Approaches to Literary Study

Why does literature affect us as it does, why might you want to understand its history, strategies, and meaning, and how exactly do you go about that? This course won’t give you 
the
 answer, because there is no single answer. It will instead point the way toward the multitude of possible answers, giving you a variety of critical tools for exploring these questions, and deepening your powers as a thinker, reader, and writer.
            The course consists of weekly lectures by department faculty members (ENGL 2000) and small weekly seminars with advanced doctoral candidates (ENGL 2001). The lectures will introduce you to texts from across literary history and in various genres (poetry, drama, prose narrative, etc.), giving you an opportunity to learn from and get to know our renowned faculty members. The intimate seminar setting will give you an opportunity to delve further into these texts and techniques, debate their meaning with one another and an expert guide, and engage in exercises that advance your critical writing and interpretive skills, putting into practice what you’ve learned. You will encounter the wide variety of critical approaches taken by our faculty, your seminar leader, and the discipline at large, while learning to expand upon these approaches and make them your own.
            The course is required for English majors and minors (who should take it as early as possible in their Columbia careers), but it is for everyone: advanced students of literature or those new to literary study; committed majors or those still exploring; anyone seeking the excitement and immersion this course offers.
            (
Note
: Students who register for ENGL UN2000 must also register for one of the sections of ENGL UN2001.)

• Department: Auditing
• F 10:10 a.m.-11:25 a.m.
• Instructor: Julie S Peters
  CULPA: 5 Info
• 0 points

Core as Praxis/Fieldwork

"The Core as Praxis/Fieldwork” provides students with the opportunity to explore the connections among texts from the Core Curriculum, their work in their major field of study, and their work in a professional environment outside of Columbia’s campus. Students will be guided through a process of reflection on the ideas and approaches that they develop in Core classes and in the courses in their major, to think about how they can apply theory to practice in the context of an internship or other experiential learning environment. Students will reread and revisit a text that they have studied previously in Literature Humanities or in Contemporary Civilization as the basis for their reading and writing assignments over the semester. 
To be eligible, students must (1) be engaged during the semester in an internship or other experiential learning opportunity, (2) have completed the sophomore year, and (3) have declared their major (or concentration)
. HUMAUN2000 may not be taken with the Pass/D/Fail option. All students will receive a letter grade for the course. Students can take HUMAUN2000 twice.

• Department: Core (A&S)
• Instructor: Zachary J Levine
  Info
• 1 points

Core as Praxis/Fieldwork

"The Core as Praxis/Fieldwork” provides students with the opportunity to explore the connections among texts from the Core Curriculum, their work in their major field of study, and their work in a professional environment outside of Columbia’s campus. Students will be guided through a process of reflection on the ideas and approaches that they develop in Core classes and in the courses in their major, to think about how they can apply theory to practice in the context of an internship or other experiential learning environment. Students will reread and revisit a text that they have studied previously in Literature Humanities or in Contemporary Civilization as the basis for their reading and writing assignments over the semester. 
To be eligible, students must (1) be engaged during the semester in an internship or other experiential learning opportunity, (2) have completed the sophomore year, and (3) have declared their major (or concentration)
. HUMAUN2000 may not be taken with the Pass/D/Fail option. All students will receive a letter grade for the course. Students can take HUMAUN2000 twice.

• Department: Core (A&S)
• Instructor: Zachary J Levine
  Info
• 1 points

INTRO TO HIGHER MATHEMATICS

Introduction to understanding and writing mathematical proofs. Emphasis on precise thinking and the presentation of mathematical results, both in oral and in written form. Intended for students who are considering majoring in mathematics but wish additional training. CC/GS: Partial Fulfillment of Science Requirement. BC: Fulfillment of General Education Requirement: Quantitative and Deductive Reasoning (QUA).

• Department: Mathematics
• TR 10:10 a.m.-11:25 a.m.
• Instructor: George Dragomir
  CULPA: 5 Info
• 3 points

DRAWING STUDIO

This course delves into drawing as an expansive, exploratory practice that underpins all forms of visual art. Designed primarily as a hands-on workshop, the class is enriched with slide lectures, video presentations, and field trips. Throughout the semester, students will engage in individual and group critiques, fostering dialogue about their work. Beginning with still life and progressing to drawings of artworks, artifacts, and figure studies, the course investigates drawing as a dynamic practice connected to a wide array of visual cultures.

• Department: Art History @Barnard
• T 10:10 a.m.-2 p.m.
• Instructor: Jozefina Chetko
  Info
• 3 points

Third World Studies

Between 1967 and 1969, groups of American Indian, Black, Chinese, Filipino, Japanese, Mexican, and Puerto Rican college students began to articulate demands for a transformed university, touching everything from admissions, relations to community, and curriculum. Their proposals contributed to the Third World Liberation Front strike at San Francisco State University, the longest student strike in US history. Drawing inspiration from Gary Okihiro, founding director of Columbia’s Center for the Study of Ethnicity and Race, this course takes student activists’ proposals for Third World Studies seriously. Our readings will draw on the traditions of anti-racist and anti-colonial struggle in North America, alongside perspectives from Africa, Asia, and Latin America.

