SECOND YEAR ARABIC I

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 10:10 a.m.-11:15 a.m.
• Instructor: Ouijdane Absi
  CULPA: 6 Info
• 5 points

HISTORY OF PHILOSOPHY II

Prerequisites: PHIL UN2211 Required Discussion Section (0 points). PHIL UN2101 is not a prerequisite for this course. Exposition and analysis of the metaphysics, epistemology, and natural philosophy of the major philosophers from Aquinas through Kant. Authors include Aquinas, Galileo, Gassendi, Descartes, Spinoza, Leibniz, Berkeley, Hume, and Kant. This course has unrestricted enrollment.

• Department: Philosophy @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Caroline D Bowman
  Info
• 4 points

Introduction to American Politics

Intro American Politics

In this course, students will gain familiarity with some of the major questions and theoretical frameworks in the American Politics subfield of political science and learn how to think theoretically and empirically about politics.

• Department: Political Science
• MW 6:10 p.m.-7:25 p.m.
• Instructor: David McGrath
  Info
• 4 points

ACTING ENSEMBLE DIRECTING II

Students may participate as actors in Directing II as a 1-credit course; these students will comprise the Acting Ensemble.  Actors will be cast in all four student-directed scenes and will participate in the feedback process following the showings.  Actors must be available for both days of the week the course meets, but are only required to attend when they are performing; they are welcome to attend additional classes that may be of interest.  Actors will be graded on their in-class performances (moment-to-moment work, collaboration with on-stage partners, memorization) and ability to respond and adjust to notes.  Actors who are responsible and collaborative will succeed as part of the Acting Ensemble.  Grading is Pass/Fail.

• Department: Theatre @Barnard
• TR 12:10 p.m.-2 p.m.
• Instructor: Alice A Reagan
  CULPA: 1 Wikipedia Info
• 1 points

SECOND YEAR CHINESE II

As the second half of a one-year program for intermediate Chinese learners, this course helps students consolidate and develop everyday communicative skills in Chinese, as well as
introducing aspects of Chinese culture such as the social norms of politeness and gift-giving. Semi-formal and literary styles will also be introduced as students transition to more advanced
levels of Chinese language study. While providing training for everyday communication skills, Second Year Chinese aims to improve the student's linguistic competence in preparation for
advanced studies in Mandarin.

• Department: East Asian Languages and Cultures
• MTWR 10:10 a.m.-11:15 a.m.
• MTWR 11:40 a.m.-12:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• MTWR 2:40 p.m.-3:45 p.m.
• MTWR 6:10 p.m.-7:15 p.m.
• Instructor: Kaidi Chen
  Info
• Instructor: Jia Xu
  CULPA: 2 Info
• Instructor: Yike Li
  Info
• Instructor: Shaoyan Qi
  CULPA: 25 Info
• Instructor: Kaidi Chen
  Info
• 5 points

SECOND YEAR JAPANESE II

Prerequisites: JPNS C1201 or the equivalent. Further practice in the four language skills. Participation in a once a week conversation class is required.

• Department: East Asian Languages and Cultures
• MTWR 10:10 a.m.-11:15 a.m.
• MTWR 11:40 a.m.-12:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• MTWR 4:10 p.m.-5:15 p.m.
• Instructor: Mihoko Yagi
  Info
• Instructor: Shigeru Eguchi
  CULPA: 9 Info
• Instructor: Naoko Sourial
  Info
• Instructor: Chikako Takahashi
  Info
• 5 points

SECOND YEAR KOREAN II

Prerequisites: KORN W1102 or the equivalent. Consultation with the instructors is required before registration for section assignment. Further practice in reading, writing, listening comprehension, conversation, and grammar.

• Department: East Asian Languages and Cultures
• MTWR 11:40 a.m.-12:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• MTWR 2:40 p.m.-3:45 p.m.
• Instructor: Yongjun Choi
  Info
• Instructor: Eunice Chung
  CULPA: 1 Info
• Instructor: Beom Lee
  CULPA: 1 Info
• 5 points

SECOND YEAR ARABIC II

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 10:10 a.m.-11:15 a.m.
• MTWR 8:50 a.m.-9:55 a.m.
• Instructor: Rym Bettaieb
  CULPA: 7 Info
• Instructor: Nasr Abdo
  Info
• 5 points

INTRODUCTION TO DIGITAL MUSIC

An introduction to the potential of digital sound synthesis and signal processing. Teaches proficiency in elementary and advanced digital audio techniques. This course aims to challenge some of the tacet assumptions about music that are built into the design of various user interfaces and hardware and fosters a creative approach to using digital audio workstation software and equipment.  Permission of Instructor required to enroll. Music Majors have priority for enrollment.

• Department: Music
• TR 2:40 p.m.-3:55 p.m.
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Anna Meadors
  Info
• 3 points

BUDDHISM: INDO-TIBETAN

Buddhist teachings came to Tibet relatively late in the history of Buddhism’s travels through Asia. Tibetan emperors adopted Buddhism from India around the eighth century, which sounds like a long time ago now, but by that time Buddhism was already well established in parts of South, Southeast, Central, and East Asia. In addition to being known as a tradition of renunciants and forest dwelling philosophers, Buddhism was associated with cosmopolitanism—literacy, the arts, architecture, higher education and beyond. Tibetan rulers, like so many rulers before them, turned to Buddhism after amassing power through warfare and violence, and they became interested in Buddhism’s methods for cultivating wisdom and compassion as antidotes to ignorance and selfishness. They were also curious about whether Buddhism could help justify and support their claims to power. Because Buddhism was already a complex system, Tibetans were able to uniquely integrate all three of the major traditions of Theravada, Mahayana, and Vajrayana Buddhism. Thanks to the hard work of Tibetan and Indian translators and artists with imperial support, monks and nuns followed the rules of the earliest disciples of Buddha, philosophers pored over Indian Buddhist treatises, and ritualists fine-tuned the tantric, esoteric, intensive path to liberation from dissatisfaction and suffering. The new expressions of Buddhism that emerged in Tibet have shaped religion, education, literary production, the arts, and language across a massive and diverse swath of Asia, from northern India to Nepal, Bhutan, Mongolia, and areas of Western China. More recently, Tibetan Buddhism has spread across the globe. In this course, by analyzing primary textual sources in translation as well as visual and material culture, we will investigate the history and practice of Tibetan Buddhism in all its complexity, from its earliest origins to the present. There are no prerequisites for this introductory lecture

