This colloquium provides an intensive exploration of the Atlantic World during the early modern era. Readings will attend to the sequence of contact, conquest, and dispossession that enabled the several European empires to gain political and economic power. In this regard, particular attention will be given to the role of commerce and merchant capitalism in the formation of the Atlantic World. The course will focus also, however, on the dynamics of cultural exchange, on the two-way influences that pushed the varied peoples living along the Atlantic to develop new practices, new customs, and new tastes. Creative adaptations in the face of rapid social and cultural change will figure prominently in the readings. Students may expect to give sustained attention the worlds Africans, Amerindians, and Europeans both made together and made apart.
Investigation of contemporary composition topics through invited guest lectures, student and faculty presentations, listening sessions, and professional development workshops. DMA students only also receive one-on-one weekly composition lessons during which they will develop individual projects in composition (lessons are offered for the first three years of the DMA).
This class is intended for students to develop composing skills for creating music “between the keys” (or “outside the keys”) of a traditionally tuned piano or organ. We will be analyzing relevant works and techniques of the present and of the past. Students compose and perform/present their own music influenced by these works and techniques. We will start with quartertones and with music independent from Western traditions.
This is a graduate reading course focusing on twentieth century US historiography. The goal of the course is to introduce students to some of the pressing historiographic questions in the field. The first part of the semester will be spent thinking through periodization and its limits. How useful are periodizations such as “the progressive era” and the “the Cold War”? What are the major historiographic arguments surrounding their use? In the second part of the semester, we will take a thematic approach. We will read some of the newest (and award-winning) books published in the past few years. Many of these books originated as dissertations and should be useful for students to read as they think about constructing their own research projects.
A study of the theoretical and practical aspects of ethnomusicological fieldwork, using the New York area as a setting for exercises and individual projects.
Prerequisites: the instructor's permission. A graduate seminar designed to explore the content, process, and problems of China's political and economic reforms in comparative perspective. Please see the Courseworks site for details
This course will argue for a broader spatial history of empire by looking at sites such as frontiers and borderlands in a theoretical and comparative perspective. The course will familiarize students to “frontier thesis” to the “spatial turn” and to the emergence of “Borderland Studies” before embarking on specific monographs highlighting borderlands scholarship in a global context. Formulations of power, race, gender, and class will be central to our comparative units of historical analysis and allow us to create conversations across area-studies boundaries within the discipline.
Individual work with an adviser to develop a topic and proposal for the Ph.D. dissertation.
This graduate seminar will examine key themes and methods in Middle East History. It is intended to provide graduate training for advanced students who plan to pursue a dissertation topic on or related to Middle East history. Please contact the professor first if you wish to apply for this course.
The colloquium, brings together all students at the same level within the Ph.D. program and enriches the work of defining the dissertation topic and subsequent research and writing.
This course is designed to introduce all first-year graduate students in History to major books and problems of the discipline. It aims to familiarize them with historical writings on periods and places outside their own prospective specialties. This course is open to Ph.D. students in the department of History ONLY.
How do international and global perspectives shape and conceptualization, research, and writing of history? Topics include approaches to comparative history and transnational processes, the relationship of local, regional, national, and global scales of analysis, and the problem of periodization when considered on a world scale.
The workshop provides a forum for advanced PhD students (usually in the 3rd or 4th year) to draft and refine the dissertation prospectus in preparation for the defense, as well as to discuss grant proposals. Emphasis on clear formulation of a research project, sources and historiography, the mechanics of research, and strategies of grant-writing. The class meets weekly and is usually offered in both fall and spring semesters.
Consistent attendance and participation are mandatory.
Supervised Reserach for Classical Studies Graduate Students.
All graduate students are required to attend the department colloquium as long as they are in residence. No degree credit is granted.
Required for all M.S. students in residence in their first semester. Topics related to professional development and the practice of chemical engineering. No degree credits granted. Intended for M.S students only; and not for M.S./Ph.D. track, Ph.D. or D.E.S. students.
HRSMA students may receive one academic credit for the completion of a relevant internship. The credit would count towards the elective requirement for the degree. In order to receive one credit, students will be required to complete a total of 100 internship hours. The internship must be professional in nature and substantively focused on human rights or social justice. For more information, students should refer to the HRSMA Digital Handbook.
Prerequisites: the instructors permission. Individual research and tutorial in social and cultural anthropology for advanced graduate students.
Prerequisites: the instructors permission. Individual research and tutorial in social and cultural anthropology for advanced graduate students.
Prerequisites: the instructors permission. Individual research and tutorial in social and cultural anthropology for advanced graduate students.
Prerequisites: the instructors permission. Individual research and tutorial in archaeology for advanced graduate students.
Prerequisites: the instructors permission. Individual research in all divisions of anthropology and in allied fields for advanced graduate students
You may be asked to serve as research subjects in studies under direction of the faculty while enrolled in this course. Participation in voluntary.
Required for all first-year PhD graduate students in the Biological Sciences program. The research of members of the faculty is presented.
Departments permission.