ELEMENTARY DUTCH I
Fundamentals of grammar, reading, speaking, and comprehension of the spoken language. During the spring term supplementary reading is selected according to students' needs.
- TR 6:10 p.m.-8 p.m.
- MW 4:10 p.m.-6 p.m.
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Instructor:
Wijnie de Groot
CULPA: 11
Info
- 4 points
ELEMENTARY FINNISH I
Fundamentals of grammar and lexicon. Building proficiency in aural comprehension, reading, speaking, and writing. Linguistic structures in the cultural context.
- MW 2:10 p.m.-4 p.m.
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Instructor:
Heli Sirvioe
Info - 4 points
ELEMENTARY GERMAN I
Prerequisites: No prior German.
German 1101 is a communicative language course for beginners, taught in German, in which students develop the four skills -listening, speaking, reading, and writing- and a basic understanding of German-speaking cultures. Emphasis is placed on acquiring the four language skills within a cultural context. Upon successful completion of the course, students will be able to understand, speak, read, and write German at a level enabling them to communicate with native speakers and provide basic information about their background, family, daily activities, student life, work, and living quarters. Completion of daily assignments, which align with class content, and consistent work are necessary in order to achieve basic communicative proficiency. If you have prior German, the placement exam is required.
- MWR 10:10 a.m.-11:25 a.m.
- MWR 1:10 p.m.-2:25 p.m.
- MTR 4:10 p.m.-5:25 p.m.
- TR 6:10 p.m.-8 p.m.
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Instructor:
Xuxu Song
Info - 4 points
ELEMENTARY SWEDISH I
The goal of this course is to introduce students to the Swedish language as it is spoken in Sweden today. The class will also introduce important aspects of contemporary Swedish culture, historical figures and events, and Swedish traditions. Upon the completion of the course, students who have attended class regularly have submitted all assignments and taken all tests and quizzes should be able to: provide basic information in Swedish about themselves, families, interests, food, likes and dislikes, daily activities; understand and participate in a simple conversation on everyday topics (e.g. occupation, school, meeting people, food, shopping, hobbies, etc.); read edited texts on familiar topics, understand the main ideas and identify the underlying themes; pick out important information from a variety of authentic texts (e.g. menus, signs, schedules, websites, as well as linguistically simple literary texts such as songs and rhymes); fill in forms requesting information, write letters, notes, postcards, or messages providing simple information; provide basic information about Sweden and the rest of the Nordic countries (e.g. languages spoken, capitals, etc); use and understand a range of essential vocabulary related to everyday life (e.g. days of the week, colors, numbers, months, seasons, telling time, foods, names of stores, family, common objects, transportation, basic adjectives etc.) pronounce Swedish well enough and produce Swedish with enough grammatical accuracy to be comprehensible to a Swedish speaker with experience in speaking with non-natives. use and understand basic vocabulary related to important aspects of contemporary Swedish culture and Swedish traditions (e.g. Christmas traditions, St. Lucia, etc.). Methodology The class will be taught in a communicative way. It will be conducted primarily, but not exclusively in Swedish. In-class activities and homework assignments will focus on developing speaking, reading, writing, listening skills, and a basic understanding of Swedish culture through interaction. Authentic materials will be used whenever possible.
- MW 10:10 a.m.-noon
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Instructor:
Heli Sirvioe
Info - 4 points
ELEMENTARY YIDDISH I
This course offers an introduction to the language that has been spoken by the Ashkenazi Jews for more than a millennium, and an opportunity to discover a fabulous world of Yiddish literature, language and culture in a fun way. Using games, new media, and music, we will learn how to speak, read, listen and write in a language that is considered one of the richest languages in the world (in some aspects of vocabulary). We will also venture outside the classroom to explore the Yiddish world today: through field trips to Yiddish theater, Yiddish-speaking neighborhoods, Yiddish organizations, such as YIVO or Yiddish farm, and so on. We will also have Yiddish-speaking guests and do a few digital projects. At the end of the two-semester course, you will be able to converse in Yiddish on a variety of everyday topics and read most Yiddish literary and non-literary texts. Welcome to Yiddishland!
- TR 12:10 p.m.-2 p.m.
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Instructor:
Agnieszka Legutko
CULPA: 1 Info - 4 points
ELEMENTARY GERMAN II
Prerequisites: GERM UN1101 or the equivalent. If you have prior German outside of Columbia’s language sequence, the placement exam is required. German 1102 is the continuation of Elementary German I (1101). It is a four-skill language course taught in German, in which students continue to develop listening, speaking, reading, and writing skills in German and an understanding of German-speaking cultures. Emphasis is placed on acquiring the four language skills--listening, speaking, reading and writing--within a cultural context. Students expand their communication skills to include travel, storytelling, personal well- being, basic economics, recent historical events, and working with movie segments. Completion of daily assignments, which align with class content, and consistent work are necessary in order to achieve basic communicative proficiency.
- MTR 8:40 a.m.-9:55 a.m.
- MTR 1:10 p.m.-2:25 p.m.
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Instructor:
Faculty
h-index: 37 Info - 4 points
INTERMEDIATE DUTCH I
Prerequisites: DTCH UN1101-UN1102 or the equivalent. Continued practice in the four skills (aural comprehension, reading, speaking, and writing); review and refinement of basic grammar; vocabulary building. Readings in Dutch literature.
- TR 4:10 p.m.-6 p.m.
- MW 6:10 p.m.-8 p.m.
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Instructor:
Wijnie de Groot
CULPA: 11
Info
- 4 points
INTERMEDIATE GERMAN I
Prerequisites: GERM UN2101 or the equivalent. If you have prior German outside of Columbia’s language sequence, the placement exam is required.
Intermediate German UN2102 is conducted entirely in German and emphasizes the four basic language skills, cultural awareness, and critical thinking. A wide range of topics (from politics and poetry to art) as well as authentic materials (texts, film, art, etc.) are used to improve the 4 skill. Practice in conversation aims at enlarging the vocabulary necessary for daily communication. Grammar is practiced in the context of the topics. Learning and evaluation are individualized (individual vocabulary lists, essays, oral presentations, final portfolio) and project-based (group work and final group project).
- MTR 2:40 p.m.-3:55 p.m.
- MTR 4:10 p.m.-5:25 p.m.
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Instructor:
Faculty
h-index: 37 Info - 4 points
INTERMEDIATE GERMAN II
Prerequisites: GERM UN2101 or the equivalent.
Intermediate German UN2102 is conducted entirely in German and emphasizes the four basic language skills, cultural awareness, and critical thinking. A wide range of topics (from politics and poetry to art) as well as authentic materials (texts, film, art, etc.) are used to improve the 4 skill. Practice in conversation aims at enlarging the vocabulary necessary for daily communication. Grammar is practiced in the context of the topics. Learning and evaluation are individualized (individual vocabulary lists, essays, oral presentations, final portfolio) and project-based (group work and final group project).
- MTR 10:10 a.m.-11:25 a.m.
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Instructor:
Faculty
h-index: 37 Info - 4 points
Intermediate Conversation
Prerequisite
: Completion of 1102 or equivalent. If you have prior German outside of Columbia's language sequence, the placement exam is required.
Desire to speak lots of German! Students in Intermediate Conversation should have completed the equivalent of two semester of college German or placed at the Intermediate level at Columbia. This conversation group is designed for students are either taking Intermediate German I or II and would like additional practice or who take only this class because they wish to maintain their spoken German.
The course is designed to improve your ability to speak and understand and manage German in everyday situations; to provide opportunities to participate in conversational situations on any topics you are interested in; to strengthen and acquire skills to understand German spoken at normal conversational speed; to expand active and passive vocabularies speaking skills; and to maintain a certain level of written German through short written activities. This is a 2-point course and does not count towards the language requirement.
- TR 2:40 p.m.-3:55 p.m.
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Instructor:
Faculty
h-index: 37 Info - 2 points
ADVANCED GERMAN I
Prerequisites: GERM UN2102. If you have prior German outside of Columbia’s language sequence, the placement exam is required. Note: UN3001 and UN3002 are not sequential.
German UN3001 is an ambitious socio-cultural exploration of Berlin. Designed to follow up the language skills acquired in first- and second-year language courses (or the equivalent thereof), this course gives students greater proficiency in speaking, reading, and writing German while focusing on topics from German society today through various German media, such as internet, film, and literature through the lens of Germany’s capital, Berlin. Topics discussed include: cultural diversity in Berlin's multi-cultural neighborhoods; questioning and reflecting upon Berlin's recent past; developing your own Berlin experience and presenting your interests in various forms, such as presentations, an essay, your CV, an application letter and interview for an internship in Berlin. The course represents a gateway class to literature courses and counts towards the major and concentration in German. Taught in German.
ADVANCED DUTCH I
This advanced course is a content-based language course, and is centered around the history of the Low Countries. Each week focuses on a specific era, such as the counts of Holland in the 13th century and the Reformation in the 16th century. Students will read texts about history and literature of the historical periods.
Students will read texts at home and discuss them in class, explore history-related websites and watch short video clips.
Attention will be paid to advanced grammar issues and vocabulary.
- TR 6:10 p.m.-7:25 p.m.
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Instructor:
Faculty
h-index: 37 Info - 3 points
What is Fascism?
This course explores fascism through an interdisciplinary, trans-historical lens. Beginning with Germany’s Third Reich, we will examine fascism’s history and foundations in social, political, religious, and scientific developments. We will explore various theories—ranging from psychoanalytic to philosophical—which try to explain the rise and spread of fascism. To help conceptualize fascism, we will analyze its complex relationship with race, ideology, and nationalism, and in particular, its deployment of technology, aesthetics, and propaganda. We will apply our own working definition of fascism to the contemporary moment by analyzing current populist, authoritarian movements around the globe. Taught in English.
- MW 2:40 p.m.-3:55 p.m.
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Instructor:
Annie Pfeifer
CULPA: 2 Info - 3 points
INTRO TO GERMAN LIT (GERMAN)
Prerequisites: GERM UN2102 or the equivalent. Examines short literary texts and various methodological approaches to interpreting such texts in order to establish a basic familiarity with the study of German literature and culture.
- TR 1:10 p.m.-2:25 p.m.
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Instructor:
Claudia Breger
CULPA: 2 Info - 3 points
ADVANCED YIDDISH
Course Description and Goals:
This course focuses predominantly on developing reading comprehension skills, as well as on listening, writing, speaking, and some more advanced grammar. It explores literary and scholarly texts examining the modern Jewish experience in the context of the twentieth-century history and culture of the Ashkenazi Jews. Supplementary texts will be selected based on students’ interests and may include historical pedagogical materials, past and present newspaper articles, polemic, poetry, historical and scholarly articles. We will also venture outside the classroom to explore the Yiddish world today: through field trips to Yiddish theater, Yiddish-speaking neighborhoods, Yiddish organizations, such as YIVO, and so on. We will apply our reading and translating skills to contribute to the Mapping Yiddish New York online project, and will also have Yiddish-speaking guests. At the end of the semester, you will be able to converse in Yiddish on a variety of everyday topics and read authentic Yiddish literary and non-literary texts. Welcome back to Yiddishland!
- TR 2:10 p.m.-3:25 p.m.
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Instructor:
Agnieszka Legutko
CULPA: 1 Info - 3 points
New Yiddish Literature
Modern Yiddish literature, which experienced its cultural peak in the 1920s and 1930s, has entered a new phase in its history. Over the past decade, an unprecedented wave of Yiddish literature translations into English has significantly expanded access to this distinct minority culture. Until recently, only a small fraction of Yiddish literary production was available in translation—estimates are than less than five percent of Yiddish literary output has been translated into English and other languages. The recent surge in translations is reshaping our understanding of Ashkenazic cultural heritage and invites a reconfiguration of the established literary canons.
This course surveys recent translations from Yiddish literature, including prose, drama, poetry and satirical sketches, focusing on both previously canonized authors and understudied works by women who were excluded from traditional literary canons. Through close reading and discussion, we will consider how these works engage with the modern human condition and the Jewish experience in particular, and how
relevant they are in the twenty-first century. Employing a comparative gender approach as analytical lenses, we will explore questions of identity, cultural memory, trauma, and most importantly, the ways in which modernity negotiates its relationship with the past. The course puts emphasis on developing skills in critical, analytical, and abstract thinking in relation to the discussed works, as well as the ability to articulate that critical thinking in writing.
This course is part of the digital humanities project
Mapping Yiddish New York
, which focuses on building an online archive as a way of meaningful engagement with the past and exploring the cultural history of New York City. As part of the course, students will conduct archival research and interview with contemporary Yiddish writers and translators in order to create encyclopedia-style entries for publication on the
Mapping Yiddish New York
website. No knowledge of Yiddish required; all texts will be taught in English translation.
- T 4:10 p.m.-6 p.m.
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Instructor:
Agnieszka Legutko
CULPA: 1 Info - 3 points
Advanced Topics in German Literature
Heinrich von Kleist
"Advanced Topics in German Literature” is open to seniors and other advanced undergraduate students who have taken Intro to German Literature (GERM 3333) or an equivalent class. The seminar provides students the opportunity to closely examine a topic from a variety of perspectives and theoretical approaches. Readings and discussion in German. The course is repeatable for credit.
- W 4:10 p.m.-6 p.m.
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Instructor:
Dorothea von Muecke
Info - 3 points
Pedagogy Seminar
LANGUAGE PEDAGOGY
What kind of teacher would you like to become? What experience, knowledge and opinions regarding learning and teaching a language and language and communication do you bring to class? How can theoretical and practical literature help us augment our personal experiences? How do we plan and execute lesson plans? What role do institutional expectations play? What can we learn from how others teach? How can we ensure to welcome a wide spectrum of students into our classes? What impact has the pandemic on the way we approach teaching? How can we grow as educators through self-reflection, our interactions with colleagues, and through our understanding theoretical and practical knowledge that goes beyond planning the next class?
