DEVELOPMENTAL PSYCH - LAB

Prerequisites: PSYC BC1001, BC1020, BC1101. Corequisites: PSYC BC2129 Developmental Psychology Lecture. Laboratory course involving experiments related to cognitive, linguistic, perceptual, motor, social, affective, and personality development from infancy to adolescence. The course offers an opportunity for direct observation of children; major areas of research at each level of development are covered.

• Department: Psychology @Barnard
• M 1:10 p.m.-4 p.m.
• W 9:10 a.m.-noon
• 2.5 points

DEVELOPMENTAL PSYCHOLOGY-LEC

Prerequisites: PSYC BC1001 Introduction to Psychology or COGS UN1001 Introduction to Cognitive Science or permission of the instructor. Lecture course covering cognitive, linguistic, perceptual, motor, social, affective, and personality development from infancy to adolescence. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2128, however, if a student completes this lecture, she cannot enroll in the lab in a later semester. The following Columbia University course is considered overlapping and a student cannot receive credit for both the BC course and the equivalent CU course: PSYC UN2280 Introduction to Developmental Psychology.

• Department: Psychology @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Koleen McCrink
  CULPA: 6 h-index: 17 Info
• 3 points

SOCIAL PSYCHOLOGY - LAB

Prerequisites: BC1001, BC1020, BC1101. Corequisites: BC2138 Social Psychology Lecture. Laboratory course covering contemporary theory and research on social thought and behavior. Issues such as person perception, attitudes, attraction, aggression, stereotyping, group dynamics, and social exchange will be explored. The application of theory and research to addressing social problems will be discussed.

• Department: Psychology @Barnard
• T 1:10 p.m.-4 p.m.
• Instructor: Faculty
  h-index: 37 Info
• 2.5 points

BALLET III

This course is designed for intermediate dancers who are interested in maintaining their established ballet technique as well as advancing their knowledge and familiarity with the classical vocabulary. Students of Ballet III should have completed two semesters of Ballet II or it’s equivalent, or one semester of Ballet III or its equivalent, and have a firm mental and physical understanding of barre exercises (plié, battement tendu, battement dégagé, rond de jambe à terre, battement fondu, frappé, and grand battement), as well as general center concepts such as adagio, waltz, pirouettes, and petit allegro (including changement, glissade, jeté, and assemblé). This is a graded, semester long, two credit course.

• Department: Dance @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Antonio Carmena
  Info
• 2 points

SOCIAL PSYCHOLOGY-LEC

SOCIAL PSYCHOLOGY-LECTURE

Prerequisites: BC1001 or permission of the instructor. Lecture course covering contemporary theory and research on social thought and behavior. Issues such as person perception, attitudes, attraction, aggression, stereotyping, group dynamics, and social exchange will be explored. The application of theory and research to addressing social problems will be discussed. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2137, however, if a student completes this lecture, she cannot enroll in the lab in a later semester. The following Columbia University course is considered overlapping and a student cannot receive credit for both the BC course and the equivalent CU course: PSYC UN2630 Social Psychology.

• Department: Psychology @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Kate M Turetsky
  Info
• 4 points

BALLET IV

This course is designed for advanced intermediate dancers who are interested in maintaining their established ballet technique as well as advancing their knowledge and familiarity with the classical vocabulary. Students of Ballet IV should have completed two semesters of Ballet III or its equivalent, or one semester of Ballet IV or its equivalent, and have a firm mental and physical understanding of ballet technical exercises. These include all barre exercises (plié, battement tendu, battement dégagé, rond de jambe à terre, battement fondu, battement frappé, and grand battement), as well as center exercises including adagio, waltz, pirouettes, petit allegro, and grand allegro. Focus of this class will be on how to practice ballet safely, efficiently, musically, and joyfully.

• Department: Dance @Barnard
• MW 2:40 p.m.-3:55 p.m.
• F 11 a.m.-12:50 p.m.
• Instructor: Cynthia Anderson
  Info
• Instructor: Juan Rodriguez
  Info
• 2 points

Critical Approaches in Social and Cultur

This course examines the conceptual foundations that support feminist and queer analyses of racial capitalism, security and incarceration, the politics of life and health, and colonial and postcolonial studies, among others. Open to all students; required for the major in Women’s, Gender, and Sexuality Studies (WGSS) and the Interdisciplinary Concentration or Minor in Race and Ethnicity (ICORE/MORE).

• Department: Women's, Gender, Sexuality Studies @Barnard
• Instructor: Marisa Solomon
  Info
• 3 points

The Dog

Who's a good dog? The history of the species (a member of which might be napping on your bed right now) is intertwined with human history since the late Pleistocene. In this lecture course we turn our gaze to the animal who is famous for their gaze toward and interest in us: the domestic dog,
Canis familiaris
.

Dogs are not just good bed-warmers and companions: they are also an excellent introduction into how behavioral science is conducted; an example of the rapid effect of genetic changes; and a case study in how science influences animals' social and legal roles in society. We will look at the history of the development of the species and the recent further development into hundreds of types of purebred dogs. As a domesticated species, dogs are an example of the effect of artificial selection on appearance and behavior. We will discuss the genetic markers underpinning those effects. Dogs also have had a long role in psychological science, and their history, from Pavlov's experiments to present day, traces the history of behaviorism and the cognitive revolution in the field. We will consider the perceptual world of dogs and the importance of understanding sensory capacity in study design. We will spend several weeks on highlights from recent cognitive studies of dogs demonstrating dogs' surprising capacities in areas previously thought to be solely humans' province. Working from video examples, we will learn to describe behaviors objectively, and will discuss how to develop testable hypotheses of the function of seen behavior. We will conclude the semester with a consideration of the future of dogs in science and in our lives.

• Department: Psychology @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Alexandra C Horowitz
  CULPA: 23 Wikipedia Info
• 3 points

INTERSECTIONAL FEMINISMS

Enrollment for this class is by instructor approval and an application is required. Please fill out the form here: 
https://forms.gle/bPsV7rcf5RWB35PM9

This introductory course for the Interdisciplinary Concentration or Minor in Race and Ethnicity (ICORE/MORE) as well as Majors/Minors in Women's, Gender, and Sexuality Studies (WGSS) is open to all students. We focus on the critical study of social difference as an interdisciplinary practice, using texts with diverse modes of argumentation and evidence to analyze social differences as fundamentally entangled and co-produced. Because of the interdisciplinary nature of this course, the professor will frequently be joined by other faculty and guest speakers who bring distinct disciplinary and subject matter expertise. Some keywords for this course include hybridity, diaspora, borderlands, migration, and intersectionality.

• Department: Women's, Gender, Sexuality Studies @Barnard
• Instructor: Faculty
  h-index: 37 Info
• 3 points

ORGANIZATIONAL PSYCHOLOGY

Prerequisites: BC1001 or permission of the instructor. Enrollment strictly limited to 45 students; decided upon and finalized first week of classes. Introduction to behavior of individuals and small groups in work organizations. Recent theory and research emphasizing both content and research methodology. Motivation and performance, attitudes and job satisfaction, power, influence, authority, leadership, cooperation and conflict, decision making, and communications. Enrollment limited to 45; and only seniors.

• Department: Psychology @Barnard
• TR 7:40 p.m.-8:55 p.m.
• Instructor: Elisabeth Mah
  Info
• 3 points

CLINICAL LABORATORY

Prerequisites: BC1001, BC1020, BC1101. Corequisite: PSYC BC2156 Clinical Psychology lecture. The purpose of the lab is to teach students the research methods involved in creating clinical psychological science. Students gain hands-on practice with clinical psychology research methods. In the first half of the lab students conduct classroom exercises demonstrating concepts such as reliability and validity and research methodologies such as randomized controlled trials (RCTs) and treatment fidelity. In the second half of the class students design and run a research study. Basic methodological issues will be explored in depth, including research ethics, conducting literature reviews and writing up a scientific report in APA style.

• Department: Psychology @Barnard
• T 9:10 a.m.-noon
• R 9:10 a.m.-noon
• 2.5 points

CLINICAL PSYCHOLOGY

Prerequisites: PSYC BC1001 or permission of the instructor.  An introduction to the field of clinical psychology aimed at 1) becoming familiar with professional issues in the field and 2) comparing therapeutic approaches for their utility and efficacy. Therapeutic approaches covered include psychodynamic therapies, cognitive behavior therapies, family/child therapies. The course will critically examine a variety of professional issues including ethical dilemmas, clinical assessment and diagnosis, and use of technology in therapy. Note that this lecture
can
be taken without its affiliated lab, PSYC BC2155, however, if a student completes this lecture, she cannot enroll in the lab in a later semester.

• Department: Psychology @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Michael Wheaton
  h-index: 31 Info
• 3 points

A History of Witchcraft and Magic in Eur

This lecture course examines the social, cultural, and legal history of witchcraft, magic, and the occult throughout European history. We will examine the values and attitudes that have influenced beliefs about witchcraft and the supernatural, both historically and in the present day, using both primary and secondary sources. This course will pay specific attention to the role of gender and sexuality in the history of witchcraft, as the vast majority of individuals charged in the witch hunts of the sixteenth and seventeenth centuries were indeed women. We will also study accusations of witchcraft, breaking down the power dynamics and assumptions at play behind the witch trials, and the impacts of these trials on gender relations in European society. This class will track the intersections of magic and science throughout the early-modern period, and the reconciliation of belief systems during the Enlightenment. We will carry our analysis into the modern period, touching on Victorian spiritualism and mysticism, McCarthyism in the United States, and contemporary goddess worship. We will conclude the semester with an investigation into the role of witchcraft in discussions of gender, race, and sexuality in popular culture.

• Department: History @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Dale Booth
  Info
• 3 points

Intro to Quantitative Analysis for Globa

This course provides an introduction to statistical methods for analyzing data in global affairs and public policy. Students learn how to summarize and visualize data, understand probability and sampling, and conduct basic statistical inference, including hypothesis testing and regression analysis.

Using real-world datasets and applied examples, the course builds practical skills in interpreting quantitative evidence and assessing how data inform policy debates and decisions. No prior background in statistics is required. Emphasis is placed on developing confidence in quantitative reasoning and the ability to critically evaluate empirical claims in policy contexts.

• Department: Global Affairs and Public Policy
• Instructor: Alan S Yang
  CULPA: 5 Info
• 3 points

INTRODUCTION TO GIS METHODS

Prerequisites: Must attend first class for instructor permission.  Students create maps using ArcGIS software, analyze the physical and social processes presented in the digital model, and use the data to solve specific spatial analysis problems. Note: this course fulfills the C requirement in Urban Studies.

• Department: Urban Studies @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Christian Siener
  CULPA: 1 Info
• 3 points

HISTORY OF PHILOSOPHY II

Prerequisites: PHIL UN2211 Required Discussion Section (0 points). PHIL UN2101 is not a prerequisite for this course. Exposition and analysis of the metaphysics, epistemology, and natural philosophy of the major philosophers from Aquinas through Kant. Authors include Aquinas, Galileo, Gassendi, Descartes, Spinoza, Leibniz, Berkeley, Hume, and Kant. This course has unrestricted enrollment.

• Department: Philosophy @Barnard
• Instructor: Caroline D Bowman
  Info
• 4 points

ACTING ENSEMBLE DIRECTING II

Students may participate as actors in Directing II as a 1-credit course; these students will comprise the Acting Ensemble.  Actors will be cast in all four student-directed scenes and will participate in the feedback process following the showings.  Actors must be available for both days of the week the course meets, but are only required to attend when they are performing; they are welcome to attend additional classes that may be of interest.  Actors will be graded on their in-class performances (moment-to-moment work, collaboration with on-stage partners, memorization) and ability to respond and adjust to notes.  Actors who are responsible and collaborative will succeed as part of the Acting Ensemble.  Grading is Pass/Fail.

• Department: Theatre @Barnard
• TR 12:10 p.m.-2 p.m.
• Instructor: Alice A Reagan
  CULPA: 1 Wikipedia Info
• 1 points

HIST OF PHILOSOPHY II-REC

• Department: Philosophy @Barnard
• 0 points

HIST OF PHILOSOPHY II-REC

• Department: Philosophy @Barnard
• 0 points

HIST OF PHILOSOPHY II-REC

• Department: Philosophy @Barnard
• 0 points

SODB: THIRD & FOURTH YR SEM

Prerequisites: SODBX1111 Must be enrolled on Scholars of Distinction Program This is the course associated with the Barbara Silver Horowitz Scholars of Distinction program. It is for students in that program. Note at the end of their second year, the students will have developed a project for the summer between their second and third years at Barnard. During their third year, they will develop a robust research project connected to or deriving from that summer’s work.

• Department: Scholars of Distinction @Barnard
• M 4:10 p.m.-6 p.m.
• 1.5 points

PLANT EVOLUTION & DIVERSITY

Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, BIOL BC1503 or the equivalent. Survey of plant biology emphasizing evolutionary and ecological perspectives on mating and reproduction, physiology, anatomy, and morphology.

• Department: Biological Sciences @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Hilary Callahan
  CULPA: 4 h-index: 17 Info
• 3 points

JAZZ DANCE II

In This JAZZ ll Level Course,
You will develop a solid understanding within your body that demonstrates advanced  fundamentals, rhythm, technique, connectivity and phrasing necessary to communicate each movement. You will  learn new phrases and dynamic material while continuously applying technical information. We will delve deeper into technique preparing your body to perform more efficiently and effectively at a higher rate while reducing the risk of  injury.

Prerequisites: DNCE BC1247, BC1248 or permission of instructor.

• Department: Dance @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Ehizoje J Azeke
  Info
• 2 points

HIP HOP DANCE & CULTURE II

HIP HOP DANCE &CULTURE II

Prerequisites: Intermediate level of dance or permission of the instructor. This Course introduces intermediate level students to urban dance styles, focusing on foundations and origins of hip-hop dance, street dance culture, and the physical vocabularies of hip-hop and freestyle dance. Classes are geared to condition the body for the rigors of hip-hop technique by developing strength, coordination, flexibility, stamina, and rhythmic awareness, while developing an appreciation of choreographic movement and structures. Compositional elements of hip-hop will be introduced and students may compose brief movement sequences. The course meets twice weekly and is held in the dance studio. Prerequisite: Intermediate level of a dance form or permission of the instructor.

• Department: Dance @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Kelly Peters
  Info
• 2 points

Analytical Tools for Global Affairs and

Analytical Tools-Global A

This course introduces the core research methods used in the study of global affairs and public policy, including qualitative, quantitative, and mixed-methods approaches. Students learn how to design research, collect and analyze data, and evaluate evidence across a range of methodologies such as case studies, interviews, surveys, and basic statistical analysis.

The course emphasizes how different methods can be combined to address complex policy questions. Students develop the ability to critically assess research and design feasible research proposals that integrate multiple forms of evidence. By the end of the course, students are equipped with foundational tools for rigorous analysis and evidence-based policymaking.

• Department: Global Affairs and Public Policy
• Instructor: Rumela Sen
  CULPA: 1 Info
• 3 points

AFRICAN DANCE I

In West Africa, dance is part of daily life. It is used to mark occasions such a birth, death, harvest, and  marriage. It is also used to unite the community in times of crisis. West African dance is not as much a strict  technique as it is a movement coming from the spirit and the rhythm of the drum and the energy of the  people. While there are certain steps that go with specific rhythms, it leaves space for the individual  interpretation and improvisations which is an important element. Dancing is more about the communication  between dancer and drummer. The movement of West African dance tends to be energetic and big. It is very  expressive, and the energy is outward. 

Some African dance steps are taken directly from daily activities such as planting or hunting. Most, however,  are an expression of joy or release of the spirit. Dancing is done by communicating with a drummer to create  positive energy. It is a way to enjoy oneself and each other. In African dance, the name of the dance is the  same as the name of the rhythm played by the drummer. The individual steps that make up the dance do not  have names. In this course, we are going to be learning various West African dances such as Sikko, Socco,  Kuku, Mandiany, Farakorroba, Sunu, Soli, Lamba, Mandjo, Diambadong, Doundounba, Kaolask,  Thieboudjeune, Niarry---gorong, Ekongkong, Wolossodong, Zaouly, Ngorong, Niakka, Maraka, Djansa and  Lengeng/Kutiro.

• Department: Dance @Barnard
• TR 10 a.m.-10:50 a.m.
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Maguette Camara
  CULPA: 7 Info
• 2 points

AFRICAN DANCE II

Prerequisites: DNCE BC2252 or permission of instructor.

In West Africa, dance is part of daily life. It is used to mark occasions such a birth,  death, harvest, and marriage. It is also used to unite the community in times of  crisis. West African dance is not as much a strict technique as it is a movement  coming from the spirit and the rhythm of the drum and the energy of the people.  While there are certain steps that go with specific rhythms, it leaves space for the  individual interpretation and improvisations which is an important element. Dancing  is more about the communication between dancer and drummer. The movement of  West African dance tends to be energetic and big. It is very expressive, and the  energy is outward. 

Some African dance steps are taken directly from daily activities such as planting or  hunting. Most, however, are an expression of joy or release of the spirit. Dancing is  done by communicating with a drummer to create positive energy. It is a way to  enjoy oneself and each other. 

In African dance, the name of the dance is the same as the name of the rhythm  played by the drummer. The individual steps that make up the dance do not have  names. 

In this course, we are going to be learning various West African dances such as  Sikko, Socco, Kuku, Mandiany, Farakorroba, Sunu, Soli, Lamba, Mandjo,  Diambadong, Doundounba, Kaolask, Thieboudjeune, Niarry-gorong, Ekongkong,  Wolossodong, Zaouly, Ngorong, Niakka, Maraka, Djansa and Lengeng/Kutiro.

• Department: Dance @Barnard
• TR 9 a.m.-9:50 a.m.
• Instructor: Maguette Camara
  CULPA: 7 Info
• 2 points

AFRO-CUBAN DANCE

This course introduces students to the African-based dances of Cuba, including dances for the Orisha, Rumba, and the immensely joyful “Rueda de Casino” style of Salsa. In addition to learning rhythms, songs, and dances, we will have an ongoing, informal discussion about the historical and contemporary significance of Afro-Cuban dance performance, making connections to personal experience through practice and ongoing reflection. We engage Afro-Cuban music and dance as a living and evolving tradition, where culture, artistry, and history are intimately bound.

• Department: Dance @Barnard
• F 3 p.m.-5 p.m.
• Instructor: Rebecca Bliss
  Info
• 2 points

Advanced Explorations in AfroCuban Dance

Advanced AfroCuban Dance

An upper-level exploration of Afro-Cuban Dance focused on performance. Building on the foundation of Afro-Cuban Dance: Orisha, Rumba, Salsa, this course is a deeper dive into aesthetic principles, cultural themes, and improvisation as performance in the African dance context. Students explore multiple distinct dances and learn to engage the storytelling and cultural significance of each dance through improvisation with the drums. The course culminates with final, in-class presentations. Open to experienced movers and students who have completed Afro-Cuban Dance: Orisha, Rumba, Salsa. Permission of instructor required.

• Department: Dance @Barnard
• F 1 p.m.-3 p.m.
• Instructor: Rebecca Bliss
  Info
• 2 points

HIP HOP DANCE & CULTURE III (ADVANCED)

HIP HOP DANCE & CULTURE 3

Advanced technique and repertory in hip hop. Classes are geared to condition the body for the rigors of hip-hop technique by developing strength, coordination, flexibility, stamina, and rhythmic awareness, while developing an appreciation of choreographic movement and structures. Compositional elements of hip-hop will be introduced and students may compose brief movement sequences. The course meets twice weekly and is held in the dance studio.

• Department: Dance @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Bo Park Park
  Info
• 2 points

ACCOUNTING & FINANCE FOR ECONOMICS

The purpose of this course is to provide a basic introduction to accounting, including the
foundations of accounting concepts, the underlying mechanics, and the overall perspective required
to become intelligent users of accounting information. The course will focus on the main
financial statements, the nature of accrual measurement, and the information perspective. In addition,
we will explore some accounting methods in detail, such as revenue recognition, assets,
liabilities, and equity.
The overarching perspective is that accounting reports provide information that is useful for
a variety of purposes. In the course, I will also provide insights into how the financial markets
use accounting information to evaluate executives, predict future stock returns, assess firms’
riskiness, and allocate society’s resources to their most productive uses.

• Department: Economics @Barnard
• Instructor: Faculty
  h-index: 37 Info
• 3 points

ANIMAL BEHAVIOR

Prerequisites: BIOL BC1500, BIOL BC1501, BIOL BC1502, BIOL BC1503 or equivalent. This introduction to animal behavior takes an integrative approach to understand the physiological and genetic basis of behavior, the ecological context of behavior, and the evolutionary consequences of behavior. This course focuses on the process of scientific research, including current research approaches in animal behavior and practical applications of these findings.

