INTRO ORGANIC CHEMISTRY-LAB

Prerequisites: (CHEM BC2001) General Chemistry I with lab. Corequisites: CHEM BC3230 Basic techniques of experimental organic chemistry. Principles and methods of separation, purification, and characterization of organic compounds. Selected organic reactions.

• Department: Chemistry @Barnard
• Instructor: Meenakshi S Rao
  CULPA: 24 Info
• 2.5 points

INTRO ORGANIC CHEMISTRY-LAB

Prerequisites: (CHEM BC2001) General Chemistry I with lab. Corequisites: CHEM BC3230 Basic techniques of experimental organic chemistry. Principles and methods of separation, purification, and characterization of organic compounds. Selected organic reactions.

• Department: Chemistry @Barnard
• Instructor: Meenakshi S Rao
  CULPA: 24 Info
• 2.5 points

INTRO ORGANIC CHEMISTRY-LAB

Prerequisites: (CHEM BC2001) General Chemistry I with lab. Corequisites: CHEM BC3230 Basic techniques of experimental organic chemistry. Principles and methods of separation, purification, and characterization of organic compounds. Selected organic reactions.

• Department: Chemistry @Barnard
• Instructor: Meenakshi S Rao
  CULPA: 24 Info
• 2.5 points

INTRO ORGANIC CHEMISTRY-LAB

Prerequisites: (CHEM BC2001) General Chemistry I with lab. Corequisites: CHEM BC3230 Basic techniques of experimental organic chemistry. Principles and methods of separation, purification, and characterization of organic compounds. Selected organic reactions.

• Department: Chemistry @Barnard
• Instructor: Meenakshi S Rao
  CULPA: 24 Info
• 2.5 points

QUEER VISIONS IN CONTEMPORARY FILM

QUEER VISIONS IN CONT FIL

In this class, we will focus on recurring themes and questions of contemporary queer cinema by engaging with a number of film genres and forms, and explore how filmmakers create queer visions of the world through their cinematic practices. We will also consider how these queer films are informed by various local, national, cultural and political contexts. Through a comparative, transnational and intersectional approach that takes into consideration the particularities of each filmmaker’s context, we will aim to answer the following questions: How do various cultural, national, linguistic, religious contexts affect the way queer identities are defined and depicted visually? How do these filmmakers create queer narratives that contest, complicate or reify dominant narratives of gender and sexuality? How do they play around with cinematic and genre conventions?

Films, directors and genres studied are subject to change but will likely include directors such as Celine Sciamma, Cheryl Dunye, Pedro Almodovar, Todd Haynes, among others; and various genres such as drama, romance, thriller, mockumentary, thriller and experimental film.

• Department: Film @Barnard
• Instructor: Duygu Ula
  CULPA: 6 Info
• 3 points

Ornithology

You saw a bird today.
            You saw a bird yesterday.
            You will surely see a bird tomorrow. Without knowing you, or knowing what you do with your days, I know this for a fact about you.

            Unless they are under absolute confinement, chances are that every human being anywhere on the planet will see at least one bird every day. Birds are everywhere. They are mostly diurnal, they fly and they vocalize. Probably more so than any other kind of animal, this makes birds particularly conspicuous and appealing to humans.

            But when you saw a bird today, did you really
see
it? Did it register at all? Probably not—no more than a passing car or cloud or a stranger in the sidewalk. That’s a shame, because birds have shaped modern biology more than any other group, inspiring discoveries in ecology, evolution, and behavior. They also move billions of dollars each year through birdwatching.

            The overarching goal of this class is for you to start really
seeing
birds for the wondrous animals that they are and all that they have taught us about biology. This will include identifying and naming bird species, having the basic vocabulary to talk about birds, and relating your bird observations in the field to conceptual knowledge about their evolution and ecology.

           
Towards that goal, students will participate in a combination of lectures, readings, group discussions, written assignments, and group and solo outings to observe birds in Central Park. Topics addressed will include: evolutionary origins of birds; bird systematics and classification; the biology of feathers; bioacoustics and birdsong; the biology of migration; bird reproductive behavior; and bird conservation.

• Department: Biological Sciences @Barnard
• MW 5:40 p.m.-6:55 p.m.
• Instructor: Rafael Marcondes
  Info
• 3 points

MODERN V

This contemporary technique class invites students into an embodied practice focusing on a daily physical experimentation and challenge. Emphasis will be placed on corporeal ways to explore questions around propelling, listening, connecting, healing, and action. This course offers a chance for students to use their sensatorial experience to reflect on individual pathways/ desires for expression while, challenging the body to take risks and practice as their movement knowledge expands. Emphasis on sensation, initiation, and weight will be introduced in a floor or standing warm-up that will expand to a standing exploration of the transition between form and space. A focus will be to continue our development of a strong-grounded technique with healthy placement that moves with ease in and out of the floor. We will continue to develop our true embodied relationship to environment, people, and time.

• Department: Dance @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Lisa Boudreau
  Wikipedia Info
• 2 points

IMPROVISATION

• Department: Dance @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Caitlin Trainor
  CULPA: 11 Info
• 2 points

SCIENCE, STATE POWER, ETHICS

SCIENCE STATE POWER ETHICS

A comparative study of science in the service of the State in the U.S., the former Soviet Union, Fascist Italy, and Nazi Germany during pivotal periods through the first half of the 20th century. Topics to be covered include the political and moral consequences of policies based upon advances in the natural sciences making possible the development of TNT, nerve gas, uranium fission and hydrogen fusion atomic bombs. Considers the tensions involved in balancing scientific imperatives, patriotic commitment to the nation-state, and universal moral principles and tensions faced by Robert Oppenheimer, Andrei Sakharov, Neils Bohr and Werner Heisenberg. Selected readings include: Michael Frayn's play 
Copenhagen,
 
Hitler's Uranium Club 
by Jeremy Bernstein, Brecht's 
Galileo
, John McPhee's 
The Curve of Binding Energy,
 Richard Rhodes' 
The Making of the Atomic Bomb.

• Department: Science and Public Policy @Barnard
• W 10:10 a.m.-noon
• Instructor: Timothy J Halpin-Healy
  CULPA: 6 Info
• 4 points

MODERN VI

This contemporary technique class invites students into an embodied practice focusing on a daily physical experimentation and challenge. Emphasis will be placed on corporeal ways to explore questions around propelling, listening, connecting, healing, and action. This course offers a chance for students to use their sensatorial experience to reflect on individual pathways/ desires for expression while, challenging the body to take risks and practice as their movement knowledge expands. Emphasis on sensation, initiation, and weight will be introduced in a floor or standing warm-up that will expand to a standing exploration of the transition between form and space. A focus will be to continue our development of a strong-grounded technique with healthy placement that moves with ease in and out of the floor. We will continue to develop our true embodied relationship to environment, people, and time.

