SENIOR PROJ:RESEARCH FOR MUSIC

Working with her advisor, a student will expand the research project initiated in the Fall Senior Seminar for Music Majors (BC3992x). In order to satisfy the requirement, the student will complete a fifty page research paper.

• Department: Music @Barnard
• Instructor: Gail R Archer
  CULPA: 24 Info
• 3 points

SENIOR SEMINAR

This course is a requirement for all majors and is taken in the 
Fall
 semester of the Senior year; students may register for the Barnard or Columbia (3991) section. In this academic writing workshop students develop individual research projects under the guidance of the course’s instructor and in dialogue with the other participants’ projects. The final assignment of the senior seminar (6000 words) is the 
senior essay
. It is written in Spanish.

• Department: Spanish and Latin American Culture
• W 2:10 p.m.-4 p.m.
• Instructor: Wadda Rios-Font
  CULPA: 4 h-index: 8 Info
• 4 points

Advanced Topics in German Literature

Heinrich von Kleist

"Advanced Topics in German Literature” is open to seniors and other advanced undergraduate students who have taken Intro to German Literature (GERM 3333) or an equivalent class. The seminar provides students the opportunity to closely examine a topic from a variety of perspectives and theoretical approaches. Readings and discussion in German. The course is repeatable for credit.

• Department: Germanic Languages
• Instructor: Dorothea von Muecke
  Info
• 3 points

SENIOR PROJ: MUSIC REPERTORY

Working with her advisor, a student will develop a vocal or instrumental recital program with representative musical works from a variety of historical periods. In order to satisfy the requirement, the student will present an hour long public performance of the recital program. Students may also satisfy this requirement by composing original vocal or instrumental works.

• Department: Music @Barnard
• Instructor: Gail R Archer
  CULPA: 24 Info
• 3 points

SENIOR PROJECT IN CREATIVE WRITING

SENIOR PROJ: CREATIVE WRI

Enrollment limited to Barnard senior English majors with a concentration in creative writing.

This creative writing workshop represents an opportunity for creative writing concentrators to focus on one large project that will serve as a capstone senior project. As in a typical writing workshop, much of the focus will be on sharing and critiquing student work. Unlike other workshops, in this class students will focus on building out a longer project—such as a more ambitious full-length story for fiction and creative nonfiction writers and a chapbook for poets. This means students will discuss work by writers who may not share their own genre. We will focus on generating new work, developing your writing process, and creating new possibilities and momentum for your piece, as well as trying to create a sense of community among the concentrators. We will also conduct in-class writing exercises in response to short reading assignments and class lectures. Students should be aware of two important notes: (1) This class is limited to senior English majors who have already been approved to be creative writing concentrators; and (2) this course fulfills the requirement for concentrators to finish a senior project, but not the academic senior seminar requirement. This class is about your own writing and that of your classmates. This class will be what you make of it!

• Department: English @Barnard
• W 2:10 p.m.-4 p.m.
• Instructor: Ken Chen
  Info
• 4 points

SENIOR SEM FOR MUSIC MAJORS

The goals of this seminar are a) to introduce senior music majors to ethnographic, bibliographic, and archival research methods in music and b) to help the same students develop, focus, implement, draft, revise, and polish a substantive, original piece of research (25-30 pages) which will serve as the senior project. The course will begin with a survey of academic literature on key problems in musicological research and writing, and will progress to a workshop/discussion format in which each week a different student is responsible for assigning readings and leading the discussion on a topic which s/he has formulated and deemed to be of relevance to her own research.

• Department: Music @Barnard
• W 10:10 a.m.-noon
• Instructor: Lauren E Ninoshvili
  CULPA: 4 Info
• 4 points

URBAN STUDIES SENIOR SEMINAR

Prerequisites: Senior standing. Year-long course; participation is for two consecutive terms. No new students admitted for spring. Emphasizes the study of the built environment of cities and suburbs, and the related debates. Readings, class presentations, and written work culminate in major individual projects, under the supervision of faculty trained in architecture, urban design, or urban planning.

• Department: Urban Studies @Barnard
• W 9 a.m.-10:50 a.m.
• Instructor: Aaron Passell
  CULPA: 8 h-index: 3 Info
• Instructor: Christian Siener
  CULPA: 1 Info
• Instructor: Andreina Torres Angarita
  Info
• 4 points

SUPERVISED IND RES-LING THESIS

• Department: Slavic Languages
• F 11:03 a.m.-1 p.m.
• 1-4 points

HUMAN RIGHTS SENIOR SEMINAR RSRCH METHOD

This course aims to introduce students to human rights research methods, while providing them with practical research tools. The course will be tailored to students’ interests, disciplinary backgrounds and research areas. The specific topics students will research and the methods they will employ will determine the substantive focus of readings. During the course we will ask the following questions: ‘what is human rights research?, how do you carry out research in an interdisciplinary field?, what distinguishes academic research from applied research and advocacy? While answering these questions, you will become familiar with the literature on human rights methodologies, and you will engage in analysis and critical assessment of important human rights research literature. In addition, the course gives a practical approach to research methodology. You will learn about a diverse set of methodologies, such as interviewing and focus groups, archival research, ethnographic and participant observation, interviewing focus groups, conducting online research; interpretive and non-empirical methods and basic quantitative methodologies to be employed in the study of human rights. As you learn about different methodological approaches, you will develop your own research project. Scholars and practitioners in the field of human rights research will present their work and engage in discussions with students about their own research, challenges, successes and publication venues. NB: This course is geared towards students who commit to writing a senior thesis. It is part of a two-course sequence: HRTS UN3994 Section 001 Human Rights Senior Seminar: Research Methods in the fall and HRTS UN3996 Human Rights Thesis Seminar in the spring. Students who do not intend to write a thesis should enroll in HRTS UN3995 section 001 Human Rights Senior Seminar, which is a one-semester course taught each semester focused on writing a seminar paper.

• Department: Institute for Study of Human Rights
• T 2:10 p.m.-4 p.m.
• Instructor: Tracey Holland
  CULPA: 1 Info
• 4 points

SENIOR THESIS IN MATHEMATICS I

SENIOR THESIS MATHEMATICS

Majors in Mathematics are offered the opportunity to write an honors senior thesis under the guidance of a faculty member. Interested students should contact a faculty member to determine an appropriate topic, and receive written approval from the faculty advisor and the Director of Undergraduate Studies (faculty sponsorship is limited to full-time instructors on the staff list). Research is conducted primarily during the fall term; the final paper is submitted to the Director of Undergraduate Studies during the subsequent spring term.

MATH UN3994 SENIOR THESIS IN MATHEMATICS I must be taken in the fall term, during which period the student conducts primary research on the agreed topic. An optional continuation course MATH UN3995 SENIOR THESIS IN MATHEMATICS II is available during the spring. The second term of this sequence may not be taken without the first. Registration for the spring continuation course has no impact on the timeline or outcome of the final paper.

Sections of SENIOR THESIS IN MATHEMATICS I and II do NOT count towards the major requirements, with the exception of an advanced written approval by the DUS.

• Department: Mathematics @Barnard
• 4 points

HUMAN RIGHTS SENIOR SEMINAR

The senior seminar is a capstone course required for the human rights major. The seminar provides students the opportunity to discuss human rights from a variety of disciplinary perspectives and to explore various theoretical approaches and research methodologies. Students undertake individual research projects while collectively examining human rights through directed readings and discussion.

• Department: Institute for Study of Human Rights
• R 10:10 a.m.-noon
• Instructor: Shourideh Molavi
  Info
• 4 points

THE MAJOR SEMINAR

Prerequisites: junior standing. Required for all majors in classics and classical studies. The topic changes from year to year, but is always broad enough to accommodate students in the languages as well as those in the interdisciplinary major. Past topics include: love, dining, slavery, space, power.

• Department: Classics
• R 4:10 p.m.-6 p.m.
• Instructor: John T Ma
  CULPA: 4 Info
• 3 points

THE MAJOR SEMINAR

Prerequisites: junior standing. Required for all majors in Classics and Classical Studies. The topic changes from year to year but is always broad enough to accommodate students in the languages as well as those in the interdisciplinary major. Past topics include: love, dining, slavery, space, power.

• Department: Classics
• R 4:10 p.m.-6 p.m.
• Instructor: John T Ma
  CULPA: 4 Info
• 3 points

SUPERVISED INDIVIDUAL RESEARCH

Prerequisite: the written permission of the staff member under whose supervision the research will be conducted.

• Department: Anthropology
• Instructor: Brian Boyd
  CULPA: 6 Info
• Instructor: Hannah Chazin
  Info
• Instructor: Marilyn Ivy
  CULPA: 11 Wikipedia Info
• 2-6 points

NEW DIRECTIONS IN COMPUTING

APPLIED CRYPTOGRAPHY

This is an undergraduate seminar for special topics in computing arranged as the need and availability arises. Topics are usually offered on a one-time basis.  Participation requires permission of the instructor.  Since the content of this course changes each time it is offered, it may be repeated for credit.

• Department: Computer Science @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Eysa Lee
  Info
• 1-3 points

NEW DIRECTIONS IN COMPUTING

SEMINAR: NEUROSYMBOLIC AI

This is an undergraduate seminar for special topics in computing arranged as the need and availability arises. Topics are usually offered on a one-time basis.  Participation requires permission of the instructor.  Since the content of this course changes each time it is offered, it may be repeated for credit.

• Department: Computer Science @Barnard
• W 11 a.m.-12:50 p.m.
• Instructor: Mark Santolucito
  CULPA: 1 h-index: 8 Info
• 1-3 points

SENIOR SEMINAR IN ENGLISH

SR SEM:BLACK LIVES ENLGHT

Enrollment limited to Barnard senior English majors. To see the current course description for each section, visit the English Department website:
https://english.barnard.edu/english/senior-seminars

• Department: English @Barnard
• R 11 a.m.-12:50 p.m.
• Instructor: James G Basker
  CULPA: 7 Wikipedia Info
• 4 points

SENIOR SEMINAR IN ENGLISH

Enrollment limited to Barnard senior English majors. To see the current course description for each section, visit the English Department website:
https://english.barnard.edu/english/senior-seminars

• Department: English @Barnard
• Instructor: Yvette Christianse
  Wikipedia Info
• 4 points

SENIOR SEMINAR IN ENGLISH

SR SEM: 19TH-C AMER WOMEN WRIT

Enrollment limited to Barnard senior English majors. To see the current course description for each section, visit the English Department website:
https://english.barnard.edu/english/senior-seminars

• Department: English @Barnard
• W 2:10 p.m.-4 p.m.
• Instructor: Lisa Gordis
  CULPA: 15 Info
• 4 points

SENIOR SEMINAR IN ENGLISH

SR SEM: VICTORIAN&MODERN DRAMA

Enrollment limited to Barnard senior English majors. To see the current course description for each section, visit the English Department website:
https://english.barnard.edu/english/senior-seminars

• Department: English @Barnard
• W 12:10 p.m.-2 p.m.
• Instructor: Patricia D Denison
  CULPA: 10 Info
• 4 points

DIRECTED READINGS IN GREEK LIT

Prerequisites: the director of undergraduate studies permission. A program of reading in Greek literature, to be tested by a series of short papers, one long paper, or an oral or written examination.

• Department: Classics
• Instructor: Rosa M Andujar
  Info
• Instructor: Marcus Folch
  CULPA: 6 Info
• Instructor: Elizabeth K Irwin
  CULPA: 7 Info
• Instructor: John T Ma
  CULPA: 4 Info
• Instructor: Paraskevi Martzavou
  CULPA: 2 Info
• Instructor: Nancy Worman
  CULPA: 23 Wikipedia Info
• 3 points

DIRECTED READINGS IN LATIN LIT

Prerequisites: the director of undergraduate studies permission. A program of reading in Latin literature, to be tested by a series of short papers, one long paper, or an oral or written examination.

• Department: Classics
• Instructor: Rosalie Stoner
  Info
• Instructor: Joseph A Howley
  CULPA: 7 Info
• Instructor: Kristina Milnor
  CULPA: 21 Wikipedia h-index: 10 Info
• Instructor: Katharina Volk
  CULPA: 7 Info
• Instructor: Gareth Williams
  CULPA: 7 Info
• 3 points

SUPERVISED INDIVIDUAL RESEARCH

Prerequisites: the written permission of the faculty member who agrees to act as a supervisor, and the director of undergraduate studies permission. For specially selected mathematics majors, the opportunity to write a senior thesis on a problem in contemporary mathematics under the supervision of a faculty member.

• Department: Mathematics @Barnard
• 1-4 points

SENIOR RESEARCH SEMINAR

Working research seminar devoted to helping students produce a substantive piece of writing that will represent the culmination of their work at the College and in the major.

• Department: Religion @Barnard
• Instructor: Hussein Rashid
  CULPA: 3 Info
• 4 points

SENIOR THESIS IN PERFORMANCE

Prerequisites: Appropriate coursework and substantial production experience, including a major crew assignment in the junior year. Enrollment limited to senior Theatre majors. Combined and special majors may be considered under exceptional circumstances. Permission of the instructor required. Students register for this course to pursue approved theses in acting, design, directing, dramaturgy, solo performance, or stage and production management.

Students will act in, direct, design, stage manage or dramaturg a play in the Barnard Department of Theatre season, or write a short play or solo performance piece that will be produced (according to departmental guidelines) in the Senior Thesis Festival. Collaboration is expected and students will meet weekly with faculty and other seniors. A written proposal must be submitted in the spring of the junior year and be approved. In addition to the performance, an extensive written Casebook is required: see departmental guidelines.

• Department: Theatre @Barnard
• R 4:10 p.m.-6 p.m.
• F 2:10 p.m.-5 p.m.
• Instructor: Gisela D Cardenas Ojeda
  Info
• 4 points

SENIOR THESIS IN PERFORMANCE

Prerequisites: Appropriate coursework and substantial production experience, including a major crew assignment in the junior year. Enrollment limited to senior Theatre majors. Combined and special majors may be considered under exceptional circumstances. Permission of the instructor required. Students register for this course to pursue approved theses in acting, design, directing, dramaturgy, solo performance, or stage and production management.

Students will act in, direct, design, stage manage or dramaturg a play in the Barnard Department of Theatre season, or write a short play or solo performance piece that will be produced (according to departmental guidelines) in the Senior Thesis Festival. Collaboration is expected and students will meet weekly with faculty and other seniors. A written proposal must be submitted in the spring of the junior year and be approved. In addition to the performance, an extensive written Casebook is required: see departmental guidelines.

• Department: Theatre @Barnard
• F 2:10 p.m.-5 p.m.
• Instructor: Michael Banta
  Info
• 4 points

SENIOR SEMINAR

A program of interdisciplinary research leading to the writing of the senior essay. All Africana majors must complete the one-semester Africana Studies Senior Seminar in the fall and submit a senior essay as one of the requirements for this course. A student who has successfully completed the Africana Studies Senior Seminar, has demonstrated the ability to complete a senior thesis, and has obtained approval from the faculty member teaching the Senior Seminar may take an Independent Study with a Barnard or Columbia faculty member or a second thesis seminar in another department in order to complete a senior thesis in Africana Studies in the spring semester.

• Department: Africana Studies (AFSB)
• T 4:10 p.m.-6 p.m.
• Instructor: Monica L Miller
  CULPA: 10 Info
• 4 points

SUPERVISED RSRCH IN GREEK LIT

Prerequisites: the director of undergraduate studies permission. A program of research in Greek literature. Research paper required.

• Department: Classics
• Instructor: Rosa M Andujar
  Info
• Instructor: Marcus Folch
  CULPA: 6 Info
• Instructor: John T Ma
  CULPA: 4 Info
• Instructor: Paraskevi Martzavou
  CULPA: 2 Info
• Instructor: Nancy Worman
  CULPA: 23 Wikipedia Info
• 3 points

SUPERVISED RSRCH IN LATIN LIT

Prerequisites: the director of undergraduate studies permission. A program of research in Latin literature. Research paper required.

• Department: Classics
• Instructor: Rosalie Stoner
  Info
• Instructor: Joseph A Howley
  CULPA: 7 Info
• Instructor: Kristina Milnor
  CULPA: 21 Wikipedia h-index: 10 Info
• Instructor: Katharina Volk
  CULPA: 7 Info
• Instructor: Gareth Williams
  CULPA: 7 Info
• 3 points

SUPERVISED READINGS I

The goals are to increase competency in advanced Sinhala, enhance communicative skills,

improve reading skills of classical texts, deepen knowledge of Sinhala written grammar, and

introduce advanced vocabulary, expressions, and terminology of Sinhala culture. Besides the

regular practice of reading, writing, dialogues, discussions, occasional quizzes, and homework,

students will engage in various classroom activities and assignments, such as in-class

presentations.

• Department: Language Resource Center
• 1-4 points

INDIVIDUAL STUDY I

Prerequisites: open only to qualified majors in the department; the director of undergraduate studies permission is required. An opportunity for research under the direction of an individual faculty member. Students intending to write a year-long senior thesis should plan to register for C3996 in the spring semester of their senior year and are strongly advised to consult the undergraduate studies as they plan their programs.

• Department: Sociology @Barnard
• Instructor: Deborah Becher
  CULPA: 8 h-index: 4 Info
• Instructor: Elizabeth Bernstein
  CULPA: 27 Info
• Instructor: Maricarmen Hernandez
  Info
• Instructor: Debra Minkoff
  CULPA: 6 h-index: 17 Info
• Instructor: Mignon R Moore
  CULPA: 9 h-index: 17 Info
• Instructor: Jonathan Rieder
  CULPA: 17 Info
• Instructor: Angela Simms
  Info
• Instructor: Amy Zhou
  Info
• Instructor: Faculty
  h-index: 37 Info
• 1-6 points

SENIOR THESIS IN RESEARCH

Prerequisites: Enrollment limited to senior Theatre majors. Combined and special majors may be considered under exceptional circumstances. Permission of the instructor required. In-depth research project culminating in a substantial written thesis on any aspect of drama, performance, or theatre research.

• Department: Theatre @Barnard
• Instructor: William B Worthen
  CULPA: 10 Info
• 4 points

SUPERVISED READINGS I

• Department: Language Resource Center
• Instructor: Nandipa Sipengane
  Info
• 1 points

SENIOR THESIS SEM IN ANTHROPOL

Prerequisites: The instructors permission. Students must have declared a major in Anthropology prior to registration. Students must have a 3.6 GPA in the major and a preliminary project concept in order to be considered. Interested students must communicate/meet with thesis instructor in the previous spring about the possibility of taking the course during the upcoming academic year. Additionally, expect to discuss with the instructor at the end of the fall term whether your project has progressed far enough to be completed in the spring term. If it has not, you will exit the seminar after one semester, with a grade based on the work completed during the fall term. This two-term course is a combination of a seminar and a workshop that will help you conduct research, write, and present an original senior thesis in anthropology. Students who write theses are eligible to be considered for departmental honors. The first term of this course introduces a variety of approaches used to produce anthropological knowledge and writing; encourages students to think critically about the approaches they take to researching and writing by studying model texts with an eye to the ethics, constraints, and potentials of anthropological research and writing; and gives students practice in the seminar and workshop formats that are key to collegial exchange and refinement of ideas. During the first term, students complete a few short exercises that will culminate in a substantial draft of one discrete section of their senior project (18-20 pages) plus a detailed outline of the expected work that remains to be done (5 pages). The spring sequence of the anthropology thesis seminar is a writing intensive continuation of the fall semester, in which students will have designed the research questions, prepared a full thesis proposal that will serve as a guide for the completion of the thesis and written a draft of one chapter. Only those students who expect to have completed the fall semester portion of the course are allowed to register for the spring; final enrollment is contingent upon successful completion of first semester requirements. In spring semester, weekly meetings will be devoted to the collaborative refinement of drafts, as well as working through issues of writing (evidence, voice, authority etc.). All enrolled students are required to present their project at a symposium in the late spring, and the final grade is based primarily on successful completion of the thesis/ capstone project. Note: The senior thesis seminar is open t

• Department: Anthropology
• T 4:10 p.m.-6 p.m.
• Instructor: Lila Abu-Lughod
  CULPA: 17 Wikipedia h-index: 48 Info
• 4 points

INDEPENDENT STUDY

Prerequisites: Open to majors who have fulfilled basic major requirements or written permission of the staff member who will supervise the project. Specialized reading and research projects planned in consultation with members of the Asian and Middle Eastern Cultures teaching staff.

• Department: Asian and Middle East @Barnard
• Instructor: Rachel McDermott
  CULPA: 37 Info
• Instructor: Nicholas A Bartlett
  CULPA: 5 Info
• Instructor: Matthew L Keegan
  CULPA: 8 Info
• Instructor: Lili Xia
  Info
• Instructor: David L Moerman
  CULPA: 18 Info
• 1-4 points

INDEPENDENT STUDY

Prerequisites: Open to majors who have fulfilled basic major requirements or written permission of the staff member who will supervise the project. Specialized reading and research projects planned in consultation with members of the Asian and Middle Eastern Cultures teaching staff.

• Department: Asian and Middle East @Barnard
• 1-4 points

INDEPENDENT STUDY

Prerequisites: Permission of the instructor. Enrollment limited to 15. Preregistration required. Examines the theory and practice of transnational feminist activism. We will explore the ways in which race, class, culture and nationality facilitate alliances among women, reproduce hierarchical power relations, and help reconstruct gender. The course covers a number of topics: the African Diaspora, suffrage, labor, development policy, colonialism, trafficking, consumerism, Islam, and the criminal justice system.

• Department: History @Barnard
• T 2:10 p.m.-4 p.m.
• Instructor: Dale Booth
  Info
• 1-4 points

INDEPENDENT STUDY

Prerequisites: approval prior to registration; see the director of undergraduate studies for details. A creative/scholarly project conducted under faculty supervision.