• Department: Biological Sciences @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Alison Pischedda
  CULPA: 3 h-index: 11 Info
• 3 points

Dreaming Empire: Britain & Russia in 19C

Dreaming Empire: Brit&Rus

The course falls neatly into two halves, addressing the British and Russian empires as they were in the 19th century. The purpose of the course is to become familiar with imperial thinking, the thought (pro-empire, anti-empire, and simply permeated by empire, to put it in terms familiar to a contemporary audience) implicit in various literary works of the time. For the most part, the readings assigned are primary texts. These will be heavily supplemented during course meetings: the instructor will bring in various materials that would be obscure if assigned to students outside of class, but with live explanations in-class, will enrich their understanding of the primary readings.

Most readings are literary texts, though students will also read and receive guidance in secondary academic literature about those works. A few philosophical and historical texts from the time under examination will also be assigned.

• Department: Slavic Languages @Barnard
• Instructor: John C Wright
  CULPA: 1 Info
• 3 points

HINDUISM

Considers efforts since 1900 to synthesize a coherent understanding of what Hinduism entails, sometimes under the heading of sanatana dharma. Using a rubric provided by the Bhagavad Gita, explores philosophical/theological (jnana), ritual (karma), and devotional (bhakti) aspects of Hindu life and thought.

• Department: Religion @Barnard
• Instructor: Meghan E Hartman
  Info
• 4 points

MODERN III

Modern III continues training in contemporary/modern technique for the beginning-intermediate  level dancer, emphasizing alignment and musicality while expanding on the dancer’s physical and  intellectual understanding of articulation, phrasing, dynamics, performance and focus. Our class  will incorporate relevant principals from classical modern techniques along with contemporary  aesthetics, improvisation and reflection. Our class aims to create a space that is in support of your  artistic development, aesthetic fluency, and creative explorations as a dancer.

Prerequisites: 
  Intermediate experience in ballet and/or contemporary modern

• Department: Dance @Barnard
• MW 10:10 a.m.-11:25 a.m.
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Caroline Fermin
  Info
• Instructor: Tamisha Guy
  Info
• 2 points

MODERN IV

Modern IV is a contemporary technique class for the intermediate to advanced-intermediate level  dancer, emphasizing alignment and musicality while expanding on the dancer’s physical and  intellectual understanding of articulation, phrasing, dynamics, performance, and focus. Our class  will incorporate relevant principles from classical modern techniques with contemporary  aesthetics, improvisation, and reflection.

• Department: Dance @Barnard
• MW 1:10 p.m.-2:25 p.m.
• F 1 p.m.-2:50 p.m.
• Instructor: Francesca Dominguez
  Info
• Instructor: Jodi Melnick
  CULPA: 3 Info
• 2 points

Contemporary Caribbean Dance

Course Description:
 

This intermediate Contemporary Caribbean Dance class draws from different Caribbean dance styles. This Caribbean fusion class explains different cultural dances, focusing on African Diaspora principles and practices such as syncopation in body and in music.

Based on many of the dance of the Caribbean Islands, students learn to identify dances and rhythms that draw from traditions, such as Arara, Palo, Salsa, Rumba, Tambu, Tumba, Merengue, Reaggaton, Cha Cha Cha, Zouk and Afro Dance, as well as more contemporary styles such as “Technica Cubana” and learn to apply them in contemporary combinations.  The course is designed for students who have some dance training and are looking to widen their understanding of different dances and learn to use different body parts that are not traditionally used in modern dance but are recognizable in Jazz, hip hop and current offerings in popular

• Department: Dance @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Gabri Christa
  CULPA: 1 Info
• 2 points

Functional Human Anatomy

Careers in health care require an in depth knowledge of the anatomy of the human body. However, anyone can gain from an appreciation of the complexity of their own body. With this class, students will gain an understanding of how anatomical form and function are intertwined from the microscopic to macroscopic levels. Though any anatomy course necessarily involves the memorization of structures, this course has a strong focus on the functions of those structures as applied to everyday life! Rather than rote memorization, students will work to understand the anatomical, biomechanical, and physiological principles that govern how we move, feel, and think.

• Department: Biological Sciences @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Jordan Balaban
  Info
• 3 points

Introduction to Korean Society: Explorin

This introductory lecture course introduces students with little or no prior knowledge of Korea or the
Korean language to Korean society by exploring cultural codes—shared symbols, values, and practices
that shape everyday life—through the lens of media and literature. By engaging with short stories, films,
TV shows, music, and other cultural texts, students will examine how these cultural codes influence
Korean social norms, identities, and global representations.
The course focuses on six key cultural codes—food, language, family structure, religion, economic
development, and the two Koreas—as reflected in Korean literature, film, drama, and YouTube content.
Through these themes, students will gain a foundational yet comprehensive understanding of Korean society. At the same time, they will strengthen their critical and analytical skills in interpreting culture, cultivating a deeper awareness of how meaning is constructed and communicated across different media. 

Upon successful completion of this course, students will be able to:  
Define and explain the concept of cultural codes in the context of Korean society. 
Identify major themes in Korean media and literature that reflect cultural values.
Critically analyze how historical and social changes are represented through cultural texts.
Develop comparative perspectives on Korean culture and their own cultural backgrounds.
Communicate ideas effectively in written and oral formats.

• Department: Asian and Middle East @Barnard
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Hwanhee Kim
  Info
• 3 points

Fascism in European History

FASCISM IN EURO HISTORY

What was Fascism? What kind of appeal did authoritarianism and dictatorship have in interwar Europe? How did the Fascist “New Order” challenge liberal democracies and why did it fail in World War II? What was the common denominator of Fascist movements across Europe, and in particular in Mussolini’s Italy, Salazar’s Portugal, Franco’s Spain, culminating in Nazi Germany?

This class examines the history of Fascism as an ideology, constellation of political movements, and authoritarian regimes that aimed at controlling the modernization of European societies in the interwar period. Thus, the course focuses in particular on the relationship between politics, science and society to investigate how Fascism envisioned the modernity of new technologies, new social norms, and new political norms. The class will also explore Fascism’s imperialist goals, such as the calls for national renewal, the engineering of a new race, and the creation of a new world order.

• Department: History @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Angelo Caglioti
  h-index: 2 Info
• 3 points

STATISTICS FOR ECONOMICS

Elementary computational methods in statistics. Basic techniques in regression analysis of econometric models. One-hour weekly recitation sessions to complement lectures.

• Department: Economics @Barnard
• Instructor: Faculty
  h-index: 37 Info
• 4 points

PRACTICUM SCENIC PAINT

May be retaken for full credit. 

Prerequisites: permission of Theatre Department Production Manager, Michael Banta (
mbanta@barnard.edu
). Training and practical props and/or scenic painting work on Departmental mainstage productions.

• Department: Theatre @Barnard
• Instructor: Michael Banta
  Info
• 1 points

PRACTICUM LIGHTS & SOUND

May be retaken for full credit. 

Prerequisites: permission of Theatre Department Production Manager, Michael Banta (
mbanta@barnard.edu
). Training and practical lighting and/or sound work on Departmental mainstage productions.

• Department: Theatre @Barnard
• Instructor: Gregory Winkler
  CULPA: 3 Info
• 1 points

PRACTICUM WARDROBE & RUN CREW

May be retaken for full credit. 

Prerequisites: permission of Theatre Department Costume Shop Manager Kara Feely (kfeely@barnard.edu). Training and practical costume construction and fitting work on Departmental mainstage productions.

• Department: Theatre @Barnard
• Instructor: Kara M Feely
  Info
• 1 points

PRACTICUM STAGE MANAGEMENT

May be retaken for full credit. 

Prerequisites: permission of Theatre Department Production Manager, Michael Banta (
mbanta@barnard.edu
). Training and practical stage management work on Departmental  mainstage productions.

• Department: Theatre @Barnard
• Instructor: Michael Banta
  Info
• 3 points

PRACTICUM DESIGN THESIS FESTIVAL

May be retaken for full credit. 

Prerequisites: permission of the Senior Thesis Festival coordinator. Training and practical work as student designer on the Senior Thesis Festival.

• Department: Theatre @Barnard
• F 2:10 p.m.-5 p.m.
• Instructor: Kara M Feely
  Info
• 3 points

PRACTICUM DESIGN & PRODUCTION ASSISTANT

PRACTICUM DESIGN & PROD A

May be retaken for full credit. 

Prerequisites: permission of the Senior Thesis Festival coordinator. Training and practical design work assisting student designers for the Senior Thesis Festival.

• Department: Theatre @Barnard
• Instructor: Michael Banta
  Info
• 2 points

TAP II

Tap II is an intermediate level tap class for students who have at least 2 years of tap dance training. We will cover tap technique, proper use of the body to enhance sound quality and style, a variety of musical genres and structures,classic tap dance routines, and improvisation.

The prerequisite for Intermediate Level Tap is previous experience in intermediate level tap classes. Students on this level are assumed to have mastered tap basics, be comfortable with intermediate level technique, and must be ready to learn at a slightly accelerated pace.

• Department: Dance @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Dormeshia Sunbry-Edwards
  Info
• 2 points

PILATES FOR DANCERS

Pilates for Dancers is a full-body, low impact exercise class based on the work of Joseph Pilates, including movement concepts from Rudolf von Laban and Irmgard Bartenieff. We’ll work on a yoga or Pilates mat doing exercises and movement sequences that build strength, flexibility, coordination and clarity in the body. The class is suitable for dancers, athletes and movement enthusiasts. A Pilates ring is highly recommended. A limited number of Pilates rings will be available in class.

This course may not be appropriate for those with spine, neck, and shoulder injuries.  If you have any of these types of injuries, kindly present a doctor’s note clearing you for participation in the class.

• Department: Dance @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Allison Easter
  Info
• 2 points

FELDENKRAIS FOR DANCERS

Through guided practice-based lessons in Awareness Through MovementÒ (ATM), students develop sensory awareness of habitual neuromuscular patterns resulting in increased movement efficiency, improved skill acquisition, and greater strength, coordination, and flexibility. Applicable to all dance styles and activities.

• Department: Dance @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Carol Teitelbaum
  Info
• 2 points

Moving with the Voice

Moving with the Voice is an interdisciplinary creative exploration using the voice, improvised and created music, dance, and theater.  Students will explore extended vocal techniques, gesture, character and musical structures (e.g. hockets, rounds, rhythms, deconstructions) within both a solo and ensemble framework, composing their own soundscapes and creating their own voice/movement/theater work through improvisation, individual assignments and in-class assignments. Certain assignments will be inspired by the work of Meredith Monk or the percussion show Stomp. The course is suitable for students interested in music, dance and theater, and also for those interested in improving their public speaking skills.

Open to all levels of experience. A willingness to sing is required.

• Department: Dance @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Allison Easter
  Info
• 2 points

RACE, CLASS, AND POLITICS IN NEW YORK CI

RACE, CLASS, & POLITICS I

The objectives of this course are: to gain familiarity with the major themes of New York History since 1898, to learn to think historically, and to learn to think and write critically about arguments that underlie historical interpretation. We will also examine and analyze the systems and structures--of race and class--that have shaped life in New York, while seeking to understand how social groups have pursued change inside and outside of such structures

• Department: History @Barnard
• MW 2:40 p.m.-3:55 p.m.
• Instructor: Matthew Vaz
  Info
• 3 points

REVOLUTIONARY AMERICA, 1763-1

How did thirteen diverse British colonies become a single boisterous but fragile new nation? Historians still disagree about the causes, motives, and meanings surrounding the founding of the United States of America. Major themes include the role of ideologies, material interests, global contexts, race, gender, and class.

• Department: History @Barnard
• Instructor: Andrew C Lipman
  CULPA: 5 Info
• 3 points

CODING IN BIOLOGY

An introduction to the basics of Python and R coding in the context of solving basic problems in molecular biology. Python will be used to write programs that analyze various features of DNA sequence data and R will be used to analyze output from RNA-seq experiments. No prior programming experience is necessary. The work will involve modifying existing code as well as developing simple programs from the ground up.

• Department: Biological Sciences @Barnard
• T 1:10 p.m.-4 p.m.
• Instructor: Brian Morton
  CULPA: 21 Info
• 3 points

Programming for Scientists

R for Scientists

Learning objectives:

This course will provide a comprehensive foundation in programming methodology for quantitative biology applications that can be readily applied to any programming language. It is recommended for students interested in establishing or expanding their computational biology skillset. After completing this course, students should be able to:

1. Understand and explain the role of numerical and statistical methods in biology

2. Execute numerical computations using a widely-used programming language

3. Recognize common programming motifs that can be readily applied to other widely used languages

4. Design and troubleshoot algorithms to analyze diverse biological data and implement them using functions and scripts

5. Apply statistical programming techniques to model biological systems

6. Generate and interpret diverse plots based on biological datasets

 

Course overview: 

Once a small subfield of biology, computational biology has evolved into a massive field of its own, with computational methods fast becoming a vital toolkit leveraged by biologists across the discipline. As the size and complexity of biological datasets grows, computational methods allow scientists to make sense of these data, scaling quantitative methods to extract meaningful insights that help us better understand ourselves and the living world around us. In this course, we will learn the basics of computer programming in R, a powerful programming language with wide use in the biological sciences. Topics will include a basic introduction to R and the RStudio environment, data types and control structures, reading and writing files in R, data processing and visualization, manipulating common biological datasets; and statistical testing and modeling in R.

