How does design operate in our lives? What is our design culture? In this course, we explore the many scales of design in contemporary culture -- from graphic design to architecture to urban design to global, interactive, and digital design. The format of this course moves between lectures, discussions, collaborative design work and field trips in order to engage in the topic through texts and experiences.
Introductory design studio to introduce students to architectural design through readings and studio design projects. Intended to develop analytic skills to critique existing media and spaces. Process of analysis used as a generative tool for the students own design work. Must apply for placement in course. Priority to upperclass students. Class capped at 16.
This architectural design studio explores material assemblies, techniques of fabrication, and systems of organization. These explorations will be understood as catalysts for architectural analysis and design experimentation.
Both designed objects and the very act of making are always embedded within a culture, as they reflect changing material preferences, diverse approaches to durability and obsolescence, varied understandings of comfort, different concerns with economy and ecology. They depend on multiple resources and mobilize varied technological innovations. Consequently, we will consider that making always involves making a society, for it constitutes a response to its values and a position regarding its technical and material resources. Within this understanding, this studio will consider different cultures of making through a number of exercises rehearse design operations at different scales—from objects to infrastructures.
This architectural design studio course explores modes of visualization, technologies of mediation and environmental transformations. These explorations will be used as catalysts for architectural analysis and design experimentation.
Introducing design methodologies that allow us to see and to shape environmental interactions in new ways, the studio will focus on how architecture may operate as a mediator
– an intermediary that negotiates, alters or redirects multiple forces in our world: physical, cultural, social, technological, political etc. The semester will progress through three projects that examine unique atmospheric, spatial and urban conditions with the aid of multimedia visual techniques; and that employ design to develop creative interventions at the scales of an interface, space and city.
Life Beyond Emergency
examines constructed environments and spatial practices in contexts of displacement, within the connected histories of colonialism and humanitarianism. People migrating under duress, seeking refuge, practicing mutual aid, and sheltering in governmental or nongovernmental settings invest in the built environment as a holder of knowledge, critical heritage, and imaginaries of life beyond emergency. The course considers a politics and poetics of architectures and infrastructures of partitions, borders, and camps: territories and domesticities of concern to authorities and inhabited by ordinary people forging solidarities and futures. We will investigate the connected histories and theories of humanitarianism and colonialism, which have not only shaped lives as people inhabit spaces of emergency, but produced rationales for the construction of landscapes and domesticities of refuge, enacted spatial violence and territorial contestations, and structured architectural knowledge. The course examines iconic forms such as refugee camps in relation to colonial institutions such as archives. From Somalia to Palestine to Bangladesh and beyond, our inquiry into contested territories where people have been forced to migrate invites students to interrogate the normalized discourses and spaces, for example, of ‘borderlands,’ or ‘refugees,’ in order to imagine and analyze emergency environments as constructions that people have resisted, endured, transcended, theorized, and inhabited.
City, Landscape, Ecology
is a thematically driven course that centers on issues and polemics related to landscape, land settlement and ecology over the past two centuries. The class looks at changing attitudes to the natural world from the eighteenth century to the present, tracing important historical shifts in the consideration of nature across the ecological sciences, conservation practices, landscape design, and environmental activism, law and policy. Lectures focus on the critical role that artists and architects have played, and are to play, in making visible the sources of environmental degradation and in developing new means of mitigating anthropogenic ecological change.
City, Landscape, Ecology
is divided into three parts. Part I explores important episodes in the history of
landscape
: picturesque garden theory, notions of “wilderness” as epitomized in national and state parks in the United States, Modern and Postmodern garden practices, and place of landscape in the work of artists from the 1960s to the present. The purpose here is to better understand the role that territorial organization plays in the construction of social practices, human subjectivities, and technologies of power. Lectures in this part are shaped around a dialectical pair of historical episodes–– for example, the picturesque garden is paired with the enclosure of the commons, and American national parks are discussed in relation to the systematic removal of native peoples.