• Department: American Studies @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Manu Karuka
  Info
• 4 points

MULTV. CALC. FOR ENGI & APP SCI

Required recitation session for students enrolled in APMA E2000.

• Department: Applied Physics and Applied Mathematics
• R 2:40 p.m.-3:30 p.m.
• R 4:10 p.m.-5 p.m.
• F 10:10 a.m.-11 a.m.
• R 11:40 a.m.-12:30 p.m.
• R 4:10 p.m.-5 p.m.
• F 2:40 p.m.-3:30 p.m.
• R 2:40 p.m.-3:30 p.m.
• R 11:40 a.m.-12:30 p.m.
• F 1:10 p.m.-2 p.m.
• Instructor: Yinxi Pan
  Info
• 0 points

INTRO TO ASTROPHYSICS I

Prerequisites: a working knowledge of calculus. Corequisites: a course in calculus-based general physics. First term of a two-term calculus-based introduction to astronomy and astrophysics. Topics include the physics of stellar interiors, stellar atmospheres and spectral classifications, stellar energy generation and nucleosynthesis, supernovae, neutron stars, white dwarfs, and interacting binary stars.

• Department: Astronomy
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Jane Huang
  Info
• 3 points

GENERAL CHEMISTRY I

Atoms; elements and compounds; gases; solutions; equilibrium; acid-base, precipitation, and oxidation-reduction reactions; thermochemistry. Laboratory one day a week. Laboratory experience with both qualitative and quantitative techniques. Counts towards Lab Science Requirement.

• Department: Chemistry @Barnard
• TR 11:40 a.m.-12:55 p.m.
• TR 1:10 p.m.-2:25 p.m.
• TR 2:40 p.m.-3:55 p.m.
• 5 points

SECOND-YEAR CHINESE I

This first-semester of the Second Year Chinese course is designed for students who have
completed a rigorous first-year college-level Mandarin course or its equivalent. It aims to
advance proficiency in listening, speaking, reading, and writing to the Intermediate Mid to
Advanced Low levels (ACTFL). Students will engage with real-world scenarios relevant to
studying abroad, such as selecting phone plans, handling bank transactions, and mailing
packages. Emphasis is placed on detailed narration (e.g., emails, journals) and intercultural
competence through comparative cultural analysis. Course materials include dialogues and
narratives to support vocabulary, grammar, communication, and cultural learning.

• Department: Asian and Middle East @Barnard
• MTWR 4:10 p.m.-5:15 p.m.
• Instructor: Danwei Li
  Info
• 5 points

ENVIRONMENTAL BIOLOGY I

Introductory biology course for majors in biology or environmental biology, emphasizing the ecological and evolutionary context of modern biology.

• Department: Ecology, Evolution, and Environmental Biology
• MW 1:10 p.m.-2:25 p.m.
• 3 points

Approaches to Literary Study Seminar

Approaches to Lit Study S

Prerequisites: Students who register for ENGL UN2001 must also register for ENGL UN2000 Approaches to Literary Study lecture. This course is intended to introduce students to the advanced study of literature, through a weekly pairing of a faculty lecture (ENGL 2000) and small seminar led by an advanced doctoral candidate (ENGL 2001).  Students in the course will read works from across literary history, learning the different interpretive techniques appropriate to each of the major genres (poetry, drama, and prose fiction).  Students will also encounter the wide variety of critical approaches taken by our faculty and by the discipline at large, and will be encouraged to adapt and combine these approaches as they develop as thinkers, readers, and writers.  ENGL 2000/2001 is a requirement for both the English Major and English Minor.  While it is not a general prerequisite for other lectures and seminars, it should be taken as early as possible in a student's academic program.

• Department: English and Comparative Literature
• M 12:10 p.m.-2 p.m.
• M 4:10 p.m.-6 p.m.
• 0 points

Approaches to Literary Study Seminar

Approaches to Lit Study S

Prerequisites: Students who register for ENGL UN2001 must also register for ENGL UN2000 Approaches to Literary Study lecture. This course is intended to introduce students to the advanced study of literature, through a weekly pairing of a faculty lecture (ENGL 2000) and small seminar led by an advanced doctoral candidate (ENGL 2001).  Students in the course will read works from across literary history, learning the different interpretive techniques appropriate to each of the major genres (poetry, drama, and prose fiction).  Students will also encounter the wide variety of critical approaches taken by our faculty and by the discipline at large, and will be encouraged to adapt and combine these approaches as they develop as thinkers, readers, and writers.  ENGL 2000/2001 is a requirement for both the English Major and English Minor.  While it is not a general prerequisite for other lectures and seminars, it should be taken as early as possible in a student's academic program.

• Department: English and Comparative Literature
• M 4:10 p.m.-6 p.m.
• M 6:10 p.m.-8 p.m.
• M 12:10 p.m.-2 p.m.
• 0 points

LABORATORY IN NEUROSCIENCE

NEUROSCIENCE LAB

This course provides a hands-on introduction to techniques commonly used in current neurobiological research. Topics covered will include neuroanatomy, neurophysiology, and invertebrate animal behavioral genetics. Participation in this course involves dissection of sheep brains and experimentation with invertebrate animals.

