SYMBOLIC LOGIC - REC

Required discussion section for UN3411 Symbolic Logic

• Department: Philosophy
• F 11:10 a.m.-noon
• T 1:10 p.m.-2 p.m.
• Instructor: Cornelia Mayer
  Info
• Instructor: Ye Eun Jeong
  Info
• 0 points

Climate, Religion, and the Anthropocene

Climate & Religion

This course examines intersections between religious life and climate change in a comparative and global perspective. In recent years, the idea of the Anthropocene—the period of geological time during which human activity has become the primary force shaping the Earth’s climate—has abounded in both academic and popular literature. This focus on human agency over the climate raises questions about the extent to which humans share equally responsibility for and vulnerability to climate change, as well as differing understandings of human relationships and responsibilities toward the environment. This course uses religion as a lens to examine the role of humans in both creating ecological destruction and efforts to repair and rework relationships with the natural world. We will draw on primary texts from religious traditions around the world in a bid to unsettle human-centric and universalist narratives of the Anthropocene. By the end of the semester, students will have deepened and nuanced their understandings of the notoriously vexed categories of religion and the Anthropocene, and come away with new ways of thinking about the climate crisis.

• Department: Religion
• T 12:10 p.m.-2 p.m.
• Instructor: Raffaella Taylor-Seymour
  Info
• 4 points

PERSIAN POETICS IN WORLD LITERATURE

Through a transcontinental network of poets and poetics from Iran and Russia to Germany and the United States, in this course we will: 1) learn about classical Persian poetry that was translated widely and contributed to the development of World Literature (the cornerstone of which was Johann Wolfgang Goethe’s
weltliteratur
) and to study different translations and adaptations of this poetry; 2) study world poetry that Iranian poets had translated into Persian and analyze how these translations may have affected modern Persian poetics; 3) read in comparison modern Persian poetry and African diasporic poetry, discuss the intersections of the power structures of gender, class, race and ethnicity, and analyze how these power structures manifested themselves in pre-revolutionary Iran (and ultimately, what can be learned from including this historical context in contemporary Caribbean and African American studies).

On a broader scale, this course aims to place Persian poetry and poetics within a world literature discourse, both in terms of
its
historical contributions to this discourse as well as the discourse’s contributions
to
Persian poetics. It is meant to encourage you to investigate the role that translation plays in world literary studies; at the same time, it acknowledges the limits of global markets of literature and their politics of translation. Weeks eight through thirteen of the course in which Iranian poetry is put into conversation with African diasporic poetry, therefore, demonstrate the possibilities that open up in world literary studies when scholars expand their focus beyond proven literary connections and underscore cultural provenance as a basis for comparison.

• Department: English @Barnard
• W 12:10 p.m.-2 p.m.
• Instructor: Atefeh Akbari Shahmirzadi
  Info
• 4 points

COL:SOVEREIGNTY& ITS CHALLNGS

• Department: Political Science @Barnard
• M 10:10 a.m.-noon
• Instructor: Alexander A Cooley
  CULPA: 22 h-index: 33 Info
• 4 points

DESIRE AND METAMORPHOSIS

Change is fundamental to our experience as human beings, and the experience of change lies at the heart of most great stories. Sometimes this is a transition that the heroine has desired; other times, alteration and transformation arise from sources mysterious and unknown, or as a result of the journey the story has brought them. This course examines the element of change in a wide range of literature, from Ovid to Maggie Nelson, from Shakespeare to Roxane Gay—but it also provides an opportunity for students to consider the ways in which they, too have been changed—by joy, by trauma, by time. In addition to writing critically about the works we will read together, students will also write a personal essay about their experience of metamorphosis; this essay will be examined in a modified workshop format. At semester’s end, students will re-write and change that same essay, in hopes of seeing how revision on the page might provide a model for understanding the metamorphoses we experience as human beings on this earth. Authors will likely include Ovid, Kafka, Robert Louis Stevenson, Borges, Shaun Tan, Roxane Gay, George Saunders, Arthur C. Clarke, Shakespeare, and Maggie Nelson. There will be a final exam and a critical paper, as well as the personal essay, in two drafts.

• Department: English @Barnard
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Jennifer F Boylan
  Info
• 3 points

INTRODUCTION URBAN SOCIOLOGY

Prerequisites: Students must attend first class. Examines the diverse ways in which sociology has defined and studied cities, focusing on the people who live and work in the city, and the transformations U.S. cities are undergoing today. Sociological methods, including ethnography, survey research, quantitative studies, and participant observation will provide perspectives on key urban questions such as street life, race, immigration, globalization, conflict, and redevelopment.

• Department: Urban Studies @Barnard
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Aaron Passell
  CULPA: 8 h-index: 3 Info
• 3 points

PRINTMAKING II: INTAGLIO

Prerequisites: VIAR UN2420 (Formerly R3402) Continues instruction and demonstration of further techniques in intaglio. Encourages students to think visually more in the character of the medium, and personal development is stressed. Individual and group critiques. Portfolio required at end. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• MW 2:30 p.m.-5 p.m.
• Instructor: Jennifer Nuss
  Info
• 3 points

Printmaking on, through, & below the mat

Print on, through, & belo

This course offers to the student who may find an examination of printmaking an asset to their art practice.
The course will cover several printmaking processes like relief, intaglio, silkscreen, and monotype. In addition, we will discuss printmaking concepts such as repetition, matrix, original/translation, reproducibility, and multiple considering the works produced in class.
We will involve a separate in-depth study of each process by alternating studio time, demonstrations, field trips, individual and group critiques.
Through the printmaking processes, students will explore assignments and projects and be encouraged to incorporate them into their own body of work.

• Department: Visual Arts
• T 10 a.m.-4 p.m.
• Instructor: Craig Zammiello
  Info
• 3 points

Epic Narratives of South Asia

This class introduces students to the living epics that form core literary, religious, and cultural traditions within South Asia: the
Ramayana
and the
Mahabharata
. “Epic Epics” will begin by examining the earliest narration of the
Ramayana
(in its modern
Amar Chitra Katha
comic redaction) and then will proceed to investigate how these stories of tragedy, valor, and divinity were and are adapted by different communities as they became an intrinsic part of almost every area of this region. As the heroes (and heroines) of these epics are often linked with the people producing and/or narrating them, the manner in which these epics are articulated reveals the priorities of its authors. Drawing on literature, film, graphic novels, journalism, podcasts, art, and performance, this class will explore the continuous reworking of these epics from their inception to the present day. Special attention will be payed to the controversies surrounding politics, caste, and gender that arise in the texts.

• Department: Middle Eastern, South Asian and African Studies
• R 12:10 p.m.-2 p.m.
• Instructor: Christine Marrewa Karwoski
  Info
• 3 points

The Making of Global Contemporary Art:

This lecture class introduces the notion of global contemporary art through the history of exhibitions, chiefly biennials and other large-scale endeavors, and principal agents behind them. On the one hand, the course considers exhibitions as a crucial tool of cultural diplomacy, which seek to position and/or reposition cities, regions, and even entire nations or “peoples” on the international scene. Thus, we will explore how the artistic interests vested in exhibition-making intersect with other—political, economic, ideological, and cultural—interests. We will consider those intersections paying special attention to the shifts in political relations and tensions during and after the Cold War, including the moment of decolonization in Africa; the moment commonly understood as “globalization” and associated with the expansion of the neoliberal capitalism after 1989; and, finally, the current moment of the planetary crisis. This expansive view of the “global contemporary art” will allow us to distinguish different impetuses behind internationalism and globalism that not only seek to establish hegemony, artistic or otherwise, but also look for the means to forge transnational dialogues and solidarities. On the other hand, this class seeks to illuminate how certain artistic idioms and approaches developed after World War II achieved primacy that influences artistic production to this day. To this end, we will examine the rise of a “visionary curator” as a theorist and tastemaker. We will also explore how more recent exhibitions have sought to expand the geography of the “canonized” post-WWII art movements and valorize artistic production conceived outside of the so-called “West.”

In addition to weekly brief writing assignments (150–300 words each), both in and outside of class, the students in the course will reconceive the installation of one of MoMA’s permanent collection galleries (1940s-70s or 1970s-present) and produce a podcast that provides the rationale for the reinstallation in form of dialogue.

