Prerequisites: CHEM BC3328 and permission of instructor. Individual research projects at Barnard or Columbia, culminating in a comprehensive written report.
Prerequisites: CHEM BC3328 and permission of instructor. Individual research projects at Barnard or Columbia, culminating in a comprehensive written report.
The course can be taken for 1-3 credits. Students are graded and take part in the full production of a dance as performers, choreographers, designers, or stage technicians.
The course can be taken for 1-3 credits. Students are graded and take part in the full production of a dance as performers, choreographers, designers, or stage technicians.
The course can be taken for 1-3 credits. Students are graded and take part in the full production of a dance as performers, choreographers, designers, or stage technicians.
Discussions of the student's Independent Research project during the fall and spring terms that culminate in a written and oral senior thesis. Each project must be supervised by a scientist working at Barnard or at another local institution.
From its origins, and to the present, marriage has been transactional, arranged, and rarely concerned with the desires or interests of the wife. In the eighteenth-century, and especially through the genre of the novel, women began to insist on right to choose their spouse, and the possibility of marrying for love. Perversely, it is at this point that the descriptions of some of the most disastrous and repressive marriages enter literature, and in the twentieth century film. If “the course of true love never did run smooth” this seminar follows its path, investigating the shifts and transformations of marriage. While the focus of the seminar will be on women, we will also consider men, same-sex marriage, questions of marriage and race in the United States, and marriage in China.
This course will focus on one topic at the intersection of cognitive science and philosophy. Potential topics include free will, consciousness, modularity, mental representation, probabilistic inference, the language of thought, and the computational theory of mind.
This undergraduate seminar offers an introduction to the study of mass media and politics in Latin America from the early 19th to the early 21st century. Throughout the course, the students will get acquainted with some of the key concepts, problems, and methods through which historians and communication scholars have probed the relationship between mass media and political power in the region. We will define and understand media broadly, but we will focus largely on printed media and, to a lesser extent, radio, cinema, and television. We will discuss both breaks and continuities between different media technologies, journalistic cultures, and political regimes. Knowledge of Spanish is welcome, but not mandatory.
Guided exploration of chemistry research using modern library resources. Topics include: organization and evaluation of information, information ethics, the history of citation, and use of databases. Culminates in the creation of an online research guide on a specific chemistry topic, using a variety of carefully considered and annotated sources.
This course provides an introduction to the field of Natural Language Processing (NLP) at an undergraduate level. We will discuss properties of human language at different levels of representation (morphology, syntax, semantics, pragmatics), and will learn how to create systems that can analyze, understand, and generate natural language. We will study machine learning methods used in NLP such as various forms of Neural networks and will focus particularly on conceptual and technical advances of frontier Large Language Models based NLP technologies (think ChatGPT) that are revolutionizing classical computational linguistics and NLP fields. We will also discuss applications such as question answering, summarization, language generation and as well as data, benchmarks and evaluation frameworks. We will discuss ethical aspects of NLP research and applications. Homework assignments will consist of programming projects in Python as well as written interpretation and analysis of the results. Class will also have a midterm and a mini final project instead of a final exam. Prerequisite(s): COMS W3134 or W3136 or W3137 (or equivalent). Background in probability/statistics and linear algebra is also required and experience with Python programming is strongly encouraged. Some previous or concurrent exposure to AI and machine learning is beneficial, but not required.
Please note: Due to significant overlap in content, only one of COMS BC3705 or COMS W4705 may be taken for credit.
In this course we probe the ideology of American “exceptionalism.” We treat the intellectual history of this idea as a transtemporal conversation among founding architects, contemporary agents, early critics, and visionary reformers, all concerned with what should be valued on the American continents and within American experience. We become cartographers of this conversation and interlocutors within it, as we explore how habits of conceiving truth, power, and the relationship of human beings to the natural world have controlled what counts as exceptional and what ordinary. Where should we direct our awe? Readings include works by Margaret Atwood, James Baldwin, Roland Barthes, Ralph Waldo Emerson, bell hooks, William James, Immanuel Kant, Robin Wall Kimmerer, Audre Lorde, Wallace Stevens, Henry David Thoreau, Walt Whitman, Adrienne Rich, William Carlos Williams.
This class is a research seminar that explores the history of voluntary migrations from Africa to the United States over the course of the 20th century. It is open to students who have done prior coursework in African Studies, Africana Studies, Race and Ethnic Studies, or History. Sophomores and Juniors who are developing their historical research skills would be well suited to this class. Thematically the course dwells at a point of intersection between African history, African Diaspora History, and US Immigration History.
Guided, independent, in-depth research culminating in the senior thesis in the spring. Includes discussion about scientific presentations and posters, data analysis, library research methods and scientific writing. Students review work in progress and share results through oral reports. Weekly seminar to review work in progress and share results through oral and written reports.
Guided, independent, in-depth research culminating in the senior thesis in the spring. Includes discussion about scientific presentations and posters, data analysis, library research methods and scientific writing. Students review work in progress and share results through oral reports. Weekly seminar to review work in progress and share results through oral and written reports.
Guided, independent, in-depth research culminating in the senior thesis in the spring. Includes discussion about scientific presentations and posters, data analysis, library research methods and scientific writing. Students review work in progress and share results through oral reports. Weekly seminar to review work in progress and share results through oral and written reports.
What is punishment, and what might attention to punitive practices teach us about the cultures in which they are used? Modern American culture is so saturated with punishment that it is difficult to know where to begin such an investigation. From childhood education to mass incarceration and from the crafting of financial futures to the training of horses and dogs, punishment is ubiquitous and often unquestioned. In many cases, punishment is the thread that connects allegedly disparate institutions and produces allegedly unforeseen forms of violence. In this course we will question both the practice and its prevalence, combining a genealogy of the concept with case studies in its modern use.
Prerequisites: Enrollment limited to 12 students. Permission of the instructor required. Interested students should complete the application at:
https://bit.ly/AFEN3815
. A poet, performance artist, playwright and novelist, Shange’s stylistic innovations in drama, poetry and fiction and attention to the untold lives of black women have made her an influential figure throughout American arts and in feminist history. We will examine Shange’s works through the dual lenses of “embodied knowledge” and historical context. In conjunction with our multidisciplinary analysis of primary texts, students will be introduced to archival research in Ntozake Shange’s personal archive at Barnard College. Thus the seminar provides an in-depth exploration of Shange's work and milieu as well as an introduction to digital tools, public research and archival practice. Students should have taken a course beyond the intro level from ONE of the following areas: American Literature (through the English Department), Africana Studies, American Studies, Theatre or Women's Studies. You can find more information and apply for the course at
https://bit.ly/AFEN3815
.
Prerequisites: Open to undergrad majors; others with the instructors permission. Across a range of cultural and historic contexts, one encounters traces of bodies - and persons - rendered absent, invisible, or erased. Knowledge of the ghostly presence nevertheless prevails, revealing an inextricable relationship between presence and absence. This course addresses the theme of absent bodies in such contexts as war and other memorials, clinical practices, and industrialization, with interdisciplinary readings drawn from anthropology, war and labor histories, and dystopic science fiction.
Since Antiquity, the Great Wall has become both a geographical and socio-cultural fault line between steppe nomads and the Chinese. More than a physical and territorial boundary, the Great Wall also functions as a powerful conceptual metaphor, symbolizing the gap between insiders and outsiders. The intellectual discourses of “frontier” and “border” embodied by the Wall have kept alive well into modern China.
The course follows a broadly chronological order from the Xiongnu Empire through the Mongols to modern times. Additionally, it incorporates thematic explorations such as nomadic culture, Sinitic concepts of unity, ethno-cultural diversity, multi-linguistic empires, and so on. We will make use of Chinese literature and art on the one hand, and primary sources from Central Asia on the other, to develop a comprehensive and comparative understanding of both sides of the Great Wall. As such, we ask how the nomads served as agents of change in Eurasian and even world history, and in turn, we problematize some enduring challenges faced by the Chinese state from the past to the present.
Listed as a Global Core, this course assumes no background of Chinese or Central Asian language and literature. Students are expected to engage thoughtfully and critically with course materials, including primary sources translated into English and secondary scholarship. Readings will include classical texts from Sinitic culture as well as diverse literary sources on nomadic peoples, such as The Secret History of the Mongols and travelogues by Marco Polo. These primary texts will be examined alongside secondary scholarship, with visual and material objects integrated to complement the written texts.