• Department: Religion
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Dominique Townsend
  CULPA: 1 Info
• 4 points

ARABIC HERITAGE SPEAKERS II

Prerequisites: Instructor permission. This is an intensive course that combines the curriculum of both First and Second Year Arabic in two semesters instead of four, and focuses on the productive skills (speaking and writing) in Modern Standard Arabic (Fusha). Students are exposed intensively to grammar and vocabulary of a high register. After successful completion of this course, students will be able to move on to Third Year Arabic. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 10:10 a.m.-11:15 a.m.
• Instructor: Youssef Nouhi
  CULPA: 7 Info
• 5 points

HIST OF PHILOSOPHY II-REC

• Department: Philosophy @Barnard
• 0 points

HIST OF PHILOSOPHY II-REC

• Department: Philosophy @Barnard
• 0 points

HIST OF PHILOSOPHY II-REC

• Department: Philosophy @Barnard
• 0 points

Introduction to American Politics Discus

Intro Am Pol Discussion

Discussion section

• Department: Political Science
• 0 points

TRADITIONS IN NONFICTION

Prerequisites: No prerequisites. Department approval NOT required. The seminar provides exposure to the varieties of nonfiction with readings in its principal genres: reportage, criticism and commentary, biography and history, and memoir and the personal essay. A highly plastic medium, nonfiction allows authors to portray real events and experiences through narrative, analysis, polemic or any combination thereof. Free to invent everything but the facts, great practitioners of nonfiction are faithful to reality while writing with a voice and a vision distinctively their own. To show how nonfiction is conceived and constructed, class discussions will emphasize the relationship of content to form and style, techniques for creating plot and character under the factual constraints imposed by nonfiction, the defining characteristics of each authors voice, the authors subjectivity and presence, the role of imagination and emotion, the uses of humor, and the importance of speculation and attitude. Written assignments will be opportunities to experiment in several nonfiction genres and styles.

• Department: Writing
• R 6:10 p.m.-8 p.m.
• Instructor: Zoe K Hardwick
  Info
• 3 points

MODERN RUSSIAN HISTORY

An introductory survey of the history of Russia, the Russian Empire, and the Soviet Union over the last two centuries. Russia’s role on the European continent, intellectual movements, unfree labor and emancipation, economic growth and social change, and finally the great revolutions of 1905 and 1917 define the “long nineteenth century.” The second half of the course turns to the tumultuous twentieth century: cultural experiments of the 1920s, Stalinism, World War II, and the new society of the Khrushchev and Brezhnev years. Finally, a look at very recent history since the East European revolutions of 1989-91. This is primarily a course on the domestic history of Russia and the USSR, but with some attention to foreign policy and Russia’s role in the world.

• Department: History
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Yana Skorobogatov
  Info
• 4 points

SECOND YEAR CHINESE W II

Second-Year Chinese W (I & II) : This course is designed for heritage learners with conversational abilities and foundational literacy skills in Mandarin Chinese. Through a combination of interactive lessons, focused linguistic exercises, cultural exploration, and real-world applications, students will deepen their understanding of their cultural heritage while expanding their vocabulary and enhancing their language skills. By the end of the course, students will be better equipped to engage confidently with family members and other Chinese-speaking communities.

• Department: East Asian Languages and Cultures
• MTR 12:10 p.m.-1:25 p.m.
• Instructor: Yaxi Zheng
  Info
• 5 points

NATURE & POWER: ENV HIST NORTH AMERICA

Environmental history seeks to expand the customary framework of historical inquiry, challenging students to construct narratives of the past that incorporate not only human beings but also the natural world with which human life is intimately intertwined. As a result, environmental history places at center stage a wide range of previously overlooked historical actors such as plants, animals, and diseases. Moreover, by locating nature within human history, environmental history encourages its practitioners to rethink some of the fundamental categories through which our understanding of the natural world is expressed: wilderness and civilization, wild and tame, natural and artificial. For those interested in the study of ethnicity, environmental history casts into particularly sharp relief the ways in which the natural world can serve both to undermine and to reinforce the divisions within human societies. Although all human beings share profound biological similarities, they have nonetheless enjoyed unequal access to natural resources and to healthy environments—differences that have all-too-frequently been justified by depicting such conditions as “natural.”

• Department: History
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Karl Jacoby
  CULPA: 2 h-index: 8 Info
• 4 points

Accelerated Korean for Heritage Speakers

Accelerated Korean II

Accelerated Korean II is specifically designed for heritage students of Korean, who already have previous knowledge of basic grammar and culture. This course completes the college's two-year foreign language requirement.

• Department: East Asian Languages and Cultures
• MTWR 2:40 p.m.-3:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• Instructor: Ji-Young Jung
  Info
• 5 points

SODB: THIRD & FOURTH YR SEM

Prerequisites: SODBX1111 Must be enrolled on Scholars of Distinction Program This is the course associated with the Barbara Silver Horowitz Scholars of Distinction program. It is for students in that program. Note at the end of their second year, the students will have developed a project for the summer between their second and third years at Barnard. During their third year, they will develop a robust research project connected to or deriving from that summer’s work.

