Chandler 260 , This course studies the materials, techniques, settings, and meanings of skilled craft and artistic practices in the early modern period (1350-1750), in order to reflect upon a series of issues, including craft knowledge and artisanal epistemology; the intersections between craft and science; and questions of historical methodology and evidence in the reconstruction of historical experience. The course will be run as a “Laboratory Seminar,” with discussions of primary and secondary materials, as well as text- and object-based research and hands-on work in a laboratory. One component of the
Making and Knowing Project
of the
Center for Science and Society
, this course contributes to the collaborative production of a transcription, English translation, and critical edition of a late sixteenth-century manuscript in French,
BnF Ms. Fr. 640
. In fall 2018, the course will focus on the cultural context, materials, and techniques of “making impressions” upon a variety of surfaces, including making reliefs for ornament and for printing, and inscribing metal, including engraving and etching. Several entries in the manuscript use what we think of as “print techniques” for metal decoration or making seals and molds, and other entries discuss printers’ type, and make use of prints for image transfer. Students will begin with skill-building exercises in culinary reconstruction, pigment making, and molding, and then, with advice from a visiting “expert maker,” will choose a research focus from the entries in the manuscript that cover such topics as draftsmanship, engraving techniques, print transfer, and other topics that intersect with printing and printmaking. The course will be taught this year only in fall 2018. It is not necessary to have either prior lab experience or French language skills. Please don't hesitate to contact Pamela Smith, ps2270@columbia.edu, if you have questions.
This course is attentive to how social contexts shape the reception of ideas that are assumed to have universal purchase. The seminar adopts a historical mode of presentation, and locates social theory in its global contexts with a specific focus on the global South.We follow the itinerary of two concepts,
equality
and
difference
. Can we write a global history of social thought? How are ideas and contexts transformed when they encounter forms of social difference (e.g., race, caste, religion) that must be thought on their own terms? What is the relationship between commitments to equality, on the one hand, and the preservation of difference on the other?
Readings for the seminar will include a mix of classic texts of social theory, and monographs in history and anthropology that seek to engage and redirect the energies of social thought toward questions of translation, commensuration, and alterity.
The term "geopolitics" and its cognates emerged at the very end of the nineteenth century in connection to new forms of nationalism and inter-imperialist competition in Europe and the world. Emphasizing the mutually constitutive relationship among power, place, and knowledge, geopolitics has most often been associated with a "realist" and state-centric approach to international relations, although recent decades have seen the rise of a critical geopolitics that includes a far wider range of social actors. This course is both a conceptual history of geopolitics as the term has been defined and applied over the last hundred years, as well as a critical survey of the changing relations among technology, state power, and spatiality in connection to strategies of global competition and conflict. The course includes an introduction to Global Imaging Systems in the second week.
Prerequisites: high-quality work in the previous term.
Arrangements must be made with the director of graduate studies. Tutorial work in specialized research topics.
Prerequisites: high-quality work in the previous term.
Arrangements must be made with the director of graduate studies. Tutorial work in specialized research topics.