Prerequisites: Enrollment in the course is open to 18 undergraduates who have completed at least one core course in human rights and /or international law. This seminar introduces students to the field of health and human rights. It examines how to advocate for and implement public health strategies using a human rights framework. It takes note of current international and domestic debates about the utility of a ;human rights-based approach; to health, discusses methods and ethics of health-related human rights research, and examines case studies of human rights investigations to explore the role of human rights analysis in promoting public health.
This course focuses on the political ecology of the Anthropocene. As multiple publics become increasingly aware of the extensive and accelerated rate of current global environmental change, and the presence of anthropogenesis in ever expanding circumstances, we need to critically analyze the categories of thought and action being developed in order to carefully approach this change. Our concern is thus not so much the Anthropocene as an immutable fact, inevitable event, or definitive period of time (significant though these are), but rather for the political, social, and intellectual consequences of this important idea. Thus we seek to understand the creativity of The Anthropocene as a political, rhetorical, and social category. We also aim to examine the networks of capital and power that have given rise to the current state of planetary change, the strategies for ameliorating those changes, and how these are simultaneously implicated in the rhetorical creation of The Anthropocene.
Prerequisites: Limited to Barnard Anthropology Seniors. Offered every Fall. Discussion of research methods and planning and writing of a Senior Essay in Anthropology will accompany research on problems of interest to students, culminating in the writing of individual Senior Essays. The advisory system requires periodic consultation and discussion between the student and her adviser as well as the meeting of specific deadlines set by the department each semester. Limited to Barnard Senior Anthropology Majors.
How did European-Christians justify the colonization of the Americas? Did these justifications vary between different European empires, and between the Protestant and Catholic faiths, and if so, how? Do these justifications remain in effect in modern jurisprudence and ministries? This class explores these questions by introducing students to the Doctrine of Discovery. The Doctrine of Discovery is the defining legal rationale for European Colonization in the Western Hemisphere. The Doctrine has its origins in a body of ecclesiastic, legal, and philosophical texts dating to the late-fifteenth century, and was summarized by Chief Justice John Marshall of the United States Supreme Court, in the final, unanimous decision the judiciary issued on the 1823 case
Johnson v. M’Intosh.
Students will be introduced to the major, primary texts that make up the Doctrine, as well as contemporary critical studies of these texts and the Doctrine in general.
The purpose of this precept is to read short selections of the readings for this course in the original Italian, closely comparing these texts with their English counterparts. Attention will be paid to stylistic, syntactical, and grammatical characteristics of both languages, carefully considering questions of tone, register, cadence, idiomatic expressions, archaisms, and other elements of the translator’s task. In addition to discussing the readings, we will work in class on translating specific passages from Italian into English. Depending on the makeup of the class, the discussions will take place either fully in Italian or in a mix of Italian and English.
“In Italy, literary fiction has long been considered a man’s game.” So began a
2019 New York Times article discussing the growing international attention being
paid to Italian women writers, particuarly on the heels of Elena Ferrante’s
phenomenal global success. This course will center the female voice and
subjectivity in the Italian literary tradition, with a focus on celebrated prose writers
active from the early twentieth century to the present. Some, recently republished
and reconsidered for the Italian market, have also been re-translated and re-
introduced to a wider English readership. We will trace the reception of female
authors within the Italian critical establishment and abroad, and the role
translation might play in broadening and amplifying their reputation and reach.
We will focus on one author per week, paying special attention to themes of
resistance, rebellion, and self-fashioning. All readings will be in English.
The Senior Thesis Seminar is a one-semester requirement for all Barnard College students majoring in Asian and Middle Eastern Cultures (AMEC). This is a working research seminar devoted to helping students produce a substantive piece of writing that will eventually be part of their senior thesis project, the culmination of their work in the major. Students will participate in the seminar as thesis writers and as peer editors. In addition to working with the instructor in the seminar, students will also consult with a faculty member who specializes in the student's area of interest within the AMEC department.
Prerequisites: Permission of the departmental representative required. For specially selected students, the opportunity to do a research problem in contemporary physics under the supervision of a faculty member. Each year several juniors are chosen in the spring to carry out such a project beginning in the autumn term. A detailed report on the research is presented by the student when the project is complete.