• Department: Scholars of Distinction @Barnard
• M 4:10 p.m.-6 p.m.
• 1.5 points

Chinese Contemporary Culture & Society T

Chinese Contemporary Film

This course will use films to introduce Chinese contemporary history, culture, and values. As the first part of this course, it focuses primarily on films produced in mainland China. Students will explore a selection of films from the early 1930s to the present, spanning various genres and themes, including internationally renowned Chinese films, independent productions, and mainstream popular works, while also reflecting diverse customs and dialects. Through this exploration, students will develop a foundational understanding of China’s contemporary history, society, and its rich and diverse cultural traditions and values. Each film will be analyzed within its historical context, considering both its aesthetic form and social content. Class meetings incorporate lectures, film screenings, discussions, and student presentations.

• Department: Asian and Middle East @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Danwei Li
  Info
• 3 points

THINKING AND DECISION MAKING

Prerequisites: an introductory course in psychology. Models of judgment and decision making in both certain and uncertain or risky situations, illustrating the interplay of top-down (theory-driven) and bottom-up (data-driven) processes in creating knowledge. Focuses on how individuals do and should make decisions, with some extensions to group decision making and social dilemmas.

• Department: Psychology
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Katherine T Fox-Glassman
  CULPA: 6 h-index: 4 Info
• 3 points

JAZZ DANCE II

In This JAZZ ll Level Course,
You will develop a solid understanding within your body that demonstrates advanced  fundamentals, rhythm, technique, connectivity and phrasing necessary to communicate each movement. You will  learn new phrases and dynamic material while continuously applying technical information. We will delve deeper into technique preparing your body to perform more efficiently and effectively at a higher rate while reducing the risk of  injury.

Prerequisites: DNCE BC1247, BC1248 or permission of instructor.

• Department: Dance @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Ehizoje J Azeke
  Info
• 2 points

AFRICAN DANCE I

In West Africa, dance is part of daily life. It is used to mark occasions such a birth, death, harvest, and  marriage. It is also used to unite the community in times of crisis. West African dance is not as much a strict  technique as it is a movement coming from the spirit and the rhythm of the drum and the energy of the  people. While there are certain steps that go with specific rhythms, it leaves space for the individual  interpretation and improvisations which is an important element. Dancing is more about the communication  between dancer and drummer. The movement of West African dance tends to be energetic and big. It is very  expressive, and the energy is outward. 

Some African dance steps are taken directly from daily activities such as planting or hunting. Most, however,  are an expression of joy or release of the spirit. Dancing is done by communicating with a drummer to create  positive energy. It is a way to enjoy oneself and each other. In African dance, the name of the dance is the  same as the name of the rhythm played by the drummer. The individual steps that make up the dance do not  have names. In this course, we are going to be learning various West African dances such as Sikko, Socco,  Kuku, Mandiany, Farakorroba, Sunu, Soli, Lamba, Mandjo, Diambadong, Doundounba, Kaolask,  Thieboudjeune, Niarry---gorong, Ekongkong, Wolossodong, Zaouly, Ngorong, Niakka, Maraka, Djansa and  Lengeng/Kutiro.

• Department: Dance @Barnard
• TR 10 a.m.-10:50 a.m.
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Maguette Camara
  CULPA: 7 Info
• 2 points

AFRICAN DANCE II

Prerequisites: DNCE BC2252 or permission of instructor.

In West Africa, dance is part of daily life. It is used to mark occasions such a birth,  death, harvest, and marriage. It is also used to unite the community in times of  crisis. West African dance is not as much a strict technique as it is a movement  coming from the spirit and the rhythm of the drum and the energy of the people.  While there are certain steps that go with specific rhythms, it leaves space for the  individual interpretation and improvisations which is an important element. Dancing  is more about the communication between dancer and drummer. The movement of  West African dance tends to be energetic and big. It is very expressive, and the  energy is outward. 

Some African dance steps are taken directly from daily activities such as planting or  hunting. Most, however, are an expression of joy or release of the spirit. Dancing is  done by communicating with a drummer to create positive energy. It is a way to  enjoy oneself and each other. 

In African dance, the name of the dance is the same as the name of the rhythm  played by the drummer. The individual steps that make up the dance do not have  names. 

In this course, we are going to be learning various West African dances such as  Sikko, Socco, Kuku, Mandiany, Farakorroba, Sunu, Soli, Lamba, Mandjo,  Diambadong, Doundounba, Kaolask, Thieboudjeune, Niarry-gorong, Ekongkong,  Wolossodong, Zaouly, Ngorong, Niakka, Maraka, Djansa and Lengeng/Kutiro.

• Department: Dance @Barnard
• TR 9 a.m.-9:50 a.m.
• Instructor: Maguette Camara
  CULPA: 7 Info
• 2 points

AFRO-CUBAN DANCE

This course introduces students to the African-based dances of Cuba, including dances for the Orisha, Rumba, and the immensely joyful “Rueda de Casino” style of Salsa. In addition to learning rhythms, songs, and dances, we will have an ongoing, informal discussion about the historical and contemporary significance of Afro-Cuban dance performance, making connections to personal experience through practice and ongoing reflection. We engage Afro-Cuban music and dance as a living and evolving tradition, where culture, artistry, and history are intimately bound.

• Department: Dance @Barnard
• F 3 p.m.-5 p.m.
• Instructor: Rebecca Bliss
  Info
• 2 points

Advanced Explorations in AfroCuban Dance

Advanced AfroCuban Dance

An upper-level exploration of Afro-Cuban Dance focused on performance. Building on the foundation of Afro-Cuban Dance: Orisha, Rumba, Salsa, this course is a deeper dive into aesthetic principles, cultural themes, and improvisation as performance in the African dance context. Students explore multiple distinct dances and learn to engage the storytelling and cultural significance of each dance through improvisation with the drums. The course culminates with final, in-class presentations. Open to experienced movers and students who have completed Afro-Cuban Dance: Orisha, Rumba, Salsa. Permission of instructor required.