• Department: Neuroscience & Behavior @Barnard
• W 1:40 p.m.-5:30 p.m.
• R 9:10 a.m.-1 p.m.
• R 1:40 p.m.-5:30 p.m.
• F 9:10 a.m.-1 p.m.
• Instructor: Abigail N Zadina
  Info
• Instructor: Shuk C Tsoi
  Info
• Instructor: Abigail N Zadina
  Info
• 3 points

MECHANICS - LECTURE + LAB

Corequisites: Calculus I or the equivalent  

Fundamental laws of mechanics. Kinematics, Newtons laws, work and energy, conservation laws, collisions, rotational motion, oscillations, gravitation.  PLEASE NOTE: Students who take PHYS BC2001 may not get credit for PHYS BC2009 or PHYS BC2010.

• Department: Physics and Astronomy @Barnard
• TR 10:10 a.m.-11:25 a.m.
• 4.5 points

DRAWING II

Prerequisites: (VIAR UN1000) Examines the potential of drawing as an expressive tool elaborating on the concepts and techniques presented in VIAR UN1001. Studio practice emphasizes individual attitudes toward drawing while acquiring knowledge and skills from historical and cultural precedents. Portfolio required at the end.

• Department: Visual Arts
• W 10 a.m.-4 p.m.
• Instructor: Daphne Arthur
  Info
• 3 points

STATISTICS AND EXPERIMENTAL DESIGN

STATISTICS & EXPERIMTL DE

This course is for students interested in learning how to conduct scientific research. They will learn how to (i) design well-controlled experiments and identify “quack” science; (ii) organize, summarize and illustrate data, (iii) analyze different types of data; and (iv) interpret the results of statistical tests.

• Department: Neuroscience & Behavior @Barnard
• T 4:10 p.m.-5 p.m.
• Instructor: Eduardo Mercado III
  Info
• 4 points

INTRO TO PHILOSOPHY OF ART

• Department: Philosophy
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Lydia Goehr
  CULPA: 26 Wikipedia Info
• 3 points

INTRO TO PHILOSOPHY OF ART

• Department: Auditing
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Lydia Goehr
  CULPA: 26 Wikipedia Info
• 0 points

Religion and Political Thought

Are “belief” and “reason” two different things? What is the proper role of religion in modern society? How do we determine what is just and unjust in the absence of a Higher Law? Does religion continue to influence political decision-making in liberal democracies, and if so, how? These questions continue to animate debates about the relationship between religion and politics today. This class examines articulations of and responses to this question in the political thought of the Enlightenment, a period that has traditionally been described as the moment when “the West” parted ways with religion and religious belief as the foundation for its understanding of truth, justice, and social order. In this class, we will examine classic and overlooked works of Enlightenment philosophy. We will interrogate whether the Enlightenment really signaled a departure from religion. We will also examine whether the Enlightenment was the preserve — much less the invention — of white Europeans and American settlers. We will do so with an eye toward the politics of the present, examining how Enlightenment thought’s engagement with religion produced discourses of race, gender, economy, and nationhood that continue to shape the terms of political discourse today.

• Department: Religion @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Timothy Vasko
  CULPA: 3 Info
• 3 points

INTRODUCTN TO AFRICAN STUDIES

Interdisciplinary and thematic approach to the study of Africa, moving from pre-colonial through colonial and post-colonial periods to contemporary Africa. Focus will be on its history, societal relations, politics and the arts. The objective is to provide a critical survey of the history as well as the continuing debates in African Studies.

• Department: Africana Studies (AFSB)
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Abosede A George
  CULPA: 14 Wikipedia Info
• 3 points

INTRO TO SOC & CULTURAL THEORY

SOCIAL & CULTURAL THEORY

This course presents students with crucial theories of society, paying particular attention at the outset to classic social theory of the early 20th century. It traces a trajectory of writings essential for an understanding of the social: from Saussure, Durkheim, Mauss, Weber, and Marx, on to the structuralist ethnographic elaboration of Claude Levi-Strauss and the historiographic reflections on modernity of Michel Foucault. We revisit periodically, reflections by Franz Boas, founder of anthropology in the United States (and of Anthropology at Columbia), for a sense of origins, an early anthropological critique of racism and cultural chauvinism, and a prescient denunciation of fascism.  We turn as well, also with ever-renewed interest in these times, to the expansive critical thought of W. E. B. Du Bois.  We conclude with Kathleen Stewart’s
A Space on the Side of the Road
--an ethnography of late-twentieth-century Appalachia and the haunted remains of coal-mining country--with its depictions of an uncanny otherness within dominant American narratives.

• Department: Anthropology
• MW 11:40 a.m.-12:55 p.m.
• Instructor: John Pemberton
  CULPA: 15 Wikipedia Info
• 3 points

PAINTING I

This course will focus on individual and collaborative projects designed to explore the fundamental principles of image making. Students acquire a working knowledge of concepts in contemporary art through class critiques, discussion, and individual meetings with the professor. Reading materials will provide historical and philosophical background to the class assignments. Class projects will range from traditional to experimental and multi-media. Image collections will be discussed in class with an awareness of contemporary image production.