Collaboratively, we will discuss these and other questions using our concrete experience, practical and theoretical literature, and opportunities for professional development. We will apply our knowledge and create materials together, visit colleagues in other language and reflect on our learning and teaching experience.
Learning Goals: At the end of this class, you will:
be able to understand and use the concept of ‘Backward Design’
have acquired a basis in a spectrum of different research-based perspectives that you can use to decide on the usefulness of pedagogical strategies in a given situation.
be familiar with the basic terminology as well as the most relevant sources for the field of foreign language pedagogy
have familiarity with applying theory to practice by designing classroom activities you will be able to use in your class
have started to develop strategies for continuous reflection and deepening of pedagogical practices (through discussion, observations, journals)
take first steps to developing your own teaching philosophy statement
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Instructor:
Jutta Schmiers-Heller
CULPA: 19
Info
- 3 points
Literature and Money
Money in its multiple forms has received renewed attention in recent decades, especially since the financial crises in 2008 and the emergence of new cryptocurrencies. Money has been described as a means of exchange, a store of value, a measure of debt, a commodity, a social institution, or a tool in the formation of identity. In all of these instances, money fuses economic purposes with social and cultural practices. Exploring the intersections between economics and aesthetics, this course will juxtapose some of the most influential theories of money from Adam Smith to the present with contemporaneous literary texts that reflect on various aspects of money in their poetics on a thematic or formal level. Literary texts include Shakespeare, Goethe, Balzac, Zola, Thomas Mann, and Martin Amis.
- M 4:10 p.m.-6 p.m.
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Instructor:
Oliver Simons
CULPA: 4
Info
- 3 points
AESTHETICS & PHIL OF HIST(ENG)
This course offers an introduction to German intellectual history by focusing on the key texts from the 18th and 19th century concerned with the philosophy of art and the philosophy of history. Instead of providing a general survey, this thematic focus that isolates the relatively new philosophical subspecialties allows for a careful tracing of a number of key problematics. The texts chosen for discussion in many cases are engaged in lively exchanges and controversies. For instance, Winckelmann provides an entry into the debate on the ancients versus the moderns by making a claim for both the historical, cultural specificity of a particular kind of art, and by advertising the art of Greek antiquity as a model to be imitated by the modern artist. Lessings Laocoon counters Winckelmanns idealizing approach to Greek art with a media specific reflection. According to Lessing, the fact that the Laocoon priest from the classical sculpture doesnt scream has nothing to do with the nobility of the Greek soul but all with the fact that a screaming mouth hewn in stone would be ugly. Herders piece on sculpture offers yet another take on this debate, one that refines and radicalizes an aesthetics based on the careful examination of the different senses, especially touch and feeling versus sight.—The second set of texts in this class deals with key enlightenment concepts of a philosophical anthropology informing the then emerging philosophy of history. Two literary texts will serve to mark key epochal units: Goethes Prometheus, which will be used in the introductory meeting, will be examined in view of its basic humanist program, Kleists Earthquake in Chili will serve as a base for the discussion of what would be considered the end of the Enlightenment: be that the collapse of a belief in progress or the critique of the beautiful and the sublime. The last unit of the class focuses on Hegels sweeping supra-individualist approach to the philosophy of history and Nietzsches fierce critique of Hegel. Readings are apportioned such that students can be expected to fully familiarize themselves with the arguments of these texts and inhabit them.
- T 4:10 p.m.-6 p.m.
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Instructor:
Dorothea von Muecke
Info - 3 points
GERMAN FILM AFTER 1945
This introduction to German film since 1945 (in its European contexts) deploys a focus on feelings as a lens for multifaceted, intersectional investigations of cinematic history. We will explore how feelings have been gendered and racialized; how they overlap with matters of sex (as closely associated with political revolt in Western Europe, while considered too private for public articulation in the socialist East, especially when queer); and how they foreground matters of nation and trauma (for example via the notions of German ‘coldness’ and inability to mourn the Holocaust). Simultaneously, the focus on feelings highlights questions of mediality (cinema as a prototypically affective medium?), genre and avant-garde aesthetics: in many films, ‘high-affect’ Hollywood cinema intriguingly meets ‘cold’ cinematic modernism. In pursuing these investigative vectors through theoretical readings and close film analysis, the course connects affect, gender, queer, and cultural studies approaches with cinema studies methodologies. The films to be discussed span postwar and New German Cinema, East German DEFA productions, the ‘Berlin School’ of the 2000s, and contemporary transnational cinema.
- T 10:10 a.m.-noon
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Instructor:
Claudia Breger
CULPA: 2 Info - 3 points