INTRO TO SOC & CULTURAL THEORY

SOCIAL & CULTURAL THEORY

This course presents students with crucial theories of society, paying particular attention at the outset to classic social theory of the early 20th century. It traces a trajectory of writings essential for an understanding of the social: from Saussure, Durkheim, Mauss, Weber, and Marx, on to the structuralist ethnographic elaboration of Claude Levi-Strauss and the historiographic reflections on modernity of Michel Foucault. We revisit periodically, reflections by Franz Boas, founder of anthropology in the United States (and of Anthropology at Columbia), for a sense of origins, an early anthropological critique of racism and cultural chauvinism, and a prescient denunciation of fascism.  We turn as well, also with ever-renewed interest in these times, to the expansive critical thought of W. E. B. Du Bois.  We conclude with Kathleen Stewart’s
A Space on the Side of the Road
--an ethnography of late-twentieth-century Appalachia and the haunted remains of coal-mining country--with its depictions of an uncanny otherness within dominant American narratives.

• MW 11:40 a.m.-12:55 p.m.
• Instructor: John Pemberton
  CULPA: 15 Wikipedia Info
• 3 points

Mafias and Other Dangerous Affiliations

Regimes of various shapes and sizes tend to criminalize associations, organizations, and social relations that these ruling powers see as anathema to the social order on which their power depends: witches, officers of toppled political orders, alleged conspirators (rebels, traitors, terrorists, and dissidents), gangsters and mafiosi, or corrupt officers and magnates. Our main goal will be to understand how and under what conditions do those with the power to do so define, investigate, criminalize and prosecute those kinds of social relations that are cast as enemies of public order. We will also pay close attention to questions of knowledge – legal, investigative, political, journalistic, and public – how doubt, certainty, suspicion and surprise shape the struggle over the relationship between the state and society.

The main part of the course is organized around six criminal investigations on mafia-related affairs that took place from the 1950s to the present (two are undergoing appeal these days) in western Sicily. After the introductory section, we will spend two weeks (four meetings) on every one of these cases. We will follow attempts to understand the Mafia and similarly criminalized organizations, and procure evidence about it. We will then expand our inquiry from Sicily to cases from all over the world, to examine questions about social relations, law, the uses of culture, and political imagination.

*Although this is a social anthropology course,
no previous knowledge of anthropology is required or presumed
. Classroom lectures will provide necessary disciplinary background.

• TR 11:40 a.m.-12:55 p.m.
• Instructor: Naor H Ben-Yehoyada
  CULPA: 5 Info
• 3 points

INTRO-SOC/CULTURAL THEORY-DISC

• 0 points

INTRO-SOC/CULTURAL THEORY-DISC

• 0 points

Mafias and Other Dangerous Affiliations

Discussion section for ANTH2017.

• M 11:10 a.m.-noon
• M 12:10 p.m.-1 p.m.
• R 2:10 p.m.-3 p.m.
• F 11:10 a.m.-noon
• R 1:10 p.m.-2 p.m.
• R 3:10 p.m.-4 p.m.
• Instructor: Nikita A Karbasov
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• Instructor: Zarino Lanni
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• Instructor: Nikita A Karbasov
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• Instructor: Zarino Lanni
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• Instructor: Anselm Kizza-Besigye
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• 0 points

Unsettling Science: An Introduction to S

This course is an introduction to the interplay between science, technology, and society. Unsettling Science invites students to: ask big questions about science and technology, interrupt preconceived ideas about what sicience is and who does it, and engage deeply with troubling social implications. By offering historical and contemporary perspectives, this course equips students with critical and methodological skills essential to exploring not only longstanding questions about the world but also urgent issues of our time. To do so, the course focuses on a series of fundamental and foundational questions (e.g., what is knowledge? what is prog that underpin the study of science, technology, and society from a variety of interdisicplinary perspectives.

• TR 4:10 p.m.-5:25 p.m.
• Instructor: Madisson Whitman
  Info
• 3 points

LIVING WITH ANIMALS: ANTHROPOLOGICAL PER

This course examines how humans and animals shape each other’s lives, using the tools and perspectives of anthropology. We’ll explore the astounding diversity of human-animal relationships in time and space, tracing the ways animals have made their impact on human societies (and vice-versa). Using contemporary ethnographic, historical, and archaeological examples from a variety of geographical regions and chronological periods, this class will consider how humans and animals live and work together, and the ways in which humans have found animals “good to think with”.  In this course, we will also discuss how knowledge about human-animal relationships in the past might change contemporary and future approaches to living with animals. Through the reading and thinking that this course requires, you will explore what an anthropological perspective on living with animals looks like and how thinking about animals might change anthropology.