• Department: Art History @Barnard
• W 2:10 p.m.-6 p.m.
• Instructor: Joan Snitzer
  CULPA: 4 Info
• 3 points

INTRO BIO I: BIOCHEM,GEN,MOLEC

Prerequisites: one year of college chemistry is required. Lecture and recitation. Recommended as the introductory biology course for biology and related majors, and for premedical students. Fundamental principles of biochemistry, molecular biology, and genetics. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar. http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• TR 10:10 a.m.-11:25 a.m.
• TR 4:10 p.m.-5:25 p.m.
• 4 points

INTRODUCTION TO MATHEMATICS PROOFS

INTRO TO MATHEMATICAL PRO

This is a seminar course that covers the basics of mathematical proofs and in particular the epsilon-delta argument in single variable calculus.

Students who have little experience with mathematical proofs are strongly encouraged to take this course concurrently with Honors Math, Into to Modern Algebra, or Intro to Modern Analysis.

• Department: Mathematics
• F 1 p.m.-3 p.m.
• Instructor: Julien Dubedat
  CULPA: 4 Info
• 0 points

FLAVOR PERCEPTION AND THE HUMAN DIET

FLAVOR PERCEPTION & HUMAN

This course will provide an introduction to how humans decide what foods to include in their
diet. First, we will examine the sensory systems that evaluate food—vision, olfaction, taste,
olfaction, somatosensation and intestinal chemosensation. Second, we will study how the brain
integrates inputs from these sensory systems to create flavor perceptions. Third, we will
consider what is known about the evolution of the human flavor system. Fourth, we will examine
the development of food processing and preparation techniques. Fifth, we will examine the diet
of extant hunter-gatherer societies. Sixth, we will investigate how genetics and environment
factors (e.g., early dietary experience, nutritional status and culture) interact to shape diet.
Finally, we will investigate the functional consequences of the human flavor system to nutrition,
health and the future of food.

• Department: Neuroscience & Behavior @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: John Glendinning
  CULPA: 23 h-index: 39 Info
• 3 points

PAINTING III

This course will focus on individual and collaborative projects designed to explore the fundamental principles of image making. Students acquire a working knowledge of concepts in contemporary art through class critiques, discussion, and individual meetings with the professor. Reading materials will provide historical and philosophical background to the class assignments. Class projects will range from traditional to experimental and multi-media. Image collections will be discussed in class with an awareness of contemporary image production.

• Department: Art History @Barnard
• W 2:10 p.m.-6 p.m.
• Instructor: Joan Snitzer
  CULPA: 4 Info
• 3 points

COGNITIVE NEUROSCIENCE: MAPPING THE MIND

This mid-level neuroscience course explores how the mind emerges from activity in the brain. To enroll, students must have already taken an introductory neuroscience course and have a solid grasp of the organization of the nervous system. This course focuses on a set of cognitive functions that underlie intelligent behavior. These functions include object recognition, attention, memory, emotion, language, and decision-making. The study of these topics is grounded in behavioral experiments that allow us to define cognitive functions and dissociate them from each other. We will then dive into the methods of landmark neuroscientific studies that attempt to map those cognitive functions onto brain functions. Throughout the course, students will explore the implications of cognitive neuroscience for the future of technology, education, law, and medicine.

• Department: Neuroscience & Behavior @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Alex White
  h-index: 13 Info
• 3 points

MECHANICS - LAB ONLY

PHYS BC2010 Mechanics - Lecture Only is required as a pre- or co-requisite for this lab.

• Department: Physics and Astronomy @Barnard
• 1.5 points

LINEAR ALGEBRA

Matrices, vector spaces, linear transformations, eigenvalues and eigenvectors, canonical forms, applications. (SC)

• Department: Mathematics @Barnard
• MW 10:10 a.m.-11:25 a.m.
• MW 8:40 a.m.-9:55 a.m.
• MW 11:40 a.m.-12:55 p.m.
• TR 10:10 a.m.-11:25 a.m.
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Lindsay C Piechnik
  CULPA: 15 Info
• Instructor: Yoonjoo Kim
  Info
• 3 points

MECHANICS - LECTURE ONLY

Fundamental laws of mechanics. Kinematics, Newton's laws, work and energy, conservation laws, collisions, rotational motion, oscillations, gravitation.  This is a calculus-based class. Familiarity with derivatives and integrals is needed.

• Department: Physics and Astronomy @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Janna Levin
  CULPA: 12 Wikipedia Info
• 3 points

LAB METHODS ARCHAEOLOGY

Only the most recent chapters of the past are able to be studied using traditional historiographical methods focused on archives of textual documents. How, then, are we to analyze the deep history of human experiences prior to the written word? And even when textual archives do survive from a given historical period, these archives are typically biased toward the perspectives of those in power. How, then, are we to undertake analyses of the past that take into account the lives and experiences of all of society’s members, including the poor, the working class, the colonized, and others whose voices appear far less frequently in historical documents? From its disciplinary origins in nineteenth century antiquarianism, archaeology has grown to become a rigorous science of the past, dedicated to the exploration of long-term and inclusive social histories.