• Department: Biological Sciences @Barnard
• W 10:10 a.m.-1 p.m.
• Instructor: Vincent D Fitzpatrick
  Info
• 3 points

ANALYSIS AND OPTIMIZATION

Prerequisites: MATH UN1102 and MATH UN1201 or the equivalent and MATH UN2010. Mathematical methods for economics. Quadratic forms, Hessian, implicit functions. Convex sets, convex functions. Optimization, constrained optimization, Kuhn-Tucker conditions. Elements of the calculus of variations and optimal control. (SC)

• Department: Mathematics
• TR 4:10 p.m.-5:25 p.m.
• 3 points

BIOMECHANICS FOR THE DANCER

Prerequisites: Basic knowledge of dance techniques in ballet or modern. The purpose of this course is to introduce students to the fundamentals of biomechanics as it relates to various dance forms. As biomechanics is a branch of physics, the course will include basic mathematical concepts, and some knowledge of geometry and trigonometry is recommended. The course will explore applicable functional human anatomy and will cover the application of biomechanical principles to both qualitative and quantitative description of human movement. Additionally, it will provide an understanding of how biomechanics can be applied in terms of physical ability and wellness, giving students the opportunity to apply the knowledge to themselves.

• Department: Dance @Barnard
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Kynaston Schultz
  Info
• 3 points

INTRODUCTION TO URBAN PLANNING

INTRO TO URBAN PLANNING

This course is a basic introduction to the field and practice of urban planning in the United States. The course will focus on key concepts in planning history, theory, and practice, including the various conflicts and dilemmas planners face, stakeholders involved in urban planning, and the tools and methods that planners use to address challenges in the built environment.

The core questions that this class will return to throughout the semester are: How does planning take place, and whose interest(s) does planning serve? How does planning (re)produce social inequities? Planning is often framed as a technical exercise to rationalize the built environment and create more “livable” cities. However, planning is not value-neutral. As we will examine throughout the course of the semester, power relations fundamentally shape the planning profession, and planning decisions have contributed to racial, economic, and gender inequalities and spatial segregation in cities throughout the United States. We will also explore debates about how to encourage more inclusive cities and engage in more ethical planning practice.

The course is divided into six sections. In Part I, we will explore foundational concepts in urban planning, such as how previous scholars have defined urban planning and urban space. In Part II, we will explore the historical context in which the planning profession emerged and key moments in planning history. In Part III, we will examine normative models of planning, or how the planning profession conceives of itself. In Part IV, we will learn about the different technical tools that planners use to regulate urban development and key debates surrounding these tools. In Part V, we will interrogate the role of the planner, the role of power relations in planning, and how planning decisions have resulted in racial, class, and gender exclusion in the built environment. In Part VI, we will contemplate future directions in planning.

• Department: Urban Studies @Barnard
• Instructor: Faculty
  h-index: 37 Info
• 3 points

Art History Spring 2027 Adjunct TBD

Art History SP 2027 Adj T

TO COME

• Department: Art History @Barnard
• 3 points

DANCE COMPOSITION: FORM

An exploration of choreography that employs text, song, vocal work, narrative and principles of artistic direction in solo and group contexts.

• Department: Dance @Barnard
• MW 10:10 a.m.-11:25 a.m.
• Instructor: Gabri Christa
  CULPA: 1 Info
• 3 points

WORLD DANCE HISTORY

Investigates the multicultural perspectives of dance in major areas of culture, including African, Asian, Hispanic, Indian, Middle Eastern, as well as dance history of the Americas through reading, writing, viewing, and discussion of a wide range of resources. These include film, original documents, demonstration, and performance.

• Department: Dance @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Seth S Williams
  CULPA: 1 Info
• 3 points

DANCE IN NEW YORK CITY

Study of the cultural roots and historical contexts of specific communities using New York Citys dance scene as a laboratory. Students observe the social environments in which various modes of dance works are created while researching the history of dance in New York City. Course includes attendance at weekly events, lecture-demonstrations, and performances.

• Department: Dance @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Siobhan F Burke
  CULPA: 2 Info
• 3 points

MEASURING HISTORY

This course examines big themes in economic and social history-population history and human well-being, inequality and poverty, and gender differences. Using these themes, it adopts a hands-on data-driven approach to introduce tools and concepts of empirical reasoning. Datasets related to each theme create opportunities for learning by doing.

• Department: Economics @Barnard
• Instructor: Alan Dye
  CULPA: 19 Info
• 4 points

COGNITIVE SCIENCE AND PHILOSOPHY

COG SCI AND PHILOSOPHY

This course will survey a number of topics at the intersection of cognitive science and philosophy. Potential topics include free will, consciousness, embodied cognition, artificial intelligence, neural networks, and the language of thought.

• Department: Cognitive Science @Barnard
• Instructor: Tyler Knowlton
  Info
• 3 points

COGNITIVE SCIENCE AND PHILOSOPHY

COG SCI AND PHILOSOPHY

This course will survey a number of topics at the intersection of cognitive science and philosophy. Potential topics include free will, consciousness, embodied cognition, artificial intelligence, neural networks, and the language of thought.

• Department: Cognitive Science @Barnard
• Instructor: Tyler Knowlton
  Info
• 3 points

FAMILIES LATIN AMERICA

Explores changing structures and meanings of family in Latin America from colonial period to present. Particular focus on enduring tensions between prescription and reality in family forms as well as the articulation of family with hierarchies of class, caste, and color in diverse Latin American societies.

• Department: History @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Nara Milanich
  CULPA: 15 Wikipedia Info
• 3 points

INTRODUCTION TO NATIVE AMERICAN RELIGIOU

INTRO NAT AMER RELIGIOUS

There are over 800 distinct Native American nations currently within the borders of the United States. This course offers a broad introduction to the diversity of American Indian religious systems and their larger functions in communities and in history. We will explore general themes in the study of Native American religious traditions as well as look at some specific examples of practices, ideas, and beliefs. Of particular importance are the history and effects of colonialism and missionization on Native peoples, their continuing struggles for religious freedom and cultural and linguistic survival, and the ways in which American Indians engage with religion and spirituality, both past and present, to respond to social, cultural, political, and geographical change.

• Department: Religion @Barnard
• Instructor: Tiffany Hale
  CULPA: 4 Info
• 3 points

INTRODUCTION TO NATIVE AMERICAN RELIGIOU

INTRO NAT AMER RELI TRAD-

REQUIRED DISCUSSION SECTION FOR RELI UN2779

• Department: Religion @Barnard
• 0 points

INTRODUCTION TO NATIVE AMERICAN RELIGIOU

INTRO NAT AMER RELI TRAD-

REQUIRED DISCUSSION SECTION FOR RELI UN2779

• Department: Religion @Barnard
• 0 points

CULTURE, MENTAL HEALTH, AND HEALING IN E

CULTURE,MENTAL HEALTH,E A

Why do certain mental illnesses only appear in specific regions of the world? What processes of translation, adaption, and “indigenization” take place when psychiatric diagnostic categories, pharmaceutical regimens, and psychodynamic treatments developed in the West travel to China, Japan and South Korea? How do contemporary East Asian therapeutic modalities destabilize biomedical assumptions about the origins and treatment of mental illness?

This course employs anthropological analysis to explore the paradoxes of “culture-bound syndromes”, examine how biomedical psychiatric practices have been received and transformed, and discuss the ways in which shamanistic rituals and Traditional Chinese Medicine clinical encounters understand their objects of intervention. Focusing on East Asia with a particular emphasis on China, we will employ interpretive and political economic anthropological analyses to explore experiences of people struggling with illness, the practices of health practitioners who treat them, and the broader social and historical contexts that shape these interactions.

• Department: Asian and Middle East @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Nicholas A Bartlett
  CULPA: 5 Info
• 4 points

Urban Healthscapes: A Spatial History of

This course examines the landscapes of urban public health from the medieval era to the 19th century using spatial analysis. It has two objectives. Thematically, it introduces students to the concept and study of “urban healthscapes” in Europe and the Americas before the age of modern bacteriology. Weekly lectures advance through a sequence of four related themes: (1) medieval and early modern communal, infrastructural, and regulatory spatial practices of public health; (2) urban mortality regimes, epidemics, and societal responses; (3) the relationships between urban form, spatial governance, planning, and public health; and (4) problems of environmental justice, including unequal exposure to health risks and access to health amenities. Methodologically, the course approaches these topics via the lens of historical Geographic Information Systems. In weekly labs, students acquire technical skills of GIS mapping. They learn how to work with spatial data, create GIS maps, conduct spatial analysis, and develop spatial historical arguments and narratives. Labs integrate recently released public hGIS datasets on a variety of cities—such as medieval Bologna and 19th-century New York—directly relevant to the themes covered in lectures. For course assignments, students use these datasets to conduct spatial analyses of urban healthscapes. The course is open to all undergraduates. Previous GIS knowledge is not needed.

• Department: History @Barnard
• Instructor: Gergely Baics
  CULPA: 10 Info
• 3 points

Outlaws & Tricksters of Arabic Literatur

TRICKSTERS IN ARABIC LIT

What is so fascinating about outlaws and tricksters? They can be alluring and terrifying, creative and destructive. They wear disguises, upend the plans of their fellow humans, and bend societies to their will. They are unsettled and unsettling. But this course suggests that there is no single figure of the trickster. Rather, the significance of writing about tricksters and outlaws varies from text to text and from place to place. In this course, we will explore texts, mostly from the pre-modern period, written in Arabic (and sometimes Persian and Sanskrit) that depict outlaws and tricksters. We will ask after what texts are doing in the world when they tell stories that seem to celebrate and delight in the subversive, the strange, and the sinister. To help us think through these questions, we will also read divergent theories about outlaws, tricksters, and other subversives. At the end of the course, we will read the award-winning Iraqi novel Frankenstein in Baghdad.

• Department: Asian and Middle East @Barnard
• M 6:10 p.m.-8 p.m.
• Instructor: Matthew L Keegan
  CULPA: 8 Info
• 4 points

Biological Chemistry

BIOLOGICAL CHEMISTRY

The goal of this course is to gain an understanding of the chemical principles that govern biological systems. We will look at the structure and function of biomolecules (proteins, carbohydrates, nucleic acids, and lipids), with an emphasis on interactions between them, enzyme kinetics, and metabolic pathways. Key topics will include protein folding and function, enzyme mechanisms, bioenergetics, and the regulation of key metabolic cycles. In addition to lecture we will spend time examining case studies and selected articles from primary literature, and engaging in group discussions.

• Department: Biological Sciences @Barnard
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Kristin Presnell
  Info
• 3 points

GLOBAL LONG-FORM PHOTOGRAPHY: HISTORY AN

This course explores the photographic essay as a distinct visual language. We will examine how photographic artists and photojournalists use sequences of images to construct narratives that communicate complex ideas about the past. In an age when nearly everyone carries a camera to capture the present, many photographers have turned their lenses toward the past to illuminate personal histories and collective memories. Through weekly seminars, we will explore how contemporary photographers around the world challenge national narratives and reimagine history. We will consider how photography—often seen as the medium most bound to the present—can evoke what is absent or lost. Focusing on artists from Asia, Africa, Latin America, North America, and the Middle East, we will explore how their work engages collective memory in relation to dictatorship, state violence, and contested histories. Finally, we will investigate how artists have used re-enactment, commemoration, re-imaging, and inclusive archiving to engage with history and memory through visual practice.

• Department: Comparative Literature and Society @Barnard
• Instructor: Diana Matar
  Info
• 4 points

FROM PAGE TO STAGE: DANCE & LITERATURE

This course explores how dance and other forms of embodied performance adapt literature, as well as how dance serves as inspiration for the written word. What is retained, what is lost, and what is enhanced when moving bodies enliven literature, or when literature seeks to capture the motions of dance? How does choreography transform the constituent parts of literature, from characters and plot to the rhythms of language? How do words and movement collaborate to tell the stories of such disparate figures as lovers, monsters, migrants, and robots, and in modes that range from the pastoral to the autobiographical to the comic? To answer these and other questions, we will read short fiction, plays, and poems, focused largely on the nineteenth and twentieth centuries; and watch numerous genres of dance, including ballet, experimental dance, dance-theater, musical theater, hip hop, silent film, and puppetry. To explore the conceptual relationship of body and text, students will gain introductory exposure to theories of narrative, performance, adaptation, and more. "Page to Stage" welcomes, and is geared toward, students from any disciplinary background.

• Department: Dance @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Seth S Williams
  CULPA: 1 Info
• 3 points

SOCIAL THEORY

Prerequisites: Sophomore standing. Required for all sociology majors. Prerequisite: at least one sociology course of the instructor's permission. Theoretical accounts of the rise and transformations of modern society in the19th and 20th centuries. Theories studied include those of Adam Smith, Tocqueville, Marx, Durkheim, Max Weber, Roberto Michels. Selected topics: individual, society, and polity; economy, class, and status: organization and ideology; religion and society; moral and instrumental action.

• Department: Sociology @Barnard
• Instructor: Andrew S Anastasi
  Info
• 4 points

SYSTEMS AND BEHAVIORAL NEUROSCIENCE

This course provides an in-depth examination of the physiological bases of behavior and the development, organization, and function of the nervous system. Specific topics include methods used in behavioral neuroscience, development of the nervous system, sensory and motor systems, homeostasis, sexual differentiation, biological rhythms, stress, learning and memory, psychopathology, and neurological disorders.

• Department: Neuroscience & Behavior @Barnard
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Russell D Romeo
  CULPA: 9 Info
• 3 points

ADVANCED GERMAN II

Corequisites: Course either taken before or after GERM V3001. Intensive practice in oral and written German. Discussions, oral reports, and weekly written assignments, based on material of topical and stylistic variety taken from German press and from literary sources.

• Department: German @Barnard
• Instructor: Irene Motyl
  CULPA: 14 Info
• 3 points

ACTING I

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Course develops physical, vocal, and imaginative range and skills needed to approach the text of a play: text analysis, speech exercises, non-verbal behavior, improvisation designed to enhance embodiment, movement, and projection. 
Gateway course to advanced courses; transfer students who have previous college-level course may be exempted with approval of Chair
.
 May be retaken for full credit.

• Department: Theatre @Barnard
• F 11:10 a.m.-3 p.m.
• TR 9:10 a.m.-11 a.m.
• MW 9:10 a.m.-11 a.m.
• MW 2:10 p.m.-4 p.m.
• MW 12:10 p.m.-2 p.m.
• Instructor: Elena Zucker
  Info
• Instructor: David L Skeist
  Info
• Instructor: Crystal Finn
  Info
• Instructor: Kareem Lucas
  Info
• Instructor: Tina C Mitchell
  CULPA: 1 Info
• 3 points

ACTING II

ACTING II: SUZUKI

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Students must have taken Acting I or equivalent to be eligible for Acting II sections. Acting II will offer several different sections, focusing on a specific range of conceptual, embodiment, and physical acting skills. Please check with the Theatre Department website forspecific offerings and audition information. May be retaken for full credit.  All sections of Acting II fullfull the “Arts and Humanities” Foundations requirement at Barnard College.

• Department: Theatre @Barnard
• MW 9:10 a.m.-11 a.m.
• Instructor: Tina C Mitchell
  CULPA: 1 Info
• 3 points

ACTING II

ACTING II: CTMP MUS THTR

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Students must have taken Acting I or equivalent to be eligible for Acting II sections. Acting II will offer several different sections, focusing on a specific range of conceptual, embodiment, and physical acting skills. Please check with the Theatre Department website forspecific offerings and audition information. May be retaken for full credit.  All sections of Acting II fullfull the “Arts and Humanities” Foundations requirement at Barnard College.

• Department: Theatre @Barnard
• TR 4:10 p.m.-6 p.m.
• Instructor: Mana Allen
  CULPA: 1 Info
• 3 points

ACTING II

ACTING II: CHEKHOV/VIEWPOINTS

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Students must have taken Acting I or equivalent to be eligible for Acting II sections. Acting II will offer several different sections, focusing on a specific range of conceptual, embodiment, and physical acting skills. Please check with the Theatre Department website forspecific offerings and audition information. May be retaken for full credit.  All sections of Acting II fullfull the “Arts and Humanities” Foundations requirement at Barnard College.

• Department: Theatre @Barnard
• TR 12:10 p.m.-2 p.m.
• Instructor: Gisela D Cardenas Ojeda
  Info
• 3 points

ACTING II

ACTING II: SCENE/CHARACTR STDY

Prerequisite: Open to all Barnard and Columbia undergraduates. Permission of Instructor required; students admitted from Waiting List. Students must have taken Acting I or equivalent to be eligible for Acting II sections. Acting II will offer several different sections, focusing on a specific range of conceptual, embodiment, and physical acting skills. Please check with the Theatre Department website forspecific offerings and audition information. May be retaken for full credit.  All sections of Acting II fullfull the “Arts and Humanities” Foundations requirement at Barnard College.

• Department: Theatre @Barnard
• TR 2:10 p.m.-4 p.m.
• Instructor: Gisela D Cardenas Ojeda
  Info
• 3 points

COMPOSITION AND CONVERSATION

Prerequisites: Enrollment limited to 12 students. Discussions on contemporary issues and oral presentations. Creative writing assignments designed to improve writing skills and vocabulary development. FREN BC1204: French Intermediate II or the equivalent level is required.

• Department: French @Barnard
• Instructor: Karen Santos da Silva
  CULPA: 4 Info
• 3 points

QUANTUM PHYSICS

Prerequisites: BC3001 or C2601 or the equivalent. Wave-particle duality and the Uncertainty Principle. The Schrodinger equation. Basic principles of the quantum theory. Energy levels in one-dimensional potential wells. The harmonic oscillator, photons, and phonons. Reflection and transmission by one-dimensional potential barriers. Applications to atomic, molecular, and nuclear physics.

• Department: Physics and Astronomy @Barnard
• Instructor: Reshmi Mukherjee
  CULPA: 7 Wikipedia h-index: 63 Info
• 3 points

COMPLEX VARIABLES

Prerequisites: MATH UN1202 An elementary course in functions of a complex variable. Fundamental properties of the complex numbers, differentiability, Cauchy-Riemann equations. Cauchy integral theorem. Taylor and Laurent series, poles, and essential singularities. Residue theorem and conformal mapping.(SC)

• Department: Mathematics
• TR 8:40 a.m.-9:55 a.m.
• Instructor: Sangiovanni Vincentelli Marco
  Info
• 3 points

ECONOMIC HISTORY-UNITED STATES

Prerequisites: ECON BC3035 or ECON BC3033, or permission of the instructor. Economic transformation of the United States from a small, open agrarian society in the late colonial era to the leading industrial economy of the 20th century. Emphasis is given to the quantitative, institutional, and spatial dimensions of economic growth, and the relationship between the changing structures of the economy and state.

• Department: Economics @Barnard
• Instructor: David Weiman
  CULPA: 40 Info
• 3 points

ADVANCED ORAL FRENCH

Prerequisites: At least one French course after completion of FREN BC1204: Intermediate II or permission of the instructor. Oral presentations and discussions of French films aimed at increasing fluency, acquiring vocabulary, and perfecting pronunciation skills.

• Department: French @Barnard
• Instructor: Anne Boyman
  CULPA: 16 Info
• 3 points

MODERN POLITICAL THOUGHT

This course is a survey of modern political theory (approximately the 16th-19th centuries), examining the revolutionary challenges to classical and medieval political philosophy posed by such writers as Hobbes, Locke, Rousseau, Burke, and Marx. Our work seeks to address themes and questions such as: what is modern about modern political theory? What is human nature? What is power and how is it deployed? What are the possibilities and limits of social contract theory? What are the nature and scope of rights, duties, freedom, and equality? What is the relation between the state and the individual? What are rights and do they authorize political resistance? What are the core modern political values and how do modern political theorists grapple with their implementation? Does modernity signify
an age of progress
in terms of knowledge about the world and freedom for human beings? Or do modern technological, political and social developments actually constitute
a new kind of prison
? How do modern political thinkers conceptualize or fail to conceptualize race and gender? In what ways can modern political thought animate thinking about contemporary politics?

Simultaneously, we seek to critically engage with these classic texts about politics, political subjects, and political life in two ways. First, we will question what “modern” or “modernity” means historically and theoretically; in doing so, we will interrogate practices and theories of exclusion and violence that seek to grant only some subjects and collectivities access to the presumed progress of “modernity.” Second, and in a related vein, we will analyze these texts for the discourses of race and gender they produce, both explicitly and tacitly. We pursue these objectives by examining contemporary readings of this time period and of the theorists upon whom we will focus.

• Department: Political Science @Barnard
• Instructor: Jonathan J Keller
  Info
• 3 points

ENVIRONMENTAL DATA ANALYSIS

Prerequisites: One year of college science or EESC V2100 or permission of the instructor. Acquisition, analysis, interpretation, and presentation of environmental data, assessment of spatial and temporal variability. Focus on water quality issues and storm surges. Uses existing and student-generated data sets. Basic principles of statistics and GIS, uses standard software packages including EXCEL and ArcGIS. Includes a half-day field trip on a Saturday or Sunday. General Education Requirement: Quantitative and Deductive Reasoning (QUA).

• Department: Environmental Sciences @Barnard
• 3 points