• Department: Dance @Barnard
• F 1 p.m.-3 p.m.
• Instructor: Rebecca Bliss
  Info
• 2 points

THE GLOBAL ECONOMY

Prerequisites: ECON UN1105 Covers five areas within the general field of international economics: (i) microeconomic issues of why countries trade, how the gains from trade are distributed, and protectionism; (ii) macroeconomic issues such as exchange rates, balance of payments and open economy macroeconomic adjustment, (iii) the role of international institutions (World Bank, IMF, etc); (iv) economic development and (v) economies in transition.

• Department: Economics
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Waseem Noor
  CULPA: 7 Info
• 3 points

HIP HOP DANCE & CULTURE III (ADVANCED)

HIP HOP DANCE & CULTURE 3

Advanced technique and repertory in hip hop. Classes are geared to condition the body for the rigors of hip-hop technique by developing strength, coordination, flexibility, stamina, and rhythmic awareness, while developing an appreciation of choreographic movement and structures. Compositional elements of hip-hop will be introduced and students may compose brief movement sequences. The course meets twice weekly and is held in the dance studio.

• Department: Dance @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Bo Park Park
  Info
• 2 points

INTRO TO ACCOUNTING & FINANCE

Financial accounting is concerned with the preparation and public dissemination
of financial reports designed to reflect corporate performance and financial
condition. By providing timely, relevant, and reliable information, these reports
facilitate the decision-making of investors, creditors, and other interested parties.
Financial markets depend on the information contained in these reports to
evaluate executives, estimate future stock returns, assess firms’ riskiness, and
allocate society’s resources to their most productive uses.
This course provides a base level of knowledge needed by corporate executives
to understand and discuss corporate financial statements. The process of
learning how various business activities impact financial statements will also give
you opportunities to learn and think about the business activities, themselves.

• Department: Economics @Barnard
• MW 6:10 p.m.-7:25 p.m.
• Instructor: Jose Cao-Alvira
  CULPA: 2 Info
• 3 points

INTRO TO ACCOUNTING & FINANCE

ACCOUNTING & FINANCE FOR

Financial accounting is concerned with the preparation and public dissemination
of financial reports designed to reflect corporate performance and financial
condition. By providing timely, relevant, and reliable information, these reports
facilitate the decision-making of investors, creditors, and other interested parties.
Financial markets depend on the information contained in these reports to
evaluate executives, estimate future stock returns, assess firms’ riskiness, and
allocate society’s resources to their most productive uses.
This course provides a base level of knowledge needed by corporate executives
to understand and discuss corporate financial statements. The process of
learning how various business activities impact financial statements will also give
you opportunities to learn and think about the business activities, themselves.

• Department: Economics
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Waldo Ojeda
  Info
• 3 points

Evolution

Prerequisites: BIOL BC1500, 1501, 1502, 1503 or equivalent

Theodosius Dobzhansky—an influential evolutionary biologist who spent much of his career at Columbia University—famously wrote, “Nothing in biology makes sense except in the light of evolution.” Evolution underlies all biodiversity, from the COVID-19 virus to redwood trees, from New York rats to our own bodies and minds. This course introduces students to the evolutionary processes at all scales, from molecular evolution and population genetics within single species, to macro patterns of diversification and evolution in deep time as studies through phylogenies and the fossil record. The overarching goal of the course is for students to gain a solid command of the major concepts in evolutionary theory and how they are interweaved with all life around us.

• Department: Biological Sciences @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Rafael Marcondes
  Info
• 3 points

ANIMAL BEHAVIOR

Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, BIOL BC1503 or equivalent. This introduction to animal behavior takes an integrative approach to understand the physiological and genetic basis of behavior, the ecological context of behavior, and the evolutionary consequences of behavior. This course focuses on the process of scientific research, including current research approaches in animal behavior and practical applications of these findings.

• Department: Biological Sciences @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Alison Pischedda
  CULPA: 3 h-index: 11 Info
• 3 points

EARTH'S ENVIRO SYST: LIFE SYST

Prerequisites: high school algebra. Recommended preparation: high school chemistry and physics.

 Role of life in biogeochemical cycles, relationship of biodiversity and evolution to the physical Earth, vulnerability of ecosystems to environmental change; causes and effects of extinctions through geologic time (dinosaurs and mammoths) and today. Exploration of topics through laboratories, data analysis, and modeling. REQUIRED LAB: EESC UN2310. Students will be expected to choose a lab section during the first week of class from the options listed in the Directory of Classes. Co-meets with EEEB 2002

• Department: Earth and Environmental Sciences
• MW 11:40 a.m.-12:55 p.m.
• 4.5 points

CHALLENGES OF SUSTAINABLE DEV

This course provides an introduction to the field of sustainable development, drawing primarily from social science and policy studies. It offers a critical examination of the concept of sustainable development, showing how factors like economics, population, culture, politics and inequality complicate its goals. Students will learn how different social science disciplines (political science, demography, economics, geography, history, law, and sociology) approach challenges of sustainable development across a variety of topics (fisheries, climate change, air pollution, consumption, energy, conservation, and water management). The course provides students with some of the fundamental concepts, vocabulary, and analytical tools to pursue and think critically about sustainable development. Offered in the Spring.

• Department: Earth Institute
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Lisa Dale
  CULPA: 6 Info
• 3 points

SCULPTURE I

(Formerly R3330) The fundamentals of sculpture are investigated through a series of conceptual and technical projects. Three material processes are introduced, including wood, metal, and paster casting. Issues pertinent to contemporary sculpture are introduced through lectures, group critiques, discussions, and field trips that accompany class assignments. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• F 10 a.m.-4 p.m.
• Instructor: Jon Kessler
  CULPA: 5 Wikipedia Info
• 3 points

Dreaming Empire: Britain & Russia in 19C

Dreaming Empire: Brit&Rus

The course falls neatly into two halves, addressing the British and Russian empires as they were in the 19th century. The purpose of the course is to become familiar with imperial thinking, the thought (pro-empire, anti-empire, and simply permeated by empire, to put it in terms familiar to a contemporary audience) implicit in various literary works of the time. For the most part, the readings assigned are primary texts. These will be heavily supplemented during course meetings: the instructor will bring in various materials that would be obscure if assigned to students outside of class, but with live explanations in-class, will enrich their understanding of the primary readings.

