Prerequisites: Permission of Instructor.
This class will introduce students to the African-based folkloric and popular dances of Cuba, including Orisha, Rumba, and Salsa. In addition to learning rhythms and dances, these forms will be contextualized within the historical and contemporary significance of Afro-Cuban dance performance.
Prerequisites: ECON UN1105
Covers five areas within the general field of international economics: (i) microeconomic issues of why countries trade, how the gains from trade are distributed, and protectionism; (ii) macroeconomic issues such as exchange rates, balance of payments and open economy macroeconomic adjustment, (iii) the role of international institutions (World Bank, IMF, etc); (iv) economic development and (v) economies in transition.
Prerequisites: (ECON UN1105)
For undergraduates only. This course is required for all undergraduate students majoring in IE, OR:EMS, OR:FE and OR.
This course examines the fundamental concepts of financial accounting and finance, from the perspective of both managers and investors. Key topics covered in this course include principles of accrual accounting; recognizing and recording accounting transactions; preparation and analysis of financial statements, including balance sheets, income statements, cash flow statements, and statements of owners' equity; ratio analysis; pro-forma projections; time value of money (present values, future values and interest/discount rates); inflation; discounted-cash-flow (DCF) project evaluation methods; deterministic and probabilistic measures of risk; capital budgeting.
Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, and BIOL BC1503 or the equivalent.
Systematic survey of the Phylum Chordata: fossil history, biogeography, systematics, natural history, body architecture, energetics, locomotion, feeding, and behavior.
Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, and BIOL BC1503 or the equivalent. This course is a pre-requisite for BIOL BC2281 Laboratory in Animal Behavior.
This introduction to animal behavior takes an integrative approach to understand the physiological and genetic basis of behavior, the ecological context of behavior, and the evolutionary consequences of behavior. This course focuses on the process of scientific research, including current research approaches in animal behavior and practical applications of these findings.
Prerequisites: high school algebra. Recommended preparation: high school chemistry and physics.
Role of life in biogeochemical cycles, relationship of biodiversity and evolution to the physical Earth, vulnerability of ecosystems to environmental change; causes and effects of extinctions through geologic time (dinosaurs and mammoths) and today. Exploration of topics through laboratories, demonstrations, computer data analysis and modeling. REQUIRED LAB:
EESC UN2310
. Students should see the Directory of Classes for lab sessions being offered and select one.
Prerequisites: The department's permission required through writing sample. Please go to 609 Kent for submission schedule and registration guidelines or see http://www.arts.columbia.edu/writing/undergraduate.
Intermediate poetry workshops are for students with some prior instruction in the rudiments of poetry writing and prior poetry workshop experience. Intermediate poetry workshops pose greater challenges to students and maintain higher critical standards than beginning workshops. Students will be instructed in more complex aspects of the craft, including the poetic persona, the prose poem, the collage, open-field composition, and others. They will also be assigned more challenging verse forms such as the villanelle and also non-European verse forms such as the pantoum. They will read extensively, submit brief critical analyses, and put their instruction into regular practice by composing original work that will be critiqued by their peers. By the end of the semester each student will have assembled a substantial portfolio of finished work.
This course is intended to provide an introduction to some major debates in European history in the era of the two world wars. It is not an introductory-level survey course, and students should either have taken such a survey already or be willing to read a background textbook as the course proceeds. Beginning with the condition of Europe on the eve of the First World War, it explores the causes, experience and long-term impact of the First World War on European politics, societies and individual lives. It ranges from a consideration of the transformation of European capitalism, and the challenge presented by Soviet Bolshevism to the crisis of liberal democracy and the European embrace of the authoritarian and fascist Right. At the same time, it traces the way writers, artists, film-makers and poets came to terms with their age and exposes the way that beneath the creative expressions of a literate elite, long-term changes in the composition of society – the plight of the peasantry in an era of falling commodity prices, the immiseration of the urban working class faced with mass unemployment and the Slump – enhanced international tensions and complicated diplomacy. It explores the unraveling of the post-1918 stabilisation and the undermining of the authority of the League of Nations as Europe split into warring camps for a second time. Finally, it traces the emergence of a Nazi Europe underwritten by Germany military power and transformed by racist ideas, the collapse of this edifice and the nature of the political and ideological reconstruction that followed after 1945.