• Department: Dance @Barnard
• MW 2:40 p.m.-3:55 p.m.
• TR 8:40 a.m.-9:55 a.m.
• Instructor: Francesca Dominguez
  Info
• Instructor: Tamisha Guy
  Info
• 2 points

ELECTION LAW AND REFORM

Prerequisites: POLS 1210 or an equivalent intro-level course in American Politics. This course blends “election science”—a new and growing subfield in empirical political science—with a close examination of election law. We will examine not only how political scientists study elections, but also the federal court decisions that have shaped the rules of American elections. This course will therefore be particularly useful not only for students interested in data-driven assessment of electoral policies, but also for those considering professional legal education as a next step.

• Department: Political Science @Barnard
• Instructor: Michael Miller
  CULPA: 18 h-index: 14 Info
• 3 points

QUANTITATVE-INSTRMNTL TECH-LAB

Prerequisites: CHEM BC3231 and CHEM BC3333 

Quantitative techniques in volumetric analysis, pH measurement, UV-Visible, absorption, and fluorescence spectroscopy, and chromatographic separations. Data analysis with spreadsheets.

• Department: Chemistry @Barnard
• Instructor: Angela L Paoletta
  Info
• 3 points

QUANTITATVE-INSTRMNTL TECH-LAB

Prerequisites: CHEM BC3231 and CHEM BC3333 

Quantitative techniques in volumetric analysis, pH measurement, UV-Visible, absorption, and fluorescence spectroscopy, and chromatographic separations. Data analysis with spreadsheets.

• Department: Chemistry @Barnard
• Instructor: Angela L Paoletta
  Info
• 3 points

Science-based evidence in policymaking

Science & Policymaking

In all societies, public policies are developed to solve social problems such as extreme
poverty, inequality, basic sanitation, health and basic care, family planning, food
security, mental health, abuse of illegal substances, education and protection of
vulnerable groups. How can we ensure that these public policies are based on solid
evidence, which would guarantee the greatest probability of effectiveness? And how do
we plan and adapt the implementation of these policies to different realities, respecting
cultural and historical differences?

In order to achieve this, it is useful, if not necessary, to be acquainted with scientific
thinking and the accumulation and use of evidence. It is also necessary to understand
our own limitations and cognitive biases that interfere in the decision-making process,
as well as understand the political and social context where decisions need to be made.
This course aims to provide students with the tools necessary to assess public policies
critically and rationally, as well as to evaluate different types of scientific evidence and
understand how and where it is appropriate to include scientific evidence in building
effective public policy.

• Department: Science and Public Policy @Barnard
• R 10:10 a.m.-noon
• Instructor: Natalia Pasternak Taschner
  Wikipedia Info
• 4 points

ADV SPECTROS CHEMISTRY - LECT

Corequisites: CHEM BC3348 This course combines chemical synthesis, inorganic chemistry, physical chemistry, and nanoscience into experiments with an emphasis using spectroscopy to determine chemical structure and reactivity. you will gain experience with a range of instruments, techniques, calculations, and theories. Instrumentation will include UV-Visible, infrared, near-infrared, fluorescence, and Raman spectroscopy.

• Department: Chemistry @Barnard
• Instructor: Marina Orman
  Info
• 0 points

Advanced Spectroscopy, Measurement, and

Adv Spectroscopy Lab

Prerequisites: CHEM BC3333 or 3338 and CHEM BC3253 Corequisites: CHEM BC3271 This course combines chemical synthesis, inorganic chemistry, physical chemistry, and nanoscience into experiments with an emphasis using spectroscopy to determine chemical structure and reactivity. You will gain experience with a range of instruments, techniques, calculations, and theories. Instrumentation will include UV-Visible, infrared, near-infrared, fluorescence, and Raman spectroscopy.

• Department: Chemistry @Barnard
• Instructor: Marina Orman
  Info
• 3 points

Advanced Spectroscopy, Measurement, and

Adv Spectroscopy Lab

Prerequisites: CHEM BC3333 or 3338 and CHEM BC3253 Corequisites: CHEM BC3271 This course combines chemical synthesis, inorganic chemistry, physical chemistry, and nanoscience into experiments with an emphasis using spectroscopy to determine chemical structure and reactivity. You will gain experience with a range of instruments, techniques, calculations, and theories. Instrumentation will include UV-Visible, infrared, near-infrared, fluorescence, and Raman spectroscopy.

• Department: Chemistry @Barnard
• 3 points

HISPANIC CULTURES I (SP)

Prerequisites: L course: enrollment limited to 15 students. Completion of language requirement, third-year language sequence (W3300). Provides students with an overview of the cultural history of the Hispanic world, from eighth-century Islamic and Christian Spain and the pre-Hispanic Americas through the late Middle Ages and Early Modern period until about 1700, covering texts and cultural artifacts from both Spain and the Americas.

• Department: Spanish and Latin American Culture
• Instructor: Almudena Mar N-Cobos
  Info
• Instructor: Alexandra V Mendez
  Info
• 3 points

COLL: THE PROMISES AND PERILS OF IDENTIT

COLL: PROMISES&PERILS ID

In the course, we will engage the decades-long debates around what it means to organize politics around identity in the United States, particularly from the lens of marginalized groups. In the age of American politics where the term “identity politics” is often used as a dismissal or derogation of the experiences of marginalized groups, what exactly is identity politics? What do the contemporary anxieties around identity politics tell us about political life? What are the political possibilities that arise from organizing identity-based movements? Does focusing too much on identity politics overshadow concerns around material redistribution? We will trace the notion of identity politics back to its origins in Black queer feminism in the 1970s, and seek to understand its evolutions to today. We will bridge the work of critical theorists with the empirical study of identity-based politics, focusing on those who have sought to negotiate differences across race, gender, and sexuality.