Most readings are literary texts, though students will also read and receive guidance in secondary academic literature about those works. A few philosophical and historical texts from the time under examination will also be assigned.

• Department: Slavic Languages @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: John C Wright
  CULPA: 1 Info
• 3 points

HIST PHIL III:KANT-NIETZSCHE

Prerequisites: None. Exposition and analysis of major texts and figures in European philosophy since Kant. Authors include Kant, Hegel, Schopenhauer, Kierkegaard, and Nietzsche. Required discussion section (PHIL UN2311). Attendance in the first week of classes is mandatory.

• Department: Philosophy @Barnard
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Taylor Carman
  CULPA: 40 Wikipedia h-index: 19 Info
• 4 points

INTERMEDIATE ARMENIAN II

Prerequisites: MDES W1310-W1311 or the equivalent. A continuation of the study of reading, writing and speaking of Armenian. In Intermediate Armenian II, students learn to communicate about a wide range of topics. Such topics include biographical narration, cooking and recipes, health and well-being, holidays and celebrations, travel and geography, etc. At this level, students continue to develop their skills in reading, writing, speaking, and listening while perfecting the grammatical concepts to which they were introduced in the first year. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• TR 4:10 p.m.-6 p.m.
• Instructor: Charry Karamanoukian
  Info
• 4 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• R 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• R 4:10 p.m.-7 p.m.
• 0 points

THE DOCUMENTARY TRADITION

This class offers an introduction to the history of documentary cinema and to the theoretical and philosophical questions opened up by the use of moving images to bear witness, persuade, archive the past, or inspire us to change the future. How are documentaries different than fiction films? What is the role of aesthetics in relation to facts and evidence in different documentary traditions? How do documentaries negotiate appeals to emotions with rational argument? From the origins of cinema to our current “post-truth” digital age, we will look at the history of how cinema has attempted to shape our understanding of reality. FILM W2311

• Department: Film
• R 2 p.m.-5:45 p.m.
• Instructor: Nico Baumbach
  Info
• 3 points

THE DOCUMENTARY TRADITION-DISC

• Department: Film
• F 9:10 a.m.-10 a.m.
• F 2:10 p.m.-3 p.m.
• 0 points

HISTORY OF PHILOSPHY III REC

HISTORY OF PHIL III - REC

• Department: Philosophy @Barnard
• 0 points

HISTORY OF PHILOSPHY III REC

HISTORY OF PHIL III - REC

• Department: Philosophy @Barnard
• 0 points

TRADITIONS IN POETRY

Prerequisites: No prerequisites. Department approval NOT required. 

“For those, in dark, who find their own way by the light of others’ eyes.” —Lucie Brock-Broido

The avenues of poetic tradition open to today’s poets are more numerous, more invigorating, and perhaps even more baffling than ever before. The routes we chose for our writing lead to destinations of our own making, and we take them at our own risk—necessarily so, as the pursuit of poetry asks each of us to light a pilgrim’s candle and follow it into the moors and lowlands, through wastes and prairies, crossing waters as we go. Go after the marshlights, the will-o-wisps who call to you in a voice you’ve longed for your whole life. These routes have been forged by those who came before you, but for that reason, none of them can hope to keep you on it entirely. You must take your steps away, brick by brick, heading confidently into the hinterland of your own distinct achievement.

 

For the purpose of this class, we will walk these roads together, examining the works of classic and contemporary exemplars of the craft. By companioning poets from a large spread of time, we will be able to more diversely immerse ourselves in what a poetic “tradition” truly means. We will read works by Edmund Spencer, Dante, and Goethe, the Romantics—especially Keats—Dickinson, who is mother to us all, Modernists, and the great sweep of contemporary poetry that is too vast to individuate.

 

While it is the imperative of this class to equip you with the knowledge necessary to advance in the field of poetry, this task shall be done in a Columbian manner. Consider this class an initiation, of sorts, into the vocabulary which distinguishes the writers who work under our flag, each of us bound by this language that must be passed on, and therefore changed, to you who inherit it. As I have learned the words, I have changed them, and I give them now to you so that you may pave your own way into your own ways, inspired with the first breath that brought you here, which may excite and—hopefully—frighten you. You must be troubled. This is essential

• Department: Writing
• T 10:10 a.m.-noon
• Instructor: Ofi Davis
  Info
• 3 points

Northern Renaissance Art

This course will explore extraordinary artworks made by Northern European painters, sculptors, weavers, and printmakers from about 1400 to 1590. Sessions will examine outstanding productions by such figures as Jan van Eyck, Rogier van der Weyden, Hieronymus Bosch, Albrecht Dürer, Hans Baldung Grien, Pieter Bruegel the Elder, Hans Holbein, and Bernard Palissy. The themes we will discuss include the redefinition of the aims and nature of art and the artist, Protestantism and iconophobia, the ascent of the printing press, the dissemination of humanism, familial relations, courtly politics, art and knowledge, technology, the persecution of witches, as well as exploration and the broad-based shift from a European to a global mindset. The course will focus on the patterns of visual culture and how those patterns develop over time. The course is suitable for students from all disciplines and all years.

• Department: Art History and Archaeology
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Susanna C Berger
  Info
• 3 points

Renaissance Architecture

RENAISSANCE ARCHITECTURE

This course examines the history of architecture between roughly 1400 and 1600 from a European perspective outward. Employing a variety of analytical approaches, it addresses issues related to the Renaissance built environment thematically and through a series of specific case studies. Travelling across a geographically diverse array of locales, we will interrogate the cultural, material, urban, social, and political dimensions of architecture (civic, commercial, industrial, domestic, ecclesiastical and otherwise). Additional topics to be discussed include: antiquity and its reinterpretation; local identity, style, and ornament; development of building typologies; patronage and politics; technology and building practice; religious change and advancements in warfare; the creation and migration of architectural knowledge; role of capitalism and colonialism; class and decorum in domestic design; health and the city; the mobility of people and materials; architectural theory, books, and the culture of print; the media of architectural practice; the growth of cities and towns; the creation of urban space and landscape; architectural responses to ecological and environmental factors; and the changing status of the architect.

