• Instructor: Kiyan Tavangar
  Info
• 1 points

Science, Technology, Power

SCIENCE, TECHNOLOGY, POWE

This course explores the intimate entanglements of technology, science, bodies, culture, and power, with a focus on post-World War II U.S. society. In this lecture course, we will draw on history, feminist thought, anthropology, sociology, science fiction, and visual/digital art to investigate the historical and cultural contexts shaping the dreams, practices, and products of technoscience. We will explore technologies and sciences as sites of power, complex pleasures, and embodied transformations in our own everyday lives.

• Department: Women's, Gender, Sexuality Studies @Barnard
• TR 6:10 p.m.-7:25 p.m.
• Instructor: Jacqueline Orr
  Info
• 3 points

Technology and US Politics - DISC

Tech and US Politics - DI

The course investigates the relation between politics and technology in the United States during the twentieth century. Following the telegraph, the radio, the computer, the internet, and online platforms, the course asks: how have Americans conceptualized the relation between technological developments and democratic ideals starting in the late nineteenth century? Are new technologies forms of control or of liberation? Do they enhance or curtail free speech? Has the public sphere been strengthened or weakened by new communication technologies? What has been the role of government regulation in the adoption of these technologies? Students will be introduced to foundational ideas and methodologies in the history of technology, focusing their attention on the relation between politics of technology.

• Department: History
• Instructor: Alma Steingart
  CULPA: 3 Info
• 0 points

Technology and US Politics

The course investigates the relation between politics and technology in the Unites States during the twentieth century. Following the telegraph, radio, the mainframe computer, the internet, and online platforms, the course asks how have Americans conceptualized the relation between technological developments and democratic ideals starting in the late nineteenth century? Are new technologies forms of control or of liberation? Do they enhance or curtail free speech? Has the public sphere been strengthened or weakened by new communication technologies? What has been the rule of government regulation in the adoption of these technologies? Students will be introduced to basic ideas and methodologies in the history of technology, while focusing on the relation between politics of technology.

• Department: History
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Alma Steingart
  CULPA: 3 Info
• 4 points

Sculpting in Time

This is an introductory course in time-based arts: video, sound, and performance, understood through the language of both short and long cinematic forms. We'll start with an in-depth study of the life and work of Soviet filmmaker Andrei Tarkovsky (1932-1986), whose art has a unique sense of time, driven by the unknown, the immaterial, and the spiritual.

This class is for artists who want to construct their own sense of time, punctuation, and duration, as well as those looking to discover the visual and audio aesthetics of their generation. How does a feeling become an image, and what sound does it make? What are our media aesthetics and skins? Is there a way to address the optical beyond the eye and engage what we currently consider secondary senses, take our bodies back? Our collective task is to construct a camera (both a room and an apparatus) that captures both aural and visual images, creating a sonorous space where we can encounter ourselves in our own time. No prior knowledge of any medium is required. Not for the faint of heart.

• Department: Art History @Barnard
• T 2:10 p.m.-5 p.m.
• Instructor: Irena Haiduk
  Info
• 4 points

INTRO LIT/METHODS OF ART HIST

Required course for department majors. Not open to Barnard or Continuing Education students. Students must receive instructors permission. Introduction to different methodological approaches to the study of art and visual culture. Majors are encouraged to take the colloquium during their junior year.

• Department: Art History and Archaeology
• M 12:10 p.m.-2 p.m.
• Instructor: Lisa Trever
  CULPA: 2 Info
• 4 points

Outlaws & Tricksters of Arabic Literatur

TRICKSTERS IN ARABIC LIT

What is so fascinating about outlaws and tricksters? They can be alluring and terrifying, creative and destructive. They wear disguises, upend the plans of their fellow humans, and bend societies to their will. They are unsettled and unsettling. But this course suggests that there is no single figure of the trickster. Rather, the significance of writing about tricksters and outlaws varies from text to text and from place to place. In this course, we will explore texts, mostly from the pre-modern period, written in Arabic (and sometimes Persian and Sanskrit) that depict outlaws and tricksters. We will ask after what texts are doing in the world when they tell stories that seem to celebrate and delight in the subversive, the strange, and the sinister. To help us think through these questions, we will also read divergent theories about outlaws, tricksters, and other subversives. At the end of the course, we will read the award-winning Iraqi novel Frankenstein in Baghdad.

• Department: Asian and Middle East @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Matthew L Keegan
  CULPA: 8 Info
• 4 points

THE ART OF STRUCTURAL DESIGN

Basic scientific and engineering principles used for the design of buildings, bridges, and other parts of the built infrastructure. Application of principles to analysis and design of actual large-scale structures. Coverage of the history of major structural design innovations and of the engineers who introduced them. Critical examination of the unique aesthetic/artistic perspectives inherent in structural design. Consideration of management, socioeconomic, and ethical issues involved in design and construction of large-scale structures. Introduction to recent developments in sustainable engineering, including green building design and adaptable structural systems.