• MW 10:10 a.m.-11:25 a.m.
• Instructor: Hannah Chazin
  Info
• 4 points

EARTH WORKS: Anthropology, Art, Extracti

This undergraduate seminar is offered to students interested in the anthropological analysis of extractive economies and the social and political forms associated with them, as well as the arts through which they have been made the object of both investment and resistance. The course this semester will be focused on mining, and is organized along three axes: 1) mineral object; 2) socioeconomic form; and 3) aesthetics, with the latter including the arts of artisanal extraction, and literary, visual and media artistic practice.

• R 2:10 p.m.-4 p.m.
• Instructor: Rosalind Morris
  CULPA: 20 Wikipedia Info
• 3 points

ETHNOGRAPHIES OF BLACK LIFE

This course explores themes that have shaped Anthropology’s (often fraught) engagement with Black life. We will critically examine texts that reveal the ways that the discipline and its practitioners have sought to interface with people and populations of African descent—and have sought to define the constitution of Blackness itself—in the Americas. Plumbing the dynamic relationship between historical and ethnographic inquiry, we will ask pressing questions not only about conditions of Black life (and Black death), but also about the production of knowledge about the people who live under Blackness’ sign. Finally, we will turn our collective attention to key issues in the practice, ethics, and politics of ethnography, while also immersing ourselves in the archives produced through ethnographic and auto-ethnographic practice, including those found in various NYC collections.

• R 12:10 p.m.-2 p.m.
• Instructor: Vanessa L Agard-Jones
  CULPA: 3 Info
• 4 points

Theatricality & the Political

This course addresses the articulation between theatricality and the political from a cross-cultural and trans-historical perspective. From the Renaissance theater to the profuse baroque, to the modernizing logics and aesthetics, to so-called “neo-baroque”, the course addresses logics and grammars within past and present dramaturgies of the social. How do certain theatrical traditions articulate with various power formations? How do these connect and complicate the relation between power and resistance, colonialism and liberation, center and periphery, particular and universal, actors and audiences? What technical apparatuses, cultural structures, ethical dispositions and bodily repertoires are mobilized? And how do old and new media technologies reconfigure protocols of stage-form in ancient and contemporary political theater?

• F 2:10 p.m.-4 p.m.
• Instructor: Maria Jose de Abreu
  Info
• 4 points

ECOCRITICISM FOR THE END TIMES

Prerequisites: the instructors permission. This seminar aims to show what an anthropologically informed, ecocritical cultural studies can offer in this moment of intensifying ecological calamity. The course will not only engage significant works in anthropology, ecocriticism, philosophy, literature, politics, and aesthetics to think about the environment, it will also bring these works into engaged reflection on living in the end times (borrowing cultural critic Slavoj Zizeks phrase). The seminar will thus locate critical perspectives on the environment within the contemporary worldwide ecological crisis, emphasizing the ethnographic realities of global warming, debates on nuclear power and energy, and the place of nature. Drawing on the professors long experience in Japan and current research on the aftermath of the Fukushima Daiichi nuclear power plant disaster, the seminar will also take care to unpack the notion of end times, with its apocalyptic implications, through close considerations of works that take on the question of ecocatastrophe in our times. North American and European perspectives, as well as international ones (particularly ones drawn from East Asia), will give the course a global reach.

• T 4:10 p.m.-6 p.m.
• Instructor: Marilyn Ivy
  CULPA: 11 Wikipedia Info
• 4 points

ANTICOLONIALISM

The age of colonialism, so it seems, is long over. Decolonization has resulted in the emergence of postcolonial polities and societies that are now, in many instances, two generations old. But is it clear that the problem of colonialism has disappeared? Almost everywhere in the postcolonial world the project of building independent polities, economies and societies have faltered, sometimes run aground. Indeed, one might say that the anti-colonial dream of emancipation has evaporated. Through a careful exploration of the conceptual argument and rhetorical style of five central anti-colonial texts—C.L.R. James’ The Black Jacobins, Mahatma Gandhi’s Hind Swaraj, Aimé Cesairé’s Discourse on Colonialism, Albert Memmi’s Colonizer and Colonized, and Frantz Fanon’s The Wretched of the Earth—this course aims to inquire into the image of colonialism as a structure of dominant power, and the image of its anticipated aftermaths: What were the perceived ill-effects of colonial power? What did colonialism do to the colonized that required rectification? In what ways did the critique of colonial power (the identification of what was wrong with it) shape the longing for its anti-colonial overcoming?

• W 10:10 a.m.-noon
• Instructor: David Scott
  CULPA: 6 h-index: 72 Info
• 4 points

ANIME EFFECT: JAPANESE MEDIA

Culture, technology, and media in contemporary Japan. Theoretical and ethnographic engagements with forms of mass mediation, including anime, manga, video, and cell-phone novels. Considers larger global economic and political contexts, including post-Fukushima transformations. Prerequisites: the instructor's permission.

• M 2:10 p.m.-4 p.m.
• Instructor: Marilyn Ivy
  CULPA: 11 Wikipedia Info
• 4 points

SUPERVISED INDIVIDUAL RESEARCH

Prerequisite: the written permission of the staff member under whose supervision the research will be conducted.

• Instructor: Nadia Abu El-Haj
  CULPA: 13 Wikipedia Info
• Instructor: Lila Abu-Lughod
  CULPA: 17 Wikipedia h-index: 48 Info
• Instructor: Vanessa L Agard-Jones
  CULPA: 3 Info
• Instructor: Naor H Ben-Yehoyada
  CULPA: 5 Info
• Instructor: Brian Boyd
  CULPA: 6 Info
• Instructor: Maria Jose de Abreu
  Info
• Instructor: Hannah Chazin
  Info
• Instructor: Zoe Crossland
  CULPA: 9 h-index: 17 Info
• Instructor: Terence N D'Altroy
  CULPA: 37 Info
• Instructor: Catherine Fennell
  Info
• Instructor: Severin Fowles
  CULPA: 24 Info
• Instructor: Elizabeth M Green
  CULPA: 2 Info
• Instructor: Lashaya Howie
  Info
• Instructor: Gina A Jae
  CULPA: 1 Info
• Instructor: Marilyn Ivy
  CULPA: 11 Wikipedia Info
• Instructor: Brian Larkin
  CULPA: 16 Info
• Instructor: Claudio Lomnitz
  CULPA: 3 Wikipedia Info
• Instructor: Mahmood Mamdani
  CULPA: 21 Wikipedia h-index: 57 Info
• Instructor: Ellen Marakowitz
  CULPA: 1 Info
• Instructor: Paige West
  CULPA: 41 h-index: 23 Info
• Instructor: Camilla Sturm
  CULPA: 2 Info
• Instructor: Nicholas A Bartlett
  CULPA: 5 Info
• Instructor: Elizabeth Povinelli
  CULPA: 14 Wikipedia Info
• Instructor: Rosalind Morris
  CULPA: 20 Wikipedia Info
• Instructor: Nicholas Glastonbury
  Info
• 2-6 points

SENIOR THESIS SEM IN ANTHROPOL

Prerequisites: The instructors permission. Students must have declared a major in Anthropology prior to registration. Students must have a 3.6 GPA in the major and a preliminary project concept in order to be considered. Interested students must communicate/meet with thesis instructor in the previous spring about the possibility of taking the course during the upcoming academic year. Additionally, expect to discuss with the instructor at the end of the fall term whether your project has progressed far enough to be completed in the spring term. If it has not, you will exit the seminar after one semester, with a grade based on the work completed during the fall term. This two-term course is a combination of a seminar and a workshop that will help you conduct research, write, and present an original senior thesis in anthropology. Students who write theses are eligible to be considered for departmental honors. The first term of this course introduces a variety of approaches used to produce anthropological knowledge and writing; encourages students to think critically about the approaches they take to researching and writing by studying model texts with an eye to the ethics, constraints, and potentials of anthropological research and writing; and gives students practice in the seminar and workshop formats that are key to collegial exchange and refinement of ideas. During the first term, students complete a few short exercises that will culminate in a substantial draft of one discrete section of their senior project (18-20 pages) plus a detailed outline of the expected work that remains to be done (5 pages). The spring sequence of the anthropology thesis seminar is a writing intensive continuation of the fall semester, in which students will have designed the research questions, prepared a full thesis proposal that will serve as a guide for the completion of the thesis and written a draft of one chapter. Only those students who expect to have completed the fall semester portion of the course are allowed to register for the spring; final enrollment is contingent upon successful completion of first semester requirements. In spring semester, weekly meetings will be devoted to the collaborative refinement of drafts, as well as working through issues of writing (evidence, voice, authority etc.). All enrolled students are required to present their project at a symposium in the late spring, and the final grade is based primarily on successful completion of the thesis/ capstone project. Note: The senior thesis seminar is open t

• W 10:10 a.m.-noon
• Instructor: Vanessa L Agard-Jones
  CULPA: 3 Info
• 4 points

THE ANCIENT EMPIRES

The principal goal of this course is to examine the nature and histories of a range of early empires in a comparative context. In the process, we will examine influential theories that have been proposed to account for the emergence and trajectories of those empires. Among the theories are the core-periphery, world-systems, territorial-hegemonic, tributary-capitalist, network, and IEMP approaches. Five regions of the world have been chosen, from the many that could provide candidates: Rome (the classic empire), New Kingdom Egypt, Qin China, Aztec Mesoamerica, and Inka South America. These empires have been chosen because they represent a cross-section of polities ranging from relatively simple and early expansionist societies to the grand empires of the Classical World, and the most powerful states of the indigenous Americas. There are no prerequisites for this course, although students who have no background in Anthropology, Archaeology, History, or Classics may find the course material somewhat more challenging than students with some knowledge of the study of early societies. There will be two lectures per week, given by the professor.

• MW 11:40 a.m.-12:55 p.m.
• Instructor: Terence N D'Altroy
  CULPA: 37 Info
• 3 points

ANCIENT EMPIRES-DISC

• M 1:10 p.m.-2 p.m.
• M 2:10 p.m.-3 p.m.
• R 1:10 p.m.-2 p.m.
• R 4:10 p.m.-5 p.m.
• W 2:10 p.m.-3 p.m.
• W 3:10 p.m.-4 p.m.
• R 2:10 p.m.-3 p.m.
• R 11:10 a.m.-noon
• W 4:10 p.m.-5 p.m.
• M 10:10 a.m.-11 a.m.
• Instructor: Jenny Ni
  Info
• 0 points

Mexico s Disappeared Practicum

This practicum is an exercise in engaged pedagogy.  The academic work we do will be conducted for the benefit of the cause of Mexico's now over 110,000 disappeared persons.  Students will be engaged in a sustained research effort to development a "context analysis" of disappearances in the state of Zacatecas (Mexico)-- an exercise in social study that focuses on the economic, political, social, and criminological context in which disappearances occur.  Research is done in coordination with Mexico's National Commission for the Search of the Disappeared.  Alongside the practical, real-world, objective, this Practicum is designed to perfect research skills in the social sciences

 

PREREQUISITE: Spanish language comprehension is compulsory for 60% of those enrolled

• M 10:10 a.m.-noon
• Instructor: Claudio Lomnitz
  CULPA: 3 Wikipedia Info
• 4 points

Strange Resonances, Close Listening

How does one live with sound and move within worlds of sound? In pursuit of this question the course explores: soundscapes and sound arts; echoes of audible pasts and resonances of auditory cultures; sound and the uncanny; repetitive listening in the age of electronic reproduction, ethereal transmissions, and audio-vision; sounds at the edges of listening with experimental music and sonic installations.  Sound, chambers, noise, feedback, voice, resonance, silence: from the sirens of the Odyssey, to compositional figures ala John Cage, to contemporary everyday acoustical encounters, if one were to really listen, closely, how might one write about sound?  How might one rethink the ties between sound and image?  How then might one think with sound, and through sound?

• T 2:10 p.m.-4 p.m.
• Instructor: John Pemberton
  CULPA: 15 Wikipedia Info
• 3 points

Political Human-Animal Studies

In a number of academic disciplines the concern with relationships between humans and non-humans has recently resulted in a radical revision of the ways in which we think people and animals construct their social worlds. This course addresses how humans and animals enter into, and interact within, each other's worlds. It draws upon perspectives from anthropology, geography, (political) philosophy, ethics, literary theory, and the sciences, placing current debates within the context of the deep history of human-animal relations. Topics to be discussed include "wildness", domestication, classification, animal rights, biotechnology, "nature/culture", food/cooking, fabulous/mythical animals, the portrayal of animals in popular culture, and human-animal sexualities.

• R 12:10 p.m.-2 p.m.
• Instructor: Brian Boyd
  CULPA: 6 Info
• 3 points

PRIN/APPL OF SOCIETY & CULTURE

Prerequisites: graduate standing. Introductory survey of major concepts and areas of research in social and cultural anthropology. Emphasis is on both the field as it is currently constituted and its relationship to other scholarly and professional disciplines. Required for students in Anthropology Department's master degree program and for students in the graduate programs of other departments and professional schools desiring an introduction in this field.

• T 2:10 p.m.-4 p.m.
• Instructor: Ellen Marakowitz
  CULPA: 1 Info
• 3 points

ETHICAL ISSUES IN MUSEUMS

Ethical questions about museum activities are legion, yet they are usually only discussed when they become headlines in newspapers. At the same time, people working in museums make decisions with ethical and legal issues regularly and seldom give these judgments even little thought. In part, this is due to the fact that many of these decisions are based upon values that become second nature. This course will explore ethical issues that arise in all areas of a museum's operations from governance and management to collections acquisition, conservation, and deaccessioning. We will examine the issues that arise when the ownership of objects in a museum's are questioned; the ethical considerations involved in retention, restitution and repatriation; and what decolonization means for museums.

• F 2:10 p.m.-4 p.m.
• Instructor: Sally Yerkovich
  Info
• 3 points

CONTESTING THE PAST

This course provides a panoramic survey of the ways that competing interest groups call on knowledge or narratives of the past and methods of its study in debates over controversial public issues. It is designed to examine claims about the past through the lenses of alternative knowledge frameworks and ideas about reality, in the context of specific contemporary problems: e.g., nationalist narratives; the basis for human rights for indigenous peoples; ownership or destruction of the world's patrimony; strife over disputed lands; investigations into mass human exploitation, murder and genocide; communities’ engagement with their own history; the antiquity of humanity on the planet; and interstellar communications and paranormal phenomena. The information that we will draw from balances historical sources, contemporary literature (e.g., newspapers and other periodicals), archaeology, sociocultural anthropology, oral accounts, and videos (both academic and popular).

• T 10:10 a.m.-noon
• Instructor: Terence N D'Altroy
  CULPA: 37 Info
• 3 points

VALUE, OBJECTS, AND MEANING

VALUE OBJECTS AND MEANING

This course explores how anthropologists have engaged with the question of value as means of understanding and comparing human social engagement with the creation, circulation, and consumption of objects and ideas. In doing so, this course will read classical anthropological texts concerned with exchange, social meaning and action and consider a variety of topics of anthropological interest such as gifts, commodities, capitalism, inequality, and the relationships between humans and nonhumans of many kinds. The course traces how questions and arguments that emerged out of earlier debates in “economic” anthropology were taken up and altered in later conversations about the analytical importance and utility of material and semiotic approaches. In doing so, the course explores what these genealogies might say about the possibility of, and the potential usefulness or desirability of, a contemporary or future-looking anthropology of value.

• R 10:10 a.m.-noon
• Instructor: Hannah Chazin
  Info
• 3 points

MAKING ETHNOG:METHOD & WRITING

This course begins with two central and related epistemological problems in conducting ethnographic research: first, the notion that objects of scientific research are ‘made’ through adopting a particular relational stance and asking certain kinds of questions. From framing a research problem and choosing a ‘research context’ story to tell, to the kinds of methods one selects to probe such a problem, the ‘how’ and ‘what’ – or means and content – are inextricably intertwined. A second epistemological problem concerns the artifice of reality, and the nebulous distinction between truth and fiction, no less than the question of where or with whom one locates such truth.

With these issues framing the course, we will work through some key themes and debates in anthropology from the perspective of methodology, ranging from subject/object liminality to incommensurability and radical alterity to the politics of representation. Students will design an ethnographic project of their choosing and conduct research throughout the term, applying different methodological approaches popular in anthropology and the social sciences more generally, such as participant observation, semi-structured interview, diary-keeping and note-taking.

• R 2:10 p.m.-4 p.m.
• Instructor: Nicholas Glastonbury
  Info
• 3 points

IDEA OF A BL RADICAL TRADITION

This course will seek to raise and think through the following questions: What does it mean to talk today about a black radical tradition? What has it meant in the past to speak in these (or cognate) terms? And if we take the debate in part at least to inhabit a normative discursive space, an argumentative space in which to make claims on the moral-political present, what ought it to mean to talk about a black radical tradition?

• T 10:10 a.m.-noon
• Instructor: David Scott
  CULPA: 6 h-index: 72 Info
• 3 points

Contemporary Archaeological Theory

CONTEMP ARCH THEORY

Archaeology is a sprawling, messy discipline and the role that theory does, should, and might play in the process of archaeological data collection, analysis, and interpretation has been highly contested. Archaeologists argue over whether there is such a thing as a stand-alone ‘archaeological theory’ and what kinds of theory from other disciplines should (or should not!) be imported. This course explores a range of recent theoretical conversations, orientations, and interventions within archaeology, with an eye to understanding what is currently at stake – and what is contested – in how archaeologists think about making archaeological knowledge in the contemporary moment. In doing so, this course encourages students to think about theory in archaeology as an important form of “practical knowledge” or “know how” for archaeologists (cf. Lucas 2018).

• T 10:10 a.m.-noon
• Instructor: Hannah Chazin
  Info
• 3 points

LANDSCAPE:LIFE AND NON-LIFE IN THE MAKIN

This class takes the creation and inhabitation of place as its focus, drawing on diverse conceptual frameworks from anthropology and beyond to think critically about landscape and the forms of life and non-life through which it is constituted. Well look at the history of approaches to landscape and then address a range of case studies that attempt to decenter the human and to imagine a non-anthropocentric form of inquiry to place-making. How might such modes of approach reconfigure what is understood by landscape and the coming into being of place?

• R 4:10 p.m.-6 p.m.
• Instructor: Zoe Crossland
  CULPA: 9 h-index: 17 Info
• 3 points

PERSONHOOD

This seminar seeks to engage with materials that question personhood. Drawing on both fictional and non-fictional accounts, we will be involved with textual and visual documents as well institutional contexts in order to revisit such notion under contemporary capitalism. We will cover topics like rites of passage and life cycle, the role of the nation state and local communities in defining a person, the relation between self and non-self, between the living and the dead. We will likewise address vicarious forms of personhood through the prosthetic, the avatar or the heteronomous. But we will also look into forms of dissipation and/or enhancement of personhood through bodybuilding, guinea-piging and pharmo-toxicities. As a whole, the course will bring to light how the question of personhood cross-culturally relates to language, performativity, religion, technology, law, gender, race, class, care, life and death.

• M 2:10 p.m.-4 p.m.
• Instructor: Maria Jose de Abreu
  Info
• 3 points

POLITICAL CONCEPTS IN WAKE OF GEONTONTOP

POLTICL CNCPTS:GEONTOPOWE

It’s hot and it’s getting hotter. As the machinery of capital extraction, industrialism, and consumption refuses to relinquish its grip, meteorological temperatures continue to rise and chemical hot zones spread. Tipping points threaten regime shifts in which the qualitative nature of the earth’s biosphere will alter. But until then, and even after then, hot zones occur in the aggregate only in abstraction. In reality they form like weather clouds over specific places—toxic smog over Beijing, lead poisoning in drinking water in Flint, Michigan, uranium exposure in Navajo and Hopi lands. Marx thought the social dialectic was leading to the purification of the fundamental opposition of human classes. No little evidence can be mustered to support the claim that we are nearing this moment—the world seems to be splitting into ever more extreme halves—the one percent and the ever-increasing precariate. But what many believe we are witnessing a new form of antagonism and which demands new modes of solidarity. The new swelter seems to them less fundamentally a war of class—although also a class war, although definitely not a clash of civilization—and more a clash of existents. And in this new war of the world everyone must decide with whom (or what) we are making ties of solidarity. With whom or what will we stake our claim?

• T 2:10 p.m.-4 p.m.
• Instructor: Elizabeth Povinelli
  CULPA: 14 Wikipedia Info
• 4 points

MUSEUM ANTHROP:HIST & THEORY

This course will consider museums as reflectors of social priorities which store important objects and display them in ways that present significant cultural messages. Students visit several New York museums to learn how a museum functions.

• T 4:10 p.m.-6 p.m.
• Instructor: Brian Boyd
  CULPA: 6 Info
• 3 points

QUESTIONS-ANTHROP THRY I:TEXTS

Presents students with critical theories of society, paying particular attention to classic continental social theory of the nineteenth and twentieth centuries. We will trace a trajectory through important French and German writings essential for any understanding of the modern discipline of anthropology: from Saussure through Durkheim and Mauss, Marx, Weber, and on to the structuralist elaboration of these theoretical perspectives in Claude Lévi-Strauss, always bearing in mind the relationship of these theories to contemporary anthropology. We come last to Foucault and affiliated theorists as successors both to French structuralism and to German social theory and its concerns with modernity, rationality, and power. Throughout the readings, we will give special care to questions of signification as they inform anthropological inquiry, and we will be alert to the historical contexts that situate the discipline of anthropology today.

• M 4:10 p.m.-6 p.m.
• Instructor: Rosalind Morris
  CULPA: 20 Wikipedia Info
• 3 points

RSCH IN SOCIAL/CULTURAL ANTHRO

RSRCH SOCIAL & CULTURAL ANTHRO

Prerequisites: the instructors permission. Individual research and tutorial in social and cultural anthropology for advanced graduate students.

• Instructor: Nadia Abu El-Haj
  CULPA: 13 Wikipedia Info
• Instructor: Lila Abu-Lughod
  CULPA: 17 Wikipedia h-index: 48 Info
• Instructor: Vanessa L Agard-Jones
  CULPA: 3 Info
• Instructor: Brian Boyd
  CULPA: 6 Info
• Instructor: Hannah Chazin
  Info
• Instructor: Zoe Crossland
  CULPA: 9 h-index: 17 Info
• Instructor: Terence N D'Altroy
  CULPA: 37 Info
• Instructor: Maria Jose de Abreu
  Info
• Instructor: Catherine Fennell
  Info
• Instructor: Severin Fowles
  CULPA: 24 Info
• Instructor: Elizabeth M Green
  CULPA: 2 Info
• Instructor: Lashaya Howie
  Info
• Instructor: Marilyn Ivy
  CULPA: 11 Wikipedia Info
• Instructor: Brian Larkin
  CULPA: 16 Info
• Instructor: Claudio Lomnitz
  CULPA: 3 Wikipedia Info
• Instructor: Mahmood Mamdani
  CULPA: 21 Wikipedia h-index: 57 Info
• Instructor: Ellen Marakowitz
  CULPA: 1 Info
• Instructor: Rosalind Morris
  CULPA: 20 Wikipedia Info
• Instructor: John Pemberton
  CULPA: 15 Wikipedia Info
• Instructor: Elizabeth Povinelli
  CULPA: 14 Wikipedia Info
• Instructor: David Scott
  CULPA: 6 h-index: 72 Info
• 3-9 points

RSCH IN SOCIAL/CULTURAL ANTHRO

Prerequisites: the instructors permission. Individual research and tutorial in social and cultural anthropology for advanced graduate students.

• Instructor: Lesley Sharp
  CULPA: 22 Info
• 3-9 points

RSCH IN SOCIAL/CULTURAL ANTHRO

RSRCH SOCIAL & CULTURAL ANTHRO

Prerequisites: the instructors permission. Individual research and tutorial in social and cultural anthropology for advanced graduate students.

• Instructor: Audra Simpson
  CULPA: 5 Wikipedia Info
• Instructor: Paige West
  CULPA: 41 h-index: 23 Info
• Instructor: Kaya N Williams
  Info
• Instructor: Nicholas Glastonbury
  Info
• 3-9 points

RESEARCH IN ARCHAEOLOGY

RESEARCH-PREHISTORIC ARCHAEOL

Prerequisites: the instructors permission. Individual research and tutorial in archaeology for advanced graduate students.

• Instructor: Brian Boyd
  CULPA: 6 Info
• Instructor: Hannah Chazin
  Info
• Instructor: Zoe Crossland
  CULPA: 9 h-index: 17 Info
• Instructor: Terence N D'Altroy
  CULPA: 37 Info
• 3-9 points