“Laboratory Methods in Archaeology” is an intensive introduction to the analysis of archaeological artifacts and samples in which we explore how the organic and inorganic remains from archaeological sites can be used to build rigorous claims about the human past. The 2022 iteration of the course centers on assemblages from two sites, both excavated by Barnard’s archaeological field program in the Taos region of northern New Mexico: (1) the Spanish colonial site of San Antonio del Embudo founded in 1725 and (2) the hippie commune known as New Buffalo, founded in 1967. Participants in ANTH BC2012 will be introduced to the history, geology, and ecology of the Taos region, as well as to the excavation histories of the two sites. Specialized laboratory modules focus on the analysis of chipped stone artifacts ceramics, animal bone, glass, and industrial artifacts.

The course only demands participation in the seminars and laboratory modules and successful completion of the written assignments, but all students are encouraged to develop specialized research projects to be subsequently expanded into either (1) a senior thesis project or (2) a conference presentation at the Society for American Archaeology, Society for Historical Archaeology, or Theoretical Archaeology Group meeting.

• Department: Anthropology @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Severin Fowles
  CULPA: 24 Info
• 4 points

GENERAL CHEMISTRY I LAB

Corequisite: CHEM BC2001. Required laboratory section for BC2001x General Chemistry. All students enrolled in BC2001x must also be enrolled in one section of BC2012.

• Department: Chemistry @Barnard
• M 8:10 a.m.-11:30 a.m.
• T 8:10 a.m.-11:30 a.m.
• W 8:10 a.m.-11:30 a.m.
• R 8:10 a.m.-11:30 a.m.
• F 8:10 a.m.-11:30 a.m.
• W 6:10 p.m.-9:30 p.m.
• 0 points

SYNTHESIS: MIXED MEDIA STUDIO

• Department: Art History @Barnard
• W 10:10 a.m.-2 p.m.
• Instructor: Jozefina Chetko
  Info
• 3 points

INTRO BIO I: BIOCHEM,GEN,MOLEC

Lecture and recitation. Recommended as the introductory biology course for biology and related majors, and for premedical students. Fundamental principles of biochemistry, molecular biology, and genetics. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar.
http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• M 6:10 p.m.-8 p.m.
• Instructor: Michelle Attner
  Info
• 0 points

INTRO BIO I: BIOCHEM,GEN,MOLEC

Lecture and recitation. Recommended as the introductory biology course for biology and related majors, and for premedical students. Fundamental principles of biochemistry, molecular biology, and genetics. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar.
http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• M 6:10 p.m.-8 p.m.
• T 8:10 a.m.-10 a.m.
• T 12:10 p.m.-2 p.m.
• Instructor: Michelle Attner
  Info
• 0 points

INTRO BIO I: BIOCHEM,GEN,MOLEC

Lecture and recitation. Recommended as the introductory biology course for biology and related majors, and for premedical students. Fundamental principles of biochemistry, molecular biology, and genetics. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar.
http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• T 12:10 p.m.-2 p.m.
• T 6:10 p.m.-8 p.m.
• W 12:10 p.m.-2 p.m.
• Instructor: Michelle Attner
  Info
• 0 points

INTRO BIO I: BIOCHEM,GEN,MOLEC

Lecture and recitation. Recommended as the introductory biology course for biology and related majors, and for premedical students. Fundamental principles of biochemistry, molecular biology, and genetics. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar.
http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• W 12:10 p.m.-2 p.m.
• W 2:10 p.m.-4 p.m.
• Instructor: Michelle Attner
  Info
• 0 points

INTRO BIO I: BIOCHEM,GEN,MOLEC

Lecture and recitation. Recommended as the introductory biology course for biology and related majors, and for premedical students. Fundamental principles of biochemistry, molecular biology, and genetics. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar.
http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• W 2:10 p.m.-4 p.m.
• W 4:10 p.m.-6 p.m.
• Instructor: Michelle Attner
  Info
• 0 points

INTRO BIO I: BIOCHEM,GEN,MOLEC

Lecture and recitation. Recommended as the introductory biology course for biology and related majors, and for premedical students. Fundamental principles of biochemistry, molecular biology, and genetics. SPS, Barnard, and TC students may register for this course, but they must first obtain the written permission of the instructor, by filling out a paper Registration Adjustment Form (Add/Drop form). The form can be downloaded at the URL below, but must be signed by the instructor and returned to the office of the registrar.
http://registrar.columbia.edu/sites/default/files/content/reg-adjustment.pdf

• Department: Biological Sciences
• W 4:10 p.m.-6 p.m.
• W 7:10 p.m.-9 p.m.
• R 12:10 p.m.-2 p.m.
• Instructor: Michelle Attner
  Info
• 0 points

Linear Algebra and Probability

Linear algebra with a focus on probability and statistics. The course covers the standard linear algebra topics: systems of linear equations, matrices, determinants, vector spaces, bases, dimension, eigenvalues and eigenvectors, the Spectral Theorem and singular value decompositions. It also teaches applications of linear algebra to probability, statistics and dynamical systems giving a background sufficient for higher level courses in probability and statistics. The topics covered in the probability theory part include conditional probability, discrete and continuous random variables, probability distributions and the limit theorems, as well as Markov chains, curve fitting, regression, and pattern analysis. The course contains applications to life sciences, chemistry, and environmental life sciences. No a priori background in the life sciences is assumed.