• Department: Civil Engineering and Engineering Mechanics
• MW 2:40 p.m.-3:55 p.m.
• Instructor: George Deodatis
  CULPA: 6 h-index: 42 Info
• 3 points

ETHNICITY, RACE, &POWER IN ANCT MEDITERR

ETHNCTY,RACE&POWR:ANC MED

Concepts of ethnicity and race – deeply complex and often fraught – are catalyzing forces in modern society. This seminar explores the changing definitions and resonances of these categories in ancient contexts. Course readings will cover a variety of societies but return repeatedly to Egypt and Nubia as a touchstone. Over the course of the semester, we will explore how Nubians and Egyptians viewed one another as well as how both Egyptians and Nubians experienced and were experienced by immigrants, colonizers, and travelers. Throughout the ancient Mediterranean, as we’ll see, self-definitions and cultural boundaries shifted radically according to changing power dynamics both within groups and between them.

 

In seminar discussions, we’ll pose the following questions: How and when did groups who saw themselves as distinct from one another cooperate and intermarry? Define themselves in opposition to other groups or actively blur boundaries? Mobilize concepts of ethnicity or race to justify oppression? Engage in competition or resistance? Where, we will ask, did societies fracture and/or integrate? And what role did bicultural individuals play in cultural conversations and mediations? We will also seek to understand how our conceptions of ethnicity and race in the past are influenced not only by the biases of the present but by the methodologies we employ. In our discussions and investigations this semester we will learn a great deal about Northeast Africa in antiquity – but, so too, about ethnicity, concepts of race, and power throughout the ancient Mediterranean.

• Department: Classics @Barnard
• R 12:10 p.m.-2 p.m.
• Instructor: Ellen Morris
  CULPA: 10 Info
• 4 points

FROM PAGE TO DANCE STAGE

A survey of how dance and embodied performance adapt textual sources and even generate text. How do moving bodies enhance or subvert words in order to tell a story, and whose story do they tell? Includes the study of plays, poems, and political speech; and of ballet, experimental dance, dance-theater, silent film, physical theater, and puppetry

• Department: Dance @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Seth S Williams
  CULPA: 1 Info
• 3 points

SOCIAL THEORY

Prerequisites: Sophomore standing. Required for all sociology majors. Prerequisite: at least one sociology course of the instructor's permission. Theoretical accounts of the rise and transformations of modern society in the19th and 20th centuries. Theories studied include those of Adam Smith, Tocqueville, Marx, Durkheim, Max Weber, Roberto Michels. Selected topics: individual, society, and polity; economy, class, and status: organization and ideology; religion and society; moral and instrumental action.

• Department: Sociology @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Andrew S Anastasi
  Info
• 4 points

SING A BLACK GIRL'S SONG: THE NON FICTI

Non Fict Writ. Ntozake Sh

This undergraduate seminar offers an in-depth exploration of the nonfiction work of the renowned African-American poet and playwright Ntozake Shange, whose archives are at Barnard College, her alma mater. Through readings, discussion, and visits to her archives, students will probe this lesser-examined aspect of Shange's oeuvre, including her essays on her life, the arts, food, and other artists and creators. This course invites participants to engage critically with Shange's essays and personal writings while delving into her archive.

Students will identify key themes and literary techniques in Shange's nonfiction and the historical and cultural context in which she wrote these works. We will examine how Shange's nonfiction contributes to her broader work and her perspectives on history, gender, feminism, and race as they intersect in her life as a Black woman artist. Students will develop critical thinking skills through close reading, analysis, and discussion of Shange's nonfiction and will improve their writing skills by composing reflections and essays on Shange's works. They will develop research skills and gain insights into Shange's creative process through firsthand engagement with Shange's archive at Barnard.

• Department: African American and African Diaspora
• M 2:10 p.m.-4 p.m.
• Instructor: Edwidge Danticat
  Wikipedia Info
• 3 points

Cultural Studies

AMST Methods: Cultural St

The study of culture is at the heart of the humanities and social sciences. Each discipline outlines a specific way of defining culture, a specific set of research questions, and a specific way to collect and analyze evidence. Though it is an interdisciplinary formation, American Studies, too, is marked by specific ways of approaching the study of culture. In contemporary American Studies, this approach is rooted in the approach that was first developed at the Birmingham School of Cultural Studies. This course serves as an introduction to cultural studies, with a particular focus on the concept of “structures of feeling,” as proposed by the Welsh critic Raymond Williams.

