Prerequisites: the director of undergraduate studies permission. A program of reading in Latin literature, to be tested by a series of short papers, one long paper, or an oral or written examination.
Prerequisites: the written permission of the faculty member who agrees to act as a supervisor, and the director of undergraduate studies permission. For specially selected mathematics majors, the opportunity to write a senior thesis on a problem in contemporary mathematics under the supervision of a faculty member.
Working research seminar devoted to helping students produce a substantive piece of writing that will represent the culmination of their work at the College and in the major.
Prerequisites: Appropriate coursework and substantial production experience, including a major crew assignment in the junior year. Enrollment limited to senior Theatre majors. Combined and special majors may be considered under exceptional circumstances. Permission of the instructor required. Students register for this course to pursue approved theses in acting, design, directing, dramaturgy, solo performance, or stage and production management.
Students will act in, direct, design, stage manage or dramaturg a play in the Barnard Department of Theatre season, or write a short play or solo performance piece that will be produced (according to departmental guidelines) in the Senior Thesis Festival. Collaboration is expected and students will meet weekly with faculty and other seniors. A written proposal must be submitted in the spring of the junior year and be approved. In addition to the performance, an extensive written Casebook is required: see departmental guidelines.
Prerequisites: Appropriate coursework and substantial production experience, including a major crew assignment in the junior year. Enrollment limited to senior Theatre majors. Combined and special majors may be considered under exceptional circumstances. Permission of the instructor required. Students register for this course to pursue approved theses in acting, design, directing, dramaturgy, solo performance, or stage and production management.
Students will act in, direct, design, stage manage or dramaturg a play in the Barnard Department of Theatre season, or write a short play or solo performance piece that will be produced (according to departmental guidelines) in the Senior Thesis Festival. Collaboration is expected and students will meet weekly with faculty and other seniors. A written proposal must be submitted in the spring of the junior year and be approved. In addition to the performance, an extensive written Casebook is required: see departmental guidelines.
A program of interdisciplinary research leading to the writing of the senior essay. All Africana majors must complete the one-semester Africana Studies Senior Seminar in the fall and submit a senior essay as one of the requirements for this course. A student who has successfully completed the Africana Studies Senior Seminar, has demonstrated the ability to complete a senior thesis, and has obtained approval from the faculty member teaching the Senior Seminar may take an Independent Study with a Barnard or Columbia faculty member or a second thesis seminar in another department in order to complete a senior thesis in Africana Studies in the spring semester.
Independent projects involving experimental, theoretical, computational, or engineering design work. May be repeated, but no more than 3 points of this or any other projects or research course may be counted toward the technical elective degree requirements as engineering technical electives.
Independent projects involving experimental, theoretical, computational, or engineering design work. May be repeated, but no more than 3 points of this or any other projects or research course may be counted toward the technical elective degree requirements as engineering technical electives.
Independent projects involving experimental, theoretical, computational, or engineering design work. May be repeated, but no more than 3 points of this or any other projects or research course may be counted toward the technical elective degree requirements as engineering technical electives.
Independent projects involving experimental, theoretical, computational, or engineering design work. May be repeated, but no more than 3 points of this or any other projects or research course may be counted toward the technical elective degree requirements as engineering technical electives.
Prerequisites: the director of undergraduate studies permission. A program of research in Greek literature. Research paper required.
Prerequisites: the director of undergraduate studies permission. A program of research in Latin literature. Research paper required.
The goals are to increase competency in advanced Sinhala, enhance communicative skills,
improve reading skills of classical texts, deepen knowledge of Sinhala written grammar, and
introduce advanced vocabulary, expressions, and terminology of Sinhala culture. Besides the
regular practice of reading, writing, dialogues, discussions, occasional quizzes, and homework,
students will engage in various classroom activities and assignments, such as in-class
presentations.
Prerequisites: open only to qualified majors in the department; the director of undergraduate studies permission is required. An opportunity for research under the direction of an individual faculty member. Students intending to write a year-long senior thesis should plan to register for C3996 in the spring semester of their senior year and are strongly advised to consult the undergraduate studies as they plan their programs.
Prerequisites: Enrollment limited to senior Theatre majors. Combined and special majors may be considered under exceptional circumstances. Permission of the instructor required. In-depth research project culminating in a substantial written thesis on any aspect of drama, performance, or theatre research.
Prerequisites: The instructors permission. Students must have declared a major in Anthropology prior to registration. Students must have a 3.6 GPA in the major and a preliminary project concept in order to be considered. Interested students must communicate/meet with thesis instructor in the previous spring about the possibility of taking the course during the upcoming academic year. Additionally, expect to discuss with the instructor at the end of the fall term whether your project has progressed far enough to be completed in the spring term. If it has not, you will exit the seminar after one semester, with a grade based on the work completed during the fall term. This two-term course is a combination of a seminar and a workshop that will help you conduct research, write, and present an original senior thesis in anthropology. Students who write theses are eligible to be considered for departmental honors. The first term of this course introduces a variety of approaches used to produce anthropological knowledge and writing; encourages students to think critically about the approaches they take to researching and writing by studying model texts with an eye to the ethics, constraints, and potentials of anthropological research and writing; and gives students practice in the seminar and workshop formats that are key to collegial exchange and refinement of ideas. During the first term, students complete a few short exercises that will culminate in a substantial draft of one discrete section of their senior project (18-20 pages) plus a detailed outline of the expected work that remains to be done (5 pages). The spring sequence of the anthropology thesis seminar is a writing intensive continuation of the fall semester, in which students will have designed the research questions, prepared a full thesis proposal that will serve as a guide for the completion of the thesis and written a draft of one chapter. Only those students who expect to have completed the fall semester portion of the course are allowed to register for the spring; final enrollment is contingent upon successful completion of first semester requirements. In spring semester, weekly meetings will be devoted to the collaborative refinement of drafts, as well as working through issues of writing (evidence, voice, authority etc.). All enrolled students are required to present their project at a symposium in the late spring, and the final grade is based primarily on successful completion of the thesis/ capstone project. Note: The senior thesis seminar is open t
Prerequisites: Open to majors who have fulfilled basic major requirements or written permission of the staff member who will supervise the project. Specialized reading and research projects planned in consultation with members of the Asian and Middle Eastern Cultures teaching staff.
Prerequisites: Open to majors who have fulfilled basic major requirements or written permission of the staff member who will supervise the project. Specialized reading and research projects planned in consultation with members of the Asian and Middle Eastern Cultures teaching staff.
May be repeated for credit, but no more than 3 total points may be used toward the 128-credit degree requirement. Only for BMEN undergraduate students who include relevant off-campus work experience as part of their approved program of study. Final report and letter of evaluation required. Fieldwork credits may not count toward any major core, technical, elective, and non-technical requirements. May not be taken for pass/fail credit or audited.
Prerequisites: approval prior to registration; see the director of undergraduate studies for details. A creative/scholarly project conducted under faculty supervision.
Current topics in biomedical engineering. Subject matter will vary by year.
Current topics in biomedical engineering. Subject matter will vary by year.
What kind of teacher would you like to become? What experience, knowledge and opinions regarding learning and teaching a language and language and communication do you bring to class? How can theoretical and practical literature help us augment our personal experiences? How do we plan and execute lesson plans? What role do institutional expectations play? What can we learn from how others teach? How can we ensure to welcome a wide spectrum of students into our classes? What impact has the pandemic on the way we approach teaching? How can we grow as educators through self-reflection, our interactions with colleagues, and through our understanding theoretical and practical knowledge that goes beyond planning the next class?
Collaboratively, we will discuss these and other questions using our concrete experience, practical and theoretical literature, and opportunities for professional development. We will apply our knowledge and create materials together, visit colleagues in other language and reflect on our learning and teaching experience.
Learning Goals: At the end of this class, you will:
be able to understand and use the concept of ‘Backward Design’
have acquired a basis in a spectrum of different research-based perspectives that you can use to decide on the usefulness of pedagogical strategies in a given situation.
be familiar with the basic terminology as well as the most relevant sources for the field of foreign language pedagogy
have familiarity with applying theory to practice by designing classroom activities you will be able to use in your class
have started to develop strategies for continuous reflection and deepening of pedagogical practices (through discussion, observations, journals)
take first steps to developing your own teaching philosophy statement
Prerequisite: Successful completion of URBS UN2200 Introduction to GIS Methods, or equivalent with instructor permission.
With the veritable explosion of urban data alongside the continued proliferation of new tools for its consideration, this course allows students to develop specialized approaches to spatial analysis while introducing a series of common advanced techniques and nuanced methodological questions. Aimed at covering a variety of topics with immediate relevance to urbanism in practice and in research, the course operates with a two-fold mission: (1) to critically discuss the theories, concepts, and research methods involved in spatial analysis and (2) to learn the techniques necessary for engaging those theories and deploying those methods. The class will work to meet this mission with a dedicated focus on the urban environment and the spatial particularities and relationships that arise from the urban context.
Among others, this course takes as a foundational premise that spatial analysis within geographic information systems is an incredibly powerful and double-edged weapon: it provides both the methods for answering complex spatial questions and the means for effectively communicating the results. Like any other weapon it can serve many ends, and as such an advanced course in spatial analysis must frame its use within the developing discourse on professional practice and responsibility.
The course is designed with a combination format. Early weeks are predominantly lecture-style presentations supplemented with discussion and technical demonstration and exercises. Students are expected to complete these exercises outside of class (as homework), bringing their questions to our discussion. The latter half of the course is a project-based seminar. Seminar-style presentation and discussion will rely heavily on student participation and preparation to consider the variety of spatial methods available and their implications on urban research and intervention. Woven throughout the semester is the development of a self-driven research project, through which students will engage and compare the methodological advantages and disadvantages of several assumptions, approaches, analyses, and datasets.
Genealogies of Feminism:
Course focuses on the development of a particular topic or issue in feminist, queer, and/or WGSS scholarship. Open to graduate students and advanced undergraduates, though priority will be given to students completing the ISSG graduate certificate. Topics differ by semester offered, and are reflected in the course subtitle. For a description of the current offering, please visit the link in the Class Notes.
Part of an accelerated consideration of the essential chemical engineering principles from the undergraduate program, including selected topics from Introduction to Chemical Engineering, Transport Phenomena I and II, and Chemical Engineering Control. While required for all M.S. students with Scientist to Engineer status, the credits from this course may not be applied toward any chemical engineering degree.
Part of an accelerated consideration of the essential chemical engineering principles from the undergraduate program, including topics from Reaction Kinetics and Reactor Design, Chemical Engineering Thermodynamics, I and II, and Chemical and Biochemical Separations. While required for all M.S. students with Scientist to Engineer status, the credits from this course may not be applied toward any chemical engineering degree.
Prerequisites: JPNS C1202 or the equivalent. Introduction to the fundamentals of classical Japanese grammar. Trains students to read Japanese historical and literary texts from the early period up to the 20th century.
Prerequisites: GREK V1201 and V1202, or their equivalent. Since the content of the course changes from year to year, it may be taken in consecutive years.
Prerequisites: LATN V3012 or the equivalent. Since the content of this course changes from year to year, it may be repeated for credit.
Introductory course is for individuals with an interest in medical physics and other branches of radiation science. Topics include basic concepts, nuclear models, semi-empirical mass formula, interaction of radiation with matter, nuclear detectors, nuclear structure and instability, radioactive decay process and radiation, particle accelerators, and fission and fusion processes and technologies.
Mathematical description of chemical engineering problems and the application of selected methods for their solution. General modeling principles, including model hierarchies. Linear and nonlinear ordinary differential equations and their systems, including those with variable coefficients. Partial differential equations in Cartesian and curvilinear coordinates for the solution of chemical engineering problems.
A close reading of works by Dostoevsky (Netochka Nezvanova; The Idiot; A Gentle Creature) and Tolstoy (Childhood, Boyhood, Youth; Family Happiness; Anna Karenina; The Kreutzer Sonata) in conjunction with related English novels (Bronte's Jane Eyre, Eliot's Middlemarch, Woolf's Mrs. Dalloway). No knowledge of Russian is required.