• Department: Music @Barnard
• Instructor: Gail R Archer
  CULPA: 24 Info
• 1-4 points

NYP DESIGN WORKSHOP

• Department: Architecture, Planning and Preservation
• M 9 a.m.-1 p.m.
• Instructor: Thomas de Monchaux
  Info
• 3 points

Pedagogy Seminar

GERMAN PEDAGOGY

What kind of teacher would you like to become? What experience, knowledge and opinions regarding learning and teaching a language and language and communication do you bring to class? How can theoretical and practical literature help us augment our personal experiences? How do we plan and execute lesson plans? What role do institutional expectations play? What can we learn from how others teach? How can we ensure to welcome a wide spectrum of students into our classes? What impact has the pandemic on the way we approach teaching? How can we grow as educators through self-reflection, our interactions with colleagues, and through our understanding theoretical and practical knowledge that goes beyond planning the next class? 

Collaboratively, we will discuss these and other questions using our concrete experience, practical and theoretical literature, and opportunities for professional development. We will apply our knowledge and create materials together, visit colleagues in other language and reflect on our learning and teaching experience.

Learning Goals: At the end of this class, you will:


be able to understand and use the concept of ‘Backward Design’

have acquired a basis in a spectrum of different research-based perspectives that you can use to decide on the usefulness of pedagogical strategies in a given situation. 

be familiar with the basic terminology as well as the most relevant sources for the field of foreign language pedagogy

have familiarity with applying theory to practice by designing classroom activities you will be able to use in your class

have started to develop strategies for continuous reflection and deepening of pedagogical practices (through discussion, observations, journals)

take first steps to developing your own teaching philosophy statement

• Department: Germanic Languages
• Instructor: Jutta Schmiers-Heller
  CULPA: 19 Info
• 3 points

ADVANCED GEOGRAPHIC INFORMATION SYSTEMS

ADV GEOGRAPHIC INFO SYSTE

Prerequisite: Successful completion of URBS UN2200 Introduction to GIS Methods, or equivalent with instructor permission.

With the veritable explosion of urban data alongside the continued proliferation of new tools for its consideration, this course allows students to develop specialized approaches to spatial analysis while introducing a series of common advanced techniques and nuanced methodological questions. Aimed at covering a variety of topics with immediate relevance to urbanism in practice and in research, the course operates with a two-fold mission: (1) to critically discuss the theories, concepts, and research methods involved in spatial analysis and (2) to learn the techniques necessary for engaging those theories and deploying those methods. The class will work to meet this mission with a dedicated focus on the urban environment and the spatial particularities and relationships that arise from the urban context.

Among others, this course takes as a foundational premise that spatial analysis within geographic information systems is an incredibly powerful and double-edged weapon: it provides both the methods for answering complex spatial questions and the means for effectively communicating the results. Like any other weapon it can serve many ends, and as such an advanced course in spatial analysis must frame its use within the developing discourse on professional practice and responsibility.

The course is designed with a combination format. Early weeks are predominantly lecture-style presentations supplemented with discussion and technical demonstration and exercises. Students are expected to complete these exercises outside of class (as homework), bringing their questions to our discussion. The latter half of the course is a project-based seminar. Seminar-style presentation and discussion will rely heavily on student participation and preparation to consider the variety of spatial methods available and their implications on urban research and intervention. Woven throughout the semester is the development of a self-driven research project, through which students will engage and compare the methodological advantages and disadvantages of several assumptions, approaches, analyses, and datasets.

• Department: Urban Studies @Barnard
• M 2:10 p.m.-4 p.m.
• Instructor: Leah M Meisterlin
  CULPA: 1 Info
• 3 points

GENEALOGIES OF FEMINISM

Genealogies of Feminism:
 
Course focuses on the development of a particular topic or issue in feminist, queer, and/or WGSS scholarship. Open to graduate students and advanced undergraduates, though priority will be given to students completing the ISSG graduate certificate. Topics differ by semester offered, and are reflected in the course subtitle. For a description of the current offering, please visit the link in the Class Notes.

• Department: Women's and Gender Studies
• T 10:10 a.m.-noon
• Instructor: Sarah Haley
  Info
• 4 points

CORE STUDIO SEMESTER I

• Department: Architecture, Planning and Preservation
• MWF 2 p.m.-6 p.m.
• Instructor: Mireia Luzarraga
  Info
• 9 points

CORE STUDIO SEMESTER III

• Department: Architecture, Planning and Preservation
• W 1:30 p.m.-3:30 p.m.
• 9 points

ADVANCED STUDIO V

• Department: Architecture, Planning and Preservation
• W 1:30 p.m.-3:30 p.m.
• 9 points

HISTORY & THEORY OF PLANNING

• Department: Architecture, Planning and Preservation
• R 10 a.m.-1 p.m.
• Instructor: Hiba Bou Akar
  h-index: 5 Info
• 3 points

SELECTNS FROM GREEK LIT

Prerequisites: GREK V1201 and V1202, or their equivalent. Since the content of the course changes from year to year, it may be taken in consecutive years.