• Department: Art History @Barnard
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Dorota Biczel
  Info
• 4 points

Computational Sound

COMPUTATIONAL SOUND

In this course, we explore the variety of roles that computation can play in the analysis, creation, and performance of music. We start with the fundamentals of sound in the digital domain, covering issues of representation and audio synthesis. We then move through various synthesis techniques including the additive, subtractive, frequency modulation (FM), and amplitude modulation (AM) synthesis. After covering some core DSP techniques, we put these concepts into performative practice by exploring “live coding”. In the space of live coding, we examine various programming language designs to understand how various domain specific languages (DSLs) support live coding. For the third module, we turn our focus to automated composition and analysis, addressing challenges in music information retrieval, generative art, and autonomous improvisation systems. All the while, we continue to develop our fluency in live coding by putting new topics to practice.

• Department: Computer Science @Barnard
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Mark Santolucito
  CULPA: 1 h-index: 8 Info
• 3 points

ENGINEERING DESIGN

Building on the preliminary design concept, the detailed elements of the design process are completed: systems synthesis, design analysis optimization, incorporation of multiple constraints, compliance with appropriate engineering codes and standards, and Computer Aided Design (CAD) component part drawings. Execution of a project involving the design, fabrication, and performance testing of an actual engineering device or system.

• Department: Mechanical Engineering
• TR 1:10 p.m.-3:40 p.m.
• Instructor: Yevgeniy Yesilevskiy
  h-index: 7 Info
• 3 points

RUSSIAN FOR HERITAGE SPKRS II

Prerequisites: RUSS V3430 or the instructors permission. This course is designed to help students who speak Russian at home, but have no or limited reading and writing skills to develop literary skills in Russian. THIS COURSE, TAKEN WITH RUSS V3430, MEET A TWO YEAR FOREIGN LANGUAGE REQUIREMENT. Conducted in Russian.

• Department: Slavic Languages
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Alla Smyslova
  CULPA: 20 Info
• 3 points

COLL: LAW AND VIOLENCE

Prerequisites: Admission by application through the Barnard Political Science Department only. Enrollment limited to 16 students. Requires POLS 1011 (Political Theory) or equivalent. This colloquium examines how the law can participate in the justification of various forms of violence, exclusion, and inequality. It focuses on the power of law to determine which subjects get recognized as persons entitled to rights. Possible topics include slavery, migration, gender, sexual orientation, disability, homelessness, and nonhuman animals.

• Department: Political Science @Barnard
• W 12:10 p.m.-2 p.m.
• Instructor: Ayten Gundogdu
  CULPA: 20 h-index: 8 Info
• 4 points

LANGUAGE & REVOLUTION

Prerequisites: Third-year bridge course (W3300), and introductory surveys (W3349, W3350). Kants Enlightenment motto, sapere aude, took on political significance for Spanish American revolutionaries who made their case in prose, pushing against the constraints of the essay. This course traces the genres evolution from the transatlantic debate over political independence to the exuberant declarations of intellectual independence that would follow.

• Department: Spanish and Latin American Culture
• TR 1:10 p.m.-2:25 p.m.
• Instructor: Ronald D Briggs
  CULPA: 4 Info
• 3 points

CORP BEHAVIOR & PUBLIC HEALTH

In the decades since the publication of Silent Spring and the rise of the environmental movement, public awareness of the impact of industrial products on human health has grown enormously. There is growing concern over BPA, lead, PCBs, asbestos, and synthetic materials that make up the world around us. This course will focus on environmental history, industrial and labor history as well as on how twentieth century consumer culture shapes popular and professional understanding of disease. Throughout the term the class will trace the historical transformation of the origins of disease through primary sources such as documents gathered in lawsuits, and medical and public health literature. Students will be asked to evaluate historical debates about the causes of modern epidemics of cancer, heart disease, lead poisoning, asbestos-related illnesses and other chronic conditions. They will also consider where responsibility for these new concerns lies, particularly as they have emerged in law suits. Together, we will explore the rise of modern environmental movement in the last 75 years.

• Department: History
• W 8:10 a.m.-10 a.m.
• Instructor: David Rosner
  CULPA: 4 Wikipedia Info
• 4 points

PRINTMAKING II:SILKSCREEN

Prerequisites: VIAR R2440. (Formerly R3414) Printmaking II: Silkscreen continues instruction and demonstration of further techniques in silkscreen. Encourages students to think visually more in the character of the medium, and personal development is stressed. Individual and group critiques. Portfolio required at end. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• R 10 a.m.-4 p.m.
• Instructor: Tomas Vu Daniel
  CULPA: 4 Info
• 3 points

REFLEXIVITY IN ART & FILM

This seminar will explore a range of individual works of Western art from the 16th century to late 20th century in which the tension between illusionism and reflexivity is foregrounded. It will focus on well-known paintings and films in which forms of realism and verisimilitude coexist with features that affirm the artificial or fictive nature of the work or which dramatize the material, social and ideological conditions of the work’s construction. Topics will include art by Durer, Holbein, Velazquez, Watteau, Courbet, Morisot, Vertov, Deren, Godard, Varda, Hitchcock and others. Readings will include texts by Auerbach, Gombrich, Brecht, Jameson, Barthes, Didi-Huberman, Bazin, Lukacs, Mulvey, and Daney

• Department: Art History and Archaeology
• W 4:10 p.m.-6 p.m.
• Instructor: Jonathan K Crary
  CULPA: 11 Wikipedia Info
• 4 points

COLL: GENDER & PUBLIC POLICY

In this course, we will examine how notions of sex and gender have shaped public policies, and how public policies have affected the social, economic, and political citizenship of men and women in the United States over time.

• Department: Political Science @Barnard
• M 2:10 p.m.-4 p.m.
• Instructor: Katherine L Krimmel
  CULPA: 6 Info
• 4 points

THE BRAIN AND MEMORY

Prerequisites: (PSYC UN1010) or Equivalent introductory course in neuroscience or cognitive psychology and the instructors permission This seminar will give a comprehensive overview of episodic memory research: what neuroimaging studies, patient studies, and animal models have taught us about how the brain creates, stores, and retrieves memories.

• Department: Psychology
• M 2:10 p.m.-4 p.m.
• Instructor: Mariam Aly
  CULPA: 5 h-index: 15 Info
• 4 points

TAP III

Prerequisites: DNCE BC2447, BC2448, or permission of instructor.

Tap III is an advanced level tap class for students who have 5 or more years of tap dance training. We will cover tap technique, proper use of the body to enhance sound quality and style, a variety of musical genres and structures, and improvisation.

• Department: Dance @Barnard
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Dormeshia Sunbry-Edwards
  Info
• 0-1 points

How to do things with Queer Bodies

Homosexuality, as a term, might be a relatively recent invention in Western culture (1891) but bodies that acted and appeared
queer
(
ly)
existed long before that. This course will focus on acts, and not identities, in tracing the evolution of writing the queer body from antiquity until today. In doing so it will explore a number of multimodal materials – texts, vases, sculptures, paintings, photographs, movies etc. – in an effort to understand the evolution of the ways in which language (written, spoken or visual) registers these bodies in literature and culture. When we bring the dimension of the body into the way we view the past, we find that new questions and new ways of approaching old questions emerge. What did the ancient actually write about the male/female/trans* (homo)sexual body? Did they actually create gender non-binary statues? Can we find biographies of the lives of saints in drag in Byzantium? How did the Victorians change the way in which we read Antiquity? How is the queer body registered in Contemporary Literature and Culture? Can one write the history of homosexuality as a history of bodies? How are queer bodies constructed and erased by scholars? How can we disturb national archives by globalizing the queer canon of bodies through translation? These are some of the questions that we will examine during the semester.

The course surveys texts from Homer, Sappho, Aeschylus, Euripides, Plato, Theocritus, Ovid, Dio Chrysostom, Lucian, Walt Whitman, Oscar Wilde, Arthur Symonds, Dinos Christianopoulos, Audre Lorde, Larry Kramer, Tony Kushner etc., the work of artists such as Yiannis Tsarouchis, Robert Mapplethorpe, Dimitris Papaioannou, Cassils, movies such as
120 battements par minute,
and popular TV shows such as
Pose.

• Department: Classics
• T 2:10 p.m.-4 p.m.
• Instructor: Nikolas Kakkoufa
  Info
• 3 points

Evolution of Intelligence, Animal Commun

Prerequisites: PSYC UN1001, and the instructors permission.

A systematic review of the evolution language covering the theory of evolution, conditioning theory, animal communication, ape language experiments, infant cognition, preverbal antecedents of language and contemporary theories of language.

• Department: Psychology
• R 2:10 p.m.-4 p.m.
• Instructor: Herbert S Terrace
  CULPA: 29 Wikipedia Info
• 3 points

SPATIAL ANALYSIS FOR SDEV

This is an intermediate course in spatial modeling developed specifically for students in the Undergraduate Sustainable Development program. This course will provide a foundation for understanding a variety of issues related to spatial analysis and modeling. Students will explore the concepts, tools, and techniques of GIS modeling and review and critique modeling applications used for environmental planning and policy development. The course will also offer students the opportunity to design, build and evaluate their own spatial analysis models. The course will cover both vector and raster based methods of analysis with a strong focus on raster-based modeling. We will draw examples from a wide range of applications in such areas as modeling Land Use and Land Cover for biodiversity and conservation, hydrological modeling, and site suitability modeling. The course will consist of lectures, reading assignments, lab assignments, and a final project.

• Department: Earth Institute
• W 10:10 a.m.-12:25 p.m.
• Instructor: Kytt J Macmanus
  Info
• 3 points

COLLOQUIUM ON INEQUALITY AND POWER IN TH

COLL: ECON INEQUALITY IN

In recent decades, economic inequality in the United States has soared to levels not seen for nearly a century: Wages for workers have stagnated, while the proportion of wealth concentrated among the most well-off Americans has steadily increased. These trends may have dire consequences for the state of representative democracy in the United States, as they endow a relatively small number of citizens with a disproportionate amount of resources to deploy politically. The result is a political system that often responds to the preferences of the wealthiest Americans, while frequently ignoring the views of most ordinary citizens.

This course, in diverse ways, explores the political causes and consequences of rising inequality, especially with regards to who has political power. We will begin by examining the contours of inequality in the U.S. while also exploring the various ways that power manifests itself in politics. We’ll then explore the relationship between wealth and public policy outcomes in the United States, along with the ways that the very wealthiest Americans – both individually and collectively – work to advance their policy views. Beyond just examining national-level politics, we will also discuss inequality and power on the state- and local-levels. We’ll then explore how political and economic inequality are interrelated with race and social class, and how all of this connects to the rise of Donald Trump. Finally, we will assess potential remedies to political and economic inequality.

• Department: Political Science @Barnard
• F 2:10 p.m.-4 p.m.
• Instructor: Roberto Sirvent
  Info
• 4 points

HOUSING POLICY IN THE UNITED STATES

HOUSING POLICY IN THE U.S

How should we define housing? As a concept, housing is both simple and complex. As a physical concept, housing provides shelter, and it is durable and visible. Yet, housing is more than just its physical components. As a social concept, housing is a clear insignia of social status and can be an investment vehicle to accumulate and hoard wealth. Additionally, housing (and housing policy) both amplifies and reinforces larger patterns of racial and economic bias witnessed in wider society. This course examines the institutional, economic, regulatory, and political factors that affect the production, subsidization, and siting of housing in the United States. We will trace the varied policy approaches that local, state, and federal governments have leveraged to deliver affordable housing over time. Throughout the course, we will pay particular attention to how U.S. housing policy historically is built on a segregationist ideology, often linking the presence of non-white and low-income households with neighborhood instability and as a threat to stable property values. We will also explore the various approaches that the public sector has pursued to attempt to undo the racially segregated housing market of its own making.

The course is divided into three sections. Part I reviews how previous scholars have defined housing, provides a brief introduction to housing policy history, and introduces the basics of supply and demand in housing markets and housing finance. Part II examines various approaches to provide affordable housing at the federal, state, and local level and how these approaches have evolved over time. Part III examines contemporary housing policy debates.

Since this class is an upper-level seminar, students should expect to read about 150 pages of reading per week and to listen to a podcast or watch a select movie on specific weeks. Students will be expected to complete all of the assigned readings before class. Class time primarily will be devoted to class discussions, so students should plan to formulate thoughts about the readings before class and to participate actively in class discussions each week.

• Department: Urban Studies @Barnard
• M 4:10 p.m.-6 p.m.
• Instructor: Jenna M Davis
  Info
• 4 points

Zines by Artists

Most often associated with the explosion of punk rock at the end of the 1970s, self-published booklets, fanzines, or simply ’zines actually arose first in the context of science fiction collectors in the 1930s.  Beginning in the early 1970s (independently of, and before the advent of punk music), artists adopted and developed the format as a vehicle for visual expression, drawing from precedents in pop art, artists’ books, mimiographed literary magazines, historical avant-garde movements such as dada, and more contemporaneous developments in conceptual art and mail art.  Overlooked in favor of artists’ books and artists’ magazines, on the one hand, and in favor of various types of music- or personal expression-based zines, on the other, the artist’s zine forms a rich and multifaceted genre spanning over five decades of practice.  This course will examine the artist’s zine in the contexts of both art and music history, issues related to the expression and exploration of race, gender, and sexaulity, and the notions of networking and community building.  Although distinct from the development of punk rock, artists’ zine practice has forged and maintains a close connection to it and to its evolution into Queercore, Riot Grrrl, and Afropunk, all of which are covered in the course readings.

• Department: Art History and Archaeology
• M 2:10 p.m.-4 p.m.
• Instructor: Branden W Joseph
  CULPA: 9 Wikipedia Info
• 4 points

Pacifism and the Apocalyptic Imagination

This course examines the evolution of pacifist thought in literature from the interwar years to the dawn of the atomic age. It seeks to study the literature of twentieth-century pacifism as a response to expanding technologies of modern warfare. The course asks the following questions, among others: What shape does pacifist thought take in the atomic age, and how does it compare with interwar pacifism? What similarities or differences are discernible? What role do literary representations of modern warfare play in the evolution of pacifist thought? Does pacifism gain persuasive power through these representations, or do they lay bare its limits? How might one understand pacifism’s conceptual relation to nonviolence, anti-war resistance, and anti-militarism?

The course begins with works by pacifist writers in the interwar years: Bertrand Russell,
Why Men Fight
(1917); the correspondence between Einstein and Freud in 1932; Aldous Huxley, “What Are You Going to Do About It?” (1936) and
Eyeless in Gaza
(1936); Virginia Woolf,
Three Guineas
(1938) and “Thoughts on Peace in an Air Raid” (1940); Vera Brittain, “Women and Peace” (1940). The course then considers the evolution of pacifism in the shadow of Hiroshima and Nagasaki, focusing on novels, memoirs, essays, short stories, and films, including the following works: Aldous Huxley,
Ape and Essence
(1948); M. K. Gandhi,
For Pacifists
(1949); Pearl Buck,
Command the Morning
(1959); Alfred Coppel,
Dark December
(1960); Masuji Ibuse,
Black Rain
(1965); Kenzaburo Oe
, Hiroshima Notes
(1965) and
Fire from the Ashes
, ed. (1985); Anand Patwardhan,
War and Peace
(2002, documentary); Howard Zinn (ed.),
The Power of Nonviolence
(2002).

The course encourages students to view selected films probing pacifist and anti-war themes alongside literary and philosophical texts, with a view to grasping the themes’ adaptability across various genres. Students must apply to enrol in the seminar, providing information about year, school, relevant prior coursework, and reasons for wanting to take the course. Students from all disciplines are welcome to apply; prior coursework in literature is strongly recommended.

• Department: English and Comparative Literature
• T 4:10 p.m.-6 p.m.
• Instructor: Gauri Viswanathan
  CULPA: 9 Wikipedia Info
• 4 points

Unland: Writing Utopias

Unland: Writing Utopias 

The word ‘Utopia’ is a combination of the Greek prefix
ou
—not and
topos—
place. In the aftermath of the Shoah, the poet Paul Celan alludes to this etymology when he writes about ‘Unland,’ referring to the desiccated status of Europe, the ‘not-yet’ of nascent political or communal formations, and the ‘no-place’ of poetry; a non-territorial laboratory for understanding and reconfiguring the world. 

This course will look at a variety of writers who generate ‘non-places’—vacuums, alternatives, blueprints—that shed new light on our lived realities. Alluring or depleted (or both), these often unreachable realms instigate critical reflection about the tragic absurdities of our own present. We will pay particular attention to how writers conceive of text as a ‘third space’ that hovers between reality and fantasy. Looking at a range of authors from early modernity to the present, this course will challenge the genre boundaries between science-fiction and canonical literature. Readings will include works by Shakespeare, Georg Büchner, Franz Kafka, Italo Calvino, Jorge Luis Borges, Stanisław Lem, Ursula K. Le Guin, and Samuel R. Delany.

No prerequisite courses are required. Course Readings and discussion will be in English. Required Texts.

• Department: Germanic Languages
• MW 4:10 p.m.-5:25 p.m.
• Instructor: Evan Parks
  CULPA: 1 Info
• 3 points

Handicraft and Contemporary Art

Handicraft & Contemporary

This seminar examines the resurgence of craft within contemporary art and theory. In a time when much art is outsourced — or fabricated by large stables of assistants — what does it mean when artists return to traditional, and traditionally laborious, methods of handiwork such as knitting, jewelry making, or woodworking? Though our emphasis will be on recent art (including the Black feminist reclamation of quilts, an artist who makes pornographic embroidery, a cross-dressing ceramicist, queer fiber collectives, do-it-yourself Indigenous environmental interventions, and anti-capitalist craftivism), we will also examine important historical precedents. We will read formative theoretical texts regarding questions of process, materiality, skill, bodily effort, domestic labor, and alternative economies of production. Throughout, we will think through how craft is in dialogue with questions of race, nation-building, gendered work, and mass manufacturing. The seminar is centered around student-led discussion of our critical readings.

• Department: Art History and Archaeology
• T 2:10 p.m.-4 p.m.
• Instructor: Julia Bryan-Wilson
  Wikipedia Info
• 4 points

Pastel in 18th-Century Europe

Pastel in 18th-C Europe

This seminar focuses on the practice of pastel in eighteenth-century Europe. Known for its luminosity and fragility—two characteristics linked to its powdery essence—as well as for its practicality, pastel as an artistic medium reached an unprecedented popularity in the eighteenth century. While some painters used it on occasion (Jean-Siméon Chardin, Élisabeth Vigée Le Brun, John Singleton Copley, to name a few notable examples), others made it their medium of choice, including Rosalba Carriera, Jean-Étienne Liotard, and Maurice-Quentin de la Tour, three of the most sought-after artists of the period. This seminar will examine these dazzling works, many of them portraits but not exclusively, from different perspectives: technique, artists’ manuals, and trade in materials; makeup and the aesthetic discourse; vision and touch; color and the rendition of skin tones; the construction of artistic identity; art criticism; and the commission, collecting, and display of pastels. The seminar will include at least two museum trips, including one to the Frick Madison where the exhibition
Nicolas Party and Rosalba Carriera
is currently on view.

• Department: Art History and Archaeology
• T 2:10 p.m.-4 p.m.
• Instructor: Frederique Baumgartner
  CULPA: 3 Info
• 4 points

WOMEN, GENDER POL-MUSLIM WORLD

WOMEN GENDER POL-MUSLIM WORLD

Practices like veiling, gendered forms of segregation, and the honor code that are central to Western images of Muslim women are also contested issues throughout the Muslim world. This course examines debates about gender, sexuality, and morality and explores the interplay of political, social, and economic factors in shaping the lives of men and women across the Muslim world, from the Middle East to Europe. The perspective will be primarily anthropological, although special attention will be paid to historical processes associated with colonialism and nation-building that are crucial to understanding present gender politics. We will focus on the sexual politics of everyday life in specific locales and explore the extent to which these are shaped by these histories and the power of representations mobilized in a global world in the present and international political interventions. In addition to reading ethnographic works about particular communities, we read memoirs and critical analyses of the local and transnational activist movements that have emerged to address various aspects of gender politics and rights.

• Department: Anthropology
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Maria F Malmstrom
  Info
• 3 points

FIELD WORK & RESEARCH SEMINAR: TODDLER C

FLD WRK&RSRCH SEM:TODDLR CENT

PSYC BC1129/2129 (with or without lab) as well as permission of the instructor.
The Barnard Toddler Center provides the focus for this seminar and research in applied developmental psychology, an amalgam of developmental, educational, and clinical psychology. The seminar integrates theory and research and for AY 20-21 will use daily recordings of the toddler sessions as the centerpiece for understanding early development. The unique context of Covid19 will be used to understand risks in development, especially for vulnerable children and families. Second term students will also conduct research on parenting during the pandemic.

• Department: Psychology @Barnard
• T 2:10 p.m.-4 p.m.
• Instructor: Andrea F Fields
  Info
• 4 points

WOMEN/GENDER-MUSLIM WORLD-DISC

• Department: Anthropology
• M 3:10 p.m.-4 p.m.
• W 3:10 p.m.-4 p.m.
• W 4:10 p.m.-5 p.m.
• Instructor: Lea Coffineau
  Info
• Instructor: Marini Thorne
  Info
• 0 points

WOMEN/GENDER-MUSLIM WORLD-DISC

• Department: Anthropology
• M 4:10 p.m.-5 p.m.
• Instructor: Lea Coffineau
  Info
• 0 points

CLINICAL FIELD PRACTICUM

Prerequisites: Three psychology courses and permission of the instructor required during program planning the fall semester before the course is offered. Enrollment limited to 12 students; seniors are given priority. This course introduces students to clinical and counseling work, and to psychodynamic ways of understanding and supporting people in psychological distress. Students secure a clinical placement for the course, and apply readings on psychodynamic notions of parenting, psychopathology, and therapeutic process to their clinical experiences. The course helps students clarify their professional goals, and provides the clinical experience that strengthens applications to social work programs, and that is required for applications to clinical and counseling doctoral programs.

• Department: Psychology @Barnard
• T 11 a.m.-12:50 p.m.
• 4 points

Out of Her Mind: American Women Writing,

American Women Writing 17

This course explores how American women writers who suffered from depression, disability, bodily pain, or social marginalization, used the environment and its literary representations to redefine the categories of gender, ability, and personhood. Prior to their inclusion into the public sphere through the US Constitution’s 19th Amendment which in 1920 granted women the right to vote, American artists had to be particularly resourceful in devising apt strategies to counter the political and aesthetic demands that had historically dispossessed them of the voice, power, and body. This course focuses on the women writers who conceptualized their own surroundings (home, house, marriage, country, land, island and the natural world) as an agent that actively and decisively participates in the construction and dissolution of personal identity. In doing so, they attempted to annul the separation of the public (politics) and the private (home) as respective male and female spheres, and in this way they contributed, ahead of their own time, to the suffragist debates. Our task in this course will be to go beyond the traditional critical dismissal of these emancipatory strategies as eccentric or “merely aesthetic” and therefore inconsequential. Instead, we will take seriously Rowlandson’s frontier diet, Fuller’s peculiar cure for her migraines, Wheatley’s oblique references to the Middle Passage, Jewett’s islands, Ša’s time-travel, Thaxter’s oceans, Hurston’s hurricanes, and Sansay’s scathing portrayal of political revolutions. We will read these portrayals as aesthetic decisions that had—and continue to have—profound political consequences: by externalizing and depersonalizing what is commonly understood to be internal and intimate, the authors we read collapse the distinction between inside and outside, between the private and public—the distinction that traditionally excluded women from participation in the public life, in policy- and decision-making.

• Department: English and Comparative Literature
• W 12:10 p.m.-2 p.m.
• Instructor: Vesna Kuiken
  Info
• 4 points

BRAZILIAN SOCIETY & CIV (ENG)

Each week, a historical period is studied in connection to a particular theme of ongoing cultural expression. While diverse elements of popular culture are included, fiction is privileged as a source of cultural commentary. Students are expected to assimilate the background information but are also encouraged to develop their own perspective and interest, whether in the social sciences, the humanities (including the fine arts), or other areas.

• Department: Latin American and Iberian Cultures
• MW 2:40 p.m.-3:55 p.m.
• TR 4:10 p.m.-5:25 p.m.
• Instructor: Luise Malmaceda
  Info
• Instructor: Joao Nemi Neto
  CULPA: 1 Info
• 3 points

Representing the Past

REPRESENTING THE PAST

Examines the renderings of the past as conveyed by historians and by those seeking to "represent" the past, such as novelists, playwrights, filmmakers, ritualists, and artists.  Analyzes the theoretical, philosophical, and evidentiary problems and possibilities inherent in various modes of historical narration and representation.

• Department: History @Barnard
• W 2:10 p.m.-4 p.m.
• Instructor: Mark C Carnes
  CULPA: 50 Info
• 4 points

Gene-Environment Interactions & Epigenet

Gene-Env Interaction & Ep

The aim of this course is to examine the biological bases of individual differences in behavior. We will start by examining how individual differences in behavior and health are shaped by gene-environment interactions. We will complement these studies with the endophenotype approach and discuss its role in our contemporary views of complex disorders. We will then introduce behavioral epigenetics studies that are suggested to mediate the effects of gene-environment interactions at different levels of analysis. We will continue by discussing how these topics shape and are shaped by developmental programming. We will end the semester by discussing the major debates around these topics as well as their implications in real life and public policies. By covering these topics, students are expected to gain a better understanding of how our behavior is i) formed and shaped by gene-environment interactions over time, ii) influenced by the underlying physiological and epigenetic mechanisms, and iii) changed by developmental processes. With this information, the students are expected to view individual differences in behavior in a perspective that is highly interdisciplinary and dynamic.

• Department: Psychology
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Elif A Duman
  Info
• 4 points

COLD WAR IMAGINARIES: GEO/CAP/DICT SPAIN

• Department: Latin American and Iberian Cultures
• MW 1:10 p.m.-2:25 p.m.
• Instructor: Ana M Fernandez Cebrian
  CULPA: 1 Info
• 3 points

INDEP BIOLOGICAL RESEARCH

Prerequisites: Concurrent with registering for this course, a student must register with the department and provide a written invitation from a mentor; details of this procedure are available at http://www.columbia.edu/cu/biology/courses/w3500/index.htm. Students must register for recitations UN3510 or consult the instructor. Corequisites: BIOL UN3510 The course involves independent study, faculty-supervised laboratory projects in contemporary biology. Concurrent with registering for this course, a student must register with the department, provide a written invitation from a mentor and submit a research proposal; details of this procedure are available at http://www.columbia.edu/cu/biology/courses/w3500/index.htm. A paper summarizing results of the work is required by the last day of finals for a letter grade; no late papers will be accepted. See the course web site (above) for more details. Students can take anywhere from 2-4 points for this course.

• Department: Biological Sciences
• Instructor: Jellert T Gaublomme
  Info
• 2-4 points

READINGS IN JEWISH LITERATURE

Through an analysis of far-flung examples of comic Jewish literature created by Jews over three centuries and three continents, this course will attempt to answer two questions. First, are there continuities in Jewish literary style and rhetorical strategy, and if so, what are they? And second, can Jewish literature help us to understand the tensions between universality and particularity inherent in comic literature more generally? Works and authors read will include the Book of Esther, Yiddish folktales, Jewish jokes, Sholem Aleichem, Isaac Bashevis Singer, Franz Kafka, Philip Roth, Cynthia Ozick, Woody Allen, and selections from American television and film.

• Department: Germanic Languages
• T 4:10 p.m.-6 p.m.
• Instructor: Agnieszka Legutko
  CULPA: 1 Info
• 3 points

SUPERVISED READINGS IN PHYSICS

Prerequisites: the written permission of the faculty member who agrees to act as supervisor, and the director of undergraduate studies permission. Readings in a selected field of physics under the supervision of a faculty member. Written reports and periodic conferences with the instructor.

• Department: Physics
• Instructor: Jeremy R Dodd
  CULPA: 25 Info
• 3 points

BUDDHIST ETHICS

• Department: Religion
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Thomas F Yarnall
  CULPA: 1 Info
• 3 points

Intro to Moving Image: Video, Film & Art

Intro Moving Image:Video,

Intro to Moving Image: Video, Film & Art is an introductory class on the production and editing of digital video. Designed as an intensive hands-on production/post-production workshop, the apprehension of technical and aesthetic skills in shooting, sound and editing will be emphasized. Assignments are developed to allow students to deepen their familiarity with the language of the moving image medium. Over the course of the term, the class will explore the language and syntax of the moving image, including fiction, documentary and experimental approaches. Importance will be placed on the decision making behind the production of a work; why it was conceived of, shot, and edited in a certain way. Class time will be divided between technical workshops, viewing and discussing films and videos by independent producers/artists and discussing and critiquing students projects. Readings will be assigned on technical, aesthetic and theoretical issues. Only one section offered per semester. If the class is full, please visit http://arts.columbia.edu/undergraduate-visual-arts-program.

• Department: Visual Arts
• M 10 a.m.-4 p.m.
• 3 points

SURVEY OF YIDDISH LIT (ENG)

For the better part of a thousand years Yiddish was the primary language of European Jewry – and the language of its most exciting and vibrant literary and cultural achievement. This class hopes to trace the history of that literature – which is at its heart a history of much of the Jewish people as it lived traditionally faced modernity and suffered catastrophe. Stories poems plays – by authors ranging from Nobel prize winners like Isaac Bashevis Singer to seventeenth century women like Gluckel of Hameln – are not only great works of art in their own right but they open a window into a largely vanished world.

• Department: Germanic Languages
• R 10:10 a.m.-noon
• Instructor: Jeremy Dauber
  CULPA: 21 Wikipedia Info
• 3 points

Indians and Empires in North America

Indians & Empires in N Am

In this course you will be asked to re-think American history.   That is, we will approach the history of America as a continental history.  This will require that we think of North America as a New World space, a place that was inhabited and occupied by indigenous peoples, and then remade by the arrival and settlement of Europeans.  You will be asked to imagine a North America that was indigenous and adaptive, as well as colonial and Euro-American.  This approach to the study of North American history is designed to challenge the epistemology and literature of the history of colonization and American expansion, which displaces Native peoples from the central narrative of American history by placing them at the physical margins of colonial and national development.  Instead we will explore the intersection and integration of indigenous and Euro-American national identity and national space in North America and trace their co-evolution from first contact through the early nineteenth century.

• Department: History
• W 4:10 p.m.-6 p.m.
• Instructor: Michael Witgen
  Info
• 4 points

COLL: URBAN VIOLENCE

• Department: Political Science @Barnard
• M 12:10 p.m.-2 p.m.
• Instructor: Eduardo Moncada
  CULPA: 2 h-index: 12 Info
• 4 points

COLUMBIA 1968

This undergraduate seminar examines the social, political, and cultural transformations of the 1960s through the lens of local history. The course is centered on the student and community protests that took place at Columbia University and in Morningside Heights in 1968. Scholarly and popular histories have underscored the ways 1968 was a watershed moment in the history of the 20th century. Although the protest is one of the touchstone events from the year and the decade, reliable historical treatment is still lacking. This class encourages students to examine and craft histories of the university and the surrounding community in this period. Designed to work in tandem with the “Columbia and Slavery” course, this course is a public-facing seminar designed to empower students to open up a discussion of all the issues connected with the protests, its global, national, and local context, and its aftermath. The course aims to raise questions, elicit curiosity, and encourage students and those interested in Columbia and Morningside Heights history to investigate one of the most important events to take place in the university’s history. The recent 50th anniversary of those events, and the availability of new sources & publications on the protests, have presented opportunities to prompt fresh answers to old questions: What were the factors that led to the protests? How did student and community mobilization shape, and were shaped by, national and international forces? What are the local, national, and international legacies of Columbia 1968? The recent graduate student strike is a very tangible legacy of the protests. This seminar is part of an on-going, multiyear effort to grapple with such questions and to share our findings with the Columbia community and beyond.  Working independently, students will define and pursue individual research projects.  Working together, the class will create digital visualizationsof these projects.

 

Course Objectives:

1.     To explore, document, and contextualize the Columbia/Morningside Heights protests of 1968.

2.     To practice the “historian’s craft” by conducting research, analyzing primary material, and making coherent arguments based on an interrogation of evidence.

3.     To analyze, engage in, and reflect on the relationship between archival research and the produ

• Department: History
• T 2:10 p.m.-4 p.m.
• Instructor: Frank Guridy
  CULPA: 2 Wikipedia Info
• 4 points

INDEP BIOLOGICAL RESEARCH - REC

• Department: Biological Sciences
• F 10 a.m.-11 a.m.
• Instructor: Jellert T Gaublomme
  Info
• 0 points

ADVANCED WORKSHOP TRANSLA

Maurice Blanchot once described translators as the “hidden masters of culture.” Indeed, though our labor and craft often go unrecognized in the age of Google Translate, translators play an essential role as tastemakers, bridge-builders, advocates, and diplomats, not to mention the most intimate readers and re-writers of literature. In this workshop, we will explore translation as a praxis of writing, reading, and revision. Together, we will also interrogate translation's complex and often fraught role in cultural production. What ethical questions does translation raise? Who gets to translate, and what gets translated? What is the place of the translator in the text? What can translation teach us about language, literature, and ourselves? Readings will include selections from translation theory, method texts, and literary translations across genres, from poetry and prose to essay and memoir. Students will workshop original translations into English and complete brief writing and translation exercises throughout.

• Department: Comparative Literature and Society @Barnard
• T 4:10 p.m.-6 p.m.
• Instructor: Peter T Connor
  CULPA: 13 Info
• 4 points

ART/WORK: SEX,AESTH,CAPTLISM

ART/WORK: SEXAESTHCAPTLISM

Prerequisites: none How can performances, theatrical texts, and other art/media objects illuminate the operations of gender, sexuality, and race in global capitalism? Drawing from a range of artistic media and critical traditions, we explore how aesthetic thought can help us analyze the sexual, racial, and national character of contemporary labor and life.

• Department: Women's, Gender, Sexuality Studies @Barnard
• M 2:10 p.m.-4 p.m.
• Instructor: Alexander Pittman
  CULPA: 10 Info
• 4 points

HIST APPROACHES TO FEM QUESTNS

This course will provide students with a comparative perspective on gender, race, and
sexuality by illuminating historically specific and culturally distinct conditions in which
these systems of power have operated. Beginning in the early modern period, the
course seeks to destabilize contemporary notions of gender and sexuality and instead
probe how race, sexuality, and gender have functioned as mechanisms of differentiation
embedded in historically contingent processes. Moving from “Caliban to Comstock,”
students will probe historical methods for investigating and critically evaluating claims
about the past. In making these inquiries, the course will pay attention to the
intersectional nature of race, gender, and sexuality and to strategic performances of
identity by marginalized groups. This semester, we will engage research by historians
of sexuality, gender, and capitalism to critically reflect on the relationship between
critical studies of the past and debates about reproductive justice, bodily autonomy, and
gay and lesbian rights in our contemporary moment.

• Department: Women's and Gender Studies
• W 2:10 p.m.-4 p.m.
• Instructor: Salonee Bhaman
  Info
• 4 points

Sexuality, Modernity & German Film

Sexuality, Modernity Germ

This course explores the modern historical development of sexuality and gender through a close engagement with German cinema of the 20th and early 21st centuries. We will trace two forces closely associated with “modernity”: the art and technology of cinema as an international medium and sexuality as a socially significant aspect of individual personhood, collective politics and public concern. We will consider both film and sexuality as intertwined vectors of social and cultural change, as well as aesthetic and artistic practice, and we will apply our film-analytical framework to develop a better understanding of German culture over the last century. Our course will draw from feminist and queer film studies, cultural studies, critical theory, and histories of gender and sexuality to build our methodology. Through our shared film viewings and class discussions, we will exercise practical forms of critical understanding and communication about modern German cinema and culture.

• Department: Germanic Languages
• W 2:10 p.m.-4 p.m.
• Instructor: Hazel Rhodes
  Info
• 3 points

The Historical Imagination in Caribbean

Hist Imagination Caribbea

Caribbean literature offers complicated and vivid portrayals of the Caribbean’s past, and grapples with difficult histories lived by its people that compromised colonial archives can only partially capture. Literary works far exceed the limited narratives of Caribbean history by imagining entire worlds that official documents could never contain, rich selves, cultures and communities built by many generations of Caribbean people. This course is aimed at bringing forth a broader understanding of Caribbean history by examining a body of creative works by feminist and womanist writers that continuously remain attuned to the complexities of the past, which are either underrepresented or absent in the record. Chosen literary texts will also be paired with historical works that will illuminate and contextualize the multiple themes with which these Caribbean authors frequently engage, including slavery, and colonialism, racism and colorism, migration and immigration, gender and sexuality, poverty and globalization. From these pairings, students will explore both the divergences and alignments in how writers and historians approach the work of retelling the past, and will acquire reading and writing skills that will foster thoughtful critical analysis of the ever-changing contours of the Caribbean’s history.

• Department: History
• W 2:10 p.m.-4 p.m.
• Instructor: Natasha J Lightfoot
  CULPA: 5 Info
• 4 points

CIVIL RIGHTS &CIVIL LIBERTIES

Prerequisites: POLS W1201 or the equivalent. Not an introductory-level course. Not open to students who have taken the colloquium POLS BC3326. Enrollment limited to 25 students; L-course sign-up through eBear. Barnard syllabus. Explores seminal caselaw to inform contemporary civil rights and civil liberties jurisprudence and policy. Specifically, the readings examine historical and contemporary first amendment values, including freedom of speech and the press, economic liberties, takings law, discrimination based on race, gender, class and sexual preference, affirmative action, the right to privacy, reproductive freedom, the right to die, criminal procedure and adjudication, the rights of the criminally accused post-9/11 and the death penalty. (Cross-listed by the American Studies and Human Rights Programs.)

• Department: Political Science @Barnard
• M 12:10 p.m.-2 p.m.
• Instructor: Paula A Franzese
  CULPA: 11 Wikipedia Info
• 3 points

War, Gender & Migration

What are the lived experiences and historical contexts of war? How are war and peace gendered and racialized? How do war and conflict impact and complicate belonging and influence the movement of people across borders and boundaries? With these questions in mind, this course examines the dynamics of war and its aftermath through a complex intersectional lens of gender, race, sexuality, class, religion, and nation. We will also consider how war and conflict lead to forced migration. Most regions of the world are currently or have been, immersed in war and conflict. In order to better understand how and why wars are fomented and conflicts occur, we will examine U.S. wars as well as transnational conflicts and perspectives, while considering how the construction of “the enemy” is gendered and racialized. We will utilize readings from various fields of study to examine historical processes of war, conflict, and displacement. We will combine diverse texts and theoretical engagements, lectures, documentary films, discussions, and class-based activities to interrogate war and notions of subjectivity, alterity, and belonging across time, place, and space.

• Department: Ethnicity and Race, Center for
• W 2:10 p.m.-4 p.m.
• Instructor: Bahia Munem
  Info
• 4 points

HEALTH INEQUALITY: MODERN US

• Department: School of Professional Studies (DVSP)
• F noon-3 p.m.
• Instructor: Samuel K Jr Roberts
  Info
• 3 points

SENIOR SEMINAR II

Prerequisites: Permission of instructor. Enrollment limited to senior majors. Individual research in Womens Studies conducted in consulation with the instructor. The result of each research project is submitted in the form of the senior essay and presented to the seminar.

• Department: Women's, Gender, Sexuality Studies @Barnard
• W 4:10 p.m.-6 p.m.
• Instructor: Elizabeth Bernstein
  CULPA: 27 Info
• 4 points

NEW/OLD FORMS OF POL PROTEST

This course will introduce the students to the important topic of political protest. Each week we will address different aspects of the phenomenon: from the determinant to the actors and strategies of protest. We will discuss how the forms of protest have changed and the current role of the internet in general and social media in particular. Finally, we will discuss the role of the state and state repression, in particular censorship in the dynamics of protest. Since this is a comparative politics course, we will cover a range of different countries, including the United States, as well as both democratic and authoritarian regimes.

• Department: Political Science
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Chiara Superti
  CULPA: 3 Info
• 3 points

ADVANCED SENIOR STUDIO II

Advanced Senior Studio II is a critique class that serves as a forum for senior Visual Arts majors to develop and complete one-semester studio theses.  The priorities are producing a coherent body of studio work and understanding this work in terms of critical discourse.  The class will comprise group critiques and small group meetings with the instructor. Field trips and visiting artist lectures will augment our critiques. Please visit: 
https://arthistory.barnard.edu/senior-thesis-project-art-history-and-visual-arts-majors

• Department: Art History @Barnard
• T 2:10 p.m.-6 p.m.
• Instructor: John Miller
  CULPA: 2 Info
• 4 points

ROMARE BEARDEN:HOME IS HARLEM

Prerequisites: This course is limited to 20 students Romare Bearden: Home is Harlem, is an exploration into one of the greatest American artists finding home in Harlem. The noted painter, collagist, intellectual and advocate for the arts, spent his childhood and young adult life in Harlem. Known for chronicling the African-American experience, he found rich sources for artistic expression in the Manhattan neighborhoods above 110th Street.

• Department: Africana Studies (AFSB)
• W 10:10 a.m.-noon
• Instructor: Deidra Harris-Kelley
  Info
• 4 points

Women, Culture, Activism & Gender in Lat

Activism & Gender in Lati

The course focuses on women, culture, and activism in contemporary Latin America through the discussion of manifestos, essays, visual works, films, literature, blogs, music, and new cultural experiences. We will approach two main demands of women on the streets: claims against violence (“femicidios”) and the expansion of rights.

Students will be introduced to theoretical writing on Latin American feminisms in different contexts (mainly Argentina, Brazil, Paraguay, Mexico, Chile, Peru). This course will provide students with an accurate understanding of some of the topics of contemporary Latin American feminism and activism related to new subjectivities, politics, and culture. The course develops a wide range of cultural practices and includes topics as practices of resistance, representation of violence, gender as spectacle, and new phenomena such as urban protests. We will also trace a relevant genealogy of women struggles in Latin America. The class will be conducted in Spanish and all written assignments will also be in that language.

• Department: Latin American and Iberian Cultures
• TR 11:40 a.m.-12:55 p.m.
• Instructor: Graciela Montaldo
  Info
• 3 points

AUTOCRACY AND DEMOCRACY

With longstanding democracies in Europe and the US faltering, autocratic regimes in Russia and China consolidating, and hybrid regimes that mix elements of democracy and autocracy on the rise, scholars, policymakers, and citizens are re-evaluating the causes and consequences of different forms of government.  This course is designed to give students the tools to understand these trends in global politics. Among other topics, we will explore: How do democracies and autocracies differ in theory and in practice?  Why are some countries autocratic? Why are some democratic? What are the roots of democratic erosion?  How does economic inequality influence a country’s form of government? Is the current period of institutional foment different past periods of global instability?  This course will help students keep up with rapidly unfolding events, but is designed primarily to help them develop tools for interpreting and understanding the current condition of democracy and autocracy in the world.

• Department: Political Science
• TR 2:40 p.m.-3:55 p.m.
• Instructor: Timothy M Frye
  CULPA: 8 Wikipedia h-index: 31 Info
• 3 points

Transgressive Modern French Lit. & Film

Transgress. Modern Lit &

In its widest sense, transgression is the violation of cultural, social, religious, and legal norms or laws. Traditionally, transgression is regarded as being unacceptable, objectionable, and even harmful. Certain behaviors, such as cannibalism or incest (Freud 1913; Lévi-Strauss 1949), are transculturally deemed as taboo. From another perspective, however, transgression holds the potential to rupture and radically reshape the status quo, a conviction perhaps most evident in the realm of art. Transgressive art shocks us, it elicits outrage, paralyzes us in horror, it makes our stomachs turn, our knees weak. It shakes the tenets of our morals, challenges our sensibilities, and interrogates our notions of what is offensive, appropriate, and societally acceptable. What is it about a work of art that makes it transgressive? Do we know it when we see it? Is it derived from a work’s content or is it also a question of its form? How does it interface with questions of authorship, sociopolitical context, and reception? What limit must a work go beyond in order to be deemed transgressive? What is the relationship between subversion and transgression? Can we speak of an aesthetics of transgression? 2 These questions will drive our exploration and critical engagement with French and Francophone literature and film. In addition to offering a broad overview of 20th - and 21st -century French and Francophone literary and cinematic production, this course will focus on the shifting cultural, social, and political contexts of these works. We will consider how these contexts – in conjunction with a work’s content and form – shape what constitutes transgression and how or why a work is shocking. To contemplate a more comprehensive understanding of transgression and its specificities and contingencies, we will cover an array of literary and cinematographic genres (prose narrative, autofiction, nouveau roman, noir thriller, new wave, experimental film, horror), and themes (romantic love, desire, sexuality, colonialism, familial relations, cultural norms, religion, censorship). Along with primary source texts and films, we will read selected secondary sources to gain knowledge of influential theories of transgression and raise additional questions related to race, gender, genre, sexuality, violence, and the construction of the self.

• Department: French
• MW 11:40 a.m.-12:55 p.m.
• Instructor: Andre L Pettman
  Info
• 3 points

COLL:CONSTRUCTNG STATES NATIONS

COLL: CONSTRUCTNG STATES NATN

Prerequisites: POLS V1501 or the equivalent. Admission by application through the Barnard department only. Enrollment limited to 16 students. The course will examine the development of, and relationship among, the three constituent features of the modern political world: states, nations and democracy. The course will analyze both historical and contemporary cases, tracing how causal processes unfold over time and space and what past conditions and experiences lie behind todays political dynamics and problems.

• Department: Political Science @Barnard
• T 11 a.m.-12:50 p.m.
• Instructor: Sheri Berman
  CULPA: 19 Wikipedia h-index: None Info
• 4 points

ADVANCED ORGANIC CHEMISTRY LAB

Prerequisites: CHEM UN2493 and CHEM UN2494 , or the equivalent. A project laboratory with emphasis on complex synthesis and advanced techniques including qualitative organic analysis and instrumentation.

• Department: Chemistry
• M 1 p.m.-6 p.m.
• T 1 p.m.-6 p.m.
• Instructor: Fay W Ng
  CULPA: 6 Info
• 3 points

JUNIOR SEMINAR IN URBAN STUDIES

CARCERAL GEOGRAPHIES

Prerequisites: Non-majors admitted by permission of instructor. Students must attend first class. Enrollment limited to 16 students per section. Evaluation of current political, economic, social, cultural and physical forces that are shaping urban areas.

• Department: Urban Studies @Barnard
• T 12:10 p.m.-2 p.m.
• Instructor: Christian Siener
  CULPA: 1 Info
• 4 points

QUEER HARLEM

This course explores representations of queer Harlem in African American literature, sonic culture, and performance. We will consider the history and making of Harlem, key figures of the Harlem Renaissance, and the aesthetic innovations of writers and artists who defied the racial, sexual, and gendered conventions of their time. We will be guided by an intersectional approach to the study of race, gender, and sexuality and the methods of Black queer studies, African American and African diaspora literary studies, as well as sound and performance scholarship. We will ask when, where, and what was/is gay Harlem; how we might excavate its histories; map its borders; and speculate on its material and imagined futures.

• Department: Africana Studies (AFSB)
• W 2:10 p.m.-4 p.m.
• Instructor: Maleda Belilgne
  Info
• 4 points

BLACK WOMEN STYLE&PERFRMNCE

BLACK WOMEN STYLE & PERFRMNCE

• Department: Africana Studies (AFSB)
• M 10:10 a.m.-noon
• Instructor: Shirley Taylor
  Info
• 4 points

CRIME&CRIMINALITY (IN ENGLISH)

This seminar will explore narrative representations of criminality from the late 18th century to the present, drawing on German, French, and American literature with occasional forays into criminology and film. Specific attention will be paid to textual strategies of constructing authenticity, "true crime" fiction, and interrelations of literature, criminology, and law. Discussions and readings will be in English. Texts and films by: Schiller, Kleist, E.T.A. Hoffmann, Poe, Zola, Lombroso, Alfred Döblin, Th. Lessing, Fritz Lang, Capote, and others.

• Department: Germanic Languages
• W 10:10 a.m.-noon
• Instructor: Stefan Andriopoulos
  CULPA: 6 Wikipedia h-index: 12 Info
• 3 points

Dancing New York City in the 20th Centur

Dancing NYC 20th Century

The 20th century saw New York City emerge as an artistic and economic capital on the world stage. Although these trends are often considered separately, the history of dance in NYC demonstrates their interrelations. This seminar will interweave the history of New York City with the history of dance across the twentieth century. It will use the work of dancers, choreographers, and critics to illuminate social, political, and cultural trends in New York’s urban life. Topics include dance in working-class leisure, dance as cultural activism during the Popular Front and Black Arts eras, immigration and assimilation in NYC, and the impact of urban renewal on communities and the performing arts. No prior experience with dance is necessary; this course welcomes all students interested in cultural history, urban history, and intellectual history. Through reading and viewing assignments, class discussion and activities, and written assessments, students in this course will learn to analyze movement, write clearly and vividly about dance performance, conduct primary source research, and assess the role of the performing arts within the New York cityscape.

• Department: History
• M 2:10 p.m.-4 p.m.
• Instructor: Emily A Hawk
  Info
• 4 points

Apollo: History & Culture in Harlem

The Apollo: History & Culture, will survey the Apollo’s early history, pre-1934 when the theater opened to its present-day evolution as a performing arts center with an expanding footprint on 125th Street.

Apollo’s role is American entertainment and global influence. Early Apollo performers paved the way for some of today’s most popular entertainers. We look at the impact of performers over several decades and the ways in which performers and performances at the Apollo influenced American entertainment through music, dance, comedy and more.

Students are encouraged to attend events at the Apollo relative to our discussions for deeper exploration of the topic. Dates, times, and links for events will be provided in advance.  Additionally, attendance at performances and events taking place at Harlem Semester member institutions and relevant to our topic, is encouraged.

• Department: Africana Studies (AFSB)
• M 1:10 p.m.-3 p.m.
• Instructor: Shirley Taylor
  Info
• 4 points

DRUGS & POLITICS IN AMERICAS

A major challenge for governments across the Western Hemisphere is the complex relationship between illicit drugs, violence, and politics. We can see this relationship operating at multiple levels, from everyday politics in gang-controlled neighborhoods to the global arenas where governments debate and craft international drug policy. These links also reach back in history to global wars of empire and colonial rule, race relations during and following the collapse of the institution of slavery, and contemporary drug wars being waged across the Western Hemisphere and other parts of the world. Today, the dynamics and consequences of the politics of illicit drugs touch all our lives in different ways, including individual and family struggles with substance abuse, everyday encounters with militarized police, and the strains on democracy and citizenship, among many others. This course will examine some of these dynamics and consequences with a theoretical and empirical focus mainly on Latin America and the United States. Throughout our time together we will connect these pressing issues to broader theories, concepts and empirical findings in political science. The course is divided into several individual modules (denoted below with the headings A – G) under three overarching themes for this semester:

 

1. Politics of Drugs in a Historical Perspective:
The first theme is a broad historical overview of the political origins of illicit drugs and the global drug regime. Some of the main questions we will tackle are: When and why did states label drugs as illicit?  How did domestic and global politics come together to shape the global drug regime and the “war on drugs?” What role did race and gender play in the early social construction of illicit drugs?

 

2. Illicit Drugs, Politics and Governance:
The second theme focuses on contemporary linkages between illicit drugs, violence, and politics. Here we will examine the conditions under which illicit drug markets are either violent or (relatively) peaceful. We will tackle questions like: Do states always seek to dismantle drug markets? What is the relationship between illicit drugs and electoral politics? What role do illicit drugs play in governance by armed non-state actors?  Are states and criminal actors involved in the drug trade always at “war” with each other? 


3. Democracy, Citizenship, and the War on Drugs:
The th

• Department: Political Science @Barnard
• MW 8:40 a.m.-9:55 a.m.
• Instructor: Eduardo Moncada
  CULPA: 2 h-index: 12 Info
• 4 points

DRUGS & POLITICS IN THE AMERICAS - DISC

DRUGS & POLITICS - DISC

Discussion Section for POLS-UN3565 Drugs and Politics in the Americas

• Department: Political Science @Barnard
• W 4:10 p.m.-5 p.m.
• W 5:10 p.m.-6 p.m.
• Instructor: Juan Corredor-Garcia
  Info
• 0 points

Left and Right in American History

Left and Right in US Hist

This course examines 20th-century American political movements of the Left and Right. We will cover Socialism and the Ku Klux Klan in the early twentieth century; the Communist Party and right-wing populists of the 1930s; the civil rights movement, black power, and white resistance, 1950s-1960s; the rise of the New Left and the New Right in the 1960s; the Women's liberation movement and the Christian right of the 1970s; and finally, free-market conservatism, neoliberalism, white nationalism and the Trump era. We will explore the organizational, ideological and social history of these political mobilizations. The class explores grass-roots social movements and their relationship to “mainstream” and electoral politics. We will pay special attention to the ways that ideas and mobilizations that are sometimes deemed extreme have in fact helped to shape the broader political spectrum. Throughout the semester, we will reflect on the present political dilemmas of our country in light of the history that we study.

• Department: School of Professional Studies (DVSP)
• R noon-3 p.m.
• W 6 p.m.-8:30 p.m.
• Instructor: Noah S Remnick
  Info
• 4 points

PHYSICS AND PHILOSOPHY

Philosophical problems at the foundations of quantum theory, especially those having to do with the uncertainty of relations and nature of quantum mechanical indeterminacy. Exploration of a variety of interpretation and hidden variable theory.

• Department: Philosophy
• MW 4:10 p.m.-5:25 p.m.
• Instructor: David Albert
  CULPA: 32 Wikipedia h-index: 40 Info
• 3 points

SR SEM IN BIOLOGY

Required for all majors who do not select the year-long Senior Thesis Research & Seminar (BIOL BC3593 & BC3594) to fulfill their senior capstone requirement. These seminars allow students to explore the primary literature in the Biological Sciences in greater depth than can be achieved in a lecture course. Attention will be focused on both theoretical and empirical work. Seminar periods are devoted to oral reports and discussion of assigned readings and student reports. Students will write one extensive literature review of a topic related to the central theme of the seminar section. 
Topics vary per semester and include, but are not limited to:
 Plant Development
, 
Animal Development & Evolution,
 Molecular Evolution, Microbiology & Global Change, Genomics, Comparative & Reproductive Endocrinology, and Data Intensive Approaches in Biology.

• Department: Biological Sciences @Barnard
• M 6:10 p.m.-8 p.m.
• Instructor: Emlyn J Resetarits
  Info
• 4 points

GUIDED RESEARCH & SEMINAR

This year-long course is open to junior and senior Biology majors and minors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give a poster presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills two upper-level laboratory requirements for the Biology major or minor. This course must be taken in sequence, beginning with BIOL BC3591 in the Fall and continuing with BIOL BC3592 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3593-BIOL BC3594.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

GUIDED RESEARCH & SEMINAR

This year-long course is open to junior and senior Biology majors and minors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give a poster presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills two upper-level laboratory requirements for the Biology major or minor. This course must be taken in sequence, beginning with BIOL BC3591 in the Fall and continuing with BIOL BC3592 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3593-BIOL BC3594.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

NEUROSCIENCE GUIDED RESEARCH

Neuroscience research commonly generates datasets that are increasingly complex and large. Open science and data sharing platforms have emerged across a wide range of neuroscience disciplines, laying the foundation for a transformation in the way scientists share, analyze, and reuse immense amounts of data collected in laboratories around the world. This class is designed to introduce students to several open source databases that span multiple investigative levels of neuroscience research. Students will utilize the datasets to conduct individual research projects.

• Department: Neuroscience & Behavior @Barnard
• M 12:10 p.m.-4 p.m.
• Instructor: Kara Pham
  CULPA: 9 Info
• 4 points

SR PROJECT:REPERTORY FOR DANCE

Independent study for preparing and performing repertory works in production to be presented in concert.

• Department: Dance @Barnard
• TR 10:10 a.m.-11:25 a.m.
• Instructor: Colleen Thomas
  CULPA: 6 Info
• Instructor: Marjorie Folkman
  CULPA: 2 Info
• 3 points

SENIOR THESIS RESEARCH & SEMINAR

SR THESIS RESEARCH & SEMI

This year-long course is open to senior Biology majors. Students will complete an independent research project in Biology under the guidance of a faculty mentor at Barnard or another local institution. Attendance at the weekly seminar is required. By the end of the year, students will write a scientific paper about their project and give an oral presentation about their research at the Barnard Biology Research Symposium.

Completion of this year-long course fulfills the senior capstone requirement for the Biology major. This course must be taken in sequence, beginning with BIOL BC3593 in the Fall and continuing with BIOL BC3594 in the Spring. Acceptance into this course requires confirmation of the research project by the course instructors. A Barnard internal mentor is required if the research project is not supervised by a Barnard faculty member. This course cannot be taken at the same time as BIOL BC3591-BIOL BC3592.

• Department: Biological Sciences @Barnard
• M 1:10 p.m.-3 p.m.
• 4 points

RSRCH/SEM-NEUROSCNC&BEHAVIOR

Prerequisites: Open to senior Neuroscience and Behavior majors. Permission of the instructor. This is a year-long course. By the end of the spring semester program planning period during junior year, majors should identify the lab they will be working in during their senior year. Discussion and conferences on a research project culminate in a written and oral senior thesis. Each project must be supervised by a scientist working at Barnard or at another local institution. Successful completion of the seminar substitutes for the major examination.

• Department: Neuroscience & Behavior @Barnard
• R 4:10 p.m.-6 p.m.
• Instructor: Peter D Balsam
  CULPA: 25 Info
• Instructor: Bj Casey
  Info
• Instructor: Alex White
  h-index: 13 Info
• 4 points

GUIDED RESEARCH

Similar to BIOL BC3591-BIOL BC3592, this is a one-semester course that provides students with degree credit for unpaid research 
without 
a seminar component. You may enroll in BIOL BC3597 for between 1-4 credits per semester. As a rule of thumb, you should be spending approximately 3 hours per week per credit on your research project.

A 
Project Approval Form
 must be submitted to the department each semester that you enroll in this course. Your Barnard research mentor (if your lab is at Barnard) or internal adviser in the Biology Department (if your lab is elsewhere) must approve your planned research 
before
 you enroll in BIOL BC3597. You should sign up for your mentor's section. 

This course does not fulfill any Biology major requirements.  It is open to students beginning in their first year.

• Department: Biological Sciences @Barnard
• Instructor: Elizabeth P Bauer
  CULPA: 3 h-index: 21 Info
• Instructor: Hilary Callahan
  CULPA: 4 h-index: 17 Info
• Instructor: John Glendinning
  CULPA: 23 h-index: 39 Info
• Instructor: Jessica Goldstein
  CULPA: 14 Info
• Instructor: Jennifer H Mansfield
  CULPA: 2 h-index: 15 Info
• 1-4 points