Prerequisites: the department chairs permission. (Formerly R3932)
In a renewed age of anti-immigrant fervor, the last few years have seen attention focused on people seeking asylum – the process under international law by which people fleeing persecution can seek protection in a country not of their citizenship. New York has become a particular flashpoint with a large influx of asylum seekers, most of them from Latin America. Often, they have arrived on buses sent here by southern governors intending to make the border “problem” that of a so-called “sanctuary city.” How has New York responded? And how does this fit into the city’s long history of refuge?
This course will offer students an introduction to the theory, ethics, and history of the idea of international protection. We will look specifically at how Latin American citizens have engaged with the US asylum system over time and how this engagement has changed the shape of US immigration laws. We will study the origins of the ideas of international protection, who is understood to qualify and why, how the system has changed over time, and what these developments mean for a broader understanding of human rights across borders. We will also take a critical look at asylum, examine ideas of deservingness and innocence and their intersection with categories of race, class and gender, and question what it means for certain people to be constructed as victims and others to be seen as not eligible – or worthy – of protection.
This is an engaged pedagogy course. The class will be organized around a close collaboration with a NY legal organization that has taken on the work of representing many asylum seekers in the city. Students will learn the complexities of US asylum law and will work collectively to use this knowledge, while developing their research skills, to put together reports to be used in active asylum cases.
This seminar and engaged pedagogy course is centered around close collaboration with a community-based organization in New York City. We will divide our time between an intellectual study of the history, theory, and practice of human rights protections, and address the semester's specific topic as it is unfolding locally and nationally, in real time. As an engaged pedagogy course, the academic and project-based work will be conducted in conjunction with, and for the benefit of, an organization involved in local social justice work. The course is therefore fundamentally designed around the lives, experiences, and needs of real people in New York City and the organizations dedicated to advancing their demands. Our partner organizations serve the needs of their members or clients in various ways, including but not limited to: legal representation, public policy advocacy, rights' campaigns, and educational outreach. Students will work directly with members and/or clients of these organizations as they draw upon human rights frameworks to make specific demands to ameliorate their circumstances. Ultimately, students will use their academic knowledge, reading and writing skills, and newly-gained on-site experience to complete a specific project intended to further the causes and needs of the community-based organization and its members.
This course attempts to provide an introduction to the changing cultural, political, technological and social trends of the 1980s in America – a seminal and transformative decade in American history – through an examination of its popular culture in literature, music, theater, television, film, and other associated media. Through close examination of primary sources, we will focus on the changing representations of race, gender, and class in American society, as well as investigating the effects of changing media of cultural production and their role in emerging literary and cultural styles.
Culture, technology, and media in contemporary Japan. Theoretical and ethnographic engagements with forms of mass mediation, including anime, manga, video, and cell-phone novels. Considers larger global economic and political contexts, including post-Fukushima transformations. Prerequisites: the instructor's permission.
The Senior Seminar will afford thesis writers the chance to workshop their idea, conduct research and/or interviews, work with the IRB protocols (if necessary), learn to work with archival materials, and perform other research activities prior to writing the thesis. Students who choose to write a capstone paper or conduct a capstone project can choose an elective course the following semester. The Thesis Seminar, conducted in the spring semester, is a workshop-oriented course for Senior Thesis writers organized around honing their writing skills while providing guidance to students in their field/disciplinary-specific projects. For example, a student may choose to write a historical biography of an artist while another may pursue a sociological study of the effects of mass incarceration on voting rights. The instructor of the Thesis Seminar, working with a faculty adviser (dependent on the specific field of inquiry in the thesis), will provide feedback and supervise the writing schedule of the students.
This course will examine how the American legal system decided constitutional challenges affecting the empowerment of African, Latino, and Asian American communities from the 19th century to the present. Focus will be on the role that race, citizenship, capitalism/labor, property, and ownership played in the court decision in the context of the historical, social, and political conditions existing at the time. Topics include the denial of citizenship and naturalization to slaves and immigrants, government sanctioned segregation, the struggle for reparations for descendants of slavery, and Japanese Americans during World War II.