Students must registere for a required discussion section.

• Department: Art History and Archaeology
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Michael J Waters
  CULPA: 5 h-index: 3 Info
• 4 points

MUSIC THEORY I

Elementary analysis and composition in a variety of modal and tonal idioms.

• Department: Music
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Peter M Susser
  CULPA: 20 Info
• 3 points

MUSIC THEORY II

Elementary analysis and composition in a variety of tonal idioms.

• Department: Music
• MW 1:10 p.m.-2:25 p.m.
• 3 points

Introduction to Music Cognition

Intro to Music Cognition

The aim of music cognition is to understand the musical mind. This course is an introduction to a variety of key topics in this field, including human development, evolution, neural processing, embodied knowledge, memory and anticipation, cross-cultural perspectives, and emotions. The course explores recent research on these topics, as well as ways in which this research can be applied to music scholarship. Readings are drawn from fields as diverse as music theory, psychology, biology, anthropology, and neuroscience, and include general works in cognitive science, theoretical work focused on specific musical issues, and reports of empirical research.

• Department: Music
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Mariusz Kozak
  CULPA: 4 h-index: 5 Info
• 3 points

Nineteenth Century Britain: Politics, S

This course covers all aspects of British history – political, imperial, economic, social and cultural – during the century of Britain’s greatest global power.  Particular attention will be paid to the emergence of liberalism as a political and economic system and as a means of governing personal and social life.  Students will read materials from the time, as well as scholarly articles, and will learn to work with some of the rich primary materials available on this period.

• Department: History
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Susan Pedersen
  CULPA: 15 Wikipedia Info
• 4 points

MODERN III

Modern III continues training in contemporary/modern technique for the beginning-intermediate  level dancer, emphasizing alignment and musicality while expanding on the dancer’s physical and  intellectual understanding of articulation, phrasing, dynamics, performance and focus. Our class  will incorporate relevant principals from classical modern techniques along with contemporary  aesthetics, improvisation and reflection. Our class aims to create a space that is in support of your  artistic development, aesthetic fluency, and creative explorations as a dancer.

Prerequisites: 
  Intermediate experience in ballet and/or contemporary modern

• Department: Dance @Barnard
• MW 10:10 a.m.-11:25 a.m.
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Caroline Fermin
  Info
• Instructor: Tamisha Guy
  Info
• 2 points

MODERN IV

Modern IV is a contemporary technique class for the intermediate to advanced-intermediate level  dancer, emphasizing alignment and musicality while expanding on the dancer’s physical and  intellectual understanding of articulation, phrasing, dynamics, performance, and focus. Our class  will incorporate relevant principles from classical modern techniques with contemporary  aesthetics, improvisation, and reflection.

• Department: Dance @Barnard
• MW 1:10 p.m.-2:25 p.m.
• F 1 p.m.-2:50 p.m.
• Instructor: Francesca Dominguez
  Info
• Instructor: Jodi Melnick
  CULPA: 3 Info
• 2 points

EVERYDAY COMMUNISM

This lecture course comparatively and transnationally investigates the twentieth-century communism as a modern civilization with global outreach. It looks at the world spread of communism as an ideology, everyday experience, and form of statehood in the Soviet Union, Europe, Asia (Mao’s China), and post-colonial Africa. With the exception of North America and Australia, communist regimes were established on all continents of the world. The course will study this historical process from the October Revolution (1917) to the Chernobyl nuclear disaster (1986), which marked the demise of communist state. The stress is not just on state-building processes or Cold War politics, but primarily on social, gender, cultural and economic policies that shaped lived experiences of communism. We will closely investigate what was particular about communism as civilization: sexuality, materiality, faith, selfhood, cultural identity, collective, or class and property politics. We will explore the ways in which “ordinary people” experienced communism through violence (anti-imperial and anti-fascist warfare; forced industrialization) and as subjects of social policies (gender equality, family programs, employment, urban planning). By close investigation of visual, material and political representations of life under communism, the course demonstrates the variety of human experience outside the “West” and capitalist modernity in an era of  anti-imperial politics, Cold War, and decolonization, as well as current environmental crisis.

• Department: History
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Malgorzata Mazurek
  CULPA: 2 Info
• 4 points

Introduction to Korean Society: Explorin

This introductory lecture course introduces students with little or no prior knowledge of Korea or the
Korean language to Korean society by exploring cultural codes—shared symbols, values, and practices
that shape everyday life—through the lens of media and literature. By engaging with short stories, films,
TV shows, music, and other cultural texts, students will examine how these cultural codes influence
Korean social norms, identities, and global representations.
The course focuses on six key cultural codes—food, language, family structure, religion, economic
development, and the two Koreas—as reflected in Korean literature, film, drama, and YouTube content.
Through these themes, students will gain a foundational yet comprehensive understanding of Korean
society. At the same time, they will strengthen their critical and analytical skills in interpreting culture,
cultivating a deeper awareness of how meaning is constructed and communicated across different media.

• Department: Asian and Middle East @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Hwanhee Kim
  Info
• 3 points

Musicianship: Rhythm

In this course, students at all levels of experience and musical interest will participate in solo and group activities and projects with a focus on musical beat, meter, and rhythm patterns, developing a sense of steady and changing tempo, and an understanding how rhythm contributes to style in music. Rhythmic articulation, nuance, and interpretation will be developed through the impact of agogic, metric, tonal, and dynamic accent. This course combines the standards of conservatory musicianship with standards of critical thinking, here represented as critical listening. The repertoire for Musicianship: Rhythm covers vocal and instrumental music, and is open to classical, pop, jazz, folk, music theatre, computer, and international music styles and genres.

