Corequisites: CHEM BC3902 Guided research in Chemistry or Biochemistry, under the sponsorship of a faculty member, leading to the senior thesis. A minimum of 8 hours of research per week, to be arranged.
Corequisites: CHEM BC3902 Guided research in Chemistry or Biochemistry, under the sponsorship of a faculty member, leading to the senior thesis. A minimum of 8 hours of research per week, to be arranged.
Corequisites: CHEM BC3902 Guided research in Chemistry or Biochemistry, under the sponsorship of a faculty member, leading to the senior thesis. A minimum of 8 hours of research per week, to be arranged.
This seminar provides an introduction to mental health issues for Asian Americans. In particular, it focuses on the psychology of Asian Americans as racial/ethnic minorities in the United States by exploring a number of key concepts: immigration, racialization, prejudice, family, identity, pathology, and loss. We will examine the development of identity in relation to self, family, college, and society. Quantitative investigation, qualitative research, psychology theories of multiculturalism, and Asian American literature will also be integrated into the course.
In this seminar. we will trace the historic shifts in causal theories of deviance and their significance for the societal response. The readings are classics of social research that have been of great historical impact. They range from the early focus on individual pathologies to sociological explanations, the most recent being attempts to understand deviance as a product of organization factors that result in harmful outcomes. Examples are Katrina, the 2008 financial crisis, and school shootings.
Nearly two hundred after discovery, Neandertals remain one of most enigmatic hominin taxa. What do we understand today about their biology, subsistence, culture, cognitive abilities, and eventual fate? Are they simply extinct relatives or do their genes continue in many of us today? In this seminar we will examine the primary research in an attempt to find answers to some of these questions.
Prerequisites: open to students in the honors program only. Discussion of a variety of topics in psychology, with particular emphasis on recent developments and methodological problems. Students propose and discuss special research topics.
This course’s point of departure is the concept that emotional regimes regulating allowable or forbidden feelings and practices are at the root of social and political order. We will explore the relationship between the construction of the contemporary Spanish nation and the affective sphere through analysis of theoretical and critical works, in addition to nineteenth- through twenty-first century cultural texts—from canonical and noncanonical fiction to popular web sites—that revolve around the subjects of love, marriage, and relationships in relation to matters of citizenship, social class, and gender. Course is conducted entirely in Spanish.This course’s point of departure is the concept that emotional regimes regulating allowable or forbidden feelings and practices are at the root of social and political order. We will explore the relationship between the construction of the contemporary Spanish nation and the affective sphere through analysis of theoretical and critical works, in addition to nineteenth- through twenty-first century cultural texts—from canonical and noncanonical fiction to popular web sites—that revolve around the subjects of love, marriage, and relationships in relation to matters of citizenship, social class, and gender. Course is conducted entirely in Spanish.
Prerequisites: Department approval required. See requirements for a major in visual arts. VIAR UN3910 is the prerequisite for VIAR UN3911. Corequisites: VIAR UN3900 (Formerly R3921) Students are required to enroll in both semesters (VIAR UN3910 and VIAR UN3911). A second opinion is provided to the senior students regarding the development of their senior project. Critics consist of distinguished visitors and faculty. Issues regarding the premise, methodology, or presentation of the students ideas are discussed and evaluated on an ongoing basis.
Seminar in Political Theory. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Seminar in Political Theory. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Seminar in Political Theory. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: VIAR UN3910 Department approval required. See requirements for a major in visual arts. Corequisites: VIAR UN3901 (Formerly R3922) Students are required to enroll in both semesters (VIAR UN3910 and VIAR UN3911). A second opinion is provided to the senior students regarding the development of their senior project. Critics consist of distinguished visitors and faculty. Issues regarding the premise, methodology, or presentation of the students ideas are discussed and evaluated on an ongoing basis.
Required of senior majors, but also open to junior majors, and junior and senior concentrators who have taken at least four philosophy courses. This exploration will typically involve writing a substantial research paper. Capped at 20 students with preference to philosophy majors.
The goal of this course is to familiarize students with visual production, particularly video production, as a mode of inquiry to explore questions related to race, ethnicity, indigeneity, and other forms of social hierarchy and difference. The class will include readings in visual production as a mode of inquiry and on the basic craft of video production in various genres (fiction, documentary, and experimental). As part of the course, students will produce a video short and complete it by semester's end.
Advanced Film Production Practice is an advanced production and lecture course for students who wish to obtain a deeper understanding of the skills involved in screenwriting, directing and producing. Building on the fundamentals established in the Labs for Fiction and Non-Fiction Filmmaking, this seminar further develops each student’s grasp of the concepts involved in filmmaking through advanced analytical and practical work to prepare Thesis film materials.
This seminar considers formations of gender, sexuality, and power as they circulate transnationally, as well as transnational feminist movements that have emerged to address contemporary gendered inequalities. Topics include political economy, colonialism/postcoloniality, war, refugees, global care chains, sexuality, sex and care work. Required for the major in Women’s, Gender, and Sexuality Studies (WGSS), but open to non-majors, space permitting. Prerequisite:
Either
one introductory WGSS course
or
Critical Approaches to Social and Cultural Theory
or
Permission of the Instructor.
The rise of crossover culture: racially segregated markets and genres; organizational environments and the rise of independent labels; the creative process and black-white conflict and connection; the emergence of rock as a white genre; civil rights, Black Power, and the politics of soul; cultural borrowing and the postracial ethos.
A two-semester design sequence to be taken in the senior year. Elements of the design process, with specific applications to biomedical engineering: concept formulation, systems synthesis, design analysis, optimization, biocompatibility, impact on patient health and comfort, health care costs, regulatory issues, and medical ethics. Selection and execution of a project involving the design of an actual engineering device or system. Introduction to entrepreneurship, biomedical start-ups, and venture capital. Semester I: statistical analysis of detection/classification systems (receiver operation characteristic analysis, logistic regression), development of design prototype, need, approach, benefits and competition analysis. Semester II: spiral develop process and testing, iteration and refinement of the initial design/prototype and business plan development. A lab fee of $100 each is collected.
The class will read the poem
Sir Gawain and the Green Knight
in the original Middle English language of its unique surviving copy of circa 1400, and will discuss both the poem's language and the poem's literary meritThe class will read the poem
Sir Gawain and the Green Knight
in the original Middle English language of its unique surviving copy of circa 1400, and will discuss both the poem's language and the poem's literary merit.
Prerequisites: open to students in the honors program only. Except by special permission of the director of undergraduate studies, no more than 4 points of individual research may be taken in any one term. This includes both PSYC UN3950 and PSYC UN3920. No more than 12 points of PSYC UN3920 may be applied toward the honors program in psychology. Special research topics arranged with the instructors of the department leading toward a senior honors paper.
This seminar is intended as a theoretical and methodological introduction to social network analysis. Though network analysis is an interdisciplinary endeavor, its roots can be found in classical anthropology and sociology. Network analysis focuses on patterns of relations between actors. Both relations and actors can be defined in many ways, depending on the substantive area of inquiry.
Prerequisites: the instructors permission. Pre-registration is not permitted. Seminar in American Politics Seminar. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: the instructors permission. Pre-registration is not permitted. Seminar in American Politics Seminar. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: the instructors permission. Pre-registration is not permitted. Seminar in American Politics Seminar. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: the instructors permission. Pre-registration is not permitted. Seminar in American Politics Seminar. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: the instructors permission. Pre-registration is not permitted. Seminar in American Politics Seminar. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: the instructors permission. Pre-registration is not permitted. Seminar in American Politics Seminar. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: the instructors permission. Pre-registration is not permitted. Seminar in American Politics Seminar. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: FILM W2420. This workshop is primarily a continuation of Senior Seminar in Screenwriting. Students will either continue developing the scripts they began in Senior Seminar in Screenwriting, or create new ones including a step outline and a minimum of 30 pages. Emphasis will be placed on character work, structure, theme, and employing dramatic devices. Weekly outlining and script writing, concurrent with script/story presentation and class critiques, will ensure that each student will be guided toward the completion of his or her narrative script project.
This course is devoted to a close examination of Dutch art of the seventeenth century, one of the most celebrated chapters in the history of art. Students will be exposed to seminal art historical texts on the period, at the same time as they receive exposure to connoisseurship, conservation, and technical art history.
Prerequisites: Open to CSER majors/concentrators only. Others may be allowed to register with the instructors permission. This course explores the centrality of colonialism in the making of the modern world, emphasizing cross-cultural and social contact, exchange, and relations of power; dynamics of conquest and resistance; and discourses of civilization, empire, freedom, nationalism, and human rights, from 1500 to 2000. Topics include pre-modern empires; European exploration, contact, and conquest in the new world; Atlantic-world slavery and emancipation; and European and Japanese colonialism in Asia, Africa, and the Middle East. The course ends with a section on decolonization and post-colonialism in the period after World War II. Intensive reading and discussion of primary documents.
Research and writing intensive seminar on civic and political engagement in contemporary American society, along with critical evaluation of methods used to collect and analyze data on political and social life. Requirements include a final research paper based on independent data collection and analysis. Seminar limited to sociology majors with senior standing (except in exceptional circumstances). Fulfills the Research Paper Option for the senior requirement in sociology at Barnard.
Please refer to Institute for Research in African American Studies for section course descriptions: http://iraas.columbia.edu/
Ubiquitous computing is creating new canvases and opportunities for creative ideas.
This class explores the use of microprocessors, distributed sensor networks, IoT,
and intermedia systems for the purposes of creative expression. The course is delivered
in a mixed lecture and lab format that introduces the fundamental concepts
and theory behind embedded systems as well as issues particular to their creative
employment. The key objective of the course is for students to conceive of and
implement creative uses of computation.
This course studies and explores a number of Iraqi narratives that have appeared since 2003 and that have a distinctive stylistic and thematic richness with great bearing on social, economic, cultural, and political life in Iraq. Seen against a history of the country and the region, and in conversation with some Afro-Asian and Latin American narratives of war and displacement, these writings assume global significance in our reading of such thematic issues like war, love, exile, and loss. While always using the past as a background, a source and repository of recollections, the challenge of the 2003 Anglo-America invasion and its institutionalization of segregation and rupture to keep Iraq in perpetual chaos, is present in the texts. Every narrative sheds light on a number of issues, especially war, horror, loss, trauma, passion and dislocation. This richness in detail is brought up through a number of stylistic innovations that put this writing at the forefront of world cultures and human concerns. An introductory lecture builds up a genealogy for trauma since the Epic of Gilgamesh (2700 BC.) and the lamentations of Astarte.
The seminar component of the Psych/Neuro Senior Thesis Advanced Research program. Students admitted to the research program should plan to take this seminar in the spring of their junior year and in the fall and spring semesters of their senior year. Students are expected to be working in a lab as part of their participation in this program. In addition to supporting students throughout their independent research project, this seminar will introduce students to some of the big questions in the field through its connection with the Psychology Department Colloquium and will train students in reading and evaluating scientific research and communicating their own research findings.
Please refer to the Center for American Studies for section descriptions
Please refer to the Center for American Studies for section descriptions
Please refer to the Center for American Studies for section descriptions
Please refer to the Center for American Studies for section descriptions
Please refer to the Center for American Studies for section descriptions
This course explores the richness--formal, political and thematic--of post-World War II Polish cinema, with a focus on the films of Andrzej Wajda ("Ashes and Diamonds"), Krzysztof Kieslowski ("Decalogue"), and Wojciech Has ("The Hourglass Sanatorium").