We then turn to
ecology
and related issues of climate, urbanization and sustainability in Part II. Here we will look at the rise of ecological thinking in the 1960s; approaches to the environment that were based on the systems-thinking approach of the era. In the session “Capitalism, Race and Population Growth” we examine the history of the “crisis” of scarcity from Thomas Robert Malthus, to Paul R. Ehrlich (
The Population Bomb
, 1968) to today and look at questions of environmental racism, violence and equity.
The course concludes with Part III on
Environmental Repair
. At this important juncture in the course, we will ask what is to be done today. We’ll examine the work of contemporary theorists, architects, landscape architects, policy makers and environmentalists who have channeled some of the lessons
Prerequisites: ARCH UN2101 and ARCH UN2103. Advanced Architectural Design I explores the role of architecture and design in relationship to climate, community, and the environment through a series of design projects requiring drawings and models. Field trips, lectures, and discussions are organized in relation to studio exercises. A portfolio of design work from the prerequisite courses ARCH UN2101 and ARCH UN2103 will be reviewed the first week of classes.
Application required: A design portfolio and application is required for this course. The class list will be announced before classes start. Advanced Architectural Research and Design is an opportunity for students to consider international locations and address contemporary global concerns, incorporating critical questions, research methods, and design strategies that are characteristic of an architect’s operations at this scale.
See the Barnard and Columbia Architecture Department website for the course description:
https://architecture.barnard.edu/architecture-department-course-descriptions
See the Barnard and Columbia Architecture Department website for the course description:
https://architecture.barnard.edu/architecture-department-course-descriptions
This course investigates the dramatic urban transformation that has taken place in mainland China over the last four decades. The speed and scale of this transformation have produced emergent new lifeways, settlement patterns, and land uses that increasingly blur the distinction between urban and rural areas. At the same time, Chinese society is still characterized by rigid, administrative divisions between the nation’s urban and rural sectors, with profound consequences for people’s lives and livelihoods. The course therefore examines the intersection between the rapid transformation of China’s built environment and the glacial transformation of its administrative categories. We will take an interdisciplinary approach to this investigation, using perspectives from architecture, history, geography, political science, anthropology, urban planning, and cultural studies, among other disciplines.
The course is divided into two parts: Over the first five weeks, we will consider the historical context of China’s urbanization and its urban-rural relations, including the imperial, colonial, and socialist periods, as well as the current period of reform. In the remainder of the semester, we will turn our focus to contemporary processes of urbanization, with a particular emphasis on the complex interrelationship between urban and rural China. This portion of the semester is organized into three two-week units on land and planning, housing and demolition, and citizenship and personhood.
See the Barnard and Columbia Architecture Department's website for the course description:
https://architecture.barnard.edu/architecture-department-course-descriptions
Prerequisites: Permission of the program director in term prior to that of independent study. Independent study form available at departmental office.
This seminar introduces students to architectural and environmental histories of abolition through constructed environments, spatial practices, and texts from the eighteenth century to the present. The course locates abolition in social movements and historical discourses, examining the roles that both reform and radical refusal have played in struggles for spatial justice by considering debates around enslavement, prisons, and borders. The course situates abolition as a significant intersectional feminist problem, and conceptually core to the consideration of race in global architectural history. We examine individual and collective works of architecture, art, landscape, and material culture, which highlight incarceration and the production of enclosure within the institutions that have shaped them in various parts of the world, and as elements of the formation of space, power, and knowledge in colonial and postcolonial contexts.
The seminar is structured around multiple full-book engagements. We will closely read three texts that are foundational to the literature on abolition and architecture:
Are Prisons Obsolete?
by Angela Y. Davis;
Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California
by Ruth Wilson Gilmore; and
Marking Time: Art in the Age of Mass Incarceration
by Nicole Fleetwood. These readings are complemented by articles and other shorter texts, and works of art and architecture, which help to contextualize and draw out the themes of the course. Each student leads seminars on the readings and builds on this foundation by engaging in independent research, culminating in a long-format paper that intervenes in the discourse or frames a narrative, presenting an architectural history of abolition.