• Department: Music
• MW 12:05 p.m.-12:55 p.m.
• TR 9:05 a.m.-9:55 a.m.
• Instructor: Mary Asti
  Info
• Instructor: Peter M Susser
  CULPA: 20 Info
• 1 points

Musicianship: Melody

In this course, students at all levels of experience and musical interest will participate in solo and group activities and projects with a focus on scales, intervals, melodic contour and phrasing, and how they contribute to style in music. The repertoire for Musicianship: Melody covers vocal and instrumental music, and is open to classical, pop, jazz, folk, music theatre, computer, and international music styles and genres.

• Department: Music
• TR 12:05 p.m.-12:55 p.m.
• Instructor: Peter M Susser
  CULPA: 20 Info
• 1 points

Musicianship: Harmony

In this course, students at all levels of experience and musical interest will examine the phenomenon of simultaneous sound with chords and chord progressions, and experience harmony’s impact on musical structure and style. Harmonic articulation, nuance, and interpretation will be developed through the exploration of agogic, metric, tonal, and dynamic accent. The repertoire for Musicianship: Harmony covers vocal and instrumental music, and is open to classical, pop, jazz, folk, music theatre, computer, and international music styles and genres.

• Department: Music
• MW 3:05 p.m.-3:55 p.m.
• TR 12:05 p.m.-12:55 p.m.
• Instructor: Ramin Amir Arjomand
  CULPA: 8 Info
• Instructor: Michael Joviala
  Info
• 1 points

Fascism in European History

FASCISM IN EURO HISTORY

What was Fascism? What kind of appeal did authoritarianism and dictatorship have in interwar Europe? How did the Fascist “New Order” challenge liberal democracies and why did it fail in World War II? What was the common denominator of Fascist movements across Europe, and in particular in Mussolini’s Italy, Salazar’s Portugal, Franco’s Spain, culminating in Nazi Germany?

This class examines the history of Fascism as an ideology, constellation of political movements, and authoritarian regimes that aimed at controlling the modernization of European societies in the interwar period. Thus, the course focuses in particular on the relationship between politics, science and society to investigate how Fascism envisioned the modernity of new technologies, new social norms, and new political norms. The class will also explore Fascism’s imperialist goals, such as the calls for national renewal, the engineering of a new race, and the creation of a new world order.

• Department: History @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Angelo Caglioti
  h-index: 2 Info
• 3 points

POLITICS OF TERROR:FRENCH REV

This course examines the political culture of eighteenth-century France, from the final decades of the Bourbon monarchy to the rise of Napoleon Bonaparte. Among our primary aims will be to explore the origins of the Terror and its relationship to the Revolution as a whole. Other topics we will address include the erosion of the kings authority in the years leading up to 1789, the fall of the Bastille, the Constitutions of 1791 and 1793, civil war in the Vendee, the militarization of the Revolution, the dechristianization movement, attempts to establish a new Revolutionary calendar and civil religion, and the sweeping plans for moral regeneration led by Robespierre and his colleagues in 1793-1794.

• Department: History
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Charly J Coleman
  CULPA: 7 Info
• 4 points

ANCIENT NEAR EASTERN LITERATURE

This colloquium is a course on many influential texts of literature from Ancient Near Eastern cultures, including Sumerian, Egyptian, Babylonian, Assyrian, Hittite, Canaanite, and others. The emphasis is on investigating the literary traditions of each culture – the subject matter, form, methods, and symbolism– that distinguish them from one another and from later traditions of the Middle East. The course is not
a “civilization” course, nor is it a history class, although elements of culture and history will be mentioned as necessary. The course is intended to provide a facility with, and an awareness of, the content and context of ancient works of literature in translation from the Ancient Middle East.

Students in this course will gain a familiarity with the major cultures of the Ancient Middle East, the best known and most remarked upon stories, and the legacy of those works on some later traditions. The course is organized thematically in order to facilitate comparison to the materials in similar courses at Barnard and Columbia. The approach will be immediately familiar to students who have previously taken Asian Humanities (AMEC) or Literature-Humanities (Core), but the course does not require any previous experience with literature or the Ancient Near East and is open to everyone.

All assigned readings for the course will be in English. The course meets once a week and sessions are two hours long.

• Department: Asian and Middle East @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Nathanael P Shelley
  CULPA: 6 Info
• 4 points

Nineteenth-Century Art in Europe

19th-Century Art in Europ

How do you represent a revolution? What does it mean to picture the world as it “really” is? Who may be figured as a subject or citizen, and who not? Should art improve society, or critique it? Can it do both? These are some of the many questions that the artists of nineteenth-century Europe grappled with, and that we will explore together in this course. This was an era of rapid and dramatic political, economic, and cultural change, marked by wars at home and colonial expansion abroad; the rise of industrialization and urbanization; and the invention of myriad new technologies, from photography to the railway. The arts played an integral and complex role in all of these developments: they both shaped and were shaped by them. Lectures will address a variety media, from painting and sculpture to the graphic and decorative arts, across a range of geographic contexts, from Paris, London, Berlin, and Madrid to St. Petersburg, Cairo, Haiti, and New Zealand. Artists discussed will include Jacques-Louis David, Francisco Goya, Théodore Géricault, J.M.W. Turner, Adolph Menzel, Ilya Repin, Edouard Manet, Claude Monet, Mary Cassatt, James McNeill Whistler, C. F. Goldie, Victor Horta, and Paul Cézanne.

