Prerequisites: CHNS UN1010 Introductory Chinese A or the equivalent. The program is designed to develop basic skills in listening, speaking, reading and writing colloquial Chinese. This course is divided into two parts: Introductory Chinese A and Introductory Chinese B. The two parts combined cover the same materials as CHNS 1101 FIRST YEAR CHINESE I and fulfill the requirement for admission to CHNS 1102 FIRST YEAR CHINESE II.
"Corequisite: EESC BC1001. To secure a spot in the class, students must first enroll in EESC BC1011, Environmental Science Lab
before
enrolling in EESC BC1001, Lecture, to be included in the waitlist for the lecture portion. Enrollment is secured by inclusion in the lab section which is limited in size."
This course and its co-requisite lab course will introduce students to the methods and tools used in data science to obtain insights from data. Students will learn how to analyze data arising from real-world phenomena while mastering critical concepts and skills in computer programming and statistical inference. The course will involve hands-on analysis of real-world datasets, including economic data, document collections, geographical data, and social networks. The course is ideal for students looking to increase their digital literacy and expand their use and understanding of computation and data analysis across disciplines. No prior programming or college-level math background is required.
This is the co-requisite lab to COMS BC 1016 (Introduction to Computational Thinking and Data Science)
This course will introduce students to the methods and tools used in data science to obtain insights from data. Students will learn how to analyze data arising from real-world phenomena while mastering critical concepts and skills in computer programming and statistical inference. The course will involve hands-on analysis of real-world datasets, including economic data, document collections, geographical data, and social networks. This class is ideal for students looking to increase their digital literacy and expand their use and understanding of computation and data analysis across disciplines. No prior programming or math background is required.
This course provides a general introduction to some of the key intellectual debates in Africa by Africans through primary sources, including scholarly works, political tracts, fiction, art, and film. Beginning with an exploration of African notions of spiritual and philosophical uniqueness and ending with contemporary debates on the meaning and historical viability of an African Renaissance, this course explores the meanings of ‘Africa and ‘being African. Field(s): AFR*. NO FIRST YEAR STUDENTS PERMITTED.
Introductory design studio to introduce students to architectural design through readings and studio design projects. Intended to develop analytic skills to critique existing media and spaces. Process of analysis used as a generative tool for the students own design work. Must apply for placement in course. Priority to upperclass students. Class capped at 16.
It focuses on key texts from Latin America in their historical and intellectual context and seeks to understand their structure and the practical purposes they served using close reading and, when possible, translations. The course seeks to establish a counterpoint to the list of canonical texts of Contemporary Civilization. The selections are not intended to be compared directly to those in CC but to raise questions about the different contexts in which ideas are used, the critical exchanges and influences (within and beyond Latin America) that shaped ideas in the region, and the long-term intellectual, political, and cultural pursuits that have defined Latin American history. The active engagement of students toward these texts is the most important aspect of class work and assignments. NO FIRST YEAR STUDENTS PERMITTED.
This course is a prerequisite for all 2000-level PSYC lab courses, and a requirement for the Psychology Major. PSYC BC1001, or its equivalent, must be completed prior to or concurrently with this course. This class will introduce students to the fundamental scientific principles, experimental methods, and analytical approaches involved in the study of human behavior. The initial major topics to be covered include how basic scientific approach can be gainfully and ethically used to study human behavior. The following topics in the course will cover the most prevalent manners of collecting data in behavioral research and the most common types of statistical analyses and tests such data is subjected to. The latter topics in the course will introduce some of the more advanced experimental designs and statistical approaches that are more specific to the social sciences.
Explore the geology of the sea floor, understand what drives ocean currents and how ocean ecosystems operate. Case studies and discussions centered on ocean-related issues facing society.
Explore the geology of the sea floor, understand what drives ocean currents and how ocean ecosystems operate. Case studies and discussions centered on ocean-related issues facing society.
This undergraduate course offered in the context of the Global Core component of the Core Curriculum is an examination of the globally popular HBO series “Game of Thrones” as a prototype for a comparative understanding of the larger question of epics and empires. In this course we expand the domains of our interests and inquiries far wider and divide our syllabus into four parts: (1) Westeros: The Mythic Empire; (2) Persia: The First Empire, (3) America: The Last Empire; and (4) On Epics and Empires. Our objective will be to examine the main themes and overall arch of “Game of Thrones” into wider mythic, heroic, and transhistorical dimensions of our contemporary history.
Discussion section to accompany the course, "Game of Thrones": On Epics and Empires.
