Journalism Lectures
Journalism Now
The Thought Leaders Series, presented in the Fall, brings to the Journalism School journalists and media leaders who will address current issues and concerns. The series, which takes place most Tuesdays in the fall semester, is designed to complement what students are learning in their classes and provide them the opportunity to meet.
All Lectures are at 6PM in the Jamail Lecture Hall in Pulitzer Hall.
All M.S. students are expected to attend. #
CJSLeaders
- T 6 p.m.-7:30 p.m.
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Instructor:
Winnie O'Kelley
Info - 0 points
Master's Thesis Workshop
MASTER'S THESIS WORKSHOP
- F 10 a.m.-11:30 a.m.
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Instructor:
Lisa Belkin
Info - 0 points
DATA JOURNALISM
FOUNDATIONS OF COMPUTING
- MW 10 a.m.-1 p.m.
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Instructor:
Jonathan Soma
Info - 3 points
DATA JOURNALISM
DATA & DATABASES
- TR 1 p.m.-4 p.m.
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Instructor:
Jonathan S Thirkield
Info - 3 points
REPORTING
In this course, you'll explore the methods journalists use to gather and evaluate information. You'll learn how to think and behave as a journalist, how to conceive of journalistic story assignments, and how to report them quickly and accurately on deadline. You’ll learn how to gather original information first-hand and to combine it with contextual information that can be found online and elsewhere. You will be taught how to ensure that a story is true, both in the sense of getting the facts right and also by stating the implications fairly. You’ll also get some basic training in digital technologies such as photo, mobile video and audio that are essential parts of a modern journalist’s toolkit, and you’ll begin using them in the service of journalism, while thinking about ways to use social media to engage an audience for your work.
- T 9 a.m.-5 p.m.
- R noon-3 p.m.
- R 9 a.m.-noon
- 6 points
REPORTING
Reporting: Visual Craft
In this course, you'll explore the methods journalists use to gather and evaluate information. You'll learn how to think and behave as a journalist, how to conceive of journalistic story assignments, and how to report them quickly and accurately on deadline. You’ll learn how to gather original information first-hand and to combine it with contextual information that can be found online and elsewhere. You will be taught how to ensure that a story is true, both in the sense of getting the facts right and also by stating the implications fairly. You’ll also get some basic training in digital technologies such as photo, mobile video and audio that are essential parts of a modern journalist’s toolkit, and you’ll begin using them in the service of journalism, while thinking about ways to use social media to engage an audience for your work.
- T 9 a.m.-noon
- 6 points
REPORTING
DOC REPORTING
In this course, you'll explore the methods journalists use to gather and evaluate information. You'll learn how to think and behave as a journalist, how to conceive of journalistic story assignments, and how to report them quickly and accurately on deadline. You’ll learn how to gather original information first-hand and to combine it with contextual information that can be found online and elsewhere. You will be taught how to ensure that a story is true, both in the sense of getting the facts right and also by stating the implications fairly. You’ll also get some basic training in digital technologies such as photo, mobile video and audio that are essential parts of a modern journalist’s toolkit, and you’ll begin using them in the service of journalism, while thinking about ways to use social media to engage an audience for your work.
- R 1 p.m.-4 p.m.
- 6 points
REPORTING
In this course, you'll explore the methods journalists use to gather and evaluate information. You'll learn how to think and behave as a journalist, how to conceive of journalistic story assignments, and how to report them quickly and accurately on deadline. You’ll learn how to gather original information first-hand and to combine it with contextual information that can be found online and elsewhere. You will be taught how to ensure that a story is true, both in the sense of getting the facts right and also by stating the implications fairly. You’ll also get some basic training in digital technologies such as photo, mobile video and audio that are essential parts of a modern journalist’s toolkit, and you’ll begin using them in the service of journalism, while thinking about ways to use social media to engage an audience for your work.
- R 1 p.m.-5 p.m.
- T 9 a.m.-noon
- W 10 a.m.-3 p.m.
- R 10 a.m.-5 p.m.
- 6 points
REPORTING
STABILE REPORTING
In this course, you'll explore the methods journalists use to gather and evaluate information. You'll learn how to think and behave as a journalist, how to conceive of journalistic story assignments, and how to report them quickly and accurately on deadline. You’ll learn how to gather original information first-hand and to combine it with contextual information that can be found online and elsewhere. You will be taught how to ensure that a story is true, both in the sense of getting the facts right and also by stating the implications fairly. You’ll also get some basic training in digital technologies such as photo, mobile video and audio that are essential parts of a modern journalist’s toolkit, and you’ll begin using them in the service of journalism, while thinking about ways to use social media to engage an audience for your work.