This course is best suited for students who wish to focus on applications and practical approaches to problem solving. It is recommended to students majoring in engineering, technology, life sciences, social sciences, and economics.

Math majors, joint majors, and math concentrators must take MATH UN2010 Linear Algebra or MATH UN1207 Honors Math A, which focus on linear algebra concepts and foundations that are needed for upper-level math courses. MATH UN2015 (Linear Algebra and Probability) does NOT replace MATH UN2010 (Linear Algebra) as prerequisite requirements of math courses. Students may not receive full credit for both courses MATH UN2010 and MATH UN2015. Students who have taken MATH UN2015 and consider taking higher level Math courses should contact a major advisor to discuss alternative pathways.

• Department: Mathematics
• MW 2:40 p.m.-3:55 p.m.
• TR 6:10 p.m.-7:25 p.m.
• Instructor: Tommaso M Botta
  Info
• 3 points

Cell Phone Photography: Exploring Digita

Today’s cell phones are equipped with cameras that far surpass those used by the pioneers of digital photography, offering superior resolution and multi-sensor capabilities that revolutionize how we capture and process images. This course explores the creative and technical potential of smartphone photography, focusing on accessible tools and workflows that empower students to produce compelling digital works. The curriculum emphasizes post-production and digital media techniques over traditional camera mastery. Students will develop foundational skills in Adobe Suite applications, including Lightroom and Photoshop for photo editing and After Effects and Premiere for video production. We will also discuss the integration of artificial intelligence in modern photography, examining how AI enhances editing processes and opens new creative possibilities. A significant part of the course will address fundamental questions of light in photography, the use of RAW formats—offered by many smartphones but seldom understood—and the structure of digital image files. Students will also learn about post-production techniques for preparing images for print, as well as for projection or display on digital screens, ensuring a comprehensive understanding of the end-to-end digital photography workflow. Thinking Locally: Street photography serves as a central theme in this course, encouraging students to document the vibrant life of New York City through weekly assignments. A guided photo walk in Harlem will provide hands-on experience in capturing unique, candid moments. Ethical considerations will be a key focus, addressing topics like consent, privacy, and best practices for interacting with subjects. Discussions will be complemented by readings, critiques, and a guest lecture from a professional street photographer. By the end of the course, students will have transformed their understanding of smartphone photography, creating works that push the boundaries of accessible technology while building a strong foundation in contemporary digital media.

• Department: Art History @Barnard
• T 2:10 p.m.-6 p.m.
• Instructor: Jozefina Chetko
  Info
• 3 points

Mafias and Other Dangerous Affiliations

Regimes of various shapes and sizes tend to criminalize associations, organizations, and social relations that these ruling powers see as anathema to the social order on which their power depends: witches, officers of toppled political orders, alleged conspirators (rebels, traitors, terrorists, and dissidents), gangsters and mafiosi, or corrupt officers and magnates. Our main goal will be to understand how and under what conditions do those with the power to do so define, investigate, criminalize and prosecute those kinds of social relations that are cast as enemies of public order. We will also pay close attention to questions of knowledge – legal, investigative, political, journalistic, and public – how doubt, certainty, suspicion and surprise shape the struggle over the relationship between the state and society.

The main part of the course is organized around six criminal investigations on mafia-related affairs that took place from the 1950s to the present (two are undergoing appeal these days) in western Sicily. After the introductory section, we will spend two weeks (four meetings) on every one of these cases. We will follow attempts to understand the Mafia and similarly criminalized organizations, and procure evidence about it. We will then expand our inquiry from Sicily to cases from all over the world, to examine questions about social relations, law, the uses of culture, and political imagination.

*Although this is a social anthropology course,
no previous knowledge of anthropology is required or presumed
. Classroom lectures will provide necessary disciplinary background.

• Department: Anthropology
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Naor H Ben-Yehoyada
  CULPA: 5 Info
• 3 points

CINEMA HIST II: 1930-1960

This course examines major developments and debates in the history of cinema between 1930 and 1960, from the consolidation of the classic Hollywood studio system in the early sound era to the articulation of emergent ;new waves; and new critical discourses in the late 1950s. Our approach will be interdisciplinary in scope, albeit with an emphasis on social and cultural history - concerned not only with how movies have developed as a form of art and medium of entertainment, but also with cinemas changing function as a social institution. Discussion section FILM UN 2021 is a required co-requisite.