See the Barnard and Columbia Architecture Department's website for the course description:
https://architecture.barnard.edu/architecture-department-course-descriptions
Weekly seminar to accompany Senior Honors Thesis Lab (CHEM BC3903). Focus is on scientific presentation and writing skills and research conduct.
Weekly seminar to accompany Senior Honors Thesis Lab (CHEM BC3903). Focus is on scientific presentation and writing skills and research conduct.
Discussion of senior research projects during the fall and spring terms that culminate in written and oral senior theses. Each project must be supervised by a cognitive scientist working at Barnard or Columbia.
Prerequisites: The written permission of the faculty member who agrees to act as sponsor (sponsorship limited to full-time instructors on the staff list), as well as the permission of the Director of Undergraduate Studies. The written permission must be deposited with the Director of Undergraduate Studies before registration is completed. Guided reading and study in mathematics. A student who wishes to undertake individual study under this program must present a specific project to a member of the staff and secure his or her willingness to act as sponsor. Written reports and periodic conferences with the instructor.
Supervising Readings do NOT count towards major requirements, with the exception of an advanced written approval by the DUS.
Prerequisites: SOCI BC1003 or equivalent social science course and permission of the instructor. Enrollment limited to 15 students. Drawing examples from popular music, religion, politics, race, and gender, explores the interpretation, production, and reception of cultural texts and meanings. Topics include aesthetic distinction and taste communities, ideology, power, and resistance; the structure and functions of subcultures; popular culture and high culture; and ethnography and interpretation.
Corequisites: CHEM BC3901 Guided research in Chemistry or Biochemistry, under the sponsorship of a faculty member, leading to the senior thesis. A minimum of 8 hours of research per week, to be arranged.
Corequisites: CHEM BC3901 Guided research in Chemistry or Biochemistry, under the sponsorship of a faculty member, leading to the senior thesis. A minimum of 8 hours of research per week, to be arranged.
Examines how changes in the economy, racial composition, and class relations affect community life-how it is created, changed and sometimes lost-with a specific focus on the local urban context. Student research projects will address how contemporary forces such as neoliberalization, gentrification and tourism impact a communitys social fabric.
Examines the historical and contemporary social, economic, and political factors that shape immigration law and policy along with the social consequences of those laws and policies. Addresses the development and function of immigration law and aspects of the immigration debate including unauthorized immigration, anti-immigration sentiments, and critiques of immigration policy.
Required of senior majors, but also open to junior majors, and junior and senior concentrators who have taken at least four philosophy courses. This exploration will typically involve writing a substantial research paper. Capped at 20 students with preference to philosophy majors.
This research and writing-intensive seminar is designed for senior majors with a background and interest in the sociology of gender and sexuality. The goal of the seminar is to facilitate completion of the senior requirement (a 25-30 page paper) based on ;hands on; research with original qualitative data. Since the seminar will be restricted to students with prior academic training in the subfield, students will be able to receive intensive research training and guidance through every step of the research process, from choosing a research question to conducting original ethnographic and interview-based research, to analyzing and interpreting ones findings. The final goal of the course will be the production of an original paper of standard journal-article length. Students who choose to pursue their projects over the course of a second semester will have the option of revisiting their articles further for submission and publications.
Ubiquitous computing is creating new canvases and opportunities for creative ideas.
This class explores the use of microprocessors, distributed sensor networks, IoT,
and intermedia systems for the purposes of creative expression. The course is delivered
in a mixed lecture and lab format that introduces the fundamental concepts
and theory behind embedded systems as well as issues particular to their creative
employment. The key objective of the course is for students to conceive of and
implement creative uses of computation.
Corequisites: Students must have an internship related to social justice or human rights during This class is intended to complement and enhance the internship experience for students working in internships that relate to social justice and human rights during the Spring 2016 semester. This course will meet bi-weekly to provide an academic framing of the issues that students are working on and to provide an opportunity for students to analyze their internship experience.
While the existence of processes of anthropogenic climate change is well established, predictions regarding the future consequences of these processes are far less certain. In no area is the uncertainty regarding near and long term effects as pronounced as in the question of how climate change will affect global migration. This course will address the issue of climate migration in four ways. First, the course will examine the theoretical and empirical literatures that have elucidated the nature of international migration in general. Second, the course will consider the phenomena of anthropogenic climate change as it relates to migration. Third, the course will consider how human rights and other legal regimes do or do not address the humanitarian issues created by anthropogenic climate change. Fourth, the course will synthesize these topics by considering how migration and climate change has arisen as a humanitarian, political, and economic issue in the Pacific. Human Rights elective.
This seminar examines the ways in which the body is discursively constituted, and itself serves as the substratum for social life. Key questions include: How are distinctions made between normal and pathological bodies, and between the psychic and somatic realms? How do historical forces shape bodily experience? How do bodies that are racialized, gendered, and classed offer resistance to social categorization?
In a renewed age of anti-immigrant fervor, the last few years have seen attention focused on people seeking asylum – the process under international law by which people fleeing persecution can seek protection in a country not of their citizenship. New York has become a particular flashpoint with a large influx of asylum seekers, most of them from Latin America. Often, they have arrived on buses sent here by southern governors intending to make the border “problem” that of a so-called “sanctuary city.” How has New York responded? And how does this fit into the city’s long history of refuge?
This course will offer students an introduction to the theory, ethics, and history of the idea of international protection. We will look specifically at how Latin American citizens have engaged with the US asylum system over time and how this engagement has changed the shape of US immigration laws. We will study the origins of the ideas of international protection, who is understood to qualify and why, how the system has changed over time, and what these developments mean for a broader understanding of human rights across borders. We will also take a critical look at asylum, examine ideas of deservingness and innocence and their intersection with categories of race, class and gender, and question what it means for certain people to be constructed as victims and others to be seen as not eligible – or worthy – of protection.
This is an engaged pedagogy course. The class will be organized around a close collaboration with a NY legal organization that has taken on the work of representing many asylum seekers in the city. Students will learn the complexities of US asylum law and will work collectively to use this knowledge, while developing their research skills, to put together reports to be used in active asylum cases.
This seminar will investigate efforts to coordinate, justify, and understand global activism through lenses of internationalism, solidarity, and universal human rights. We will also study transformations in the global institutional landscape – comprising international finance, supranational unions, and non-governmental organizations – which is itself the contradictory outcome of prior cycles of contestation. We will survey historical precedents, analyze contemporary manifestations, and speculate on the future prospects of global activism. Students will explore cases and concepts by reading scholarly literature and by considering the political practices, texts, and media created by movements themselves.
What is global health? Where do global health disease priorities come from, and how do the ways that we understand disease shape how we respond to it? What happens when good ideas and good intentions go wrong? This course critically examines the politics of global health and its impact on local institutions and people. Drawing on social science research, the course will address three main themes: 1) how global health priorities are defined and constructed, 2) how our understandings of disease influence our response to that disease, and 3) how efforts to respond to disease intersect with people on the ground, sometimes in unexpected ways. We will examine the global health industry from the vantage point of different institutions and actors – international organizations, governments, local healthcare institutions, healthcare workers, and people living with or at risk of various illnesses like HIV/AIDS, malaria, cancer, and Ebola. A primary goal of this course is to help you to develop skills in critical thinking in relation to global health issues and their impact on society. Students will demonstrate their knowledge through individual writing, class discussion, presentations, and a final research project.
This course focuses on the long history of Black Americans going (and sometimes returning from) abroad. Our exploration will unfold chronologically from the 19th century to the present day, as we trace our subjects’ myriad reasons for setting out beyond their country’s shores. Each week of the course will be devoted to grappling with a set of travelers and international departures characteristic of a given era, including:
Enslaved people’s quests for freedom
Entertainers, creatives, and scientists’ pursuit of professional opportunities during the era of Jim Crow
Scholars, journalists, and diplomats’ search for knowledge and cultural understanding
Modern nomads and expats’ journeys of self-actualization
Our goal is to consider Black Americans’ evolving relationship to the United States and the world at large.
We make decisions countless times a day. Computational models have been developed that improve our understanding of how these decisions are made. This course is organized in three parts: perceptual decision-making, value-based decision-making, and computational psychiatry. In part one, perceptual decision-making, we will focus on computational models that can capture and explain decisions in perception, such as categorizing an orientation, or discriminating the direction of moving dots, or estimating the magnitude of a stimulus (e.g., time). We will start by laying the foundations of signal detection theory and Bayesian inference under uncertainty and build to models that incorporate confidence ratings and reaction times. In part two, value-based decision-making, we will move on to decisions that incorporate our values (e.g., ‘Should I go out or stay in and study?’, ‘Should I eat a burger or a salad?’). We will learn the basics of a computational modeling framework that captures how we learn values from rewards and punishments, reinforcement learning, as well as about model-free and model-based learning. Lastly, we will learn how impairments in decision-making that occur in psychopathology (e.g., addiction, anorexia nervosa, anxiety) have been conceptualized and quantified in the relatively new field of computational psychiatry.
Prerequisites: Two years of calculus, at least one year of additional mathematics courses, and the director of undergraduate studies permission. The subject matter is announced at the start of registration and is different in each section. Each student prepares talks to be given to the seminar, under the supervision of a faculty member or senior teaching fellow.
Advances in artificial intelligence carry potential for both social good and ethical danger. The purpose of this course is to explore both foundational and applied debates in the philosophy of computing, with a focus on machine learning technologies. Drawing from works in philosophy, computer science, literature, and policy, this course will comprehensively examine the conceptual and normative challenges artificial intelligence presents. The course analyzes present-day challenges through the prism of specific technologies and tools, namely predictive analytics, computer vision, and large language models, and also investigates moral and social questions on the horizon, with an eye to how advancements in computing will impact responsibility, moral status, and relationships.
One of the glaring forms of inequalities that persists today is the race-based gap in access to health care, quality of care, and health outcomes. This course examines how institutionalized racism and the structure of health care contributes to the neglect and sometimes abuse of racial and ethnic minorities. Quite literally, how does race affect one’s life chances? This course covers a wide range of topics related to race and health, including: racial inequalities in health outcomes, biases in medical institutions, immigration status and health, racial profiling in medicine, and race in the genomic era.
Working with her advisor, a student will expand the research project initiated in the Fall Senior Seminar for Music Majors (BC3992x). In order to satisfy the requirement, the student will complete a fifty page research paper.
This course is a requirement for all majors and is taken in the
Fall
semester of the Senior year; students may register for the Barnard or Columbia (3991) section. In this academic writing workshop students develop individual research projects under the guidance of the course’s instructor and in dialogue with the other participants’ projects. The final assignment of the senior seminar (6000 words) is the
senior essay
. It is written in Spanish.
Working with her advisor, a student will develop a vocal or instrumental recital program with representative musical works from a variety of historical periods. In order to satisfy the requirement, the student will present an hour long public performance of the recital program. Students may also satisfy this requirement by composing original vocal or instrumental works.
Enrollment limited to Barnard senior English majors with a concentration in creative writing.
This creative writing workshop represents an opportunity for creative writing concentrators to focus on one large project that will serve as a capstone senior project. As in a typical writing workshop, much of the focus will be on sharing and critiquing student work. Unlike other workshops, in this class students will focus on building out a longer project—such as a more ambitious full-length story for fiction and creative nonfiction writers and a chapbook for poets. This means students will discuss work by writers who may not share their own genre. We will focus on generating new work, developing your writing process, and creating new possibilities and momentum for your piece, as well as trying to create a sense of community among the concentrators. We will also conduct in-class writing exercises in response to short reading assignments and class lectures. Students should be aware of two important notes: (1) This class is limited to senior English majors who have already been approved to be creative writing concentrators; and (2) this course fulfills the requirement for concentrators to finish a senior project, but not the academic senior seminar requirement. This class is about your own writing and that of your classmates. This class will be what you make of it!
The goals of this seminar are a) to introduce senior music majors to ethnographic, bibliographic, and archival research methods in music and b) to help the same students develop, focus, implement, draft, revise, and polish a substantive, original piece of research (25-30 pages) which will serve as the senior project. The course will begin with a survey of academic literature on key problems in musicological research and writing, and will progress to a workshop/discussion format in which each week a different student is responsible for assigning readings and leading the discussion on a topic which s/he has formulated and deemed to be of relevance to her own research.
Prerequisites: Senior standing. Year-long course; participation is for two consecutive terms. No new students admitted for spring. Emphasizes the study of the built environment of cities and suburbs, and the related debates. Readings, class presentations, and written work culminate in major individual projects, under the supervision of faculty trained in architecture, urban design, or urban planning.
Majors in Mathematics are offered the opportunity to write an honors senior thesis under the guidance of a faculty member. Interested students should contact a faculty member to determine an appropriate topic, and receive written approval from the faculty advisor and the Director of Undergraduate Studies (faculty sponsorship is limited to full-time instructors on the staff list). Research is conducted primarily during the fall term; the final paper is submitted to the Director of Undergraduate Studies during the subsequent spring term.
MATH UN3994 SENIOR THESIS IN MATHEMATICS I must be taken in the fall term, during which period the student conducts primary research on the agreed topic. An optional continuation course MATH UN3995 SENIOR THESIS IN MATHEMATICS II is available during the spring. The second term of this sequence may not be taken without the first. Registration for the spring continuation course has no impact on the timeline or outcome of the final paper.
Sections of SENIOR THESIS IN MATHEMATICS I and II do NOT count towards the major requirements, with the exception of an advanced written approval by the DUS.
This is an undergraduate seminar for special topics in computing arranged as the need and availability arises. Topics are usually offered on a one-time basis. Participation requires permission of the instructor. Since the content of this course changes each time it is offered, it may be repeated for credit.
This is an undergraduate seminar for special topics in computing arranged as the need and availability arises. Topics are usually offered on a one-time basis. Participation requires permission of the instructor. Since the content of this course changes each time it is offered, it may be repeated for credit.
Enrollment limited to Barnard senior English majors. To see the current course description for each section, visit the English Department website:
https://english.barnard.edu/english/senior-seminars
Enrollment limited to Barnard senior English majors. To see the current course description for each section, visit the English Department website:
https://english.barnard.edu/english/senior-seminars
Enrollment limited to Barnard senior English majors. To see the current course description for each section, visit the English Department website:
https://english.barnard.edu/english/senior-seminars
Enrollment limited to Barnard senior English majors. To see the current course description for each section, visit the English Department website:
https://english.barnard.edu/english/senior-seminars
Prerequisites: the written permission of the faculty member who agrees to act as a supervisor, and the director of undergraduate studies permission. For specially selected mathematics majors, the opportunity to write a senior thesis on a problem in contemporary mathematics under the supervision of a faculty member.
Working research seminar devoted to helping students produce a substantive piece of writing that will represent the culmination of their work at the College and in the major.
Prerequisites: Appropriate coursework and substantial production experience, including a major crew assignment in the junior year. Enrollment limited to senior Theatre majors. Combined and special majors may be considered under exceptional circumstances. Permission of the instructor required. Students register for this course to pursue approved theses in acting, design, directing, dramaturgy, solo performance, or stage and production management.
Students will act in, direct, design, stage manage or dramaturg a play in the Barnard Department of Theatre season, or write a short play or solo performance piece that will be produced (according to departmental guidelines) in the Senior Thesis Festival. Collaboration is expected and students will meet weekly with faculty and other seniors. A written proposal must be submitted in the spring of the junior year and be approved. In addition to the performance, an extensive written Casebook is required: see departmental guidelines.
A program of interdisciplinary research leading to the writing of the senior essay. All Africana majors must complete the one-semester Africana Studies Senior Seminar in the fall and submit a senior essay as one of the requirements for this course. A student who has successfully completed the Africana Studies Senior Seminar, has demonstrated the ability to complete a senior thesis, and has obtained approval from the faculty member teaching the Senior Seminar may take an Independent Study with a Barnard or Columbia faculty member or a second thesis seminar in another department in order to complete a senior thesis in Africana Studies in the spring semester.
Prerequisites: open only to qualified majors in the department; the director of undergraduate studies permission is required. An opportunity for research under the direction of an individual faculty member. Students intending to write a year-long senior thesis should plan to register for C3996 in the spring semester of their senior year and are strongly advised to consult the undergraduate studies as they plan their programs.
Prerequisites: Enrollment limited to senior Theatre majors. Combined and special majors may be considered under exceptional circumstances. Permission of the instructor required. In-depth research project culminating in a substantial written thesis on any aspect of drama, performance, or theatre research.
Prerequisites: Open to majors who have fulfilled basic major requirements or written permission of the staff member who will supervise the project. Specialized reading and research projects planned in consultation with members of the Asian and Middle Eastern Cultures teaching staff.