- R 1 p.m.-4 p.m.
- 6 points
REPORTING
In this course, you'll explore the methods journalists use to gather and evaluate information. You'll learn how to think and behave as a journalist, how to conceive of journalistic story assignments, and how to report them quickly and accurately on deadline. You’ll learn how to gather original information first-hand and to combine it with contextual information that can be found online and elsewhere. You will be taught how to ensure that a story is true, both in the sense of getting the facts right and also by stating the implications fairly. You’ll also get some basic training in digital technologies such as photo, mobile video and audio that are essential parts of a modern journalist’s toolkit, and you’ll begin using them in the service of journalism, while thinking about ways to use social media to engage an audience for your work.
- W 9:30 a.m.-12:30 p.m.
- W 1 p.m.-6 p.m.
- MW 6 p.m.-9 p.m.
- 6 points
REPORTING - DATA JOURNALISM
REPORTING I
Summer: In this module, you'll explore the methods journalists use to gather and evaluate information. You'll learn how to think and behave as a journalist, how to conceive of journalistic story assignments, and how to report them quickly and accurately on deadline. You’ll learn how to gather original information first-hand and to combine it with contextual information that can be found online and elsewhere. You will be taught how to ensure that a story is true, both in the sense of getting the facts right and also by stating the implications fairly. You’ll also get some basic training in digital technologies such as photo, mobile video and audio that are essential parts of a modern journalist’s toolkit, and you’ll begin using them in the service of journalism, while thinking about ways to use social media to engage an audience for your work.
Fall: Deep, compelling stories are built on a foundation of solid research and reporting. The goal of this course is to inspire you to dig deep, to find multiple sources of information and to explore different ways of gathering, verifying and evaluating facts and putting them in context. This class also will challenge you to think critically about the questions that drive your work and introduce you to a wide range of research and verification tools. More specifically, you will learn how to:
Use advanced internet search techniques
Obtain and analyze public records and data, including how to compose thorough FOIA requests
Get information about individuals and groups using a variety of sources
Work with, and incorporate, data and numbers in your reporting and writing
Use social media for reporting and verification
Evaluate scholarly literature
This course also will help you to sharpen your ability to critically assess the information you have obtained so you can create unique and accurate works of journalism. You will consider tactics for overcoming common obstacles, such as verifying information from interviews, being aware of cognitive bias and navigating informational roadblocks.
- M 9 a.m.-5 p.m.
- 3 points
REPORTING - DATA JOURNALISM
REPORTING II Investigative
Summer: In this module, you'll explore the methods journalists use to gather and evaluate information. You'll learn how to think and behave as a journalist, how to conceive of journalistic story assignments, and how to report them quickly and accurately on deadline. You’ll learn how to gather original information first-hand and to combine it with contextual information that can be found online and elsewhere. You will be taught how to ensure that a story is true, both in the sense of getting the facts right and also by stating the implications fairly. You’ll also get some basic training in digital technologies such as photo, mobile video and audio that are essential parts of a modern journalist’s toolkit, and you’ll begin using them in the service of journalism, while thinking about ways to use social media to engage an audience for your work.
Fall: Deep, compelling stories are built on a foundation of solid research and reporting. The goal of this course is to inspire you to dig deep, to find multiple sources of information and to explore different ways of gathering, verifying and evaluating facts and putting them in context. This class also will challenge you to think critically about the questions that drive your work and introduce you to a wide range of research and verification tools. More specifically, you will learn how to:
Use advanced internet search techniques
Obtain and analyze public records and data, including how to compose thorough FOIA requests
Get information about individuals and groups using a variety of sources
Work with, and incorporate, data and numbers in your reporting and writing
Use social media for reporting and verification
Evaluate scholarly literature
This course also will help you to sharpen your ability to critically assess the information you have obtained so you can create unique and accurate works of journalism. You will consider tactics for overcoming common obstacles, such as verifying information from interviews, being aware of cognitive bias and navigating informational roadblocks.
- R 9:30 a.m.-12:30 p.m.
- 3 points
THE WRITTEN WORD
Writing for the Ear
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- M 10 a.m.-1 p.m.
- W 6 p.m.-9 p.m.
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Instructor:
Sara Ganim Cevallos
Wikipedia Info -
Instructor:
Joanne Faryon
Info - 3 points
THE WRITTEN WORD
Feature Writing
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- M 5:30 p.m.-8:30 p.m.
- R 9:30 a.m.-12:30 p.m.
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Instructor:
Jonathan Weiner
Wikipedia Info - 3 points
THE WRITTEN WORD
News Editing
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- W 1:30 p.m.-4:30 p.m.
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Instructor:
William Grueskin
Info - 3 points
THE WRITTEN WORD
NARRATIVE WRITING
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- R 10 a.m.-1 p.m.
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Instructor:
Michael Shapiro
Wikipedia Info - 3 points
THE WRITTEN WORD
Profile Writing
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- M 5:30 p.m.-8:30 p.m.
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Instructor:
Randi Epstein
Info - 3 points
THE WRITTEN WORD
Culture Writing
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- R 6 p.m.-9 p.m.
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Instructor:
Marlow B Stern
Info - 3 points
THE WRITTEN WORD
Crafting Narratives
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- R 5:30 p.m.-8:30 p.m.
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Instructor:
Nushin Rashidian
Info - 3 points
THE WRITTEN WORD
800 WORDS
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- R 6 p.m.-9 p.m.
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Instructor:
Kevin Coyne
Info - 3 points
THE WRITTEN WORD
THE ART OF THE PROFILE
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- W 1:30 p.m.-4:30 p.m.
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Instructor:
Paula Span
Info - 3 points
THE WRITTEN WORD
SECRET STRUCTURE NON-FICT
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- R 10 a.m.-1 p.m.
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Instructor:
Keith A Gessen
Wikipedia Info - 3 points
THE WRITTEN WORD
Magazine Writing
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- T 1:30 p.m.-4:30 p.m.
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Instructor:
Lisa Belkin
Info - 3 points
THE WRITTEN WORD
Write Not Forgotten
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- W 1:30 p.m.-4:30 p.m.
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Instructor:
Alexis B Clark
Info - 3 points
THE WRITTEN WORD
Writing Economic Inequali
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- W 1:30 p.m.-4:30 p.m.
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Instructor:
Pallavi Gogoi
Info - 3 points
THE WRITTEN WORD
Writing Social Justice w Style
Journalism is changing rapidly, but the written word remains as important to journalists today as it was a century ago. It’s still a storytelling medium in and of itself, of course. But even if you don’t plan to work in print, you need to know how to write clearly and accurately in order to supplement or explain video and photos, to put together engaging audio and video scripts, and to pitch ideas to editors.
- T 10 a.m.-1 p.m.
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Instructor:
Helen Benedict
Wikipedia Info - 3 points
IMAGE & SOUND
Audio
Journalists today tell stories in many ways: with words, of course, but also with video, photos, data and sound. In this module, you’ll pick one of those mediums, learn its tools and explore its storytelling potential. All Image & Sound Modules meet once per week, but expect to put in at least one additional day — and probably more — every week working on assignments for the class. If you're having trouble choosing between modules, don’t worry — though you’ll take only one Image & Sound module during your time at the J-school, you’ll be able to to explore other mediums in other classes.
- T 9 a.m.-5 p.m.
- W 9 a.m.-5 p.m.
- M 10 a.m.-6 p.m.
- S 9 a.m.-5 p.m.
- 3 points
IMAGE & SOUND
I&S: Data 1/Python
Journalists today tell stories in many ways: with words, of course, but also with video, photos, data and sound. In this module, you’ll pick one of those mediums, learn its tools and explore its storytelling potential. All Image & Sound Modules meet once per week, but expect to put in at least one additional day — and probably more — every week working on assignments for the class. If you're having trouble choosing between modules, don’t worry — though you’ll take only one Image & Sound module during your time at the J-school, you’ll be able to to explore other mediums in other classes.
- M 6 p.m.-9 p.m.
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Instructor:
Mark Hansen
Wikipedia Info - 3 points
IMAGE & SOUND
I&S Data 1/Excel
Journalists today tell stories in many ways: with words, of course, but also with video, photos, data and sound. In this module, you’ll pick one of those mediums, learn its tools and explore its storytelling potential. All Image & Sound Modules meet once per week, but expect to put in at least one additional day — and probably more — every week working on assignments for the class. If you're having trouble choosing between modules, don’t worry — though you’ll take only one Image & Sound module during your time at the J-school, you’ll be able to to explore other mediums in other classes.
- R 6 p.m.-9 p.m.
- M 6 p.m.-9 p.m.
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Instructor:
David Sheingold
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Instructor:
Giannina Segnini
Wikipedia Info - 3 points
IMAGE & SOUND
I&S: Photo 1
Journalists today tell stories in many ways: with words, of course, but also with video, photos, data and sound. In this module, you’ll pick one of those mediums, learn its tools and explore its storytelling potential. All Image & Sound Modules meet once per week, but expect to put in at least one additional day — and probably more — every week working on assignments for the class. If you're having trouble choosing between modules, don’t worry — though you’ll take only one Image & Sound module during your time at the J-school, you’ll be able to to explore other mediums in other classes.