Over the centuries, readers have been drawn to accounts of “true” crime—violent narratives involving real people and real events. And yet, as with any literary object, the notion of “truth” is always unstable—stories and their tellings are always shaped by the motivations, values, and choices of those who tell them, often with an eye toward the audience that will consume them. Whether constructed in order to moralize, to enforce or critique social or political ideologies, or purely to sell copies, “true
crime” is a literary genre that reveals attitudes about gender, race, and class; that illustrates—and sometimes calls into question—cultural norms and mores; that calls on readers to reflect on their own morbid curiosity and assumptions and fears. In this class we will engage with a diverse selection of literary texts—spanning from the Middle Ages to the present day and from a range of genres, including pamphlets, plays, novels, and more—as well as contemporary films, a tv series, and a
podcast. Through close reading and critical analysis, we will examine the evolution of the “true crime” genre and the cultural and societal contexts that shape the portrayal of crime for popular consumption. We will explore the ways in which texts and authors sensationalize, moralize, and convey the complexities of crime. We will analyze point of view: who’s telling the story, whom we sympathize with, and what insights we get into the minds of those committing crimes as well as those who fall prey to them. We will consider justice and policing— the role played by the law and its enforcers in shaping narratives about crime and punishment, right and wrong. Finally, we will reflect on the ethical implications of representing real-life crimes in literature, and how “true crime” narratives shape social perceptions, fears, prejudices, and notions of justice and morality.
Christianity
is a one-semester introduction to the history of classical forms of Christianity, The Church and society in western Europe from its origins to the 16th century Reformation, with emphasis on Western developments (early Christianity, persecutions, heresies, monasticism, Crusades, popular piety, cults of saints, mendicants, universities, civic religion, mysticism, papal authority, Pre-reformation and Reformation), including its interactive dimensions with Islam, Judaism, distant Eastern worlds, and Global contexts.
Christianity
is a one-semester introduction to the history of classical forms of Christianity, The Church and society in western Europe from its origins to the 16th century Reformation, with emphasis on Western developments (early Christianity, persecutions, heresies, monasticism, Crusades, popular piety, cults of saints, mendicants, universities, civic religion, mysticism, papal authority, Pre-reformation and Reformation), including its interactive dimensions with Islam, Judaism, distant Eastern worlds, and Global contexts.
Required zero-point/ungraded discussion section for “History of Christianity from the Origins to the Reformation” lecture (HIST 1071)
This course explores representations of forced and voluntary migration through a selection of
global literary texts and films. Examining novels, short stories, and films, the course will ask
students to reflect on how aesthetic representations of exile complicate notions of home,
belonging, sovereignty, and identity. Beginning with the birth of the modern refugee after World
War II, with its legal and political consolidation by the UN 1951 Refugee Convention, we will
discuss several dimensions of displacement and the ways in which these are differently
experienced by individuals. We will move from scenes of interminable bureaucratic stasis in
post-war Europe to depictions of border crossings along the Mexico-US border, will hear the
voices of Iranian women alongside those of Vietnamese American writers working to articulate
complex identities, and much more. While examining this constellation of diverse materials, we
will attend both to the historical and political specificity of each as well as to productive points
of convergence that they share by asking:
What do we understand to be the possibilities and limitations of art in portraying the
experience of refugees, exiles, and migrants?
How has exile become one of the central metaphors of modernity, and what does this
universalism bring to the fore and elide?
How can aesthetic representation challenge popular depictions of refugees as innocent
supplicants in need of empathy and instead refigure them as political actors?
How do these complicated texts reinforce and contest narratives that depict forced
migration as a linear movement from unstable peripheries to stable centers?
Weekly meetings with researchers from Barnard, Columbia, and other guests to discuss the nature of scientific inquiry in psychology; and intellectual, professional, and personal issues in the work of scientists.
How does one represent things that seem too large, or too complex, to understand? What rhetorical strategies of compression, exemplification, typification, or visualization do we need to make such events or objects comprehensible? And what sorts of risks – aesthetic, ethical, political – do we run in trying to do so? In this course, we’ll move through a number of writers who have grappled with these basic problems of representation, focusing our attention on three particular kinds of excessively large objects: wars, cities, and economic systems.
Objects in this course may include: literature from Caryl Churchill, Teju Cole, Arthur Conan Doyle, Amitav Ghosh, Patricia Highsmith, Homer, Jamaica Kincaid, Edgar Allan Poe, and Virginia Woolf; maps from Charles Joseph Minard and John Snow; criticism and theory from Jane Jacobs, Immanuel Kant, Georg Lukács, Franco Moretti, Georg Simmel, Susan Sontag, and Raymond Williams. Course costs will not exceed $30.
Accompanying discussion section for SCNC C1000 Frontiers of Science.