• Department: Political Science @Barnard
• Instructor: Sonya G Chen
  Info
• 4 points

HISPANIC CULTURES II (SP)

This course surveys cultural production of Spain and Spanish America from the eighteenth to the twenty-first centuries. Students will acquire the knowledge needed for the study of the cultural manifestations of the Hispanic world in the context of modernity. Among the issues and events studied will be the Enlightenment as ideology and practice, the Napoleonic invasion of Spain, the wars of Spanish American independence, the fin-de-siecle and the cultural avant-gardes, the wars and revolutions of the twentieth century (Spanish Civil War, the Mexican and Cuban revolutions), neoliberalism, globalization, and the Hispanic presence in the United States. The goal of the course is to study some key moments of this trajectory through the analysis of representative texts, documents, and works of art. Class discussions will seek to situate the works studied within the political and cultural currents and debates of the time. All primary materials, class discussion, and assignments are in Spanish. This course is required for the major and the concentration in Hispanic Studies.

• Department: Spanish and Latin American Culture
• Instructor: Wadda Rios-Font
  CULPA: 4 h-index: 8 Info
• 3 points

HISPANIC CULTURES II (SP)

This course surveys cultural production of Spain and Spanish America from the eighteenth to the twenty-first centuries. Students will acquire the knowledge needed for the study of the cultural manifestations of the Hispanic world in the context of modernity. Among the issues and events studied will be the Enlightenment as ideology and practice, the Napoleonic invasion of Spain, the wars of Spanish American independence, the fin-de-siecle and the cultural avant-gardes, the wars and revolutions of the twentieth century (Spanish Civil War, the Mexican and Cuban revolutions), neoliberalism, globalization, and the Hispanic presence in the United States. The goal of the course is to study some key moments of this trajectory through the analysis of representative texts, documents, and works of art. Class discussions will seek to situate the works studied within the political and cultural currents and debates of the time. All primary materials, class discussion, and assignments are in Spanish. This course is required for the major and the concentration in Hispanic Studies.

• Department: Spanish and Latin American Culture
• 3 points

PHENOMENOLOGY & EXISTENTIALISM

• Department: Philosophy @Barnard
• Instructor: Taylor Carman
  CULPA: 40 Wikipedia h-index: 19 Info
• 3 points

URBAN ELSEWHERES: EXPLORING A WORLD OF C

We live in an increasingly urbanized world. But what does it mean to be “urban”? As urbanization reaches more corners of the globe, its forms and processes become increasingly diverse.
Urban Elsewheres
is dedicated to investigating this diversity and to exploring the implications that unfamiliar urban phenomena might have for how we understand urbanization—both elsewhere in the world and in our own backyards. Through a comparative engagement with case studies drawn from around the world, this course will challenge some of our most deeply held, common sense assumptions about urbanization. Students will be asked to stretch the conceptual limits of urbanization and explore the social and political possibilities of an expanded urbanism. In doing so, the course will engage with the many of the most heated theoretical debates about urbanization, equipping students with a set of comparative analytical tools with which to explore the wider field of urban studies.

• Department: Urban Studies @Barnard
• F 11:10 a.m.-12:25 p.m.
• Instructor: Nick R Smith
  h-index: None Info
• 4 points

URBAN ELSEWHERES - DISCUSSION

• Department: Urban Studies @Barnard
• 0 points

URBAN ELSEWHERES - DISCUSSION

• Department: Urban Studies @Barnard
• 0 points

URBAN ELSEWHERES - DISCUSSION

• Department: Urban Studies @Barnard
• 0 points

LABORATORY IN EMBRYOLOGY

This lab course will explore the foundational methods of vertebrate embryology. Using both classical and modern experimental approaches, we will identify and manipulate developmental processes such as gastrulation, neurulation, and organogenesis. Students will investigate molecular regulation of patterning and the importance of tissue-tissue interactions during early development. Utilizing modern genetic tools and imaging techiniques, such as digital microscopy, students will have the opportunity to visualize embyrogenesis in real-time. 

Prerequisite: Two terms of introductory biology (BIOL BC1500,BC1502 or equivalent) AND one term of Genetics (BIOL BC2100 or equivalent) AND at least one upper level lab course at the cell and molecular level. OR permission from the instructor.

• Department: Biological Sciences @Barnard
• W 1:10 p.m.-6 p.m.
• Instructor: Rishita Shah
  Info
• 3 points

BIOCHEMISTRY LAB TECHNIQUES

Prerequisites: Organic II lab (CHEM BC3333, BC3335, or equivalent); Quantitative analysis lab (BC3338, BC3340, or equivalent); Biochemistry (CHEM BC3282y, CHEM C3501, or equivalent).

Theory and application of fundamental techniques for the isolation, synthesis and characterization of biological macromolecules including proteins, lipids, nucleotides and carbohydrates. Techniques include spectroscopic analysis, gel electrophoresis, chromatography, enzyme kinetics, immunoblotting, PCR, molecular cloning and cell culture, as well as modern laboratory instrumentation, such as UV-Vis, GC-MS and HPLC.

• Department: Chemistry @Barnard
• Instructor: Rebecca Donegan
  Info
• 5 points

PHYSIOLOGY

Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, BIOL BC1503 or the equivalent. This course examines how mammals carry out basic functions like manipulating objects, sensing the external world, oxygenating tissues, and processing food. Emphasis is placed on (a) how the body regulates itself through the integrated action of multiple organ systems and (b) what goes awry in disease.

• Department: Biological Sciences @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: John Glendinning
  CULPA: 23 h-index: 39 Info
• 3 points

LABORATORY IN PHYSIOLOGY

Prerequisites: Pre- (or co-) requisite is a physiology lecture class (e.g. BIOL BC3360). Enrollment limited to 16. Provides a hands-on introduction to the different physiological systems in vertebrates and invertebrates. Emphasizes the operation of a variety of physiological monitoring devices and the collection and analysis of physiological data.

• Department: Biological Sciences @Barnard
• Instructor: John Glendinning
  CULPA: 23 h-index: 39 Info
• 3 points

CELLULAR & MOLECULAR NEUROSCIENCE

This upper-level lecture course provides an in-depth analysis of neuroscience at the molecular and cellular levels. Topics include: the structure and function of neuronal membranes, the ionic basis of the membrane potential and action potential, synaptic transmission, synaptic plasticity, and sensory transduction.

• Department: Neuroscience & Behavior @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Alexis S Hill
  Info
• 3 points

PSYCHOLOGY OF LEADERSHIP

Prerequisites: Students must have one of the following pre-requisites for this course: PSYC BC1125 Personality Psychology, PSYC BC1138 Social Psychology, or PSYC BC2151 Organizational Psychology, and permission by the instructor. An in-depth examination of the concept of leadership in psychology with an emphasis on womens leadership. Topics include the role of gender, culture, and emotional intelligence as well as an examination of transactional and transformational models. Topics will be discussed with an equal emphasis on theory, research, and application. Students must have prerequisites and permission of the instructor. Enrollment limited to 15.