• Department: Film
• R 2:10 p.m.-3:25 p.m.
• Instructor: Ronald Gregg
  CULPA: 2 Info
• 3 points

CINEMA HIST II: 1930-1960

This course examines major developments and debates in the history of cinema between 1930 and 1960, from the consolidation of the classic Hollywood studio system in the early sound era to the articulation of emergent ;new waves; and new critical discourses in the late 1950s. Our approach will be interdisciplinary in scope, albeit with an emphasis on social and cultural history - concerned not only with how movies have developed as a form of art and medium of entertainment, but also with cinemas changing function as a social institution. Discussion section FILM UN 2021 is a required co-requisite.

• Department: Auditing
• R 2:10 p.m.-3:25 p.m.
• Instructor: Ronald Gregg
  CULPA: 2 Info
• 0 points

CINEMA HIST II-1930-1960-DIS

Co-requisite for FILM UN 2020 Cinema History II.

• Department: Film
• F 9:10 a.m.-10 a.m.
• F 1:10 p.m.-2 p.m.
• Instructor: Mitch Camarda
  Info
• Instructor: Kate Dirienzi
  Info
• Instructor: Yihong Lee
  Info
• 0 points

POPULAR & HISTORICAL GESTURES: FIGURE DR

POP. & HIST. GESTURES: FI

Popular and Historical Gestures explores the fundamental properties of figure drawing and portraiture through the lens of pop culture and historical gestures and poses. Students examine the figure in painting, documentary photography, art history, and literature, and then use these examples as sources for live model sessions, studio practice, and discussions. Students will work on self-directed projects and from live models. There are one-on-one and group discussions, as well as individual critiques with the instructor. Class time will include image presentations, discussions, museum trips, individual and group critiques, and in-class independent work time. Each class will begin with a homework critique and a discussion, lecture, or demonstration structured around a specific goal. Students will then work individually. Each class will end with brief individual and group critiques to allow students to see and discuss each other's work.

• Department: Visual Arts
• T 10 a.m.-4 p.m.
• Instructor: David A Cruz
  Info
• 3 points

PRACTICUM PERFORMANCE SHOW 1

May be retaken for full credit.

Prerequisites: Open to all Barnard and Columbia undergraduates. Permission of Department through audition required. Students cast as actors in a departmental stage production register for this course; course emphasizes the collaborative nature of production, and appropriate research and reading required in addition to artistic assignments. Auditions for each semester's stage productions held 6pm on the first Tuesday and Wednesday class days of each semester. For required details, consult "Auditions" on the Barnard Theatre Department website in advance: 
theatre.barnard.edu/auditions
.

• Department: Theatre @Barnard
• Instructor: Tea Alagic
  Info
• 3 points

PRACTICUM PERFORMANCE SHOW 2

May be retaken for full credit.

Prerequisites: Open to all Barnard and Columbia undergraduates. Permission of Department through audition required. Students cast as actors in a departmental stage production register for this course; course emphasizes the collaborative nature of production, and appropriate research and reading required in addition to artistic assignments. Auditions for each semester's stage productions held 6pm on the first Tuesday and Wednesday class days of each semester. For required details, consult "Auditions" on the Barnard Theatre Department website in advance: 
theatre.barnard.edu/auditions
.

• Department: Theatre @Barnard
• Instructor: Gisela D Cardenas Ojeda
  Info
• 3 points

THE SYMPHONY

The purpose of this course is to survey the genre of the symphony throughout its history in Western music from about 1750 to the present. In class we will listen to and analyze selected examples, and also discuss the relationship of the work and its composer to their historical time.

• Department: Music
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Elaine Sisman
  CULPA: 13 Wikipedia Info
• 3 points

THE SYMPHONY

The purpose of this course is to survey the genre of the symphony throughout its history in Western music from about 1750 to the present. In class we will listen to and analyze selected examples, and also discuss the relationship of the work and its composer to their historical time.

• Department: Auditing
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Elaine Sisman
  CULPA: 13 Wikipedia Info
• 0 points

Authority, Power, & Evidence: An Introdu

Science and Technology Studies (STS) is an interdisciplinary academic field that investigates entanglements between the technical and social dimensions of science, technology, and medicine. Understanding this interplay is central to addressing many of the most pressing problems of our times, such as struggles around vaccination; climate justice and environmental racism; health disparities; digital surveillance; the biology of gender, sex, and sexuality; and the growing mistrust in “science” as a domain of authority. Feminist/Intersectional Science and Technology Studies (F/ISTS) is a focused approach to Science and Technology Studies (STS) that homes in on the reciprocal relations between techno-scientific knowledge and practices, on the one hand, and gender, race, class, and other intersecting axes of power, on the other.

• Department: Women's, Gender, Sexuality Studies @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Rebecca Jordan-Young
  Wikipedia Info
• 3 points

CINEMA HIST III:1960-1990

By closely watching representative classics from countries including Italy, Poland, Russia and Argentina, we will study the distinctive trends and masters of this vibrant era. Special attention will be paid to the French New Wave (60s); the New German Cinema (70s); the reformulation of Hollywood studio filmmaking in the 70s (Altman, Cassavetes, Coppola), and the rise of the independent American cinema (80s). Discussion section FILM UN 2031 is a required co-requisite.