• Department: Classics @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Nancy Worman
  CULPA: 23 Wikipedia Info
• 3 points

LATIN LIT PROSE SELECTIONS

Prerequisites: LATN V3012 or the equivalent. Since the content of this course changes from year to year, it may be repeated for credit.

• Department: Classics
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Katharina Volk
  CULPA: 7 Info
• 3 points

INTRODUCTN TO NUCLEAR SCIENCE

Introductory course is for individuals with an interest in medical physics and other branches of radiation science. Topics include basic concepts, nuclear models, semi-empirical mass formula, interaction of radiation with matter, nuclear detectors, nuclear structure and instability, radioactive decay process and radiation, particle accelerators, and fission and fusion processes and technologies.

• Department: Applied Physics and Applied Mathematics
• T 6:30 p.m.-9 p.m.
• Instructor: Stephen L Ostrow
  Info
• 3 points

DOSTOEVSKY,TOLSTOY & ENG NOVEL

A close reading of works by Dostoevsky (Netochka Nezvanova; The Idiot; A Gentle Creature) and Tolstoy (Childhood, Boyhood, Youth; Family Happiness; Anna Karenina; The Kreutzer Sonata) in conjunction with related English novels (Bronte's Jane Eyre, Eliot's Middlemarch, Woolf's Mrs. Dalloway). No knowledge of Russian is required.

• Department: Slavic Languages
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Liza Knapp
  CULPA: 28 Info
• 3 points

LOTUS SUTRA/E ASIAN BUDDHISM

• Department: Asian and Middle East @Barnard
• W 2:10 p.m.-4 p.m.
• Instructor: David L Moerman
  CULPA: 18 Info
• 4 points

Indigenous Rights and Settler Colonialis

Indig Rts Settler Colonia

Course Description

This interdisciplinary course explores both the rights of Indigenous people in settler colonies as well as the complex historical and theoretical relationship between human rights and settler colonialism. We will pursue three lines of inquiry. The first critically explores how central political concepts of the international state system—sovereignty, property, territory, self-determination—entwine the histories of settler colonialism and human rights. The second charts the rise and mechanisms of the international Indigenous rights movement, in particular its activity at the United Nations leading to the Declaration on the Rights of Indigenous Peoples in 2007, and its contributions to ongoing debates on environmental and climate justice, group rights, natural resources and territorial autonomy, and cultural rights. The third unit interrogates settler state responses to the movement for Indigenous human rights, such as cooptation, recognition, and apology.

Through readings drawn from history, ethnography, political and critical theory, international relations, Native studies, law, and documents produced by intergovernmental organizations and NGOs, we will explore and deepen the tensions between human rights as a theory and practice and the political lives and aspirations of Indigenous peoples and activists. What technologies of rule—such as residential school systems and property law—do settler colonial states deploy to dispossess Indigenous peoples? How have Indigenous peoples used the international human rights regime to mobilize against such dispossession? How have these states resisted the global Indigenous rights movement? And can the human rights regime, rooted in the international state system, meaningfully contribute to anticolonial movements in liberal settler colonies? While we will touch on settler colonialism as it manifests around the globe, the course’s geographical focus will be on North America.

Course objectives

Throughout this course, you will:


Develop a historically-informed understanding of both international indigenous rights and settler colonialism as idea, practice, institution, and discourse;

Place the literature on human rights and settler colonialism into critical conversation in order to deepen existing conceptual problems and generate new ones;

Identify the main arguments in theoretical texts, legal and policy documents, and public debates

• Department: Institute for Study of Human Rights
• R 12:10 p.m.-2 p.m.
• Instructor: Timothy Wyman-McCarthy
  Info
• 3 points

JAPANESE BUDDHIST VISUAL CULTR

This course explors the principal modes, media, and contexts of visual culture in Japanese Buddhist history. Through the analysis of selected case studies, the course examines of the modalities of perception, materiality, and reception that distinguish the form and function of visual media in Japanese Buddhist contexts. Students are expected to have completed preliminary coursework in relevant areas of East Asian history, religion, or art history.

• Department: Asian and Middle East @Barnard
• T 2:10 p.m.-4 p.m.
• Instructor: David L Moerman
  CULPA: 18 Info
• 3 points

FUNDAMNTLS OF URB DIGITAL DES

• Department: Architecture, Planning and Preservation
• R 3 p.m.-5 p.m.
• Instructor: Sybil Wa
  Info
• 1.5 points

ARCH DRWG REP I

• Department: Architecture, Planning and Preservation
• M 9 a.m.-11 a.m.
• Instructor: Amelyn Ng
  Info
• 3 points

ARCH-PLANNING-PRESERVATION-NY

• Department: Architecture, Planning and Preservation
• R 10 a.m.-1 p.m.
• Instructor: Rosalie Genevro
  Info
• 3 points

CCCP ARCH COLLOQUIUM I

• Department: Architecture, Planning and Preservation
• T 1 p.m.-3 p.m.
• Instructor: Felicity Scott
  Info
• 3 points

BIOTECHNOLOGY

Prerequisites: genetics or molecular biology. The course covers techniques currently used to explore and manipulate gene function and their applications in medicine and the environment. Part I covers key laboratory manipulations, including DNA cloning, gene characterization, association of genes with disease, and methods for studying gene regulation and activities of gene products. Part II also covers commercial applications, and includes animal cell culture, production of recombinant proteins, novel diagnostics, high throughput screening, and environmental biosensors.

• Department: Biological Sciences
• MW 4:10 p.m.-5:25 p.m.
• 3 points

Transformative Concepts in Systems Biolo

Systems biology approaches are rapidly transforming the technological and conceptual foundations of research across diverse areas of biomedicine. In this course we will discuss the fundamental developments in systems biology with a focus on two important dimensions: (1) the unique conceptual frameworks that have emerged to study systems-level phenomena and (2) how these approaches are revealing fundamentally new principles that govern the organization and behavior of cellular systems. Although there will be much discussion of technologies and computational approaches, the course will emphasize the conceptual contributions of the field and the big questions that lie ahead. Lectures and discussions of primary literature will enable students to scrutinize research in the field and to internalize systems biology thinking in their own research. To make this a concrete endeavor, the students will develop mini-NIH-style grant proposals that aims to study a fundamental problem/question using systems biology approaches. The students will then convene an in-class NIH-style review panel that will assess the strengths and weaknesses of these proposals. In addition, the students will have the opportunity to defend their proposals in a live presentation to the class. The course is open to graduate students in Biological Sciences. Advanced undergraduates in biological sciences, and other graduate students with background in biology from other disciplines, including physics, chemistry, computer science, and engineering may also attend after consulting with the instructor.

• Department: Biological Sciences
• W 2:40 p.m.-4:30 p.m.
• Instructor: Saeed Tavazoie
  Info
• 3 points

Poets, Rebels, Exiles: 100 Years of Russ

POETS, REBELS, EXILES

Poets, Rebels, Exiles examines the successive generations of the most provocative and influential Russian and Russian Jewish writers and artists who brought the cataclysm of the Soviet and post-Soviet century to North America. From Joseph Brodsky—the bad boy bard of Soviet Russia and a protégé of Anna Akhmatova, who served 18 months of hard labor near the North Pole for social parasitism before being exiled—to the most recent artistic descendants, this course will interrogate diaspora, memory, and nostalgia in the cultural production of immigrants and exiles.

• Department: Slavic Languages
• R 12:10 p.m.-2 p.m.
• Instructor: Anna Katsnelson
  Info
• 3 points

CCCP ARCH THESIS I

• Department: Architecture, Planning and Preservation
• T 3:30 p.m.-5:30 p.m.
• 9 points

ARCH ELECTIVE INTERNSHIP

• Department: Architecture, Planning and Preservation
• Instructor: Karen Cover
  Info
• 1.5 points

SENIOR SEMINAR

Intensive study of a philosophical issue or topic, or of a philosopher, group of philosophers, or philosophical school or movement. Open only to Barnard senior philosophy majors.

• Department: Philosophy @Barnard
• F 10:10 a.m.-noon
• Instructor: Taylor Carman
  CULPA: 40 Wikipedia h-index: 19 Info
• 4 points

UP ELECT INTERNSHIP

• Department: Architecture, Planning and Preservation
• Instructor: Douglas Woodward
  Info
• 1.5 points

SENIOR ESSAY

A substantial paper, developing from an Autumn workshop and continuing in the Spring under the direction of an individual advisor. Open only to Barnard senior philosophy majors.

• Department: Philosophy @Barnard
• Instructor: Caroline D Bowman
  Info
• 3 points

OBJECT HISTORIES

• Department: Anthropology
• W 10:10 a.m.-noon
• Instructor: Vanessa L Agard-Jones
  CULPA: 3 Info
• 3 points