• Department: Psychology @Barnard
• R 2:10 p.m.-4 p.m.
• Instructor: Tara Well
  CULPA: 4 Info
• 4 points

HEALTH PSYCHOLOGY

Prerequisites: BC1001 and two more psychology courses, and permission of the instructor required. Consideration of research on the interaction of biological, psychological, and social factors related to physical health and illness. Topics include the relationship of stress to illness, primary prevention, mind-body methods of coping with stress and chronic illness (such as meditation), and the relationship between psychological factors and recovery from illness. Enrollment limited to 15.

• Department: Psychology @Barnard
• R 4:10 p.m.-6 p.m.
• Instructor: Tara Well
  CULPA: 4 Info
• 4 points

Neuroscience Frontiers

This course introduces students to a bold, high-risk, high-reward framework for thinking about neuroscience, tracing the field's most transformative discoveries from the action potential through the present day. Each week, students will examine landmark breakthroughs drawn from the last century of neuroscience through the lens of unconventional thinking that prioritizes ambitious questions over incremental research. Students will engage in guided discussions analyzing how risk-tolerant scientific culture has historically driven paradigm shifts, and how those lessons can be applied to today’s unanswered questions. Additionally, scientific discussions will be had about unconventional ideas of memory, consciousness, bioelectricity, brain organoids, and neural regeneration. By the end of the course, students are expected to not only understand the history of modern neuroscience and exciting discoveries in the field today, but to articulate and defend their own vision for what a high-risk, high-reward research agenda in the field might look like. Students are expected to contribute actively to the discussion.

• Department: Neuroscience & Behavior @Barnard
• 4 points

SOCIOLING ASPECTS U.S.SPANISH

Prerequisites: Third-year bridge course (W3300), and introductory surveys (W3349, W3350). Sociolinguistics studies the connections between language and social categories such as class, gender, and ethnicity. This course will address how social, geographic, cultural, and economic factors affect the different usages of Spanish among its millions of speakers. Through theory and practice of various research tools including Ethnography of Communication and Discourse Analysis, students with explore topics such as English-Spanish contact in the US, code-switching, and Spanglish, as well as issues of identity, bilingualism, and endangered languages.

• Department: Spanish and Latin American Culture
• Instructor: Maria E Lozano
  CULPA: 7 Info
• 3 points

THE NEURAL CODE

By the end of this course you'll understand some of the canonical principles underlying how brains encode information. You'll become familiar with the most influential frameworks and models for describing the encoding and transfer of information in the brain and you'll dive into the paradigms that generate or motivate these coding frameworks. Prerequisites: Introduction to Neuroscience (NSBV BC 1001) and either Systems and Behavioral neuroscience (NSBV BC 3001), or a Stats course (NSBV BC2002, PSYC BC1101, PSYC UN1610, STAT UN1101, STAT UN1201), or a computer science course (such as any of the following: COMS BC1016+lab COMS BC1017, COMS W1001, COMS W1002, COMS W1004), or any bioengineering course, or permission of the instructor. Students will complete a brief survey during registration to determine whether they meet the prerequisites.

• Department: Neuroscience & Behavior @Barnard
• Instructor: Gabrielle J Gutierrez
  Info
• 4 points

RESRCH SEMINAR IN HISTORY II

Prerequisites: Open to Barnard College History Senior Majors. Individual guided research and writing in history and the presentation of results in seminar and in the form of the senior essay. See Requirements for the Major for details.

• Department: History @Barnard
• W 4:10 p.m.-6 p.m.
• Instructor: Angelo Caglioti
  h-index: 2 Info
• 4 points

PSYCHOBIOLOGY OF SLEEP

This seminar will explore sleep and circadian rhythms, emphasizing how these factors and their disruption influence human health, disease, function, and well-being. Topics will include the physiologic and neurobiological generation of sleep and circadian rhythms, and the interaction between these systems with cognitive, behavioral, endocrine, metabolic, and mood/psychiatric variables in humans, as well as sleep disorders and their treatment.

NOTE: The course description is the same for the fall/spring course and the summer course.

• Department: Neuroscience & Behavior @Barnard
• F 10:10 a.m.-noon
• Instructor: Ari Shechter
  CULPA: 2 h-index: 23 Info
• 4 points

COSTUME DESIGN

Studio course exploring designing costumes for the stage. Students become familiar with textual and character analysis, research, sketching and rendering, swatching and introductory costume history. 

Application Instructions for full semester fall and spring courses: E-mail the instructor with the title of the course in the subject line. In your message, include basic information: your name, school, major, year of study, and relevant courses taken, along with a brief statement about why you are interested in taking the course. Admitted students should register for the course; they will automatically be placed on a wait list, from which the instructor will admit them as spaces become available.

For summer courses:  Application not required.  Register directly for the course.

• Department: Theatre @Barnard
• F 11 a.m.-1:50 p.m.
• Instructor: Soule Golden
  Info
• 3 points

LIGHTING DESIGN

Prerequisites: Enrollment limited to 12 students. Focuses on both the technical and creative aspects of theatrical lighting design. Students will learn the role of lighting within the larger design and performance collaboration through individual and group projects, readings, hands-on workshops, and critique of actual designs. 

Application Instructions: E-mail the instructor (
acasey@barnard.edu
) with the title of the course in the subject line. In your message, include basic information: your name, school, major, year of study, and relevant courses taken, along with a brief statement about why you are interested in taking the course. Admitted students should register for the course; they will automatically be placed on a wait list, from which the instructor will admit them as spaces become available.

• Department: Theatre @Barnard
• T 9:35 a.m.-11:50 a.m.
• Instructor: Autum Casey
  Info
• 3 points

NEUROSCIENCE OF TRAUMA

This course is a comprehensive review of the neural basis of the emotional, cognitive and behavioral responses to traumatic events.  The
acute
experience of trauma and the
memory
of the trauma may influence neural processes influencing social relatedness, attachment, emotional regulation, physiological homeostasis and the stress response.  Neuroscientific research provides insight into these processes and informs pharmacological and psychotherapeutic interventions for individual survivors.

Students will review neuroscientific theoretical models and research relevant to the neurobiology, neurophysiology, neuroanatomy and neurodevelopmental processes underlying the traumatic response. The neuroendocrine system and its relevance will also be reviewed.   The course will begin with a critical review of the Diagnostic and Statistical Manual (DSM) diagnosis of Trauma and Stressor Related Disorders, to acquire an understanding of the symptoms and diagnosis.  Next, students will review theory and research relevant to trauma and neurobiology, neuroanatomy and neurophysiology.  Finally, students will critique the application of these research findings to the design of current “neuro-informed” therapeutic interventions.  Throughout the course, individual case studies will provide insight into the brain’s influence on symptomatology and foster greater understanding and sensitivity to the personal post-traumatic experience.

• Department: Neuroscience & Behavior @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: E'Mett McCaskill
  CULPA: 38 Info
• 3 points

HUMAN-CENTERED SOCIAL NETWORK ANALYSIS

HUMAN-CNTRD SOC NTWK ANAL

Social media platforms enable millions of people to contribute their own information to web-enabled systems. This course prepares students to grapple with and analyze this information as they explore questions at the intersection of computational systems and social behavior. Student projects focus on studying real-world challenges and opportunities in current social media platforms by analyzing the vast amounts of data people leave behind, applying both computational and qualitative techniques. Readings and discussions guide students in reasoning about the ethics of working with this kind of data and approaching it from a human-centered perspective. Students must be comfortable with programming in python.

• Department: Computer Science @Barnard
• Instructor: Ahmer Arif
  Info
• 4 points

SERIAL HORROR

Cannibals! Orphans! Strikes! Vampires! This course asks how do horror stories

employ suspense and disgust to unsettle political, social, and ethical complacency in the hearts and minds of readers and audiences? We will consider the pan-media global adaptations, translations, reiterations, and afterlives of several powerful horror stories—maritime, domestic, industrial, and supernatural-- as they serially repeat across national borders, languages, historical periods, and delivery platforms, from novels, plays, and film to an underwater sculpture, photographs, paintings, advertisements, a graphic novel, and other aesthetic forms. We will read each adaptation in synchronic dialogue with its companions, in diachronic perspective, and through relevant theoretical lenses, comparing the priorities of aesthetic form in the context of the national, cultural, and the historical contingencies of class and race difference. Texts may include the
Raft of the Medusa, Jane Eyre, Mary Barton, Germinal, Dracula
and the
Dybbuk.
Familiarity with French, Yiddish, Russian, Wolof (
Atlantique
), Korean (
Parasite
) and Persian (
A Girl Walks Home Alone at Night
) welcome but not required. All majors welcome!

(To count this course for the English major, all writing must focus on works originally published in English.)

• Department: English @Barnard
• Instructor: Monica F Cohen
  CULPA: 8 Info
• 3 points

INTRODUCTION URBAN SOCIOLOGY

Prerequisites: Students must attend first class. Examines the diverse ways in which sociology has defined and studied cities, focusing on the people who live and work in the city, and the transformations U.S. cities are undergoing today. Sociological methods, including ethnography, survey research, quantitative studies, and participant observation will provide perspectives on key urban questions such as street life, race, immigration, globalization, conflict, and redevelopment.

• Department: Urban Studies @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Aaron Passell
  CULPA: 8 h-index: 3 Info
• 3 points

ASIAN POLITICS

• Department: Political Science @Barnard
• Instructor: Sonya G Chen
  Info
• 3 points

Computational Sound

COMPUTATIONAL SOUND

In this course, we explore the variety of roles that computation can play in the analysis, creation, and performance of music. We start with the fundamentals of sound in the digital domain, covering issues of representation and audio synthesis. We then move through various synthesis techniques including the additive, subtractive, frequency modulation (FM), and amplitude modulation (AM) synthesis. After covering some core DSP techniques, we put these concepts into performative practice by exploring “live coding”. In the space of live coding, we examine various programming language designs to understand how various domain specific languages (DSLs) support live coding. For the third module, we turn our focus to automated composition and analysis, addressing challenges in music information retrieval, generative art, and autonomous improvisation systems. All the while, we continue to develop our fluency in live coding by putting new topics to practice.

• Department: Computer Science @Barnard
• Instructor: Mark Santolucito
  CULPA: 1 h-index: 8 Info
• 3 points

COLL: LAW AND VIOLENCE

Prerequisites: Admission by application through the Barnard Political Science Department only. Enrollment limited to 16 students. Requires POLS 1011 (Political Theory) or equivalent. This colloquium examines how the law can participate in the justification of various forms of violence, exclusion, and inequality. It focuses on the power of law to determine which subjects get recognized as persons entitled to rights. Possible topics include slavery, migration, gender, sexual orientation, disability, homelessness, and nonhuman animals.

• Department: Political Science @Barnard
• Instructor: Ayten Gundogdu
  CULPA: 20 h-index: 8 Info
• 4 points

TAP III

Prerequisites: DNCE BC2447, BC2448, or permission of instructor.

Tap III is an advanced level tap class for students who have 5 or more years of tap dance training. We will cover tap technique, proper use of the body to enhance sound quality and style, a variety of musical genres and structures, and improvisation.

• Department: Dance @Barnard
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Dormeshia Sunbry-Edwards
  Info
• 2 points

NEIGHBORHOOD & COMMUNITY DVLP

New York City is made up of more than 400 neighborhoods. The concept of neighborhoods in cities has had many meanings and understandings over time. Equally complex is the concept of community used to describe the people attached to or defined by neighborhood. While neighborhood can be interpreted as a spatial, social, political, racial, ethnic, or even, economic unit; community often refers to the group of stakeholders (i.e. residents, workers, investors) whose interests directly align with the conditions of their environment. Community development is “a process where these community members come together to take collective action and generate solutions to common problems” that result from the changing contexts in their neighborhoods. Using a variety of theories and approaches, residents organize themselves or work with community development practitioners on the ground to obtain safe, affordable housing, improve the public realm, build wealth, get heard politically, develop human capital, and connect to metropolitan labor and housing markets. To address the ever-changing contexts of neighborhoods, community development organizations are taking on new roles and adapting (in various cases) to larger forces within the city, region and nation such as disinvestment, reinvestment, increased cultural diversity, an uncertain macroeconomic environment, and changes in federal policy. For more than a century, city-dwellers—and especially New Yorkers—have been tackling these challenges. This course will examine both historic and contemporary community building and development efforts, paying special attention to approaches which were shaped by New York City. This urban center, often described as a “city of neighborhoods,” has long been a seedbed for community-based problem-solving inventions. The course will focus on the theories (why?), tools (how?), and actors (who?) within the field of community development practice and is organized around important sectors (housing, econom

• Department: Urban Studies @Barnard
• Instructor: Faculty
  h-index: 37 Info
• 3 points

URBAN ENVIRONMENTAL JUSTICE: GENDER, RAC

In this course we will explore urban environmental inequalities through the lens of environmental justice.  The concept of environmental justice has risen in prominence in the language of environmental activism, politics, and policymaking. Informed by critical studies of the environment, we will address the broad question of why, for some, the environment is representational of a healthy lifestyle and source of prosperity, while for others it is a source of risk and harm. Our course of study invites students to critically analyze environmental justice case studies and to develop an understanding of the complex relationships among urban populations and the social, political, and economic processes that lead to environmental inequality. We will also explore how racism is foundational to environmental exploitation and consider why global struggles for racial justice are crucial for protecting both people and the earth. We will pay particular attention to how environmental health inequalities are linked to race, class, gender, and nation. Drawing from academic texts, films, and photo essays we will explore how urban planning and economic development policies create environmental inequalities in the US and globally.

• Department: Urban Studies @Barnard
• TR 5:40 p.m.-6:55 p.m.
• 3 points

PUERTO RICO: COLONIAL EXPRNCE

Prerequisites: Third-year bridge course (W3300), and introductory surveys (W3349, W3350). This course analyzes how political conflicts and cultural attitudes emerged in Puerto Rico throughout colonial Spanish rule (1492-1898) reappear or influence developing thought after the transfer of sovereignty to the United States and through the 1952 creation of the Commonwealth, as manifested in legal, journalistic, literary, and other cultural works.

• Department: Spanish and Latin American Culture
• Instructor: Wadda Rios-Font
  CULPA: 4 h-index: 8 Info
• 3 points

FIELD WORK & RESEARCH SEMINAR: TODDLER C

FLD WRK&RSRCH SEM:TODDLR CENT

This is a two-semester course. Those interested in applying for Fall 2026-Spring 2027 should email 
toddlercenter@barnard.edu
 to sign up for information sessions and receive details on the application process. PSYC BC2129 Developmental Psychology (with or without PSYC BC2128 lab) is a prerequisite, as well as permission of the instructor.

This advanced course in developmental psychology integrates theory, research, and practice at the Barnard Toddler Center,  a state-of-the-art center serving 18-36 month old children and their families. Students in the course participate as student teachers alongside an experienced staff one morning per week. Everybody gathers in a weekly seminar to discuss the intellectual concepts and research that help explain toddler behavior and the center's educational practices. In the fall semester, the focus is on developing a skillful practice when working with children and understanding the foundations of toddler development using current science and psychological theories. In the spring semester, student teaching continues, and the class carries out new research projects at the center, guided by the instructor, on topics such as the emerging concept of self, language and cognition, social interactions, emotional development, spatial and physical exploration, and parenting philosophies.

• Department: Psychology @Barnard
• T 2:10 p.m.-4 p.m.
• Instructor: Anna Shusterman
  Info
• 4 points

THE AMERICAN SUPERNATURAL

In this course, we'll consider American texts about the supernatural. We'll begin in the colonial period, when many New Englanders interpreted surprising events as divine or demonic interventions. We'll look at texts about Salem witchcraft and colonial revivals, comparing the way authors argue that these events are supernatural or natural, divine or diabolical. We'll then consider American writers who use the supernatural to explore the human mind, issues of class and gender, and questions of history and identity. Throughout the course, we’ll also consider the way that supernatural stories function as entertainment, and consider the implications of choosing to entertain ourselves and each other with fear and wonder.

• Department: English @Barnard
• Instructor: Lisa Gordis
  CULPA: 15 Info
• 4 points

CLINICAL FIELD PRACTICUM

Prerequisites: Three psychology courses and permission of the instructor required during program planning the fall semester before the course is offered. Enrollment limited to 12 students; seniors are given priority. This course introduces students to clinical and counseling work, and to psychodynamic ways of understanding and supporting people in psychological distress. Students secure a clinical placement for the course, and apply readings on psychodynamic notions of parenting, psychopathology, and therapeutic process to their clinical experiences. The course helps students clarify their professional goals, and provides the clinical experience that strengthens applications to social work programs, and that is required for applications to clinical and counseling doctoral programs.

• Department: Psychology @Barnard
• R 12:10 p.m.-2 p.m.
• Instructor: Julia Sheehy
  Info
• 4 points

ADVANCED WORKSHOP TRANSLATION

Maurice Blanchot once described translators as the “hidden masters of culture.” Indeed, though our labor and craft often go unrecognized in the age of Google Translate, translators play an essential role as tastemakers, bridge-builders, advocates, and diplomats, not to mention the most intimate readers and re-writers of literature. In this workshop, we will explore translation as a praxis of writing, reading, and revision. Together, we will also interrogate translation's complex and often fraught role in cultural production. What ethical questions does translation raise? Who gets to translate, and what gets translated? What is the place of the translator in the text? What can translation teach us about language, literature, and ourselves? Readings will include selections from translation theory, method texts, and literary translations across genres, from poetry and prose to essay and memoir. Students will workshop original translations into English and complete brief writing and translation exercises throughout.

• Department: Comparative Literature and Society @Barnard
• Instructor: Daniella Gitlin
  Info
• 4 points

SENIOR SEMINAR II

Individual research in Womens Studies conducted in consultation with the instructor. The result of each research project is submitted in the form of the senior essay and presented to the seminar.

• Department: Women's and Gender Studies
• T 2:10 p.m.-4 p.m.
• Instructor: Julia Bryan-Wilson
  Wikipedia Info
• 4 points

ROMARE BEARDEN:HOME IS HARLEM

Prerequisites: This course is limited to 20 students Romare Bearden: Home is Harlem, is an exploration into one of the greatest American artists finding home in Harlem. The noted painter, collagist, intellectual and advocate for the arts, spent his childhood and young adult life in Harlem. Known for chronicling the African-American experience, he found rich sources for artistic expression in the Manhattan neighborhoods above 110th Street.

• Department: Africana Studies (AFSB)
• W 10:10 a.m.-noon
• Instructor: Diedra Harris-Kelley
  Info
• 4 points

JUNIOR SEMINAR IN URBAN STUDIES

JR SEMINAR IN URBAN STUDI

Prerequisites: Non-majors admitted by permission of instructor. Students must attend first class. Enrollment limited to 16 students per section. Evaluation of current political, economic, social, cultural and physical forces that are shaping urban areas.