• Department: American Studies @Barnard
• T 2 p.m.-4:10 p.m.
• Instructor: Manu Karuka
  Info
• 4 points

Mapping the Ancient Novel: Affordances,

This seminar explores the affordances and precarities of a variety of ancient landscapes and urban centers. So too it delves into the predilections of their inhabitants. At some point in the late first or second centuries CE, when the Eastern Mediterranean was under the authority of the Roman Empire, Greek writers and readers turned to escapist literature in which incredibly beautiful couples (predominantly heterosexual but also homosexual) met, fell and love, suffered setbacks, and ultimately…
no spoilers here
. While suffering the travails that separated them, they were often transported (by bandits, pirates, slave traders, armies, etc.) all across the Eastern Mediterranean. Over the semester, we will map these movements using the open-source geographical information system QGIS and discuss the choices that authors (and their characters) made, the cultural perceptions of settlements and their inhabitants, and the various affordances of different geographic regions (where bandits lurk, for example). We will also read and discuss material that will help us ascertain the degrees of fantasy vs. plausibility, not only in the mechanics of movement but in the religious and social practice of the protagonists.

• Department: Classics @Barnard
• T 12:10 p.m.-2 p.m.
• Instructor: Ellen Morris
  CULPA: 10 Info
• 4 points

BLACK SPECULATIVE FICTION

Black Speculative Fiction encompasses a whole range of Black subgenres from Science Fiction and Fantasy to Horror and Afrofuturism. For the duration of this course, we will attempt to begin the work of extrapolating the function of Blackness within these various genres—interrogating which syntactical elements are required to label a piece of fiction “Black” and how Blackness informs genre. Through formal analysis of texts and the application of various theories presented in class, we’ll begin to understand how Blackness moves through genre to understand its relationship to the world and in some cases, to the artform itself. We will look at various texts: Film, Television, Prose, and Music. By looking across genres, we will be able to honor the inherent intertextuality of Black work and the constant inter-discursive work done across genre, text, and time. Whether a critique of structural anti-Blackness writ large, an expression of the complexity of the positionality of Black persons, or a statement of the function of Blackness, these texts make a case for the theoretical rigor and provocative discourses that lies at the heart of Black Speculative Fiction.

• Department: Film @Barnard
• T 4:10 p.m.-7:55 p.m.
• Instructor: Danielle T Douge
  Info
• 3 points

LITERARY TEXTS & CRIT METHODS

Prerequisites: Students who register for ENGL UN3001 must also register for one of the sections of ENGL UN3011 Literary Texts, Critical Methods. This course is intended to introduce students to the advanced study of literature. Students will read works from different genres (poetry, drama, and prose fiction), drawn from the medieval period to the present day, learning the different interpretative techniques required by each. The course also introduces students to a variety of critical schools and approaches, with the aim both of familiarizing them with these methodologies in the work of other critics and of encouraging them to make use of different methods in their own critical writing. This course (together with the companion seminar ENGL UN3011) is a requirement for the English Major and Concentration. It should be taken as early as possible in a students career. Fulfillment of this requirement will be a factor in admission to seminars and to some lectures.

• Department: English and Comparative Literature
• F 10:10 a.m.-11:25 a.m.
• Instructor: Erik Gray
  CULPA: 35 Info
• 4 points

SYSTEMS AND BEHAVIORAL NEUROSCIENCE

This course provides an in-depth examination of the physiological bases of behavior and the development, organization, and function of the nervous system. Specific topics include methods used in behavioral neuroscience, development of the nervous system, sensory and motor systems, homeostasis, sexual differentiation, biological rhythms, stress, learning and memory, psychopathology, and neurological disorders.

• Department: Neuroscience & Behavior @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Russell D Romeo
  CULPA: 9 Info
• 3 points

Social Theory- DISC

SOCIAL THEORY- DISC

Discussion section for Social Theory (SOCI UN3000).

• Department: Sociology @Barnard
• R 3:10 p.m.-4 p.m.
• F 10 a.m.-10:50 a.m.
• Instructor: Hanna G Goldberg
  Info
• Instructor: Eva Chen
  Wikipedia Info
• 0 points

SENIOR THESIS

Prerequisites: the departments permission. Required for all thesis writers.

• Department: Art History and Archaeology
• T 10:10 a.m.-noon
• Instructor: Barry G Bergdoll
  CULPA: 1 Info
• 3 points

ADVANCED GERMAN II

Corequisites: Course either taken before or after GERM V3001. Intensive practice in oral and written German. Discussions, oral reports, and weekly written assignments, based on material of topical and stylistic variety taken from German press and from literary sources.

• Department: German @Barnard
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Irene Motyl
  CULPA: 14 Info
• 3 points