- M 10 a.m.-1 p.m.
- T 10 a.m.-1 p.m.
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Instructor:
Nina J Berman
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Instructor:
Kholood Eid
Info - 3 points
IMAGE & SOUND
I&S: Visual Craft
Journalists today tell stories in many ways: with words, of course, but also with video, photos, data and sound. In this module, you’ll pick one of those mediums, learn its tools and explore its storytelling potential. All Image & Sound Modules meet once per week, but expect to put in at least one additional day — and probably more — every week working on assignments for the class. If you're having trouble choosing between modules, don’t worry — though you’ll take only one Image & Sound module during your time at the J-school, you’ll be able to to explore other mediums in other classes.
- F 9 a.m.-noon
- 3 points
IMAGE & SOUND
I&S: Video 1
Journalists today tell stories in many ways: with words, of course, but also with video, photos, data and sound. In this module, you’ll pick one of those mediums, learn its tools and explore its storytelling potential. All Image & Sound Modules meet once per week, but expect to put in at least one additional day — and probably more — every week working on assignments for the class. If you're having trouble choosing between modules, don’t worry — though you’ll take only one Image & Sound module during your time at the J-school, you’ll be able to to explore other mediums in other classes.
- F 9 a.m.-noon
- F 1 p.m.-4 p.m.
- S 9 a.m.-noon
- F 1 p.m.-4 p.m.
- 3 points
IMAGE & SOUND
I&S: Video for Doc
Journalists today tell stories in many ways: with words, of course, but also with video, photos, data and sound. In this module, you’ll pick one of those mediums, learn its tools and explore its storytelling potential. All Image & Sound Modules meet once per week, but expect to put in at least one additional day — and probably more — every week working on assignments for the class. If you're having trouble choosing between modules, don’t worry — though you’ll take only one Image & Sound module during your time at the J-school, you’ll be able to to explore other mediums in other classes.
- R 9 a.m.-noon
- 3 points
IMAGE & SOUND
I&S: Photo 1
Journalists today tell stories in many ways: with words, of course, but also with video, photos, data and sound. In this module, you’ll pick one of those mediums, learn its tools and explore its storytelling potential. All Image & Sound Modules meet once per week, but expect to put in at least one additional day — and probably more — every week working on assignments for the class. If you're having trouble choosing between modules, don’t worry — though you’ll take only one Image & Sound module during your time at the J-school, you’ll be able to to explore other mediums in other classes.
- R 6 p.m.-9 p.m.
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Instructor:
Christopher Lee
Info - 3 points
JOURNALISM ESSENTIALS
J Essentials-Ethics
Journalism Essentials/Business - 1 credit
The Business of Journalism will help you to understand the challenges and vicissitudes of this period of historic flux in the journalism industry — not just for your own career development, but because we want you to be partners and innovators in determining new ways to secure the future of journalism.
Journalism Essentials/Ethics - 1 credit
Journalism Ethics explores the ethical issues that often arise in the practice of journalism, including verification of information, the relationship between personal values and journalistic decisions, issues driven by competition, and the impact of relentless deadline pressure.
Journalism Essentials/History - 1 credit
Journalism Essentials: This 7-week module explores the historical development of the values, practices and social roles that cluster around the institution of journalism. In this class, you'll also consider how the press has itself been a significant actor (for better or worse) in politics, war, reform, social movements and other events.
Journalism Essentials/Law - 1 credit
Journalism Law is designed to acquaint you with the basic protections and restrictions of the law as they apply to the practice of journalism in this global era. You’ll also explore significant court cases and fundamental legal rules in the context of political and historical realities, and journalistic standards and practices, both in the United States and internationally.
- F 9 a.m.-11:30 a.m.
- F 1 p.m.-3:30 p.m.
- F 9 a.m.-11:30 a.m.
- F 1 p.m.-3:30 p.m.
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Instructor:
Bruce Shapiro
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Instructor:
Stephen Adler
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Instructor:
Bruce Shapiro
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Instructor:
Ronan Farrow
Info - 1 points
JOURNALISM ESSENTIALS
J Essentials-Law
Journalism Essentials/Business - 1 credit
The Business of Journalism will help you to understand the challenges and vicissitudes of this period of historic flux in the journalism industry — not just for your own career development, but because we want you to be partners and innovators in determining new ways to secure the future of journalism.
Journalism Essentials/Ethics - 1 credit
Journalism Ethics explores the ethical issues that often arise in the practice of journalism, including verification of information, the relationship between personal values and journalistic decisions, issues driven by competition, and the impact of relentless deadline pressure.
Journalism Essentials/History - 1 credit
Journalism Essentials: This 7-week module explores the historical development of the values, practices and social roles that cluster around the institution of journalism. In this class, you'll also consider how the press has itself been a significant actor (for better or worse) in politics, war, reform, social movements and other events.
Journalism Essentials/Law - 1 credit
Journalism Law is designed to acquaint you with the basic protections and restrictions of the law as they apply to the practice of journalism in this global era. You’ll also explore significant court cases and fundamental legal rules in the context of political and historical realities, and journalistic standards and practices, both in the United States and internationally.
- F 9 a.m.-11:30 a.m.
- F 1 p.m.-3:30 p.m.
- F 9 a.m.-11:30 a.m.
- F 1 p.m.-3:30 p.m.
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Instructor:
Stuart D Karle
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Instructor:
Nabiha Syed
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Instructor:
Stuart D Karle
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Instructor:
John Zucker
Info - 1 points
INVESTIGATIVE TECHNIQUES
- R 6 p.m.-9 p.m.
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Instructor:
Olivia J Carville
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Instructor:
Payton M Guion
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Instructor:
Matthew Rocheleau
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Instructor:
Caleb Melby
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Instructor:
Jennifer J Janisch
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Instructor:
Steven Eder
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Instructor:
Reed V Abelson
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Instructor:
Danielle Ivory
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Instructor:
Rosalind Z Adams
Info - 3 points
INVESTIGATIVE TECHNIQUES
STABILE IT
- R 6 p.m.-9 p.m.
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Instructor:
Sheila Coronel
Wikipedia Info - 3 points
INVESTIGATIVE TECHNIQUES
- W 6 p.m.-9 p.m.
- R 6 p.m.-9 p.m.
- M 6 p.m.-9 p.m.
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Instructor:
Giannina Segnini
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Instructor:
Alexandra Zayas
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Instructor:
Ellen P Gabler
Info - 3 points
ADV SEM IN BUSINESS JOURNALISM
- T 4 p.m.-7 p.m.
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Instructor:
Robert A Smith
CULPA: 13 Info - 3 points
JOURNALISM AND SOCIETY
Seminar surveying the history and the social, political, and economic impact of media from the birth of the newspaper forward.
- W 2:10 p.m.-4 p.m.
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Instructor:
Andie Tucher
Info - 3 points
JOURNALISM, THE LAW & SOCIETY
This course is designed to acquaint students with the basic protections and restrictions of the law as they apply to the media. First Amendment rights and legal responsibilities and limitations will be examined and discussed. The course will look at these questions from three viewpoints: from (i) the practical view of a journalist doing his job and (ii) from a legal perspective, all the while (iii) considering the rules in a public policy context: are they fair and appropriate in our society? Significant court cases and fundamental legal rules will be explored in the context of political and historical realities, and in terms of journalistic standards and practices; contemporary media law issues will also be focused on. Among the basic First Amendment issues which will be examined are libel, invasion of privacy, prior restraints, newsgathering and newsgathering torts, copyright and the reporter's privilege.
MASTERS PROJECT I
The master’s project will be your most sustained effort during your time at the journalism school, encompassing both fall and spring semesters. It’s not a thesis in the traditional academic sense; think of it instead as an in-depth exploration of a topic as a journalist would pursue it. Master’s projects can take a variety of forms, some of them incorporating elements from more than one medium: print, photo, audio, video, data. Regardless of format, you’ll work on your project under the guidance of an experienced advisor, who will help you to hone your topic, figure out your reporting strategy and serve as your editor for the duration of the project.
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Instructor:
Jonathan Weiner
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Instructor:
Josiah N Bates
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Instructor:
Helen Benedict
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Instructor:
Juan M Benitez-Fernel
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Instructor:
Gwenda Blair
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Instructor:
Sean K Campbell
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Instructor:
Christine Y Chung
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Instructor:
Alexis B Clark
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Instructor:
Kevin Coyne
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Instructor:
Anthony Depalma
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Instructor:
Howard French
Wikipedia h-index: 21 Info -
Instructor:
Sara Ganim Cevallos
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Instructor:
Keith A Gessen
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Instructor:
Ari L Goldman
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Instructor:
Julia K Harte
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Instructor:
Michael J Hoyt
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Instructor:
Robe III Imbriano
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Instructor:
Ty Lawson
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Instructor:
Katherine Tamar Lewin
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Instructor:
Tami Luhby
Info - 1 points