• Department: Urban Studies @Barnard
• T 12:10 p.m.-2 p.m.
• None None-None
• Instructor: Christian Siener
  CULPA: 1 Info
• Instructor: Faculty
  h-index: 37 Info
• 4 points

BLACK WOMEN STYLE&PERFRMNCE

• Department: Africana Studies (AFSB)
• F 10:10 a.m.-noon
• Instructor: Shirley Taylor
  Info
• 4 points

The Arabic Novel

The novel in Arabic literature has often been the place where every attempt to look within ends up involving the need to contend with or measure the self against the European, the dominant culture. This took various forms. From early moments of easy-going and confident cosmopolitan travellers, such as Ahmad Faris al-Shidyaq, to later author, such as Tayeb Salih, mapping the existential fault lines between west and east. For this reason, and as well as being a modern phenomenon, the Arabic novel has also been a tool for translation, for bridging gaps and exposing what al-Shidyaq—the man credited with being the father of the modern Arabic novel, and himself a great translator—called ‘disjunction’. We will begin with his satirical, deeply inventive and erudite novel, published in 1855, Leg Over Leg. It is a book with an insatiable appetite for definitions and comparisons, with Words that had been lost or fell out of use (the author had an abiding interest in dictionaries that anticipates Jorge Louis Borges) and with locating and often subverting moments of connection and disconnection. We will then follow along a trajectory to the present, where we will read, in English translation, novels written in Arabic, from Egypt, Syria, Sudan, Morocco and Palestine. We will read them chronologically, starting with Leg Over Leg (1855) and finishing with Minor Detail, a novel that was only published last year.  Obviously, this does not claim to be a comprehensive survey; for that we would need several years and even then, we would fall short. Instead, the hope is that it will be a thrilling journey through some of the most facinating fiction ever written. Obviously, this does not claim to be a comprehensive survey; for that we would need several years and even then, we would fall short. Instead, the hope is that it will be a thrilling journey through some of the most fascinating fiction ever written.

• Department: Comparative Literature and Society @Barnard
• Instructor: Hisham Matar
  CULPA: 2 Wikipedia Info
• 4 points

Art & Culture in Harlem

Harlem is a community with a long and storied legacy of arts and entertainment that dates back to the late 1800s. Its legacy extends through the many cultural movements that have helped to define the community such as the Harlem Renaissance in the early 1900s, the Black Arts Movement in the 1960s, and Hip Hop in the 1970s and 1980s, to the current renaissance of venues that anchor Harlem as a neighborhood vibrant with varied opportunities for cultural engagement. Harlem is home to several historic and iconic venues devoted to the arts and entertainment such as the Apollo Theater, Dance Theatre of Harlem, the Studio Museum in Harlem, and the National Black Theatre. These and many other venues along with many others throughout the neighborhood have helped to anchor Harlem as a beacon for Black creative expression that has been instrumental in shaping American culture. The Schomburg Center for Research in Black Culture, part of the New York Public Library, stands as a repository for much of this history and as an emblem of Harlem’s extensive cultural history. In recent years, Harlem has also seen a burgeoning of new galleries, performance spaces, and cultural events that have reignited and brought new audiences to the community. In this course, we will explore Harlem’s early history and how it evolved from a place known primarily for its entertainment venues to one with a mix of standard and more cutting edge artistic and cultural ventures. Community, politics, and economics will also be considered as we look at various cultural and artistic movements. As part of our exploration, we will examine whether shifts in demographics and the ideas, notions, and sometimes, myths about the neighborhood have influenced arts and entertainment in the community. We will seek to define what distinguishes arts and entertainment in Harlem from other New York City neighborhoods and how Harlem has contributed over the years to Black arts and entertainment in NYC and beyond. This course will include visits to venues and visits from guest speakers, all relative to in-class discussions and deeper exploration of the space arts and entertainment have continued to hold for the community and for the people of Harlem. Along with guided walking tours, visits to selected venues will help to delineate Harlem’s cultural past and its continuing evolution through the work of artists, curators, administrators, scholars, culture bearers, and others. Students are encouraged to attend events at some of the institutions and venu

• Department: Africana Studies (AFSB)
• F 12:10 p.m.-2 p.m.
• Instructor: Shirley Taylor
  Info
• 4 points

DRUGS & POLITICS IN AMERICAS

A major challenge for governments across the Western Hemisphere is the complex relationship between illicit drugs, violence, and politics. We can see this relationship operating at multiple levels, from everyday politics in gang-controlled neighborhoods to the global arenas where governments debate and craft international drug policy. These links also reach back in history to global wars of empire and colonial rule, race relations during and following the collapse of the institution of slavery, and contemporary drug wars being waged across the Western Hemisphere and other parts of the world. Today, the dynamics and consequences of the politics of illicit drugs touch all our lives in different ways, including individual and family struggles with substance abuse, everyday encounters with militarized police, and the strains on democracy and citizenship, among many others. This course will examine some of these dynamics and consequences with a theoretical and empirical focus mainly on Latin America and the United States. Throughout our time together we will connect these pressing issues to broader theories, concepts and empirical findings in political science. The course is divided into several individual modules (denoted below with the headings A – G) under three overarching themes for this semester:

 

1. Politics of Drugs in a Historical Perspective:
The first theme is a broad historical overview of the political origins of illicit drugs and the global drug regime. Some of the main questions we will tackle are: When and why did states label drugs as illicit?  How did domestic and global politics come together to shape the global drug regime and the “war on drugs?” What role did race and gender play in the early social construction of illicit drugs?

 

2. Illicit Drugs, Politics and Governance:
The second theme focuses on contemporary linkages between illicit drugs, violence, and politics. Here we will examine the conditions under which illicit drug markets are either violent or (relatively) peaceful. We will tackle questions like: Do states always seek to dismantle drug markets? What is the relationship between illicit drugs and electoral politics? What role do illicit drugs play in governance by armed non-state actors?  Are states and criminal actors involved in the drug trade always at “war” with each other? 


3. Democracy, Citizenship, and the War on Drugs:
The th

• Department: Political Science @Barnard
• Instructor: Eduardo Moncada
  CULPA: 2 h-index: 12 Info
• 4 points

COMPOSITION:SITE/EXPERIMENTAL

• Department: Dance @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Caroline Fermin
  Info
• 3 points

DEVISING IMMERSIVE PERFORMANCE

This course is designed as a workshop in both immersive devising and performance skills, revolving around the creation and execution of an immersive experience. Through a collaborative devising process, students will explore possibilities of environmental, site-specific, experiential, and ambulatory design. Students will develop compositional structures and strategies for creating content, create and develop embodied characters, as well as design and physically navigate the particular architecture of a performance environment. Students will also hone skills specific to interactive performance such as maneuvering audience, gaze, breath work, and choice making and improvisation within the parameters of storytelling.

• Department: Dance @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Elisa R Davis
  Info
• 3 points

SR SEM IN BIOLOGY

Required for all majors who do not select the year-long Senior Thesis Research & Seminar (BIOL BC3593 & BC3594) to fulfill their senior capstone requirement. These seminars allow students to explore the primary literature in the Biological Sciences in greater depth than can be achieved in a lecture course. Attention will be focused on both theoretical and empirical work. Seminar periods are devoted to oral reports and discussion of assigned readings and student reports. Students will write one extensive literature review of a topic related to the central theme of the seminar section. 
Topics vary per semester and include, but are not limited to:
 Plant Development
, 
Animal Development & Evolution,
 Molecular Evolution, Microbiology & Global Change, Genomics, Comparative & Reproductive Endocrinology, and Data Intensive Approaches in Biology.

• Department: Biological Sciences @Barnard
• F 9:10 a.m.-11 a.m.
• M 4:10 p.m.-6 p.m.
• Instructor: Rishita Shah
  Info
• Instructor: Hilary Callahan
  CULPA: 4 h-index: 17 Info
• 4 points

GUIDED RESEARCH & SEMINAR

This year-long course is open to junior and senior Biology majors and minors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give a poster presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills two upper-level laboratory requirements for the Biology major or minor. This course must be taken in sequence, beginning with BIOL BC3591 in the Fall and continuing with BIOL BC3592 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3593-BIOL BC3594.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

GUIDED RESEARCH & SEMINAR

This year-long course is open to junior and senior Biology majors and minors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give a poster presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills two upper-level laboratory requirements for the Biology major or minor. This course must be taken in sequence, beginning with BIOL BC3591 in the Fall and continuing with BIOL BC3592 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3593-BIOL BC3594.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

NEUROSCIENCE GUIDED RESEARCH

Neuroscience research commonly generates datasets that are increasingly complex and large. Open science and data sharing platforms have emerged across a wide range of neuroscience disciplines, laying the foundation for a transformation in the way scientists share, analyze, and reuse immense amounts of data collected in laboratories around the world. This class is designed to introduce students to several open source databases that span multiple investigative levels of neuroscience research. Students will utilize the datasets to conduct individual research projects.

• Department: Neuroscience & Behavior @Barnard
• M 1:10 p.m.-5 p.m.
• None None-None
• Instructor: Kara Pham
  CULPA: 9 Info
• Instructor: Faculty
  h-index: 37 Info
• 4 points

SR PROJECT:REPERTORY FOR DANCE

Independent study for preparing and performing repertory works in production to be presented in concert.

• Department: Dance @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Marjorie Folkman
  CULPA: 2 Info
• Instructor: Vincent McCloskey
  CULPA: 2 Info
• 3 points

SENIOR THESIS RESEARCH & SEMINAR

SR THESIS RESEARCH & SEMI

This year-long course is open to senior Biology majors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give an oral presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills the senior capstone requirement for the Biology major. This course must be taken in sequence, beginning with BIOL BC3593 in the Fall and continuing with BIOL BC3594 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3591-BIOL BC3592.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

SENIOR THESIS RESEARCH & SEMINAR

SR THESIS RESEARCH & SEMI

This year-long course is open to senior Biology majors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give an oral presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills the senior capstone requirement for the Biology major. This course must be taken in sequence, beginning with BIOL BC3593 in the Fall and continuing with BIOL BC3594 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3591-BIOL BC3592.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

RSRCH/SEM-NEUROSCNC&BEHAVIOR

Prerequisites: Open to senior Neuroscience and Behavior majors. Permission of the instructor. This is a year-long course. By the end of the spring semester program planning period during junior year, majors should identify the lab they will be working in during their senior year. Discussion and conferences on a research project culminate in a written and oral senior thesis. Each project must be supervised by a scientist working at Barnard or at another local institution. Successful completion of the seminar substitutes for the major examination.

• Department: Neuroscience & Behavior @Barnard
• R 4:10 p.m.-5:55 p.m.
• Instructor: Russell D Romeo
  CULPA: 9 Info
• Instructor: Peter D Balsam
  CULPA: 25 Info
• Instructor: Alex White
  h-index: 13 Info
• Instructor: Kevin G Bath
  Info
• 4 points

GUIDED RESEARCH

Similar to BIOL BC3591-BIOL BC3592, this is a one-semester course that provides students with degree credit for unpaid research 
without 
a seminar component. You may enroll in BIOL BC3597 for between 1-4 credits per semester. As a rule of thumb, you should be spending approximately 3 hours per week per credit on your research project.

A 
Project Approval Form
 must be submitted to the department each semester that you enroll in this course. Your Barnard research mentor (if your lab is at Barnard) or internal adviser in the Biology Department (if your lab is elsewhere) must approve your planned research 
before
 you enroll in BIOL BC3597. You should sign up for your mentor's section. 

This course does not fulfill any Biology major requirements.  It is open to students beginning in their first year.

• Department: Biological Sciences @Barnard
• Instructor: Rafael Marcondes
  Info
• Instructor: Hilary Callahan
  CULPA: 4 h-index: 17 Info
• Instructor: John Glendinning
  CULPA: 23 h-index: 39 Info
• Instructor: Jordan Balaban
  Info
• Instructor: Jj L Miranda
  CULPA: 3 Info
• Instructor: Alison Pischedda
  CULPA: 3 h-index: 11 Info
• Instructor: Jonathan Snow
  CULPA: 7 h-index: 18 Info
• Instructor: Brian Morton
  CULPA: 21 Info
• Instructor: Jennifer H Mansfield
  CULPA: 2 h-index: 15 Info
• Instructor: Gabrielle Corradino
  Info
• Instructor: Jessica Goldstein
  CULPA: 14 Info
• Instructor: Emlyn J Resetarits
  Info
• 1-4 points

PROBLEMS IN CHEMISTRY

Prerequisites: CHEM BC3328 and permission of instructor. Individual research projects at Barnard or Columbia, culminating in a comprehensive written report.

• Department: Chemistry @Barnard
• Instructor: Christian Rojas
  CULPA: 24 Info
• Instructor: Marisa C Buzzeo
  CULPA: 2 Info
• Instructor: Dina C Merrer
  CULPA: 24 Info
• Instructor: Andrew C Crowther
  CULPA: 1 Info
• Instructor: Michael Campbell
  Info
• Instructor: Rachel Austin
  CULPA: 18 Wikipedia h-index: 28 Info
• Instructor: Christina Vizcarra
  CULPA: 1 Info
• 2 points