• Department: Art History and Archaeology
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Meredith Gamer
  CULPA: 1 Info
• 3 points

CONTMP BIO II:CELL BIO,DEV,PHYS

Prerequisites: a course in college chemistry and BIOL UN2005 or BIOL UN2401, or the written permission of either the instructor or the premedical adviser. Cellular biology and development; physiology of cells and organisms. Same lectures as BIOL UN2006, but recitation is optional. For a detailed description of the differences between the two courses, see the course web site or http://www.columbia.edu/cu/biology/ug/advice/faqs/gs.html. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar. http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• TR 10:10 a.m.-11:25 a.m.
• TR 4:10 p.m.-5:25 p.m.
• 3 points

INTERMEDIATE SANSKRIT II

Reading and grammatical analysis of a literary text, chosen from the dramatic and narrative tradition. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• TR 10:10 a.m.-noon
• Instructor: Jay Ramesh
  Info
• 4 points

VICTORIAN POETRY

(Lecture). This course examines the works of the major English poets of the period 1830-1900. We will pay special attention to Alfred Tennyson and Robert Browning, and their great poetic innovation, the dramatic monologue. We will also be concentrating on poems by Elizabeth Barrett Browning, Gerard Manley Hopkins, Christina Rossetti, Matthew Arnold, A. E. Housman, and Thomas Hardy.

• Department: English and Comparative Literature
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Erik Gray
  CULPA: 35 Info
• 3 points

CHINESE RELIGIOUS TRADITIONS

This course provides a chronological and thematic introduction to Chinese religions from their beginnings until modern times. It examines distinctive concepts, practices and institutions in the religions of China. Emphasis will be placed on the diversity and unity of religious expressions in China, with readings drawn from a wide-range of texts: religious scriptures, philosophical texts, popular literature and modern historical and ethnographic studies. Special attention will be given to those forms of religion common to both “elite” and “folk” culture: cosmology, family and communal rituals, afterlife, morality and mythology. The course also raises more general questions concerning gender, class, political patronage, and differing concepts of religion.

• Department: Religion
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Zhaohua Yang
  Info
• 4 points

1ST YEAR SEM IN CHEMICAL RES

Prerequisites: CHEM UN1403 or CHEM UN1604 or CHEM UN2045 or the instructors permission. A one-hour weekly lecture, discussion, and critical analysis of topics that reflect problems in modern chemistry, with emphasis on current areas of active chemical research.

• Department: Chemistry
• F noon-12:50 p.m.
• Instructor: Vesna Gasperov
  CULPA: 1 h-index: 4 Info
• 1 points

STATISTICS FOR ECONOMICS

Elementary computational methods in statistics. Basic techniques in regression analysis of econometric models. One-hour weekly recitation sessions to complement lectures.

• Department: Economics @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Mulu Gebreyohannes
  Info
• 4 points

SECOND YR CLASSICAL TIBET II

• Department: East Asian Languages and Cultures
• TR 2:10 p.m.-4 p.m.
• Instructor: Sonam Tsering Ngulphu
  Info
• 4 points

PRINTMAKING I: INTAGLIO

(Formerly R3401) Enables the student to realize concepts and visual ideas in a printed form. Basic techniques are introduced and utilized: the history and development of the intaglio process; demonstrations and instruction in line etching, relief, and dry point. Individual and group critiques. Portfolio required at end. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• MW 1:30 p.m.-4 p.m.
• Instructor: Jennifer Nuss
  Info
• 3 points

PRACTICUM SCENIC PAINT

May be retaken for full credit. 

Prerequisites: permission of Theatre Department Production Manager, Michael Banta (
mbanta@barnard.edu
). Training and practical props and/or scenic painting work on Departmental mainstage productions.

• Department: Theatre @Barnard
• Instructor: Michael Banta
  Info
• 1 points

PRACTICUM LIGHTS & SOUND

May be retaken for full credit. 

Prerequisites: permission of Theatre Department Production Manager, Michael Banta (
mbanta@barnard.edu
). Training and practical lighting and/or sound work on Departmental mainstage productions.

• Department: Theatre @Barnard
• Instructor: Gregory Winkler
  CULPA: 3 Info
• 1 points

PRACTICUM WARDROBE & RUN CREW

May be retaken for full credit. 

Prerequisites: permission of Theatre Department Costume Shop Manager Kara Feely (kfeely@barnard.edu). Training and practical costume construction and fitting work on Departmental mainstage productions.

• Department: Theatre @Barnard
• Instructor: Kara M Feely
  Info
• 1 points

PRACTICUM DESIGN THESIS FESTIVAL

May be retaken for full credit. 

Prerequisites: permission of the Senior Thesis Festival coordinator. Training and practical work as student designer on the Senior Thesis Festival.

• Department: Theatre @Barnard
• F 2:10 p.m.-5 p.m.
• Instructor: Kara M Feely
  Info
• 3 points

ANTHROPOLOGY OF CLIMATE CHANGE

This course focuses on some of the present, and possible future, socio-ecological conditions of life on planet earth. In particular we will work to understand the historic, economic, political, and socio-cultural forces that created the conditions we call climate change. With this we will take a particular interest in the question of how race, ethnicity, Indigeneity, class, and gender articulate with the material effects of climate change. The course also focuses on how we, as scholars, citizens, and activists can work to alter these current conditions in ways that foster social and ecological justice for all living beings. Although we will ground our scholarship in anthropology, to encourage interdisciplinary and even transdisciplinary thought, weekly readings will be drawn from across scholarly and activist canons. While becoming familiar with scholarly and activist conversations about space and place, risk and vulnerability, and ontology and epistemology, we will work through a series of recent events as case studies to understand causes, effects, affects, and potential solutions.

• Department: Anthropology @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Paige West
  CULPA: 41 h-index: 23 Info
• 3 points

PRACTICUM DESIGN & PRODUCTION ASSISTANT

PRACTICUM DESIGN & PROD A

May be retaken for full credit. 

Prerequisites: permission of the Senior Thesis Festival coordinator. Training and practical design work assisting student designers for the Senior Thesis Festival.

• Department: Theatre @Barnard
• Instructor: Michael Banta
  Info
• 2 points