REQUIRED Discussion Section for UN2302, European Catastrophe 1914-1945
Prerequisites: Required discussion section AHIS UN2306
The course will survey Renaissance art in Hapsburg Spain, considered in the wide geographical context of the extended and dispersed dominions of the different crowns of the Spanish monarchy, which connected the Iberian Peninsula with Italy, Flanders and the New World. It will concern visual art in its various media, mainly painting, sculpture and architecture, but also tapestries, prints, armor, goldsmithery and ephemeral decoration, among others. Works of the main artists of the period will be introduced and analyzed, giving attention to the historical and cultural context of their production and reception. The course will particularly focus on the movement of artists, works and models within the Spanish Hapsburg territories, in order to understand to what extent visual arts contributed to shaping the political identity of this culturally composite empire.
Required discussion section for AHIS UN2305 Renaissance Imperial Spain
This three hour lab is required of all students who enroll in
EESC UN2300
. There are currently five lab sections.
This three hour lab is required of all students who enroll in
EESC UN2300
. There are currently five lab sections.
This three hour lab is required of all students who enroll in
EESC UN2300
. There are currently five lab sections.
This three hour lab is required of all students who enroll in
EESC UN2300
. There are currently five lab sections.
This class offers an introduction to the history of documentary cinema and to the theoretical and philosophical questions opened up by the use of moving images to bear witness, persuade, archive the past, or inspire us to change the future. , How are documentaries different than fiction films? What is the role of aesthetics in relation to facts and evidence in different documentary traditions? How do documentaries negotiate appeals to emotions with rational argument? From the origins of cinema to our current “post-truth” digital age, we will look at the history of how cinema has attempted to shape our understanding of reality.
FILM W2311
Designed to improve the student's basic skills in sight-singing, and rhythmic and melodic dictation with an introduction to four-part harmonic dictation.
This lecture course explores how art and architecture responded to changing attitudes toward death and the afterlife over the course of the European Middle Ages, from early Christian Rome to the dawn of the Protestant Reformation in Germany. Generally speaking, the course will chronicle the arts relating to medieval “eschatology”—or concerns over the fate of the soul at the end of time. We will analyze the visual culture associated with ordinary people preparing for their own death and the deaths of loved ones, saints and Biblical figures whose triumph in death served as exemplars for the living, and institutional and individual anxieties over humankind’s destiny on Judgment Day. Artworks under consideration will encompass various media and contexts, including monumental architecture and architectural relief sculpture, tomb sculpture, wall painting, manuscript painting, reliquaries, and altarpieces.
In this course, we will trace the history of Britain as a modern democratic, imperial, and post-colonial nation from 1900 to the present. We will focus on how events like war and revolution (both at home and abroad) altered Britain, and how broader developments in political culture, economic integration, social transformation, and cultural transmission shaped the people and practices we understand as “British.” Topics to be covered include war and society; the political unions with Ireland and Scotland; the era of universal suffrage; social welfare and the role of the state; decolonization and mass migration; new social movements; and Britain’s relationship with the European Union.
MANDATORY Discussion Section for HIST UN 2360 20th Century Britain: Between Democracy and Empire. Students must also be registered for HIST 2360.
Prerequisites: Previous course in history strongly recommended.
Course enables students to focus on remote past and its relationship to social context and political and economic structures; students will be asked to evaluate evidence drawn from documents of the past, including tracts on diet, health, and food safety, accounts of food riots, first-hand testimonials about diet and food availability. A variety of perspectives will be explored, including those promoted by science, medicine, business, and government.