This course provides students with an introduction to the history of human rights as a compelling, contested, and dynamic constellation of discourses, structures, and practices. As a framework for articulating and pursuing justice at local, national, and global levels, human rights in the 21st century draw on the diverse histories of social movements, moral philosophy, legal institutions, and political maneuvers across the modern period. Claimed most frequently when their violation is most egregious, the history of human rights is also a history of wrongs, with the changing nature and scope of oppression serving to provoke different kinds of human rights struggles. Often invoked as timeless and universal standards, the history of human rights demonstrates their basic malleability, both in terms of which rights are recognized and who qualifies as human, and their fundamental contingency, both in terms of the precariousness of any human rights ‘victory’ and their potential for co-optation in the interests of power. Finally, while this course is primarily concerned with the history of human rights, we will also consider the human rights of history, reflecting on the role of history and historical consciousness in the pursuit for justice.
Learning Outcomes
Aligned with the critical, historical, and integrative grounding of the course, the objectives for student learning encompass areas of
knowledge
,
skills
, and
values
. They include:
Students will analyze the change over time of human rights discourses, institutions, practices.
Students will analyze the continuities and discontinuities between historic and contemporary forms of human rights.
Students will develop knowledge and understanding of various strategies for promoting human rights deployed by historic actors.
Students will develop knowledge and understanding of the role of history and historical consciousness in contemporary efforts to secure human rights.
Students will develop their capacity for empathy across difference.
Students will orient their own values in relation to the dynamic principles of human rights.
This seminar explores how broad trends that shape contemporary Latin American societies intertwine with the specificities of people’s multilayered local realities. Through ethnographic narratives of the everyday lives of Latin Americans, we will learn how life histories and narrative accounts offer windows for understanding inequality and persistence in the face of the seemingly insurmountable obstacles of an unequal world. Themes covered include precarious work, migration and displacement, housing, racism and state violence, gender and family, health, environmental devastation, and social movements. Cases are drawn from across the Americas, including: Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico, and Nicaragua.
In this class we will approach race and racism from a variety of disciplinary and intellectual perspectives, including: critical race theory/philosophy, anthropology, history and history of science and medicine. We will focus on the development and deployment of the race concept since the mid-19th century. Students will come to understand the many ways in which race has been conceptualized, substantiated, classified, managed and observed in the (social) sciences, medicine, and public health. We will also explore the practices and effects of race (and race-making) in familiar and less familiar social and political worlds. In addition to the courses intellectual content, students will gain critical practice in the seminar format -- that is, a collegial, discussion-driven exchange of ideas.
English translations of the Bible from Tyndale to the present.
This course explores the interdisciplinary challenges of establishing a human society on Mars. Students explore a number of challenges that are involved in reaching the Red Planet and setting up a functional social habitat for the long term. This includes both the numerous logistical hurdles of traveling to and surviving on Mars, as well as the social, political, and ethical considerations of establishing a new society on the planet. Through analysis and discussion of scientific research, social science texts, and popular media, students will gain a deep understanding of the physiological, psychological, and strategic challenges of long-duration space travel and human habitation on another planet.
The course is not scientific or overly technical in nature. Instead, the perspective being adopted is that of a social scientist seeking to understand how humans can travel to another planet and live together. The first half of the course focuses on the practical, physiological, and psychological challenges of traveling to and surviving on Mars while maintaining contact withEarth. In the first part of the course, students will study the unique environmental conditions of Mars, the health risks of space travel, and how to maintain communication and connectivity with Earth despite vast distances. Students will also engage with how sustainable living on Mars—through food, energy, and resource management—could shape the future of human expansion in space.
The second half delves into the complexities of building social, legal, and economic systems in a new extraterrestrial society. Students will critically evaluate how to create a self-sustaining, functional civilization on Mars. Given the social science focus of the class, there will be emphasis placed on topics such as governance, establishing social contracts and property rights, and building economic systems for an entirely new world.
This course is meant to attract a small group of 10-15 students interested in space exploration. The small size and intensive four-hour class format is intended to foster creative problem-solving and interdisciplinary thinking (see below for discussion of non-traditional format). By the end of the course, students will not only understand the practicalities of space colonization but also develop skills in envisioning and designing innovative solutions for humanity’s future beyond Earth.
This seminar explores theories regarding race/racism, gendered racism, capitalism, political economy, and processes related to how governments and markets allocate capital to build and maintain public goods and services and private amenities—from drinking water, to homes, to schools, to grocery and retail stores. Focus is on debates within and across Black communities regarding how Black people should seek individual and collective capacity to realize their citizenship rights and privileges, with particular attention to variation in Black Americans’ interests across the class spectrum. The final two weeks are devoted to Black liberation and reparations movements.
Prerequisites: the instructors permission. This course pursues interconnections linking text and performance in light of magic, ritual, possession, narration, and related articulations of power. Readings are drawn from classic theoretical writings, colonial fiction, and ethnographic accounts. Domains of inquiry include: spirit possession, trance states, séance, ritual performance, and related realms of cinematic projection, musical form, shadow theater, performative objects, and (other) things that move on their own, compellingly. Key theoretical concerns are subjectivity - particularly, the conjuring up and displacement of self in the form of the first-person singular I - and the haunting power of repetition. Retraced throughout the course are the uncanny shadows of a fully possessed subject --within ritual contexts and within everyday life.
This class will examine the development of education for African Americans in the United States. Chattel slavery and its afterlives are marked by questions, debates, and experiments not simply in schooling for Black people, but how to use education for the practice of freedom. Through examining this development, students will learn how the experience of Black people in schools complicates static notions about public vs private schools, demands for school desegregation, and the ongoing role of (mostly) white philanthropy in shaping the development of education for Black youth in the US and around the world.
1-4 points. May be repeated for credit. Prerequisites: the instructors permission. Except by special permission of the director of undergraduate studies, no more than 4 points of individual research may be taken in any one term. This includes both PSYC UN3950 and PSYC UN3920. No more than 8 points ofPSYC UN3950 may be applied toward the psychology major, and no more than 4 points toward the concentration. Readings, special laboratory projects, reports, and special seminars on contemporary issues in psychological research and theory.
We make decisions countless times a day. Computational models have been developed that improve our understanding of how these decisions are made. This course is organized in three parts: perceptual decision-making, value-based decision-making, and computational psychiatry. In part one, perceptual decision-making, we will focus on computational models that can capture and explain decisions in perception, such as categorizing an orientation, or discriminating the direction of moving dots, or estimating the magnitude of a stimulus (e.g., time). We will start by laying the foundations of signal detection theory and Bayesian inference under uncertainty and build to models that incorporate confidence ratings and reaction times. In part two, value-based decision-making, we will move on to decisions that incorporate our values (e.g., ‘Should I go out or stay in and study?’, ‘Should I eat a burger or a salad?’). We will learn the basics of a computational modeling framework that captures how we learn values from rewards and punishments, reinforcement learning, as well as about model-free and model-based learning. Lastly, we will learn how impairments in decision-making that occur in psychopathology (e.g., addiction, anorexia nervosa, anxiety) have been conceptualized and quantified in the relatively new field of computational psychiatry.
Is it possible to read literature in such a way as to be coherent with the requirements for the environmental disaster that seems to be upon us? This course will attempt to answer this question through 4 novels dealing with planetarity and climate change. This is a restricted course by interview only. ICLS students will read the Bengali and/or French texts in the original. Students are required to write a 1 page response to the text to be read the next day by midnight the previous day. Class discussions will be constructed on these responses. There will be a colloquium at the end of the semester, requiring oral presentation of a research paper that will engage the entire class.
Prerequisites: POLS V1501 or the equivalent, and the instructors permission. Pre-registration is not permitted. Please see here for detailed seminar registration guidelines: http://polisci.columbia.edu/undergraduate-programs/seminar-registration-guidelines. Seminar in Comparative Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: POLS V1501 or the equivalent, and the instructors permission. Pre-registration is not permitted. Please see here for detailed seminar registration guidelines: http://polisci.columbia.edu/undergraduate-programs/seminar-registration-guidelines. Seminar in Comparative Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Advances in artificial intelligence carry potential for both social good and ethical danger. The purpose of this course is to explore both foundational and applied debates in the philosophy of computing, with a focus on machine learning technologies. Drawing from works in philosophy, computer science, literature, and policy, this course will comprehensively examine the conceptual and normative challenges artificial intelligence presents. The course analyzes present-day challenges through the prism of specific technologies and tools, namely predictive analytics, computer vision, and large language models, and also investigates moral and social questions on the horizon, with an eye to how advancements in computing will impact responsibility, moral status, and relationships.
Prerequisites: two years of calculus, at least one year of additional mathematics courses, and the director of undergraduate studies' permission. The subject matter is announced at the start of registration and is different in each section. Each student prepares talks to be given to the seminar, under the supervision of a faculty member or senior teaching fellow. Prerequisite: two years of calculus, at least one year of additional mathematics courses, and the director of undergraduate studies' permission.
Prerequisites: Course open to Barnard Art History majors only. Independent research for the senior thesis. Students develop and write their senior thesis in consultation with an individual faculty adviser in Art History and participate in group meetings scheduled throughout the senior year.
Corequisites: PHIL W3963 Required Discussion Section (0 points). What can we know? What is knowledge? What are the different kinds of knowledge? We will read classic and contemporary texts for insight into these questions.
The MESAAS honors seminar offers the opportunity to undertake a sustained research project working closely with an individual faculty adviser. It also enables you, as part of a small group of MESAAS students working with the seminar instructor, to develop the skills of academic research and writing and learn how to collaborate with peers and create an engaged intellectual community. This 3-point seminar continues the work begun in the Fall semester of the senior year in MDES 3960 Honors Thesis Seminar Part 1.
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Prerequisites: POLS UN1601 or the equivalent, and the instructors permission. Seminar in International Politics. Students who would like to register should join the electronic wait list. For list of topics and descriptions see: https://polisci.columbia.edu/content/undergraduate-seminars
Required discussion section for PHIL UN3960 Epistemology.
This course will examine the history of Japanese photography from the middle of the 19th century to the present. The class will be organized both chronologically and thematically. Throughout its history, photography has been an especially powerful medium for addressing the most challenging issues facing Japanese society. Among the topics under discussion will be: tourist photography and the representation of women within that genre in the late 19th century, the politics of propaganda photography, the construction of Japanese cultural identity through the representation of “tradition” in photography, and the interest in marginalized urban subcultures in the photography of the 1960s and 1970s. Although the course will be focused on Japan, the class will read from the literature on photography elsewhere in order to situate Japanese work within a broader context.
Prerequisites: Permission of the instructor.
This course will examine the noir tradition in American film between 1941 and 1959. We begin with noir's origins in two turn-of-the-century literary works about Empire, Inc and the divided self of the modern era, Conrad's "Heart of Darkness" and Stevenson's " Dr Jekyll and Mr Hyde". We will consider the international roots of Hollywood noir, many of whose directors were European refugees from Hitler, and its depictions of the femme fatale, l'homme fatale, and the world métropole, particularly NYC and LA. Readings will include Marxist, postcolonial, and gender theory, and film history. Films will include "The Killers", "Double Indemnity", "The Big Heat", "The Lodger", "Gilda", "Sunset Blvd", "Sweet Smell of Success", and "Vertigo".
Application instructions: Email Professor Ann Douglas (
ad34@columbia.edu
) with the subject heading "Film Noir application". In your message, include basic information: your name, school, major, year of study, and relevant courses taken, along with a brief statement about why you are interested in taking the course. Admitted students should register for the course; they will automatically be placed on a wait list, from which the instructor will in due course admit them as spaces become available.
Prerequisites: AMST UN3920 A seminar devoted to the research and writing, under the instructors supervision, of a substantial paper on a topic in American studies. Class discussions of issues in research, interpretation, and writing.
The Senior Project Seminar will focus primarily on developing students’ ideas for their research projects while charting their research goals. The course is designed to develop and hone the skills necessary to complete a senior thesis paper or creative project. An important component of the seminar is the completion of original and independent student research. The seminar provides students a forum in which to discuss their work with both the instructor and their peers. The professor, who facilitates the colloquium, will also provide students with additional academic support through seminar presentations, one-on-one meetings, and classroom exercises; supplementary to the feedback they receive from their individual faculty advisors. The course is divided into three main parts: 1.) researching and producing a senior project thesis; 2.) the submission of coursework throughout the spring semester that help lead to a successful completed project; 3.) and an oral presentation showcasing one’s research to those in and beyond the CSER community at the end of the academic year. This course is reserved for seniors who are completing a CSER senior project and who have successfully completed
Modes of Inquiry
in either their junior or senior year.
May be repeated for credit, but no more than 3 total points may be used for degree credit. Only for Electrical Engineering and Computer Engineering undergraduate students who include relevant off-campus work experience as part of their approved program of study. Final report and letter of evaluation required. May not be used as technical or nontechnical electives or to satisfy any other Electrical Engineering or Computer Engineering major requirements. May not be taken for pass/fail credit or audited.
Working with her advisor, a student will expand the research project initiated in the Fall Senior Seminar for Music Majors (BC3992x). In order to satisfy the requirement, the student will complete a fifty page research paper.
This course is a requirement for AMEC majors and should be taken in the junior year. In this semester
students are introduced to Asian and Middle Eastern studies as academic disciplines and explore
theories and methods of interdisciplinary research. Through a variety of readings and workshops,
students gain experience discussing their area of interest comparatively and practice synthesizing work
from related fields.
"Advanced Topics in German Literature” is open to seniors and other advanced undergraduate students who have taken Intro to German Literature (GERM 3333) or an equivalent class. The seminar provides students the opportunity to closely examine a topic from a variety of perspectives and theoretical approaches. Readings and discussion in German. The course is repeatable for credit.
Working with her advisor, a student will develop a vocal or instrumental recital program with representative musical works from a variety of historical periods. In order to satisfy the requirement, the student will present an hour long public performance of the recital program. Students may also satisfy this requirement by composing original vocal or instrumental works.
Working with her advisor, a student will develop a vocal or instrumental recital program with representative musical works from a variety of historical periods. In order to satisfy the requirement, the student will present an hour long public performance of the recital program. Students may also satisfy this requirement by composing original vocal or instrumental works.
Working with her advisor, a student will develop a vocal or instrumental recital program with representative musical works from a variety of historical periods. In order to satisfy the requirement, the student will present an hour long public performance of the recital program. Students may also satisfy this requirement by composing original vocal or instrumental works.
Guided, independent, indepth research experience culminating in the senior essay. Weekly meetings are held to review work in progress, to share results through oral and written reports, and to consider career options for further work in this field.
Enrollment limited to Barnard senior English majors with a concentration in creative writing.
This creative writing workshop represents an opportunity for creative writing concentrators to focus on one large project that will serve as a capstone senior project. As in a typical writing workshop, much of the focus will be on sharing and critiquing student work. Unlike other workshops, in this class students will focus on building out a longer project—such as a more ambitious full-length story for fiction and creative nonfiction writers and a chapbook for poets. This means students will discuss work by writers who may not share their own genre. We will focus on generating new work, developing your writing process, and creating new possibilities and momentum for your piece, as well as trying to create a sense of community among the concentrators. We will also conduct in-class writing exercises in response to short reading assignments and class lectures. Students should be aware of two important notes: (1) This class is limited to senior English majors who have already been approved to be creative writing concentrators; and (2) this course fulfills the requirement for concentrators to finish a senior project, but not the academic senior seminar requirement. This class is about your own writing and that of your classmates. This class will be what you make of it!
Prerequisites: Senior standing. Year-long course; participation is for two consecutive terms. No new students admitted for spring. Emphasizes the study of the built environment of cities and suburbs, and the related debates. Readings, class presentations, and written work culminate in major individual projects, under the supervision of faculty trained in architecture, urban design, or urban planning.