• Department: Film
• M 2:10 p.m.-6 p.m.
• Instructor: Annette Insdorf
  CULPA: 10 Wikipedia Info
• 3 points

CINEMA HIST III:1960-1990

By closely watching representative classics from countries including Italy, Poland, Russia and Argentina, we will study the distinctive trends and masters of this vibrant era. Special attention will be paid to the French New Wave (60s); the New German Cinema (70s); the reformulation of Hollywood studio filmmaking in the 70s (Altman, Cassavetes, Coppola), and the rise of the independent American cinema (80s). Discussion section FILM UN 2031 is a required co-requisite.

• Department: Auditing
• M 2:10 p.m.-6 p.m.
• Instructor: Annette Insdorf
  CULPA: 10 Wikipedia Info
• 0 points

ORDINARY DIFFERENTIAL EQUATIONS

Prerequisites: MATH UN1102 and MATH UN1201 or the equivalent. Special differential equations of order one. Linear differential equations with constant and variable coefficients. Systems of such equations. Transform and series solution techniques. Emphasis on applications.

• Department: Mathematics
• MW 11:40 a.m.-12:55 p.m.
• MW 6:10 p.m.-7:25 p.m.
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Dawei Shen
  Info
• Instructor: Tat Sang Fung
  Info
• Instructor: Dawei Shen
  Info
• 3 points

JEWISH MUSIC IN NEW YORK

Prerequisites: Music Humanities (Columbia University) or An Introduction to Music (Barnard). With the arrival of the first Jewish immigrants in New York in the mid-1600s until today, Jewish music in the City has oscillated between preserving traditions and introducing innovative ideas. This course explores the variety of ways people have used music to describe, inscribe, symbolize, and editorialize their Jewish experience. Along these lines, it draws upon genres of art music, popular music, and non-Western traditions, as well as practices that synthesize various styles and genres, from hazzanut to hiphop. Diverse musical experiences will serve as a window to address wider questions of identity, memory, and dislocation. We will also experience the Jewish soundscape of New York’s dynamic and eclectic music culture by visiting various venues and meeting key players in today’s music scene, and thus engage in the ongoing dialogues that define Jewishness in New York. A basic familiarity with Judaism and Jewish culture is helpful for this course, but it is by no means required. You do not need to know Jewish history to take this class, nor do you need to be able to read music. Translations from Hebrew and Yiddish will be provided, and musical analysis will be well explained.

• Department: Music
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Tina Fruehauf
  CULPA: 7 Info
• 3 points

JEWISH MUSIC IN NEW YORK

Prerequisites: Music Humanities (Columbia University) or An Introduction to Music (Barnard). With the arrival of the first Jewish immigrants in New York in the mid-1600s until today, Jewish music in the City has oscillated between preserving traditions and introducing innovative ideas. This course explores the variety of ways people have used music to describe, inscribe, symbolize, and editorialize their Jewish experience. Along these lines, it draws upon genres of art music, popular music, and non-Western traditions, as well as practices that synthesize various styles and genres, from hazzanut to hiphop. Diverse musical experiences will serve as a window to address wider questions of identity, memory, and dislocation. We will also experience the Jewish soundscape of New York’s dynamic and eclectic music culture by visiting various venues and meeting key players in today’s music scene, and thus engage in the ongoing dialogues that define Jewishness in New York. A basic familiarity with Judaism and Jewish culture is helpful for this course, but it is by no means required. You do not need to know Jewish history to take this class, nor do you need to be able to read music. Translations from Hebrew and Yiddish will be provided, and musical analysis will be well explained.

• Department: Auditing
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Tina Fruehauf
  CULPA: 7 Info
• 0 points

CINEMA HIST III:1960-1990-DISC

Co-requisite discussion section for FILM UN 2030 Cinema History III: 1960-90.

• Department: Film
• T 5:10 p.m.-6 p.m.
• T 1:10 p.m.-2 p.m.
• T 2:10 p.m.-3 p.m.
• Instructor: Ria A Vieira
  Info
• Instructor: Oksana Mirzoyan
  Info
• Instructor: Mary Cecilia G Walker
  Info
• 0 points

INTENSVE ORG CHEM-FOR 1ST YEAR

Prerequisites: CHEM UN2045 Premedical students may take CHEM UN2045, CHEM UN2046, and CHEM UN2545 to meet the minimum requirements for admission to medical school. This course covers the same material as CHEM UN2443 - CHEM UN2444, but is intended for students who have learned the principles of general chemistry in high school OR have completed CHEM UN1604 in their first year at Columbia. First year students enrolled in CHEM UN2045 - CHEM UN2046 are expected to enroll concurrently in CHEM UN1507. Although CHEM UN2045 and CHEM UN2046 are separate courses, students are expected to take both terms sequentially. A recitation section is required. Please check the Directory of Classes for details and also speak with the TA for the course.

• Department: Chemistry
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Christopher Eckdahl
  Info
• 4 points