This course examines the political culture of eighteenth-century France, from the final decades of the Bourbon monarchy to the rise of Napoleon Bonaparte. Among our primary aims will be to explore the origins of the Terror and its relationship to the Revolution as a whole. Other topics we will address include the erosion of the king's authority in the years leading up to 1789, the fall of the Bastille, the Constitutions of 1791 and 1793, civil war in the Vendée, the militarization of the Revolution, the dechristianization movement, attempts to establish a new Revolutionary calendar and civil religion, and the sweeping plans for moral regeneration led by Robespierre and his colleagues in 1793-1794.
MANDATORY Discussion Section for HIST UN 2398 The Politics of Terror: The French Revolution. Students must also be registered for HIST 2398.
Prerequisites: a course in college chemistry and BIOL UN2005 or BIOL UN2401, or the written permission of either the instructor or the premedical adviser.
Cellular biology and development; physiology of cells and organisms. Same lectures as
BIOL UN2006
, but recitation is optional. For a detailed description of the differences between the two courses, see the course web site or http://www.columbia.edu/cu/biology/ug/advice/faqs/gs.html. Website:
http://www.columbia.edu/cu/biology/courses/c2006/
, SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar.
http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf
Prerequisites: Discussion Section AHIS UN2406
The course will examine a variety of figures, movements, and practices within the entire range of 20th-century art—from Expressionism to Abstract Expressionism, Constructivism to Pop Art, Surrealism to Minimalism, and beyond–situating them within the social, political, economic, and historical contexts in which they arose. The history of these artistic developments will be traced through the development and mutual interaction of two predominant strains of artistic culture: the modernist and the avant-garde, examining in particular their confrontation with and development of the particular vicissitudes of the century’s ongoing modernization. Discussion section complement class lectures. Course is a prerequisite for certain upper-level art history courses.
Required discussion section for UN2405 Twentieth Century Art.
Prerequisites: CHEM UN1403 or CHEM UN1604 or CHEM UN2045 or the instructor's permission.
A one-hour weekly lecture, discussion, and critical analysis of topics that reflect problems in modern chemistry, with emphasis on current areas of active chemical research.
Exercises in the writing of film scripts.
Prerequisites: PSYC UN1001 or equivalent introductory course in Psychology
This course provides an in-depth survey of data and models of a wide variety of human cognitive functions. Drawing on behavioral, neuropsychological, and neuroimaging research, the course explores the neural mechanisms underlying complex cognitive processes, such as perception, memory, and decision making. Importantly, the course examines the logic and assumptions that permit us to interpret brain activity in psychological terms.
This class traces Egypt's evolving integration into the Classical World from the Saite Dynasty (c. 685 BCE) to the suppression of paganism by the Coptic church. We'll pay close attention to the flashpoints that created conflicts between pagan Egyptians, Greeks, Jews, and Christians and also to integrative aspects of society.
Social history of the built environment since 1870, looking at urban and rural landscapes, vernacular architecture of industry, housing, recreation, and public space. Considers government policies, real estate investment, and public debates over land use and the natural environment.
MANDATORY Discussion Section for HIST UN 2441 Making of the Modern American Landscape. Students must also be registered for HIST 2441.
Prerequisites: CHEM UN1404 or CHEM UN1604 and CHEM UN1500
The principles of organic chemistry. The structure and reactivity of organic molecules are examined from the standpoint of modern theories of chemistry. Topics include stereochemistry, reactions of organic molecules, mechanisms of organic reactions, syntheses and degradations of organic molecules, and spectroscopic techniques of structure determination. Although CHEM UN2443 and CHEM UN2444 are separate courses, students are expected to take both terms sequentially. Students must ensure they register for the recitation which corresponds to the lecture section. Please check the Directory of Classes for details.
Prerequisites: CHEM UN1404 or CHEM UN1604 and CHEM UN1500
The principles of organic chemistry. The structure and reactivity of organic molecules are examined from the standpoint of modern theories of chemistry. Topics include stereochemistry, reactions of organic molecules, mechanisms of organic reactions, syntheses and degradations of organic molecules, and spectroscopic techniques of structure determination. Although CHEM UN2443 and CHEM UN2444 are separate courses, students are expected to take both terms sequentially. Students must ensure they register for the recitation which corresponds to the lecture section. Please check the Directory of Classes for details.
ORGANIC CHEMSTRY II-LECTURES
TO BE ENROLLED IN UN2444 SECTION 1, YOU MUST REGISTER FOR UN2446 RECITATION
Prerequisites: DNCE BC1445, BC1446, or Permission of instructor.
Corequisites: CHEM UN2444
Chemistry UN2448 ORGANIC CHEMISTRY RECITATION
ORGANIC CHEMISTRY II-LECTURES
TO BE ENROLLED IN UN2444 SECTION 2, YOU MUST REGISTER FOR UN2448 RECITATION
Prerequisites: PSYC UN1001 or PSYC UN1010 or the instructor's permission.
Examines the principles governing neuronal activity, the role of neurotransmitter systems in memory and motivational processes, the presumed brain dysfunctions that give rise to schizophrenia and depression, and philosophical issues regarding the relationship between brain activity and subjective experience.
Prerequisites: Permission of instructor or DNCE BC1330, BC1331, BC1135, BC1136.
Focus on movement practices, primarily for dancers, which introduces the concepts of Joseph Pilates, a seminal figure in creating a method of body conditioning. Learn and practice a repertory of mat work to improve body awareness, strength, flexibility, and dynamic alignment.
How did thirteen diverse British colonies become a single boisterous but fragile new nation? Historians still disagree about the causes, motives, and meanings surrounding the founding of the United States of America. Major themes include the role of ideologies, material interests, global contexts, race, gender, and class.
The general object of this course is to illuminate how histories of what we think of as ‘international’ are structured by means of key concepts, foundational concepts which form (i) semantic fields constitutive of politics and policy as well as (ii) grounds for periodization. The seminar this year will be devoted, specifically, to a series of 'basic documents' of the early cold war, primary sources, chiefly U.S., which will be examined by means of close readings, ultimately with a view to problematize the conventional period known indeed as ’the cold war.' The design is thus unusual in that there will be only a single book, Melvyn Leffler’s
Preponderance of Power
, which provides a survey of the Truman Administration and so will be a reference text for the US side, at least. The remaining materials will be available in Courseworks. (This course may not be taken concurrently with UN 2492 US Foreign Relations 1890-1990.)
Required Discussion Section for HIST UN2491: U.S. Foreign Relations, 1890-1990. Students must also register for HIST UN2491: U.S. Foreign Relations, 1890-1990.
Prerequisites:
CHEM W1403-CHEM W1404
;
CHEM W1500
;
CHEM W2493
.
Corequisites:
CHEM W2444
.
Please note that you must complete CHEM W2493 before you register for CHEM W2494. This lab introduces students to experimental design and trains students in the execution and evaluation of scientific data. The technique experiments in the first half of the course (CHEM W2493) teach students to develop and master the required experimental skills to perform the challenging synthesis experiments in the second semester. The learning outcomes for this lab are the knowledge and experimental skills associated with the most important synthetic routes widely used in industrial and research environments. Attendance at the first lab lecture and laboratory session is mandatory. Please note that CHEM W2494 is the second part of a full year organic chemistry laboratory course. Students must register for the lab lecture section (CHEM W2496) which corresponds to their lab section. Students must attend ONE lab lecture and ONE lab section every other week. Please contact your advisors for further information.
Introduction to the arts of Africa, including masquerading, figural sculpture, reliquaries, power objects, textiles, painting, photography, and architecture. The course will establish a historical framework for study, but will also address how various African societies have responded to the process of modernity.
Prerequisites:
MATH V1102
-
MATH V1201
or the equivalent and
MATH V2010
.
Mathematical methods for economics. Quadratic forms, Hessian, implicit functions. Convex sets, convex functions. Optimization, constrained optimization, Kuhn-Tucker conditions. Elements of the calculus of variations and optimal control.
Prerequisites: Strongly recommended prerequisite or corequisite: BIOL UN2005 or BIOL UN2401.
Experiments focus on genetics and molecular biology, with an emphasis on data analysis and experimental techniques. The class also includes a study of mammalian anatomy and histology. SPS and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar.
http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf