Before Rome: The Art and Architecture of

Before Rome: Art & Arch.

This course explores the rich artistic traditions of the peoples living in Italy—the Etruscans, Italics, Greeks, Celts—from their emergence in the early first millennium BCE to their eventual absorption within the system of “Roman” art. While the arts of Etruria will form the backbone of the course, its conceptual focus will be on the densely entangled web that connected the diverse visual landscapes and creative practices of the Italian peninsula both to each other and to external centers of artistic production, from Cyprus and Carthage to Syria and the cultures of northern Europe. In addition to intercultural connectivity— imports and exports, convergences and divergences, parallels and unique features—special attention will be paid to the socio-political and religious dimensions of art and architecture. Both iconic and non-canonical objects will be examined, ranging from furniture and weaponry to anatomical votives and mythological paintings. This lecture is the first in a three-year cycle that also includes “Roman Art and Architecture” and “Rome Beyond Rome.”

• Department: Art History and Archaeology
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Francesco de Angelis
  CULPA: 10 Info
• 3 points

DEVELOPMENTAL PSYCHOLOGY-LEC

Prerequisites: PSYC BC1001 Introduction to Psychology or COGS UN1001 Introduction to Cognitive Science or permission of the instructor. Lecture course covering cognitive, linguistic, perceptual, motor, social, affective, and personality development from infancy to adolescence. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2128, however, if a student completes this lecture, she cannot enroll in the lab in a later semester. The following Columbia University course is considered overlapping and a student cannot receive credit for both the BC course and the equivalent CU course: PSYC UN2280 Introduction to Developmental Psychology.

• Department: Psychology @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Ann Senghas
  CULPA: 17 Info
• 3 points

Intermediate Computing in Python

INTERMDTE COMPUTING IN PY

Essential data structures and algorithms in Python with practical software development skills, applications in a variety of areas including biology,  natural language processing, data science and others.

• Department: Computer Science
• MW 2:40 p.m.-3:55 p.m.
• F 1:10 p.m.-3:40 p.m.
• Instructor: Daniel Bauer
  CULPA: 17 h-index: 13 Info
• 4 points

SOCIAL PSYCHOLOGY - LAB

Prerequisites: BC1001, BC1020, BC1101. Corequisites: BC2138 Social Psychology Lecture. Laboratory course covering contemporary theory and research on social thought and behavior. Issues such as person perception, attitudes, attraction, aggression, stereotyping, group dynamics, and social exchange will be explored. The application of theory and research to addressing social problems will be discussed.

• Department: Psychology @Barnard
• M 10:10 a.m.-1 p.m.
• Instructor: Robert Brotherton
  CULPA: 1 Info
• 2.5 points

BALLET III

This course is designed for intermediate dancers who are interested in maintaining their established ballet technique as well as advancing their knowledge and familiarity with the classical vocabulary. Students of Ballet III should have completed two semesters of Ballet II or it’s equivalent, or one semester of Ballet III or its equivalent, and have a firm mental and physical understanding of barre exercises (plié, battement tendu, battement dégagé, rond de jambe à terre, battement fondu, frappé, and grand battement), as well as general center concepts such as adagio, waltz, pirouettes, and petit allegro (including changement, glissade, jeté, and assemblé). This is a graded, semester long, two credit course.

• Department: Dance @Barnard
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Vincent McCloskey
  CULPA: 2 Info
• 2 points

SOCIAL PSYCHOLOGY-LEC

Prerequisites: BC1001 or permission of the instructor. Lecture course covering contemporary theory and research on social thought and behavior. Issues such as person perception, attitudes, attraction, aggression, stereotyping, group dynamics, and social exchange will be explored. The application of theory and research to addressing social problems will be discussed. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2137, however, if a student completes this lecture, she cannot enroll in the lab in a later semester. The following Columbia University course is considered overlapping and a student cannot receive credit for both the BC course and the equivalent CU course: PSYC UN2630 Social Psychology.

• Department: Psychology @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Isabelle Portelinha
  Info
• 4 points

BALLET IV

This course is designed for advanced intermediate dancers who are interested in maintaining their established ballet technique as well as advancing their knowledge and familiarity with the classical vocabulary. Students of Ballet IV should have completed two semesters of Ballet III or its equivalent, or one semester of Ballet IV or its equivalent, and have a firm mental and physical understanding of ballet technical exercises. These include all barre exercises (plié, battement tendu, battement dégagé, rond de jambe à terre, battement fondu, battement frappé, and grand battement), as well as center exercises including adagio, waltz, pirouettes, petit allegro, and grand allegro. Focus of this class will be on how to practice ballet safely, efficiently, musically, and joyfully.

• Department: Dance @Barnard
• MW 2:40 p.m.-3:55 p.m.
• F 11 a.m.-12:50 p.m.
• Instructor: Cynthia Anderson
  Info
• Instructor: Juan Rodriguez
  Info
• 2 points

Critical Approaches in Social and Cultur

This course examines the conceptual foundations that support feminist and queer analyses of racial capitalism, security and incarceration, the politics of life and health, and colonial and postcolonial studies, among others. Open to all students; required for the major in Women’s, Gender, and Sexuality Studies (WGSS) and the Interdisciplinary Concentration or Minor in Race and Ethnicity (ICORE/MORE).

• Department: Women's, Gender, Sexuality Studies @Barnard
• F 2:10 p.m.-4 p.m.
• Instructor: Alexander Pittman
  CULPA: 10 Info
• 3 points

INTERSECTIONAL FEMINISMS

Enrollment for this class is by instructor approval and an application is required. Please fill out the form here: 
https://forms.gle/bPsV7rcf5RWB35PM9

This introductory course for the Interdisciplinary Concentration or Minor in Race and Ethnicity (ICORE/MORE) as well as Majors/Minors in Women's, Gender, and Sexuality Studies (WGSS) is open to all students. We focus on the critical study of social difference as an interdisciplinary practice, using texts with diverse modes of argumentation and evidence to analyze social differences as fundamentally entangled and co-produced. Because of the interdisciplinary nature of this course, the professor will frequently be joined by other faculty and guest speakers who bring distinct disciplinary and subject matter expertise. Some keywords for this course include hybridity, diaspora, borderlands, migration, and intersectionality.

• Department: Women's, Gender, Sexuality Studies @Barnard
• T 4:10 p.m.-5:25 p.m.
• Instructor: Renee Hill
  Info
• 3 points

ORGANIZATIONAL PSYCHOLOGY

Prerequisites: BC1001 or permission of the instructor. Enrollment strictly limited to 45 students; decided upon and finalized first week of classes. Introduction to behavior of individuals and small groups in work organizations. Recent theory and research emphasizing both content and research methodology. Motivation and performance, attitudes and job satisfaction, power, influence, authority, leadership, cooperation and conflict, decision making, and communications. Enrollment limited to 45; and only seniors.

• Department: Psychology @Barnard
• TR 7:40 p.m.-8:55 p.m.
• Instructor: Elisabeth Mah
  Info
• 3 points

INTERSECTIONAL FEMINISMS DISCUSSION SECT

N/A

• Department: Women's, Gender, Sexuality Studies @Barnard
• R 4:10 p.m.-5:25 p.m.
• Instructor: Renee Hill
  Info
• 0 points

INTERSECTIONAL FEMINISMS DISCUSSION SECT

N/A

• Department: Women's, Gender, Sexuality Studies @Barnard
• R 4:10 p.m.-5:25 p.m.
• R 10:10 a.m.-11:25 a.m.
• R 4:10 p.m.-5:25 p.m.
• Instructor: Renee Hill
  Info
• 0 points

CLINICAL LABORATORY

Prerequisites: BC1001, BC1020, BC1101. Corequisite: PSYC BC2156 Clinical Psychology lecture. The purpose of the lab is to teach students the research methods involved in creating clinical psychological science. Students gain hands-on practice with clinical psychology research methods. In the first half of the lab students conduct classroom exercises demonstrating concepts such as reliability and validity and research methodologies such as randomized controlled trials (RCTs) and treatment fidelity. In the second half of the class students design and run a research study. Basic methodological issues will be explored in depth, including research ethics, conducting literature reviews and writing up a scientific report in APA style.

• Department: Psychology @Barnard
• T 8:40 a.m.-11:30 a.m.
• R 8:40 a.m.-11:30 a.m.
• 2.5 points

CLINICAL PSYCHOLOGY

Prerequisites: PSYC BC1001 or permission of the instructor.  An introduction to the field of clinical psychology aimed at 1) becoming familiar with professional issues in the field and 2) comparing therapeutic approaches for their utility and efficacy. Therapeutic approaches covered include psychodynamic therapies, cognitive behavior therapies, family/child therapies. The course will critically examine a variety of professional issues including ethical dilemmas, clinical assessment and diagnosis, and use of technology in therapy. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2155, however, if a student completes this lecture, she cannot enroll in the lab in a later semester.

• Department: Psychology @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Michael Wheaton
  h-index: 31 Info
• 3 points

A History of Witchcraft and Magic in Eur

This lecture course examines the social, cultural, and legal history of witchcraft, magic, and the occult throughout European history. We will examine the values and attitudes that have influenced beliefs about witchcraft and the supernatural, both historically and in the present day, using both primary and secondary sources. This course will pay specific attention to the role of gender and sexuality in the history of witchcraft, as the vast majority of individuals charged in the witch hunts of the sixteenth and seventeenth centuries were indeed women. We will also study accusations of witchcraft, breaking down the power dynamics and assumptions at play behind the witch trials, and the impacts of these trials on gender relations in European society. This class will track the intersections of magic and science throughout the early-modern period, and the reconciliation of belief systems during the Enlightenment. We will carry our analysis into the modern period, touching on Victorian spiritualism and mysticism, McCarthyism in the United States, and contemporary goddess worship. We will conclude the semester with an investigation into the role of witchcraft in discussions of gender, race, and sexuality in popular culture.

• Department: History @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Dale Booth
  Info
• 3 points

EARTH'S ENVIRONMENTAL SYSTEMS: THE SOLID

EARTH'S ENV SYSTEM:SOLID

Recommended preparation: high school chemistry and physics; and one semester of college science. Exploration of how the solid Earth works, today and in the past, focusing on Earth in the Solar system, continents and oceans, the Earth's history, mountain systems on land and sea, minerals and rocks, weathering and erosion, glaciers and ice sheets, the hydrological cycle and rivers, geochronology, plate tectonics, earthquakes, volcanoes, energy resources. Laboratory exploration of topics through examination of rock samples, experimentation, computer data analysis, field exercises, and modeling. Columbia and Barnard majors should plan to take W2200 before their senior year to avoid conflicts with the Senior Seminar.

• Department: Earth and Environmental Sciences
• T 4:10 p.m.-7 p.m.
• R 4:10 p.m.-7 p.m.
• 4.5 points

INTRODUCTION TO GIS METHODS

Prerequisites: Must attend first class for instructor permission.  Students create maps using ArcGIS software, analyze the physical and social processes presented in the digital model, and use the data to solve specific spatial analysis problems. Note: this course fulfills the C requirement in Urban Studies.

• Department: Urban Studies @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Christian Siener
  CULPA: 1 Info
• 3 points

CERAMICS I

(Formerly R3130) This studio course will provide the students with a foundation in the ceramic process, its history, and its relevance to contemporary art making. The course is structured in two parts. The first centers on the fundamental and technical aspects of the material. Students will learn construction techniques, glazing and finishing methods, and particulars about firing procedures. This part of the course will move quickly in order to expose the students to a variety of ceramic processes. Weekly assignments, demonstrations, and lectures will be given. The second centers on the issue of how to integrate ceramics into the students current practice. Asking the question of why we use ceramics as a material and, further, why we choose the materials we do to make art. Rigorous group and individual critiques focusing on the above questions will be held. The goal of this course is to supply the students with the knowledge and skill necessary to work in ceramics and enough proficiency and understanding of the material to enable them to successfully incorporate it into their practice. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• M 10 a.m.-4 p.m.
• Instructor: Erica J Mao
  Info
• 3 points

INTERMEDIATE NONFICTION WRKSHP

The intermediate workshop in nonfiction is designed for students with some experience in writing literary nonfiction. Intermediate workshops present a higher creative standard than beginning workshops and an expectation that students will produce finished work. Outside readings supplement and inform the exercises and longer written projects. By the end of the semester, students will have produced thirty to forty pages of original work in at least two traditions of literary nonfiction. Please visit
https://arts.columbia.edu/writing/undergraduate
 for information about registration procedures.

• Department: Writing
• T 4:10 p.m.-6 p.m.
• Instructor: Daniel Felsenthal
  Info
• 3 points

SECOND YEAR ARABIC I

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 10:10 a.m.-11:15 a.m.
• Instructor: Ouijdane Absi
  CULPA: 6 Info
• 5 points

HISTORY OF PHILOSOPHY II

Prerequisites: PHIL UN2211 Required Discussion Section (0 points). PHIL UN2101 is not a prerequisite for this course. Exposition and analysis of the metaphysics, epistemology, and natural philosophy of the major philosophers from Aquinas through Kant. Authors include Aquinas, Galileo, Gassendi, Descartes, Spinoza, Leibniz, Berkeley, Hume, and Kant. This course has unrestricted enrollment.

• Department: Philosophy @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Caroline D Bowman
  Info
• 4 points

BUDDHISM: INDO-TIBETAN-DISC

BUDDHISM: INDO-TIBETAN-DISCUSS

The course introduces the history of Indo-Tibetan Buddhism throughout India, South and Southeast Asia, Tibet, and Central Asia, its essential primary textual source materials translated from Pali, Sanskrit, and Tibetan, and the philosophical insights of some of the traditions’ outstanding individuals.

• Department: Religion
• W 9 a.m.-9:50 a.m.
• W 10 a.m.-10:50 a.m.
• F 1 p.m.-1:50 p.m.
• F 2 p.m.-2:50 p.m.
• Instructor: Catherine M Otachime
  Info
• 0 points

ACTING ENSEMBLE DIRECTING II

Students may participate as actors in Directing II as a 1-credit course; these students will comprise the Acting Ensemble.  Actors will be cast in all four student-directed scenes and will participate in the feedback process following the showings.  Actors must be available for both days of the week the course meets, but are only required to attend when they are performing; they are welcome to attend additional classes that may be of interest.  Actors will be graded on their in-class performances (moment-to-moment work, collaboration with on-stage partners, memorization) and ability to respond and adjust to notes.  Actors who are responsible and collaborative will succeed as part of the Acting Ensemble.  Grading is Pass/Fail.

• Department: Theatre @Barnard
• MW 4:10 p.m.-6 p.m.
• 1 points

SECOND YEAR CHINESE II

As the second half of a one-year program for intermediate Chinese learners, this course helps students consolidate and develop everyday communicative skills in Chinese, as well as
introducing aspects of Chinese culture such as the social norms of politeness and gift-giving. Semi-formal and literary styles will also be introduced as students transition to more advanced
levels of Chinese language study. While providing training for everyday communication skills, Second Year Chinese aims to improve the student's linguistic competence in preparation for
advanced studies in Mandarin.

• Department: East Asian Languages and Cultures
• MTWR 10:10 a.m.-11:15 a.m.
• MTWR 11:40 a.m.-12:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• MTWR 2:40 p.m.-3:45 p.m.
• MTWR 5:40 p.m.-6:45 p.m.
• Instructor: Shaoyan Qi
  CULPA: 25 Info
• Instructor: Jia Xu
  CULPA: 2 Info
• Instructor: Yike Li
  Info
• Instructor: Yanwen Wu
  Info
• Instructor: Kaidi Chen
  Info
• 5 points

SECOND YEAR JAPANESE II

Prerequisites: JPNS C1201 or the equivalent. Further practice in the four language skills. Participation in a once a week conversation class is required.

• Department: East Asian Languages and Cultures
• MTWR 10:10 a.m.-11:15 a.m.
• MTWR 11:40 a.m.-12:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• MTWR 4:10 p.m.-5:15 p.m.
• Instructor: Naoko Sourial
  Info
• Instructor: Shigeru Eguchi
  CULPA: 9 Info
• Instructor: Chikako Takahashi
  Info
• Instructor: Shigeru Eguchi
  CULPA: 9 Info
• 5 points

SECOND YEAR KOREAN II

Prerequisites: KORN W1102 or the equivalent. Consultation with the instructors is required before registration for section assignment. Further practice in reading, writing, listening comprehension, conversation, and grammar.

• Department: East Asian Languages and Cultures
• MTWR 11:40 a.m.-12:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• MTWR 2:40 p.m.-3:45 p.m.
• MTWR 4:10 p.m.-5:15 p.m.
• Instructor: Sue Yoon
  Info
• Instructor: Eunice Chung
  CULPA: 1 Info
• Instructor: Beom Lee
  CULPA: 1 Info
• Instructor: Yongjun Choi
  Info
• 5 points

SECOND YEAR ARABIC II

Prerequisites: MDES W1210-W1211 or the equivalent. A continuation of the study of the language of contemporary writing. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 10:10 a.m.-11:15 a.m.
• MTWR 8:50 a.m.-9:55 a.m.
• Instructor: Rym Bettaieb
  CULPA: 7 Info
• Instructor: Nasr Abdo
  Info
• 5 points

INTRODUCTION TO DIGITAL MUSIC

An introduction to the potential of digital sound synthesis and signal processing. Teaches proficiency in elementary and advanced digital audio techniques. This course aims to challenge some of the tacet assumptions about music that are built into the design of various user interfaces and hardware and fosters a creative approach to using digital audio workstation software and equipment.  Permission of Instructor required to enroll. Music Majors have priority for enrollment.

• Department: Music
• MW 10:10 a.m.-11:25 a.m.
• TR 1:10 p.m.-2:25 p.m.
• F 1:10 p.m.-4 p.m.
• Instructor: Anna Meadors
  Info
• Instructor: Nina Fukuoka
  Info
• Instructor: Danielle R Dobkin
  Info
• 3 points

BUDDHISM: INDO-TIBETAN

Buddhist teachings came to Tibet relatively late in the history of Buddhism’s travels through Asia. Tibetan emperors adopted Buddhism from India around the eighth century, which sounds like a long time ago now, but by that time Buddhism was already well established in parts of South, Southeast, Central, and East Asia. In addition to being known as a tradition of renunciants and forest dwelling philosophers, Buddhism was associated with cosmopolitanism—literacy, the arts, architecture, higher education and beyond. Tibetan rulers, like so many rulers before them, turned to Buddhism after amassing power through warfare and violence, and they became interested in Buddhism’s methods for cultivating wisdom and compassion as antidotes to ignorance and selfishness. They were also curious about whether Buddhism could help justify and support their claims to power. Because Buddhism was already a complex system, Tibetans were able to uniquely integrate all three of the major traditions of Theravada, Mahayana, and Vajrayana Buddhism. Thanks to the hard work of Tibetan and Indian translators and artists with imperial support, monks and nuns followed the rules of the earliest disciples of Buddha, philosophers pored over Indian Buddhist treatises, and ritualists fine-tuned the tantric, esoteric, intensive path to liberation from dissatisfaction and suffering. The new expressions of Buddhism that emerged in Tibet have shaped religion, education, literary production, the arts, and language across a massive and diverse swath of Asia, from northern India to Nepal, Bhutan, Mongolia, and areas of Western China. More recently, Tibetan Buddhism has spread across the globe. In this course, by analyzing primary textual sources in translation as well as visual and material culture, we will investigate the history and practice of Tibetan Buddhism in all its complexity, from its earliest origins to the present. There are no prerequisites for this introductory lecture

• Department: Religion
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Dominique Townsend
  CULPA: 1 Info
• 4 points

ARABIC HERITAGE SPEAKERS II

Prerequisites: Instructor permission. This is an intensive course that combines the curriculum of both First and Second Year Arabic in two semesters instead of four, and focuses on the productive skills (speaking and writing) in Modern Standard Arabic (Fusha). Students are exposed intensively to grammar and vocabulary of a high register. After successful completion of this course, students will be able to move on to Third Year Arabic. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• MTWR 10:10 a.m.-11:15 a.m.
• Instructor: Youssef Nouhi
  CULPA: 7 Info
• 5 points

COGNITION: BASIC PROCESSES

An introduction to basic concepts in cognitive psychology. Topics include theories and
phenomena in areas such as attention, memory, concepts and categories, language, reasoning,
decision making, and consciousness.

• Department: Psychology
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Nora Isacoff
  CULPA: 1 Info
• 3 points

HIST OF PHILOSOPHY II-REC

• Department: Philosophy @Barnard
• W 9:10 a.m.-10 a.m.
• F 12:10 p.m.-1 p.m.
• F 1:10 p.m.-2 p.m.
• Instructor: Jared W Jones
  Info
• Instructor: Yitu Hu
  Info
• 0 points

TRADITIONS IN NONFICTION

Prerequisites: No prerequisites. Department approval NOT required. The seminar provides exposure to the varieties of nonfiction with readings in its principal genres: reportage, criticism and commentary, biography and history, and memoir and the personal essay. A highly plastic medium, nonfiction allows authors to portray real events and experiences through narrative, analysis, polemic or any combination thereof. Free to invent everything but the facts, great practitioners of nonfiction are faithful to reality while writing with a voice and a vision distinctively their own. To show how nonfiction is conceived and constructed, class discussions will emphasize the relationship of content to form and style, techniques for creating plot and character under the factual constraints imposed by nonfiction, the defining characteristics of each authors voice, the authors subjectivity and presence, the role of imagination and emotion, the uses of humor, and the importance of speculation and attitude. Written assignments will be opportunities to experiment in several nonfiction genres and styles.

• Department: Writing
• M 4:10 p.m.-6 p.m.
• Instructor: Ade Khan
  Info
• 3 points

MODERN RUSSIAN HISTORY

An introductory survey of the history of Russia, the Russian Empire, and the Soviet Union over the last two centuries. Russia’s role on the European continent, intellectual movements, unfree labor and emancipation, economic growth and social change, and finally the great revolutions of 1905 and 1917 define the “long nineteenth century.” The second half of the course turns to the tumultuous twentieth century: cultural experiments of the 1920s, Stalinism, World War II, and the new society of the Khrushchev and Brezhnev years. Finally, a look at very recent history since the East European revolutions of 1989-91. This is primarily a course on the domestic history of Russia and the USSR, but with some attention to foreign policy and Russia’s role in the world.

• Department: History
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Yana Skorobogatov
  Info
• 4 points

MODERN RUSSIAN HISTORY-DISCUSSION

• Department: History
• M 5:10 p.m.-6 p.m.
• M 6:10 p.m.-7 p.m.
• R 3:10 p.m.-4 p.m.
• R 4:10 p.m.-5 p.m.
• Instructor: Yana Skorobogatov
  Info
• 0 points

SECOND YEAR CHINESE W II

Second-Year Chinese W (I & II) : This course is designed for heritage learners with conversational abilities and foundational literacy skills in Mandarin Chinese. Through a combination of interactive lessons, focused linguistic exercises, cultural exploration, and real-world applications, students will deepen their understanding of their cultural heritage while expanding their vocabulary and enhancing their language skills. By the end of the course, students will be better equipped to engage confidently with family members and other Chinese-speaking communities.

• Department: East Asian Languages and Cultures
• MTR 12:10 p.m.-1:25 p.m.
• Instructor: Yuan-Yuan Meng
  CULPA: 33 Info
• 5 points

Accelerated Korean for Heritage Speakers

Accelerated Korean II

Accelerated Korean II is specifically designed for heritage students of Korean, who already have previous knowledge of basic grammar and culture. This course completes the college's two-year foreign language requirement.

• Department: East Asian Languages and Cultures
• MTWR 2:40 p.m.-3:45 p.m.
• MTWR 1:10 p.m.-2:15 p.m.
• Instructor: Ji-Young Jung
  Info
• 5 points

MELLON MAYS UNDERGRADUATE FELLOWSHIP SEN

MMUF SENIOR YEAR COLLOQUI

This is a course designed for the students enrolled in the Mellon Mays Undergraduate Research Fellowship Program.  It should be taken fall and spring semesters of a student's third and fourth years at the college (for a total of 6 course credits total over the two years). The goal of this course is to become familiar with academic research and writing, as well as the  culture of colleges/ universities in order to prepare students to apply to graduate school and earn the PhD.. The program hones academic writing skills (research papers, project and grant proposals, academic reflections designed to facilitate intentional goal setting and planning), teaches skills related to scholarly presentations (oral and written), as well as familiarizes students with academic culture in particular diversity, equity and inclusion issues and concerns in the academy. Students are expected to attend all the events and meetings associated with the program.

• Department: Barnard College
• F noon-2 p.m.
• Instructor: Tamara Walker
  Info
• 1.5 points

SODB: THIRD & FOURTH YR SEM

Prerequisites: SODBX1111 Must be enrolled on Scholars of Distinction Program This is the course associated with the Barbara Silver Horowitz Scholars of Distinction program. It is for students in that program. Note at the end of their second year, the students will have developed a project for the summer between their second and third years at Barnard. During their third year, they will develop a robust research project connected to or deriving from that summer’s work.

• Department: Scholars of Distinction @Barnard
• M 4:10 p.m.-6 p.m.
• Instructor: Shayoni Mitra
  CULPA: 5 Info
• 1.5 points

CODING MARKETS

Prerequisites: (ECON BC1003 or ECON UN1105) Students will learn how to write computer programs that can be used to solve assignment problems, including matching buyers with sellers in electronic financial markets, as well as assignment problems that dont involve prices: matching organ donors with recipients, residents with hospitals, and students with high schools for example. The programming language used will be MATLAB. Suitable for students with little or no programming background.

• Department: Economics @Barnard
• M 9 a.m.-10:50 a.m.
• Instructor: Rajiv Sethi
  CULPA: 24 h-index: 33 Info
• 4 points

TRADE AND TRAFFIC WITH EARLY MODERN ENGL

TRADE AND TRAFFIC EARLY M

This lecture course explores England’s sense of itself in relation to the rest of the world in the late sixteenth and seventeenth centuries.  It will examine the hopes and fears provoked by the trade and traffic between the English and other peoples, both inside and outside the country’s borders, and raise questions of economics, race, ethnicity, religion, nationality, immigration, and slavery.  The central materials are familiar and unfamiliar English plays, by William Shakespeare, Christopher Marlowe, Philip Massinger, John Fletcher, and others, which we will study alongside economic treatises, acts and proclamations, and travel narratives.

• Department: English and Comparative Literature
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Alan Stewart
  CULPA: 14 h-index: 13 Info
• 3 points

TRADE AND TRAFFIC WITH EARLY MODERN ENGL

TRADE AND TRAFFIC EARLY M

This lecture course explores England’s sense of itself in relation to the rest of the world in the late sixteenth and seventeenth centuries.  It will examine the hopes and fears provoked by the trade and traffic between the English and other peoples, both inside and outside the country’s borders, and raise questions of economics, race, ethnicity, religion, nationality, immigration, and slavery.  The central materials are familiar and unfamiliar English plays, by William Shakespeare, Christopher Marlowe, Philip Massinger, John Fletcher, and others, which we will study alongside economic treatises, acts and proclamations, and travel narratives.

• Department: Auditing
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Alan Stewart
  CULPA: 14 h-index: 13 Info
• 0 points

THINKING AND DECISION MAKING

Prerequisites: an introductory course in psychology. Models of judgment and decision making in both certain and uncertain or risky situations, illustrating the interplay of top-down (theory-driven) and bottom-up (data-driven) processes in creating knowledge. Focuses on how individuals do and should make decisions, with some extensions to group decision making and social dilemmas.

• Department: Psychology
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Katherine T Fox-Glassman
  CULPA: 6 h-index: 4 Info
• 3 points

PLANT EVOLUTION & DIVERSITY

Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, BIOL BC1503 or the equivalent. Survey of plant biology emphasizing evolutionary and ecological perspectives on mating and reproduction, physiology, anatomy, and morphology.

• Department: Biological Sciences @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Hanna Makowski
  Info
• 3 points

JAZZ DANCE II

In This JAZZ ll Level Course,
You will develop a solid understanding within your body that demonstrates advanced  fundamentals, rhythm, technique, connectivity and phrasing necessary to communicate each movement. You will  learn new phrases and dynamic material while continuously applying technical information. We will delve deeper into technique preparing your body to perform more efficiently and effectively at a higher rate while reducing the risk of  injury.

Prerequisites: DNCE BC1247, BC1248 or permission of instructor.

• Department: Dance @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Ehizoje J Azeke
  Info
• 2 points

AFRICAN DANCE I

In West Africa, dance is part of daily life. It is used to mark occasions such a birth, death, harvest, and  marriage. It is also used to unite the community in times of crisis. West African dance is not as much a strict  technique as it is a movement coming from the spirit and the rhythm of the drum and the energy of the  people. While there are certain steps that go with specific rhythms, it leaves space for the individual  interpretation and improvisations which is an important element. Dancing is more about the communication  between dancer and drummer. The movement of West African dance tends to be energetic and big. It is very  expressive, and the energy is outward. 

Some African dance steps are taken directly from daily activities such as planting or hunting. Most, however,  are an expression of joy or release of the spirit. Dancing is done by communicating with a drummer to create  positive energy. It is a way to enjoy oneself and each other. In African dance, the name of the dance is the  same as the name of the rhythm played by the drummer. The individual steps that make up the dance do not  have names. In this course, we are going to be learning various West African dances such as Sikko, Socco,  Kuku, Mandiany, Farakorroba, Sunu, Soli, Lamba, Mandjo, Diambadong, Doundounba, Kaolask,  Thieboudjeune, Niarry---gorong, Ekongkong, Wolossodong, Zaouly, Ngorong, Niakka, Maraka, Djansa and  Lengeng/Kutiro.

• Department: Dance @Barnard
• TR 10 a.m.-10:50 a.m.
• Instructor: Maguette Camara
  CULPA: 7 Info
• 2 points

AFRICAN DANCE II

Prerequisites: DNCE BC2252 or permission of instructor.

In West Africa, dance is part of daily life. It is used to mark occasions such a birth,  death, harvest, and marriage. It is also used to unite the community in times of  crisis. West African dance is not as much a strict technique as it is a movement  coming from the spirit and the rhythm of the drum and the energy of the people.  While there are certain steps that go with specific rhythms, it leaves space for the  individual interpretation and improvisations which is an important element. Dancing  is more about the communication between dancer and drummer. The movement of  West African dance tends to be energetic and big. It is very expressive, and the  energy is outward. 

Some African dance steps are taken directly from daily activities such as planting or  hunting. Most, however, are an expression of joy or release of the spirit. Dancing is  done by communicating with a drummer to create positive energy. It is a way to  enjoy oneself and each other. 

In African dance, the name of the dance is the same as the name of the rhythm  played by the drummer. The individual steps that make up the dance do not have  names. 

In this course, we are going to be learning various West African dances such as  Sikko, Socco, Kuku, Mandiany, Farakorroba, Sunu, Soli, Lamba, Mandjo,  Diambadong, Doundounba, Kaolask, Thieboudjeune, Niarry-gorong, Ekongkong,  Wolossodong, Zaouly, Ngorong, Niakka, Maraka, Djansa and Lengeng/Kutiro.

• Department: Dance @Barnard
• TR 9 a.m.-9:50 a.m.
• Instructor: Maguette Camara
  CULPA: 7 Info
• 2 points

AFRO-CUBAN DANCE

This course introduces students to the African-based dances of Cuba, including dances for the Orisha, Rumba, and the immensely joyful “Rueda de Casino” style of Salsa. In addition to learning rhythms, songs, and dances, we will have an ongoing, informal discussion about the historical and contemporary significance of Afro-Cuban dance performance, making connections to personal experience through practice and ongoing reflection. We engage Afro-Cuban music and dance as a living and evolving tradition, where culture, artistry, and history are intimately bound.

• Department: Dance @Barnard
• F 3 p.m.-5 p.m.
• Instructor: Rebecca Bliss
  Info
• 2 points

Advanced Explorations in AfroCuban Dance

Advanced AfroCuban Dance

An upper-level exploration of Afro-Cuban Dance focused on performance. Building on the foundation of Afro-Cuban Dance: Orisha, Rumba, Salsa, this course is a deeper dive into aesthetic principles, cultural themes, and improvisation as performance in the African dance context. Students explore multiple distinct dances and learn to engage the storytelling and cultural significance of each dance through improvisation with the drums. The course culminates with final, in-class presentations. Open to experienced movers and students who have completed Afro-Cuban Dance: Orisha, Rumba, Salsa. Permission of instructor required.

• Department: Dance @Barnard
• F 1 p.m.-3 p.m.
• Instructor: Rebecca Bliss
  Info
• 2 points

THE GLOBAL ECONOMY

Prerequisites: ECON UN1105 Covers five areas within the general field of international economics: (i) microeconomic issues of why countries trade, how the gains from trade are distributed, and protectionism; (ii) macroeconomic issues such as exchange rates, balance of payments and open economy macroeconomic adjustment, (iii) the role of international institutions (World Bank, IMF, etc); (iv) economic development and (v) economies in transition.

• Department: Economics
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Waseem Noor
  CULPA: 7 Info
• 3 points

HIP HOP DANCE & CULTURE III (ADVANCED)

HIP HOP DANCE & CULTURE 3

Advanced technique and repertory in hip hop. Classes are geared to condition the body for the rigors of hip-hop technique by developing strength, coordination, flexibility, stamina, and rhythmic awareness, while developing an appreciation of choreographic movement and structures. Compositional elements of hip-hop will be introduced and students may compose brief movement sequences. The course meets twice weekly and is held in the dance studio.

• Department: Dance @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Bo Park Park
  Info
• 2 points

ACCOUNTING & FINANCE FOR ECONOMICS

Financial accounting is concerned with the preparation and public dissemination
of financial reports designed to reflect corporate performance and financial
condition. By providing timely, relevant, and reliable information, these reports
facilitate the decision-making of investors, creditors, and other interested parties.
Financial markets depend on the information contained in these reports to
evaluate executives, estimate future stock returns, assess firms’ riskiness, and
allocate society’s resources to their most productive uses.
This course provides a base level of knowledge needed by corporate executives
to understand and discuss corporate financial statements. The process of
learning how various business activities impact financial statements will also give
you opportunities to learn and think about the business activities, themselves.

• Department: Economics
• MW 5:40 p.m.-6:55 p.m.
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Waldo Ojeda
  Info
• Instructor: Jose Cao-Alvira
  CULPA: 2 Info
• 3 points

Perception and Cognition in Social Life

Percept/Cognit in Social

This course focuses on perception and cognition in social life. We start by addressing the core social motivations we experience in everyday life (e.g., our desire to feel like we belong to a group). Next, we examine how these motivations shape our basic sensory experiences—for example why we can’t help but anthropomorphize inanimate objects or enjoy holding hands with our partner. We then examine the mental strategies we use to meet our social needs, such as how we figure out other people’s thoughts and feelings, as well as our own. Finally, we wrap up by examining how these motivations, perceptions, and cognitions play out not just within one mind – but also between minds in everyday social interaction.  This course will not only teach you the fundamental science behind the social mind. It will also let you see your own social life through a whole new lens.

• Department: Psychology
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Meghan Meyer
  Info
• 3 points

ECOLOGY

The definition of ecological problems in experimentally tractable ways; the design of experiments and analysis of ecological data; class projects on population ecology. Students conduct individual projects during last month of term.

• Department: Biological Sciences @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Jordan Balaban
  Info
• 3 points

ANIMAL BEHAVIOR

Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, BIOL BC1503 or equivalent. This introduction to animal behavior takes an integrative approach to understand the physiological and genetic basis of behavior, the ecological context of behavior, and the evolutionary consequences of behavior. This course focuses on the process of scientific research, including current research approaches in animal behavior and practical applications of these findings.

• Department: Biological Sciences @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Alison Pischedda
  CULPA: 3 h-index: 11 Info
• 3 points

EARTH'S ENVIRO SYST: LIFE SYST

Prerequisites: high school algebra. Recommended preparation: high school chemistry and physics.

 Role of life in biogeochemical cycles, relationship of biodiversity and evolution to the physical Earth, vulnerability of ecosystems to environmental change; causes and effects of extinctions through geologic time (dinosaurs and mammoths) and today. Exploration of topics through laboratories, data analysis, and modeling. REQUIRED LAB: EESC UN2310. Students will be expected to choose a lab section during the first week of class from the options listed in the Directory of Classes. Co-meets with EEEB 2002

• Department: Earth and Environmental Sciences
• MW 11:40 a.m.-12:55 p.m.
• 4.5 points

CHALLENGES OF SUSTAINABLE DEV

This course provides an introduction to the field of sustainable development, drawing primarily from social science and policy studies. It offers a critical examination of the concept of sustainable development, showing how factors like economics, population, culture, politics and inequality complicate its goals. Students will learn how different social science disciplines (political science, demography, economics, geography, history, law, and sociology) approach challenges of sustainable development across a variety of topics (fisheries, climate change, air pollution, consumption, energy, conservation, and water management). The course provides students with some of the fundamental concepts, vocabulary, and analytical tools to pursue and think critically about sustainable development. Offered in the Spring.

• Department: Earth Institute
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Lisa Dale
  CULPA: 6 Info
• 3 points

SCULPTURE I

(Formerly R3330) The fundamentals of sculpture are investigated through a series of conceptual and technical projects. Three material processes are introduced, including wood, metal, and paster casting. Issues pertinent to contemporary sculpture are introduced through lectures, group critiques, discussions, and field trips that accompany class assignments. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• F 10 a.m.-4 p.m.
• Instructor: Jon Kessler
  CULPA: 5 Wikipedia Info
• 3 points

INTERMEDIATE POETRY WORKSHOP

Intermediate poetry workshops are for students with some prior instruction in the rudiments of poetry writing and prior poetry workshop experience. Intermediate poetry workshops pose greater challenges to students and maintain higher critical standards than beginning workshops. Students will be instructed in more complex aspects of the craft, including the poetic persona, the prose poem, the collage, open-field composition, and others. They will also be assigned more challenging verse forms such as the villanelle and also non-European verse forms such as the pantoum. They will read extensively, submit brief critical analyses, and put their instruction into regular practice by composing original work that will be critiqued by their peers. By the end of the semester each student will have assembled a substantial portfolio of finished work. Please visit
https://arts.columbia.edu/writing/undergraduate
 for information about registration procedures.

• Department: Writing
• M 12:10 p.m.-2 p.m.
• Instructor: Alexander Dimitrov
  Info
• 3 points

Dreaming Empire: Britain & Russia in 19C

Dreaming Empire: Brit&Rus

The course falls neatly into two halves, addressing the British and Russian empires as they were in the 19th century. The purpose of the course is to become familiar with imperial thinking, the thought (pro-empire, anti-empire, and simply permeated by empire, to put it in terms familiar to a contemporary audience) implicit in various literary works of the time. For the most part, the readings assigned are primary texts. These will be heavily supplemented during course meetings: the instructor will bring in various materials that would be obscure if assigned to students outside of class, but with live explanations in-class, will enrich their understanding of the primary readings.

Most readings are literary texts, though students will also read and receive guidance in secondary academic literature about those works. A few philosophical and historical texts from the time under examination will also be assigned.

• Department: Slavic Languages @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: John C Wright
  CULPA: 1 Info
• 3 points

INTERMEDIATE ARMENIAN II

Prerequisites: MDES W1310-W1311 or the equivalent. A continuation of the study of reading, writing and speaking of Armenian. In Intermediate Armenian II, students learn to communicate about a wide range of topics. Such topics include biographical narration, cooking and recipes, health and well-being, holidays and celebrations, travel and geography, etc. At this level, students continue to develop their skills in reading, writing, speaking, and listening while perfecting the grammatical concepts to which they were introduced in the first year. No P/D/F or R credit is allowed for this class.

• Department: Middle Eastern, South Asian and African Studies
• TR 4:10 p.m.-6 p.m.
• Instructor: Charry Karamanoukian
  Info
• 4 points

EARLY MODERN ARCHITECTURE (1550-1799)

• Department: Art History and Archaeology
• TR 6:10 p.m.-7:25 p.m.
• Instructor: Eleonora Pistis
  Info
• 3 points

HINDUISM

Considers efforts since 1900 to synthesize a coherent understanding of what Hinduism entails, sometimes under the heading of sanatana dharma. Using a rubric provided by the Bhagavad Gita, explores philosophical/theological (jnana), ritual (karma), and devotional (bhakti) aspects of Hindu life and thought.

• Department: Religion @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Meghan E Hartman
  Info
• 4 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• W 4:10 p.m.-7 p.m.
• R 4:10 p.m.-7 p.m.
• 0 points

EARTH ENVIR SYST-LIFE SYST-LAB

This three hour lab is required of all students who enroll in EESC UN2300. There are currently five lab sections.

• Department: Earth and Environmental Sciences
• R 4:10 p.m.-7 p.m.
• 0 points

THE DOCUMENTARY TRADITION

This class offers an introduction to the history of documentary cinema and to the theoretical and philosophical questions opened up by the use of moving images to bear witness, persuade, archive the past, or inspire us to change the future. How are documentaries different than fiction films? What is the role of aesthetics in relation to facts and evidence in different documentary traditions? How do documentaries negotiate appeals to emotions with rational argument? From the origins of cinema to our current “post-truth” digital age, we will look at the history of how cinema has attempted to shape our understanding of reality. FILM W2311

• Department: Film
• T 2 p.m.-5:45 p.m.
• Instructor: Nico Baumbach
  Info
• 3 points

BAROQUE IMPERIAL SPAIN(17TH C)

BAROQUE IMPERIAL SPAIN 17

The course will survey Baroque art in Hapsburg Spain, considered in the wide geographical context of the extended and dispersed dominions of the different crowns of the Spanish monarchy, which connected the Iberian Peninsula with Italy, Flanders and the New World. It will concern visual art in its various media, mainly painting, sculpture and architecture, but also tapestries, prints, armor, goldsmithery and ephemeral decoration, among others. Works of the main artists of the period will be introduced and analyzed, giving attention to the historical and cultural context of their production and reception. The course will particularly focus on the movement of artists, works and models within the Spanish Hapsburg territories, in order to understand to what extent visual arts contributed to shaping the political identity of this culturally composite empire.

• Department: Art History and Archaeology
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Diane Bodart
  CULPA: 3 Info
• 3 points

THE DOCUMENTARY TRADITION-DISC

• Department: Film
• F 9:10 a.m.-10 a.m.
• Instructor: Sidnee Lim
  Info
• 0 points