Prerequisites: the department chairs permission. (Formerly R3932)
As the site of the 7th century revelation of the Quran and the present day location of the sacred precincts of Islam, Arabia is the direction of prayer for Muslims worldwide and the main destination for pilgrimage. Arabia also provides a frame for diverse modes of thought and practice and for cultural expression ranging from the venerable literature of the 1001 Nights to the academic disciplines of Islam and contemporary social media, such as Twitter. We thus will approach Arabia as a global phenomenon, as a matter of both geographic relations and the imagination. While offering an introduction to contemporary anthropological research, the course will engage in a critical review of related western conceptions, starting with an opening discussion of racism and Islamophobia. In the format of a Global Core course, the weekly assignments are organized around English translations of Arabic texts, read in conjunction with recent studies by anthropologists.
This seminar will examine the impulse towards innovation in American culture, with a special focus on the ways in which technological innovation motivates, shapes, mirrors, and overlaps with political- and self-innovation. The course will pursue this theme along three broad lines: religion, politics, and science and technology. Where do new ideas come from, what motivates them and gives them traction, and how should we evaluate their impact? Most importantly, how does an attitude of innovation shape the sense of self in America? We will be especially interested in the relationship between the spirit of innovation and currents such as transcendentalism, pragmatism, existentialism, and exceptionalism in American life. Students will develop their own critique of the narratives and ideologies underlying the impulse towards innovation, and apply their thinking to questions of how they may engage creatively in civic life.
The point is to examine democracy not as a political system, but as a historical phenomenon characterized by a specific culture: a body of ideas and values, stories and myths. This culture is not homogenous; it has a variety of historical manifestations through the ages but remains nonetheless cohesive. The objective is twofold: 1) to determine which elements in democratic culture remain fundamental, no matter what form they take in various historical instances; 2) to understand that the culture of democracy is indeed not abstract and transcendental but historical, with its central impetus being the interrogation and transformation of society. Special emphasis will be placed on the crisis of democratic institutions in the era of globalization and, as specific case-study in point, the democratic failure in the Mediterranean region in light of the challenges of the assembly movements (Spain, Greece, Arab Spring) and the current migrant/refugee crisis.
Sociology came to the study of human rights much later than law, philosophy, or political science. In this course, you’ll learn (1) what constitutes a sociology of human rights and (2) what sociology, its classics, and its diverse methods bring to the empirical study and theory of human rights. We’ll explore the history, social institutions and laws, ideas, practices, and theories of human rights. We’ll become familiar with the social actors, social structures, and relationships involved in practices such as violation, claims-making, advocacy, and protection. We’ll consider how social, cultural, political, and economic forces affect human rights issues. We’ll learn about the questions sociologists ask, starting with the most basic (but far from simple) question, “what is a human right?” We’ll tackle key debates in the field, considering – for instance – whether human rights are universal and how human rights relate to cultural norms/values, national sovereignty, and national security. Finally, we’ll apply the concepts we’ve learned to a wide range of issues (ex: how racial, ethnic, gender, and other social inequalities relate to human rights), rights (ex: LGBTQ rights, the rights of laborers, the rights of refugees), and cases (ex: enslavement, the separation of children from their families, circumcision, sterilization, the use of torture). We’ll consider human rights cases in the United States and across the globe, and how events and actions in one place relate to human rights violations in another.
Culture, technology, and media in contemporary Japan. Theoretical and ethnographic engagements with forms of mass mediation, including anime, manga, video, and cell-phone novels. Considers larger global economic and political contexts, including post-Fukushima transformations. Prerequisites: the instructor's permission.
The Senior Seminar will afford thesis writers the chance to workshop their idea, conduct research and/or interviews, work with the IRB protocols (if necessary), learn to work with archival materials, and perform other research activities prior to writing the thesis. Students who choose to write a capstone paper or conduct a capstone project can choose an elective course the following semester. The Thesis Seminar, conducted in the spring semester, is a workshop-oriented course for Senior Thesis writers organized around honing their writing skills while providing guidance to students in their field/disciplinary-specific projects. For example, a student may choose to write a historical biography of an artist while another may pursue a sociological study of the effects of mass incarceration on voting rights. The instructor of the Thesis Seminar, working with a faculty adviser (dependent on the specific field of inquiry in the thesis), will provide feedback and supervise the writing schedule of the students.
This course will examine how the American legal system decided constitutional challenges affecting the empowerment of African, Latino, and Asian American communities from the 19th century to the present. Focus will be on the role that race, citizenship, capitalism/labor, property, and ownership played in the court decision in the context of the historical, social, and political conditions existing at the time. Topics include the denial of citizenship and naturalization to slaves and immigrants, government sanctioned segregation, the struggle for reparations for descendants of slavery, and Japanese Americans during World War II.
In this class we will approach race and racism from a variety of disciplinary and intellectual perspectives, including: critical race theory/philosophy, anthropology, history and history of science and medicine. We will focus on the development and deployment of the race concept since the mid-19th century. Students will come to understand the many ways in which race has been conceptualized, substantiated, classified, managed and observed in the (social) sciences, medicine, and public health. We will also explore the practices and effects of race (and race-making) in familiar and less familiar social and political worlds. In addition to the courses intellectual content, students will gain critical practice in the seminar format -- that is, a collegial, discussion-driven exchange of ideas.
After being marginalized for decades, Indigenous theater and performance studies is now a burgeoning field that draws together attention to the body, the senses, ontology, affect, structural violence, trauma, agency, political life, cultural embodied memory, and sociocultural revitalization. In this course, we will engage with current theory-building about Indigenous theater and performance and its political implications. We will explore what attention to performance and embodiment reveals about competing sovereignties, the colonial present, and decolonization; settler colonial ideologies, racism, and gendered structural violences; sensory performativity and the production of imaginaries to resist coloniality; and Indigenous treatment of affect, emotion, embodied intergenerational trauma, vital materiality, and more-than-human relationality. We will study interpretive approaches; artists’ creative process; Indigenous performance cultures spanning dance, soundscapes, storytelling, and dramatic forms; and critical theoretical frameworks for understanding Indigenous theater and performance. We will read works by Indigenous scholars and artist-authors and bring into dialogue performances and texts traversing Canada, the U.S., and Latin America.
What is global health? Where do global health disease priorities come from, and how do the ways that we understand disease shape how we respond to it? What happens when good ideas and good intentions go wrong? This course critically examines the politics of global health and its impact on local institutions and people. Drawing on social science research, the course will address three main themes: 1) how global health priorities are defined and constructed, 2) how our understandings of disease influence our response to that disease, and 3) how efforts to respond to disease intersect with people on the ground, sometimes in unexpected ways. We will examine the global health industry from the vantage point of different institutions and actors – international organizations, governments, local healthcare institutions, healthcare workers, and people living with or at risk of various illnesses like HIV/AIDS, malaria, cancer, and Ebola. A primary goal of this course is to help you to develop skills in critical thinking in relation to global health issues and their impact on society. Students will demonstrate their knowledge through individual writing, class discussion, presentations, and a final research project.
Prerequisites: the instructors permission. This course pursues interconnections linking text and performance in light of magic, ritual, possession, narration, and related articulations of power. Readings are drawn from classic theoretical writings, colonial fiction, and ethnographic accounts. Domains of inquiry include: spirit possession, trance states, séance, ritual performance, and related realms of cinematic projection, musical form, shadow theater, performative objects, and (other) things that move on their own, compellingly. Key theoretical concerns are subjectivity - particularly, the conjuring up and displacement of self in the form of the first-person singular I - and the haunting power of repetition. Retraced throughout the course are the uncanny shadows of a fully possessed subject --within ritual contexts and within everyday life.
1-4 points. May be repeated for credit. Prerequisites: the instructors permission. Except by special permission of the director of undergraduate studies, no more than 4 points of individual research may be taken in any one term. This includes both PSYC UN3950 and PSYC UN3920. No more than 8 points ofPSYC UN3950 may be applied toward the psychology major, and no more than 4 points toward the concentration. Readings, special laboratory projects, reports, and special seminars on contemporary issues in psychological research and theory.
Prerequisites: POLS V1501 or the equivalent, and the instructors permission. Pre-registration is not permitted. Please see here for detailed seminar registration guidelines: http://polisci.columbia.edu/undergraduate-programs/seminar-registration-guidelines. Seminar in Comparative Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars